Vinyl

Original Soundtrack (The)

Algemeen

Artiest	10cc
Label	Mercury Records
Datum uitgave	1975
Speelduur	41:47
Genre	Pop Rock

Details

Producent	10cc
Componist	Godley, Creme, Gouldman, Stewart
Opmerkingen	The Original Soundtrack is the third studio album by the English art rock band 10cc. It was released in 1975 and peaked at number four on the UK Albums Chart. The Original Soundtrack includes the singles "Life Is a Minestrone", and "I'm Not in Love", the band's most popular song. The album was recorded and produced by the band at Strawberry Studios in 1974 with Eric Stewart engineering and mixing. The album received good reviews when originally released on LP and cassette by Mercury Records in March 1975. The album has since been reissued on several occasions with bonus tracks and has been remastered. The artwork was designed by Hipgnosis and illustrated by artist Humphrey Ocean.

Trackslijst

1	Une nuit à Paris: I. One Night in Paris / II. The Same Night in Paris / III. Later the Same Night in Paris	8:39
2	I’m Not in Love	6:04
3	Blackmail	4:55
4	The Second Sitting for the Last Supper	4:23
5	Brand New Day	4:03
6	Flying Junk	4:10
7	Life Is a Minestrone	4:30
8	The Film of My Love	5:03

Look Hear?

Algemeen

Artiest	10cc
Label	Mercury Records
Datum uitgave	1980
Speelduur	44:48
Genre	Pop Rock

Details

Producent	Gouldman, Stewart
Componist	Stewart, Gouldman, Tosh, Fenn, Mackay
Opmerkingen	Look Hear? is the seventh studio album by 10cc, released in 1980. It reached No. 35 in the UK and No. 180 in the United States. The album, recorded at the band's Strawberry Studios South in Dorking, Surrey, was the first by 10cc since its 1976 split to include songs written by neither Graham Gouldman or Eric Stewart. The cover art, created by Hipgnosis, underwent significant alteration for the album's U.S. release: the prominent display of the words "Are you normal" was replaced by a photo of a sheep relaxing on a beach, a similar image of which had appeared only as a small insert on the UK cover. The album was their first for their new label in the U. S., Warner Bros. Records. Two singles were lifted from the album: "One Two Five (edit)"/"Only Child" and "It Doesn't Matter at All"/"From Rochdale to Ocho Rios" (B-side changed to "Strange Lover" for U.S. release). Only "One Two Five" would be released in the U. S., and it would fail to chart. Both Gouldman and Stewart would later express their disappointment with the album's lukewarm reception, but they would also acknowledge that their hearts might not have been in it. At the time of its making, Stewart was still recovering from an automobile accident that left him with blindness in one eye and temporary hearing loss in one ear. They also admit that the hiatus the band was forced to go into following Stewart's accident was the beginning of the end, and that musical tastes had shifted in the interim.

Trackslijst

1	One Two Five	5:11
2	Welcome to the World	3:45
3	How’m I Ever Gonna Say Goodbye	3:40
4	Don’t Send We Back	3:20
5	I Took You Home	5:10
6	It Doesn’t Matter at All	4:02
7	Dressed to Kill	3:30
8	Lovers Anonymous	5:08
9	I Hate to Eat Alone	2:57
10	Strange Lover	3:40
11	L.A. Inflatable	4:25

Bloody Tourists

Algemeen

Artiest	10cc
Label	Phonogram
Datum uitgave	1978
Speelduur	49:26
Genre	Album Rock, Art Rock, Pop Rock

Details

Producent	Graham Gouldman, Eric Stewart
Componist	Stewart, Gouldman, Tosh, Fenn, Mackay
Opmerkingen

Trackslijst

01	Dreadlock Holiday	4:28
02	For You and I	5:20
03	Take These Chains	2:36
04	Shock on the Tube (Don’t Want Love)	3:38
05	Last Night	3:10
06	The Anonymous Alcoholic	5:38
07	Reds in My Bed	4:08
08	Lifeline	3:26
09	Tokyo	4:29
10	Old Mister Time	4:27
11	From Rochdale to Ocho Rios	3:41
12	Everything You’ve Wanted to Know About !!! (Exclamation Marks)	4:25

Frostbite

Algemeen

Artiest	Albert Collins
Label	Alligator Records
Datum uitgave	1980
Speelduur	41:06
Genre	Blues

Details

Producent	Collins
Componist	Collins
Opmerkingen	12-12-1980 van Tom-Jeanny en Leo & Yvonne

Trackslijst

1	If You Love Me Like You Say	4:08
2	Blue Monday Hangover	5:34
3	I Got a Problem	4:34
4	The Highway Is Like a Woman	5:02
5	Brick	4:35
6	Don't Go Reaching Across My Plate	3:45
7	Give Me My Blues	4:14
8	Snowed In	9:10

Trash Talkin'

Algemeen

Artiest	Albert Collins
Label	Imperial
Datum uitgave	1969
Speelduur	38:40
Genre	Blues

Details

Producent	Collins
Componist	Collins
Opmerkingen	Albert Gene Drewery, known as Albert Collins and the Ice Man (October 1, 1932 – November 24, 1993),[1] was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title "The Master of the Telecaster".[2]

Trackslijst

	Harris County Line-Up	2:20
	Conversation With Collins	5:23
	Jawing	2:15
	Grapeland Gossip	2:50
	Chatterbox	2:26
	Trash Talkin’	4:07
	Baby What You Want Me to Do / Rock Me Baby	4:06
	Lip Service	3:17
	Things That I Used to Do (Talking Slim Blues)	3:27
	Back-Yard Back-Talk	2:52
	Tongue Lashing	2:52
	And Then It Started Raining	2:45

Alf

Algemeen

Artiest	Alison Moyet
Label	CBS
Datum uitgave	1984
Speelduur	37:51
Genre	Pop, Synth Pop

Details

Producent	Steve Jolley, Tony Swain
Componist	Moyet, Jolley, Swain
Opmerkingen	Alf is the debut studio album by British singer-songwriter Alison Moyet, released in 1984. The album launched Moyet's solo career following the disbanding of synthpop duo Yazoo (also known as Yaz). The album reached No. 1 in the UK and features the singles "Love Resurrection", "All Cried Out", "Invisible" and "For You Only". In 1983, shortly before the release of their second studio album You and Me Both, Yazoo announced that they were splitting up. Deciding to become a solo artist, Moyet soon received various offers from different record companies. Moyet ended up signing to CBS for £1 million later that year. However, after signing the contract, Yazoo's American record company Warner Bros then put an injunction on her. The legal issues took a year to be resolved by settlement in 1984. When Moyet was able to start working on her debut album, a meeting was held with CBS. As both Spandau Ballet and Bananarama had been recently successful in the charts, the label suggested Moyet team up with their producers Tony Swain & Steve Jolley.[3]

Trackslijst

1	Love Resurrection	3:52
2	Honey for the Bees	4:12
3	For You Only	4:06
4	Invisible	4:00
5	Steal Me Blind	3:18
6	All Cried Out	6:50
7	Money Mile	3:44
8	Twisting the Knife	3:28
9	Where Hides Sleep	4:17

Best Kept Secret

Algemeen

Artiest	Alquin
Label	Polydor
Datum uitgave	1976
Speelduur	0:00
Genre	Dutch Pop, R&B

Details

Producent	Alquin, Vic Smith
Componist	Alquin
Opmerkingen	A few students in Delft start a group in 1968. It is called Threshold Fear and they mainly play rhytmn and blues. In 1970 the band members are: Hein Mars (bass, vocals), Job Tarenskeen (vocal, sax, percussion), Ronald Ottenhof (sax, flute), Ferdinand Bakker (guitar, vocals, keyboards), Dick Franssen (keyboards) and Bart Terlaak (drums). A single is released on Negram: Sally Saddlepain/Thank me not, the track was produced by Peter Vink who later on would form Finch At the end of 1971 the group changes the drummer:Terlaak goes and Paul Weststrate comes. In January 1972 they perform in Paradiso for the first time, under their old name. Shortly thereafter (February 1972) the group changes its name to Alquin, after the student society and rehearsal room Alcuin.Due to their growing reputation, May 1972 a record deal with Polydor is closed for 2 albums and 4 singles, and they record their debut album Marks, produced by Hans van Oosterhout. He was also the producer of Supersister. The album is mainly a mix of rock, jazz and classical influences; “symphonic rock”. As a single You always can change is released with on the flip side the non album track Hard royce. The popularity of the band is growing in 1973 The readers of Oor magazine vote Alquin as the ‘number 1 trendsetter’ of 1973. Alquin tours Great Britain in April and May (17 performances), on stages like Liverpool University, Cavern Club, Greyhound and Marquee Club (London) and including a live TV performance on The Old Grey Whistle Test. They also give a good performance as the one and only Dutch act at the Pinkpop festival in the Netherlands. A second album, The Mountain Queen is recorded at the DeLane Lea studio’s in London, with the help of producer Derek Lawrence. He was also the producer of Deep Purple and Wishbone Ash. For fans of progressive rock, this is probably their best effort. In 1974 the band tours with The Golden Earring in Germany and England and as support act with The Who in France. In the summer of 1974 Alquin successfully toured England on their own. In the autumn of ’74 singer Michel van Dijk - who sang with Brainbox and Ekseption - joined Alquin. In this line-up the third album “Nobody can wait forever” was recorded in December 1974 at the Rockfield Studios in Whales, with producer Roger Bain. The music Alquin make changes, less progressive. The songs are shorter, heavier and even funkier. At the release of the album in January 1975 Job Tarenskeen took the place of Paul Weststrate as drummer of the band, because Paul had to join the army. The single Wheelchair Groupie is a minor success. The album was also released in the United States, but a tour was cancelled at the last minute. A little later Hein Mars leaves the band and is replaced by Rob ten Bokum. Mars completely resigns from the music scene. In this line-up the band starts an extensive Holland-tour. A year later the band records yet another album, Best Kept Secret, with another bass player Jan Visser. The album is recorded with the help of Vic Smith. On this album they sound funkier than ever. Later that year the band goes on a second Holland-tour, the results of this can be heard on a live album On Tour, that was released the same year.

Trackslijst

01	Fool In The Mirror
02	Central Station Hustle
03	L.A. Rendez-Vous
04	High Rockin'
05	One More Night
06	Amy
07	Take Any Road

Time Passages

Algemeen

Artiest	Al Stewart
Label	RCA Victor
Datum uitgave	1978
Speelduur	44:12
Genre	Soft Rock

Details

Producent	Alan Parsons
Componist	Al Stewart, Peter White
Opmerkingen	Time Passages is the eighth studio album by Al Stewart, released in September 1978. It is the follow-up to his 1976 album Year of the Cat. The album, like 1975's Modern Times and 1976's Year of the Cat, was once again produced by Alan Parsons. The album's title track (which, when edited, reached #7 on the Billboard charts) and "End of the Day" were both co-written by Peter White. The title track also reached #1 on the Billboard Adult Contemporary charts for 10 weeks. A digitally remastered version of the album was released in 2004.

Trackslijst

1	Time Passages	6:39
2	Valentina Way	4:02
3	Life in Dark Water	5:46
4	A Man for All Seasons	5:45
5	Almost Lucy	3:41
6	The Palace of Versailles	5:20
7	Timeless Skies	3:31
8	Song on the Radio	6:20
9	End of the Day	3:08

Live Indian Summer

Algemeen

Artiest	Al Stewart
Label	RCA
Datum uitgave	1981
Speelduur	80:00
Genre	Folk Rock

Details

Producent	Al Stewart, Chris Desmond
Componist	Al Stewart
Opmerkingen	Acoustic Guitar, Electric Guitar, Keyboards, Accordion, Percussion, Vocals – Peter White Acoustic Guitar, Electric Guitar, Keyboards, Vocals – Al Stewart Acoustic Guitar, Electric Guitar, Vocals – Adam Yurman Art Direction – Ria L. Shapiro* Backing Vocals – Flo & Eddie (tracks: A3) Bass, Violin, Vocals – Robin Lamble Co-producer – Peter White Cover, Photography – Leon Lecash Drums, Percussion, Vocals – Harry Stinson Executive Producer – Luke O' Reily Keyboards, Vocals, Percussion, Whistle [Penny] – Krysia Kristianne Mastered By – Mike Reese Percussion – Steve Chapman (2) Photography [Live] – Aron Rapoport Producer – Al Stewart, Chris Desmond Saxophone, Flute – Bryan Savage Strings, Arranged By – David Campbell (tracks: A4 to D5) Violin, Percussion – Jerry McMillan Rights Society: STEMRA Label: RCA ‎– RCALP 9001 (76.28 959-1/2), RCA ‎– PL 25391 Format: Vinyl, LP, Album, Gatefold Country: Europe Released: 1981 Genre: Rock

Trackslijst

A1	Here In Angola	4:37
A2	Pandora	4:33
A3	Indian Summer	3:33
A4	Delia's Gone	2:47
A5	Princess Olivia	3:21
B1	Running Man	4:43
B2	Time Passages	6:26
B3	Merlin's Time	2:56
B4	If It Doesn't Come Naturally, Leave It	4:27
C1	Roads To Moscow	8:13
C2	Nostradamus/World goes to Riyadh	13:01
D1	Soho (Needless To Say)	3:43
D2	On The Border	4:46
D3	Valentina Way	4:17
D4	Clarence Frogman Henry	1:43
D5	Year Of The Cat	7:07

Die 4 Jahreszeiten

Algemeen

Artiest	Antonio Vivaldi
Label	Sastruphon
Datum uitgave	1970
Speelduur	41:16
Genre	Klassiek

Details

Producent	Vivaldi
Componist	Vivaldi
Opmerkingen	Label : Sastruphon Pressing : SM 007069 - Germany Comment : VIVALDI - DIE 4 JAHRESZEITEN LOLA BOBESO, Violine Das Heidelberger Kam ... See below Preis E 26,00 https://www.cdandlp.com/en/lola-bobesco-heidelberger-kammerorchester/vivaldi-die-4-jahreszeiten-the-four-seasons/lp/r116511003/

Trackslijst

1	Der Frühling: I. Allegro	3:54
2	Der Frühling: II. Largo	2:35
3	Der Frühling: III. Allegro	4:09
4	Der Sommer: I. Allegro	5:15
5	Der Sommer: II. Adagio	1:51
6	Der Sommer: III. Presto	3:11
7	Der Herbst: I. Allegro	4:53
8	Der Herbst: II. Adagio molto	2:48
9	Der Herbst: III. Allegro	3:39
10	Der Winter: I. Allegro non molto	3:40
11	Der Winter: II. Largo	2:14
12	Der Winter: III. Allegro	3:07

Le Disque D'Or De Barbara

Algemeen

Artiest	Barbara
Label	Philips
Datum uitgave	1973
Speelduur	38:24
Genre	Chanson

Details

Producent	Barbara
Componist	Barbara
Opmerkingen

Trackslijst

A1	Ma Plus Belle Histoire D'Amour	4:48
A2	Au Bois De Saint-Amand	1:30
A3	Gottingen	2:35
A4	A Mourir Pour Mourir	2:45
A5	Nantes	4:10
A6	Le Mal De Vivre	3:52
B1	L'Aigle Noir (Dédié A Laurence)	3:17
B2	Une Petite Cantate	1:55
B3	Pierre	3:00
B4	Le Soleil Noir	4:00
B5	La Solitude	2:35
B6	La Dame Brune	3:57

Guilty

Algemeen

Artiest	Barbra Streisand
Label	Columbia
Datum uitgave	1980-09
Speelduur	41:46
Genre	Easy Listening

Details

Producent	Karl Richardson, Albhy Galuten, Barry Gibb
Componist	Barry Gibb
Opmerkingen	Guilty is the twenty-second studio album by American singer Barbra Streisand released on September 23, 1980 by Columbia Records. It was produced by Barry Gibb of the Bee Gees and his group's regular production team of Albhy Galuten and Karl Richardson. After the success of the Bee Gees in the late 1970s, there was some time to write songs for other artists and Streisand, one of those artists, asked Gibb to write an album for her.[5] It became her best-selling album to date internationally, with sales between 15–20 million copies worldwide as well as spawning several hit singles.[6][7] According to the liner notes of Barbra's retrospective box set: Just for the Record, the album also received a record certification in Austria, Brazil, Denmark, Israel, Italy, Japan, the Netherlands, Portugal, Spain. Sweden, Switzerland, and Russia.[8] The lead single "Woman in Love" became one of the most successful songs of Streisand's music career and spent a total of three weeks at number one in the Billboard Hot 100 chart. Two other singles were released, which also peaked within the top ten on Billboard Hot 100: the title track, a duet between Streisand and Gibb, won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1981, released as a second single for the album, and became an instant hit, peaking at number three, and "What Kind of Fool", another duet with Gibb, reached number ten for three weeks. The fourth single, "Promises", a more disco-oriented track released in May 1981, reached as high as number 48 in both the U.S. and Canada. It was a much bigger Adult Contemporary hit in both nations, reaching number eight and number five, respectively.[9] This song was also released on Streisand's first commercially released 12" single as a solo artist following her 1979 duet with Donna Summer, "No More Tears (Enough Is Enough)", and two promotional singles released for "Shake Me, Wake Me (When It's Over)" in 1975, and "The Main Event/Fight" in 1979. Streisand released a sequel to this album, Guilty Pleasures, in 2005, also produced and largely written by Gibb. Both albums can also be considered partial-collaboration albums, since Streisand not only did two duets with Gibb, but Gibb could also be heard as a background vocalist in a few other songs solely by the artist herself, along with the fact that both singers were on the cover for both albums issued.

Trackslijst

1	Guilty	4:23
2	Woman in Love	3:49
3	Run Wild	4:06
4	Promises	4:20
5	The Love Inside	5:08
6	What Kind of Fool	4:06
7	Life Story	4:38
8	Never Give Up	3:44
9	Make It Like a Memory	7:29

Verve Jazz No. 4

Algemeen

Artiest	Ben Webster
Label	Metro
Datum uitgave	1958
Speelduur
Genre	Jazz

Details

Producent
Componist
Opmerkingen	Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Born in Kansas City, Missouri, he is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young. Known affectionately as "The Brute"[1] or "Frog", he had a tough, raspy, and brutal tone on stomps (with growls), yet on ballads he played with warmth and sentiment. He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument.

Trackslijst

A1	Hollering At The Watkins	3:25
A2	Young Bean	6:02
A3	Late Date	7:10
A4	Don't Get Around Much Any More	3:02
A5	Pennies From Heaven	2:44
B1	Jive At Six	4:09
B2	Saph	2:04
B3	Fajista	3:38
B4	Ev's Mad	4:20
B5	Cool Train	4:08

Legacy of the Blues, Volume 6 (The)

Algemeen

Artiest	Big Joe Williams
Label	Sonet
Datum uitgave	1972
Speelduur	32:01
Genre	Blues

Details

Producent
Componist
Opmerkingen	Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982)[2] was an American Delta blues guitarist, singer and songwriter,[1] notable for the distinctive sound of his nine-string guitar. Performing over four decades, he recorded the songs "Baby Please Don't Go", "Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion.[3] He was inducted into the Blues Hall of Fame on October 4, 1992.[4] The blues historian Barry Lee Pearson (Sounds Good to Me: The Bluesman's Story, Virginia Piedmont Blues) described Williams's performance: When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzzing, sizzling, African-sounding music I have ever heard.[3]

Trackslijst

1	I've Been Wrong but I'll Be Right	3:20
2	Black Gal You're Sure Looking Warm	2:36
3	When I First Left Home	3:12
4	Little Annie Mae	2:03
5	Levee Break Blues	1:57
6	Hang It Up on the Wall	2:23
7	Lone Wolf	2:29
8	This Heavy Stuff of Mine	2:33
9	Tell My Mother	2:28
10	Big Fat Mama	2:49
11	Back on my Feet	3:22
12	Jefferson and Franklin Blues	2:49

Greatest Hits, Volume I & Volume II

Algemeen

Artiest	Billy Joel
Label	Columbia
Datum uitgave	1985
Speelduur	108:50
Genre	Pop, Pop Rock

Details

Producent
Componist
Opmerkingen	Billy Joel's Greatest Hits is a collection released in two sets, 12 years apart. The first set, consisting of two discs, titled Volume I and Volume II, was released in 1985. The second, single disc titled Volume III was released in 1997. "You're Only Human (Second Wind)" and "The Night Is Still Young" were new songs and, at the time, only available on this compilation. All songs but the last three on Volume III, "To Make You Feel My Love", "Hey Girl" and "Light as the Breeze" were written by Joel. The other songs appear mostly in order of their release dates and generally represent Joel's most successful singles.

Trackslijst

1	Piano Man	5:36
2	Captain Jack	7:15
3	The Entertainer	3:38
4	Say Goodbye to Hollywood	3:54
5	New York State of Mind	6:02
6	The Stranger	5:07
7	Scenes From an Italian Restaurant	7:33
8	Just the Way You Are	3:36
9	Movin' Out (Anthony's Song)	3:28
10	Only the Good Die Young	3:53
11	She's Always a Woman	3:17
12	My Life	3:51
13	Big Shot	3:43
14	You May Be Right	4:09
15	It's Still Rock and Roll to Me	2:54
16	Don't Ask Me Why	2:57
17	She's Got a Way	3:00
18	Pressure	3:15
19	Allentown	3:48
20	Goodnight Saigon	7:00
21	Tell Her About It	3:35
22	Uptown Girl	3:15
23	The Longest Time	3:36
24	You're Only Human (Second Wind)	4:48
25	The Night Is Still Young	5:28

Greatest Hits

Algemeen

Artiest	Black Sabbath
Label	Ariston
Datum uitgave	1981
Speelduur
Genre	Hard Rock

Details

Producent
Componist
Opmerkingen	Black Sabbath were an English rock band, formed in Birmingham in 1968, by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward. Black Sabbath are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970) and Master of Reality (1971). The band had multiple line-up changes, with Iommi being the only constant member throughout its history. Formed in 1968 as the Polka Tulk Blues Band, a blues rock band, the group went through line up changes, renamed themselves as Earth, broke up and reformed. By 1969, they had named themselves Black Sabbath after the film Black Sabbath starring Boris Karloff, and began incorporating occult themes with horror-inspired lyrics and tuned-down guitars. The band's first show as Black Sabbath took place on 30 August 1969, in Workington. Signing to Philips Records in November 1969, they released their first single, "Evil Woman" in January 1970. Their debut album, Black Sabbath, was released on Friday the 13th, February 1970, on Philips' newly formed progressive rock label, Vertigo Records. Though receiving a negative critical response, the album was a commercial success and reached number 8 in the UK Albums Chart, so the band returned to the studios to quickly record the follow up, Paranoid, which was also released in 1970. The band's popularity grew, and by 1973's Sabbath Bloody Sabbath, critics were starting to respond favourably.

Trackslijst

A1	Paranoid	2:45
A2	N.I.B.	5:58
A3	Changes	4:35
A4	Sabbath Bloody Sabbath	5:39
A5	Iron Man	5:47
B1	Black Sabbath	6:20
B2	War Pigs	8:49
B3	Laguna Sunrise	2:49
B4	Tomorrows Dream	3:06
B5	Sweet Leaf	5:02

Hi-De-Ho / The Battle

Algemeen

Artiest	Blood, Sweat And Tears
Label	CBS
Datum uitgave	1970
Speelduur	0:00
Genre	Jazz, Rock

Details

Producent	Bobby Colomby, Roy Halee
Componist
Opmerkingen

Trackslijst

A	Hi-De-Ho	0:00
B	The Battle	0:00

Little White Wonder Vol. 2 (The)

Algemeen

Artiest	Bob Dylan
Label	Buhay Records
Datum uitgave	1975
Speelduur
Genre	Folk

Details

Producent
Componist
Opmerkingen	Front & back images are the same concert shot from LA Feb. 14 '74 This LP is a copy of Bob Dylan - A Rare Batch Of Little White Wonder Volume 2 although they are not from the same master plates. This version has the songs arranged in a different order, and is slightly inferior quality to the earlier Joker release. Rare Bob Dylan Bootleg Set In 1973 the Italian Label Joker released this, the first of the quasi-legitimate rare batch series in Europe. The Original cover was a simple pink cover with title and songs. The only problems with this LP are that there are many mistakes listing the song titles; and it does not list the source material for any of the songs. Vol. 2 was born In 1974 when the Italian Label Joker released the 2nd of the quasi-legitimate rare batch series in Europe. The Original cover was a green cover with title, songs In 1975 the Italian Label Joker released a 3rd of the quasi-legitimate rare batch series in Europe. The 0riginal cover was a beige cover with title, songs and small 1965 picture.

Trackslijst

A1	Wade In The Water
A2	V.D. Blues
A3	New Orleans Rag
A4	Baby Let Me Follow You Down
A5	Cocaine Blues
B1	That's All Right Mama
B2	Stealin'
B3	The Cough Song
B4	Hard Times In New York Town
B5	If I Could Dolt All Over

Little White Wonder Vol. 1 (The)

Algemeen

Artiest	Bob Dylan
Label	Buhay Records
Datum uitgave	1973
Speelduur
Genre	Folk

Details

Producent
Componist	Bob Dylan
Opmerkingen	Bob Dylan, geboren als Robert Allen Zimmerman (Duluth (Minnesota), 24 mei 1941) is een Amerikaans singer-songwriter en kunstenaar. Hij wordt beschouwd als een van de grootste songwriters van de Verenigde Staten in de twintigste eeuw. Op 13 oktober 2016 werd hem de Nobelprijs voor Literatuur toegekend omdat hij "de grootse Amerikaanse liedtraditie met nieuwe dichterlijke expressiemogelijkheden heeft uitgebreid".[1] Onofficiële Italiaanse uitgaven uit de jaren 70 Rare Bob Dylan Bootleg Set. In 1973 the Italian Label Joker released this, the first of the quasi-legitimate rare batch series in Europe. The Original cover was a simple pink cover with title and songs. The only problems with this LP are that there are many mistakes listing the song titles; and it does not list the source material for any of the songs. Vol. 2 was born In 1974 when the Italian Label Joker released the 2nd of the quasi-legitimate rare batch series in Europe. The Original cover was a green cover with title, songs In 1975 the Italian Label Joker released a 3rd of the quasi-legitimate rare batch series in Europe. The 0riginal cover was a beige cover with title, songs and small 1965 picture.

Trackslijst

A1	Who You Really Are
A2	Candy Man
A3	The Death Of Emmett Till
A4	California
A5	Only A Hobo
B1	Baby Please Don't Go
B2	Man Of Constant Sorrow
B3	I Ain't Got No Home
B4	Farewell Angelina
B5	Poor Lazarus

Live!

Algemeen

Artiest	Bob Marley & The Wailers
Label	Island
Datum uitgave	1975
Speelduur	37:40
Genre	Reggae

Details

Producent	Bob Marley & The Wailers
Componist	B. Marley, V. Ford, P. Tosh
Opmerkingen	Live! is een livealbum van Bob Marley & The Wailers, opgenomen op 18 juli 1975 in The Lyceum Ballroom (tegenwoordig bekend als The Lyceum Theatre), een theater in het West End in Londen. Dit is een van Marleys bekendste optredens. Het optreden volgde op een serie concerten in de VS in het kader van de Natty Dread Tour, de eerste grote toernee voor Marley in dat land. Omdat zijn muziek in Groot-Brittannië erg populair was onder Jamaicaanse immigranten werd besloten om een aantal Britse concerten aan deze tour vast te plakken. Bob Marley en zijn Wailers stonden op 17 en 18 juli twee avonden in The Lyceum. De geluidsopnamen van 18 juli werden voor het Live!-album gebruikt. Tevens werden die avond beeldopnamen gemaakt, die later vaak zijn gebruikt in promotievideo's en dergelijke. Na deze twee shows gaf Bob nog twee concerten in Birmingham en Manchester. Het album werd eind 1975 uitgebracht door Island Records in Groot-Brittannië. In Nederland duurde het tot het najaar van 1976 voordat de plaat in de toenmalige LP Top 50 kwam, mede dankzij het eerste Nederlandse concert dat Bob in die periode had gegeven. No Woman, No Cry was released as a single.

Trackslijst

1	Trenchtown Rock	4:24
2	Burnin’ and Lootin’	5:12
3	Them Belly Full (but We Hungry)	4:36
4	Lively Up Yourself	4:32
5	No Woman, No Cry	7:08
6	I Shot the Sheriff	5:19
7	Get Up, Stand Up	6:29

Against the Wind

Algemeen

Artiest	Bob Seger & the Silver Bullet Band
Label	Capitol Records
Datum uitgave	1980
Speelduur	39:42
Genre	Rock

Details

Producent
Componist
Opmerkingen	"Against the Wind" is a song by Bob Seger & The Silver Bullet Band from the 1980 album Against the Wind. "Against the Wind" is the highest ranking single from the album, peaking at number 5.[1] Glenn Frey of the Eagles sang background vocals on this song. During an interview on WWFX, "100 FM The Pike", Bob Seger said that "Against the Wind" came about from his days as a high-school cross country runner. The line "Let the cowboys ride!" towards the song's end is a reference to the closing lyrics of the song "Santa Fe/Beautiful Obsession" by Van Morrison. Seger later said that the line "Wish I didn't know now what I didn't know then" bothered him for a while, but that everyone he knew loved it, so he left it in. He also said that it has since appeared in several other hits by other artists, so that proved it was an acceptable lyric.[2]

Trackslijst

1	The Horizontal Bop	4:00
2	You’ll Accomp’ny Me	3:55
3	Her Strut	3:47
4	No Man’s Land	3:38
5	Long Twin Silver Line	4:13
6	Against the Wind	5:28
7	Good for Me	4:00
8	Betty Lou’s Gettin’ Out Tonight	2:47
9	Fire Lake	3:27
10	Shinin’ Brightly	4:23

Vijf jaar hits

Algemeen

Artiest	Boudewijn de Groot
Label	Decca Records
Datum uitgave	1969
Speelduur	74:27
Genre	Folk

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Strand	2:34
2	Noordzee	2:34
3	Welterusten, mijnheer de president	2:36
4	Elégie prénatale	2:07
5	De eeuwige soldaat	2:08
6	Er komen andere tijden	2:15
7	Een meisje van 16	3:03
8	De morgen	2:29
9	Voor de overlevenden	3:06
10	Woningnood	2:10
11	Vrijgezel	2:27
12	De dagen zijn geteld	2:51
13	Het land van Maas en Waal	3:03
14	De vrienden van vroeger	3:01
15	Testament	3:18
16	Verdronken vlinder	2:29
17	Lied voor een kind dat bang is in het donker	2:55
18	Eva	3:06
19	Prikkebeen	4:18
20	Waterdrager	3:18
21	Als de rook om je hoofd is verdwenen	3:29
22	Aeneas nu	3:54
23	Mensen om me heen	5:55
24	Wie kan mij nog vertellen	5:21

Voor De Overlevenden

Algemeen

Artiest	Boudewijn de Groot
Label	Decca
Datum uitgave	1966
Speelduur	35:07
Genre	Folk

Details

Producent	Tony Vos
Componist	Boudewijn De Groot, Lennaert Nijgh
Opmerkingen

Trackslijst

A1	Voor De Overlevenden	2:58
A2	Lied Voor Een Kind Dat Bang Is In Het Donker	2:52
A3	De Wilde Jager	3:52
A4	Naast Jou	3:33
A5	Testament	3:15
A6	De Vrienden Van Vroeger	2:52
B1	Ze Zijn Niet Meer Als Toen	2:52
B2	Zonder Vrienden Kan Ik Niet	1:46
B3	Het Land Van Maas En Waal	2:58
B4	Verdronken Vlinder	2:26
B5	Beneden Alle Peil	3:08
B6	Ken Je Dat Land	2:35

Waar Ik Woon En Wie Ik Ben

Algemeen

Artiest	Boudewijn de Groot
Label	Decca
Datum uitgave	1975
Speelduur	36:31
Genre	Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	Waar Ik Woon	6:16
A2	Calypso	2:00
A3	Rechts Links Verkeerd	4:17
A4	Moeder	3:57
A5	De Nederlandse Held	3:32
B1	Of Niet Soms	2:50
B2	Travestie	3:55
B3	Wegen	2:08
B4	De Verbouwing	3:00
B5	Wie Ik Ben	4:36

Tegen De Tijd

Algemeen

Artiest	Bram Vermeulen & De Toekomst
Label	WEA Records
Datum uitgave	1982
Speelduur	36:53
Genre	Nederlands

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Laat Me	4:05
2	De Nachtploeg	4:25
3	Tien Uur Geleden	3:09
4	Ren Voor Je Leven	3:43
5	Wedstrijd Tegen De Tijd	4:35
6	Pas Op	3:30
7	Burgerman	2:42
8	De Zin	3:14
9	Aardige Man	3:45
10	Joanna	3:45

Doe Het Niet Alleen

Algemeen

Artiest	Bram Vermeulen & De Toekomst
Label	RCA
Datum uitgave	1981
Speelduur	40:43
Genre	Nederlands

Details

Producent
Componist
Opmerkingen	In 1980 richtte Vermeulen een eigen groep op, Bram Vermeulen en De Toekomst. Op het gelijknamige album rekende hij af met de “scheiding” van De Jonge; de singles Pauline en vooral Politiek zijn tijdloos geworden en staan dikwijls in de speellijsten van de openbare radio's zowel in Nederland als Vlaanderen. Voor het tweede album Doe Het Niet Alleen ontving Vermeulen een Edison. Datzelfde jaar maakte hij zijn debuut als acteur in de film Achter Glas. In 1984 bracht hij het album Bram uit, waarvoor hij opnieuw een Edison kreeg. Daarna ging hij zich meer toeleggen op het maken van muziek voor theaterproducties. https://maartenslagboom.nl/mensengevoelens-interviews/bram-vermeulen/

Trackslijst

A1	Ik Heb Het Over Liefde	3:25
A2	Maak Jezelf Wat Wijs	3:53
A3	Het Is Gedaan (Deel 1)	2:41
A4	(Neem me) Zoals Ik Ben	2:16
A5	Vreemdeling In Bed	3:36
A6	De Burokraten	2:30
A7	Eén Voor Een	4:17
B1	Marijke	3:32
B2	Het Gaat Je Niet Aan	3:45
B3	Verveling	2:40
B4	Alles Is Voor Niets Geweest	3:26
B5	Doe Het Niet Alleen	2:45
B6	Het Is Gedaan (Deel 2)	1:33

Lost Without Your Love

Algemeen

Artiest	Bread
Label	Elektra
Datum uitgave	1977
Speelduur	35:15
Genre	Soft Rock

Details

Producent
Componist
Opmerkingen	Lost Without Your Love is the sixth and final studio album by Bread, released in 1977. The title track of this LP became the group's sixth and final Top 10 hit, reaching number nine on the US Billboard Hot 100 in February 1977. "Hooked on You," the follow-up single, subsequently reached number 60.

Trackslijst

1	Hooked on You	2:18
2	She's the Only One	2:59
3	Lost Without Your Love	2:54
4	Change of Heart	3:13
5	Belonging	3:13
6	Fly Away	3:01
7	Lay Your Money Down	2:38
8	The Chosen One	4:26
9	Today's the First Day	3:20
10	Hold Tight	3:02
11	Our Lady of Sorrow	4:07

Best of Bread (The)

Algemeen

Artiest	Bread
Label	Elektra
Datum uitgave	01/06/1973
Speelduur	0:00
Genre	Soft Rock

Details

Producent	David Gate
Componist	Gates, Griffin, Royer
Opmerkingen	Op deze LP zijn de Labels verwisseld! Kant 1 = Kant 2 The Best of Bread, is the definitive single-disc collection of Bread's hits, spanning 12 tracks and all of the group's hits, including lesser-known hits that didn't reach the heights of "Make It with You," "Everything I Own," "If," or "Baby I'm a Want You." Though this isn't as comprehensive as Rhino's double-disc set -- which means it doesn't contain the David Gates solo cuts that the first one does -- it still provides most casual listeners with all the Bread they'd need, in a highly listenable fashion, too. In addition to the usual 2 channel stereo version the album was also released by Elektra in a 4 channel quadraphonic version in 1973. The quadraphonic version was released on LP record, 8-track tape and reel to reel tape. The quadraphonic LP was encoded using the Quadradisc system. The 2001 CD re-issue by Rhino has eight additional tracks including several from the 1974 album The Best of Bread, Volume 2, along with the November 1976 single Lost Without Your Love. In 2015 Audio Fidelity released the 12 song album on the Super Audio CD format. This edition contains both stereo and quadraphonic mixes.

Trackslijst

A1	Make It With You	3:15
A2	Too Much Love	2:45
A3	If	2:33
A4	Let Your Love Go	2:25
A5	Everything I Own	3:06
A6	Been Too Long On The Road	3:49
B1	Baby I'm-A Want You	2:25
B2	Down On My Knees	2:44
B3	It Don't Matter To Me	2:41
B4	Mother Freedom	2:45
B5	Look What You've Done	3:10
B6	Truckin'	2:31

River (The)

Algemeen

Artiest	Bruce Springsteen
Label	CBS
Datum uitgave	1990
Speelduur	83:46
Genre	Folk Rock, Rock

Details

Producent
Componist
Opmerkingen	The River is the fifth studio album by Bruce Springsteen. It was released on October 17, 1980, by Columbia Records.[1] Springsteen's only double album, The River was produced by Jon Landau, Springsteen, and bandmate Steven Van Zandt. The album was Springsteen's first to go #1 on the Billboard 200 and spent four weeks at the top of chart.[2]

Trackslijst

1	The Ties That Bind	3:34
2	Sherry Darling	4:03
3	Jackson Cage	3:04
4	Two Hearts	2:45
5	Independence Day	4:50
6	Hungry Heart	3:19
7	Out in the Street	4:18
8	Crush on You	3:10
9	You Can Look (but You Better Not Touch)	2:37
10	I Wanna Marry You	3:30
11	The River	5:01
12	Point Blank	6:06
13	Cadillac Ranch	3:03
14	I'm a Rocker	3:36
15	Fade Away	4:46
16	Stolen Car	3:54
17	Ramrod	4:05
18	The Price You Pay	5:29
19	Drive All Night	8:33
20	Wreck on the Highway	3:54

Waking Up the Neighbours

Algemeen

Artiest	Bryan Adams
Label	A&M Records
Datum uitgave	1991
Speelduur	0:00
Genre	Pop Rock, Rock

Details

Producent
Componist
Opmerkingen	Waking Up the Neighbours is the sixth studio album by Canadian singer-songwriter Bryan Adams, released on 24 September 1991. The album was recorded at Battery Studios in London, and at The Warehouse Studio in Vancouver, mixed at Mayfair Studios in London, and mastered by Bob Ludwig at Masterdisk in New York City. "(Everything I Do) I Do It for You" was number 1 on the British charts.[1] The album sold more than 16 million copies worldwide.[2] The album was also notable in Canada for creating controversy concerning the system of Canadian content.[3]

Trackslijst

1	Is Your Mama Gonna Miss Ya?	0:00
2	Hey Honey - I’m Packin’ You In!	0:00
3	Can’t Stop This Thing We Started	0:00
4	Thought I’d Died and Gone to Heaven	0:00
5	Not Guilty	0:00
6	Vanishing	0:00
7	House Arrest	0:00
8	Do I Have to Say the Words?	0:00
9	There Will Never Be Another Tonight	0:00
10	All I Want Is You	0:00
11	Depend on Me	0:00
12	(Everything I Do) I Do It for You	0:00
13	If You Wanna Leave Me (Can I Come Too?)	0:00
14	Touch the Hand	0:00
15	Don’t Drop That Bomb on Me	0:00

Another Time, Another Place

Algemeen

Artiest	Bryan Ferry
Label	Island
Datum uitgave	1974
Speelduur	41:53
Genre	Rock

Details

Producent
Componist
Opmerkingen	Another Time, Another Place was Bryan Ferry's second studio album as a solo artist. The album reached #4 in the UK charts in 1974. Recording took place in London at Island, Ramport and AIR studios. Like These Foolish Things, Another Time, Another Place is essentially a cover album, with the exception of the last song, which gave its title to the album and was written by Ferry. It featured a Bob Dylan song ("A Hard Rain's a-Gonna Fall" on the former LP, "It Ain't Me Babe" on the latter) and a standard (the title track of These Foolish Things, "Smoke Gets in Your Eyes" on Another Time, Another Place) but while These Foolish Things emphasized an early-'60s girl-group repertoire, Another Time, Another Place turned to soul music (Sam Cooke, Ike & Tina Turner) and country music (Kris Kristofferson, Willie Nelson, Joe South).

Trackslijst

1	The 'In' Crowd	4:35
2	Smoke Gets in Your Eyes	2:53
3	Walk a Mile in My Shoes	4:44
4	Funny How Time Slips Away	3:30
5	You Are My Sunshine	6:48
6	(What a) Wonderful World	2:54
7	It Ain't Me Babe	3:53
8	Fingerpoppin'	3:34
9	Help Me Make It Through the Night	4:15
10	Another Time, Another Place	4:46

Let’s Stick Together

Algemeen

Artiest	Bryan Ferry
Label	Polydor
Datum uitgave	1976
Speelduur	37:56
Genre	Pop, Rock

Details

Producent
Componist
Opmerkingen	Let's Stick Together is a 1976 album by Bryan Ferry. His third solo release, it was his first following the disbanding of Roxy Music earlier in the year. Unlike Ferry’s two previous solo recordings, Let’s Stick Together was not a dedicated album project, instead being made up of material released as singles, B-sides and an EP. It had a generally favourable critical reception, but only just made the UK Top 20. Five of the tracks on the album were remakes of Bryan Ferry songs previously recorded with Roxy Music. "Re-Make/Re-Model", "2HB", "Chance Meeting" and "Sea Breezes" were from the band's eponymously titled debut album (1972), while "Casanova" was taken from Country Life (1974). In most cases the re-recordings were smoother and more oriented to jazz and R&B than the original Roxy Music versions. The other six tracks on the album were covers. The sax-driven "Let's Stick Together" was written and originally recorded by Wilbert Harrison. It was remixed in 1988 for the compilation The Ultimate Collection. Other up-tempo numbers were The Everly Brothers' "The Price of Love" and Jimmy Reed's "Shame, Shame, Shame" (which includes a counter-vocal by the backing singers which quotes Marvin Gaye's "Can I Get A Witness"). The remaining covers, which included The Beatles' "It's Only Love", were performed in a mellow cabaret style. "2HB" (a tribute to Humphrey Bogart) had been released as the B-side of Ferry's single "A Hard Rain's a-Gonna Fall" in September 1973. "Chance Meeting" was the B-side of "The 'In' Crowd" in May 1974. "You Go to My Head" b/w "Re-Make/Re-Model" had been released as a single in June 1975, making #33 in the UK charts. "Let’s Stick Together" b/w "Sea Breezes" was released in June 1976, making #4. The Extended Play EP, featuring "The Price of Love" and "Shame, Shame, Shame" b/w "Heart on My Sleeve" and "It’s Only Love", was released in August 1976, making #7. "Casanova", the only recording that had not been released in some other form prior to the album, was eventually issued as the B-side of Ferry’s cover of Lou Reed’s "What Goes On" in May 1978. The song "Let's Stick Together" was re-released in 1988 as "Let's Stick Together '88", making #12. Various Roxy Music members were involved in the recordings, including Paul Thompson on drums, Eddie Jobson on violin and synthesizer, John Gustafson and John Porter on bass, and Phil Manzanera and David O'List on guitar. Although Ferry’s fiancee Jerry Hall made an appearance in tiger skin costume, complete with tail, on the title track's video clip, the song's yelps were performed by an unnamed member of the backing chorus.[citation needed]

Trackslijst

1	Let’s Stick Together	2:59
2	Casanova	2:46
3	Sea Breezes	6:11
4	Shame, Shame, Shame	3:16
5	2HB	3:14
6	The Price of Love	3:27
7	Chance Meeting	3:15
8	It’s Only Love	3:49
9	You Go to My Head	2:42
10	Re‐Make/Re‐Model	2:43
11	Heart on My Sleeve	3:28

Portrait in Music

Algemeen

Artiest	Buddy Holly
Label	Coral Records
Datum uitgave	1971
Speelduur	50:17
Genre	Rock & Roll

Details

Producent
Componist
Opmerkingen	Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American musician and singer-songwriter who was a central figure of mid-1950s rock and roll. He was born in Lubbock, Texas, to a musical family during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records. Holly's recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley's control in the studio and with the sound he achieved there, he went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of "That'll Be the Day", among other songs. Petty became the band's manager and sent the demo to Brunswick Records, which released it as a single credited to "The Crickets", which became the name of Holly's band. In September 1957, as the band toured, "That'll Be the Day" topped the US "Best Sellers in Stores" chart and the UK Singles Chart. Its success was followed in October by another major hit, "Peggy Sue". The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing him, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as "The Day the Music Died". During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of "100 Greatest Artists".

Trackslijst

1	Rave On	1:53
2	Wishing	2:06
3	Tell Me How	2:04
4	Peggy Sue Got Married	2:09
5	Slippin' and Slidin'	2:37
6	Oh Boy!	2:08
7	Bo Diddley	2:19
8	What to Do	2:02
9	Heartbeat	2:12
10	Baby Won't You Come Out Tonight?	1:52
11	Words of Love	1:57
12	Love's Made a Fool of You	1:57
13	Reminiscing	2:00
14	Lonesome Tears	1:53
15	Listen to Me	2:25
16	Maybe Baby	2:08
17	Down the Line	2:08
18	That'll Be the Day	2:29
19	Peggy Sue	2:34
20	Brown Eyed Handsome Man	2:09
21	You're So Square	1:41
22	It's Not My Fault	1:56
23	Ready Teddy	1:34
24	It Doesn't Matter Anymore	2:04

Changing All Those Changes / Brown Eyed Handsome Man

Algemeen

Artiest	Buddy Holly
Label	Coral Records
Datum uitgave	1963
Speelduur	0:00
Genre	Rock & Roll

Details

Producent
Componist
Opmerkingen

Trackslijst

A	Changing All Those Changes
B	Brown Eyed Handsome Man

Jamboree Bag No. 2

Algemeen

Artiest	Chas & Dave
Label	Rockney
Datum uitgave	2001
Speelduur	0:00
Genre	Cabaret

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Come Round and Hear My Grammophone	0:00
2	Rye House	0:00
3	I'm Not All There	0:00
4	Carolina	0:00
5	Anniversary Waltz (Oh How We Danced)	0:00
6	Hot Meat Pies, Savaloys an' Trotters	0:00
7	Rufus Rasta	0:00
8	Billy Muggins	0:00
9	I'm an Airman	0:00
10	Black and White Rag	0:00
11	I Wanna Say Hello	0:00
12	Aunty Skinner's Chicken Dinner	0:00
13	Hard Up and Happy	0:00
14	Oh It's a Windy Night Tonight	0:00
15	End of Me Ol' Cigar	0:00
16	Eleven More Months	0:00
17	How ya Gonna Keep 'em Down on the Farm?	0:00
18	While London Sleeps	0:00
19	Alabamy Bound	0:00
20	Pickin' All the Big Ones Out	0:00
21	Proper Cup O' Coffee	0:00
22	Beer Belly Banjos	0:00
23	The Sideboard Song	0:00
24	Breakfast in Bed	0:00
25	Sweet Violets	0:00
26	Slap Bang	0:00
27	Walla Walla	0:00
28	What Happens After the Ball	0:00
29	Wait 'Till the Sun Shines, Nellie	0:00
30	Down Fell the Pony in a Fit	0:00
31	Ya Can't Help Laughing Can Ya	0:00
32	Come Round and Hear My Grammophone	0:00
33	Sling Your Hook	0:00
34	But I Do	0:00
35	When the Leaves Come Tumblin' Down	0:00
36	Someday	0:00
37	Near You	0:00
38	Why Didn't You Tell Me	0:00
39	Walkin' My Baby Back Home	0:00
40	Black Hills of Dakota	0:00
41	You Got Love	0:00
42	Just a Little Lovin'	0:00
43	The Clouds Will Soon Roll By	0:00
44	You're the One Rose	0:00
45	Whispering	0:00
46	Every Little While	0:00
47	I Used to Sigh for the Silvery Moon	0:00
48	I Wanna Go Back to the Farm	0:00
49	Down Where the Swanee River Flows	0:00
50	Ill String Along With You	0:00
51	My Melancholy Way	0:00
52	Halfway to Heaven	0:00
53	I'm Afraid to Open Your Letter	0:00
54	Bye Bye Blues	0:00

Dream Police

Algemeen

Artiest	Cheap Trick
Label	Epic
Datum uitgave	1979
Speelduur	45:54
Genre	Pop, Rock

Details

Producent
Componist
Opmerkingen	Dream Police is the fourth studio album by American rock band Cheap Trick. It was released in 1979, and was their third release in a row produced by Tom Werman. It is the band's most commercially successful studio album, going to No. 6 on the Billboard 200 chart[6] and being certified platinum within a few months of its release.[7]

Trackslijst

1	Dream Police	3:49
2	Way of the World	3:41
3	The House Is Rockin’ (With Domestic Problems)	5:17
4	Gonna Raise Hell	9:18
5	I’ll Be With You Tonight	3:51
6	Voices	4:29
7	Writing on the Wall	3:26
8	I Know What I Want	4:28
9	Need Your Love	7:35

Another Page

Algemeen

Artiest	Christopher Cross
Label	Warner Bros. Records
Datum uitgave	1983
Speelduur	43:01
Genre	Pop

Details

Producent
Componist
Opmerkingen	Another Page is Christopher Cross' second studio album, recorded in 1982 and released in early 1983. Although not as commercially successful as its predecessor (it was only certified Gold by the RIAA while his self-titled debut album had already been certified Platinum by the time of the release of Another Page), the third single, "Think of Laura", reached #9 on the Billboard Hot 100 in 1984; it has since proven to be Cross' final single to reach the Top 10. The first single, "All Right", had reached #12 on the chart a year before. "Arthur's Theme (Best That You Can Do)" appeared as a bonus track on the cassette and later CD releases of the album. An instrumental version of "No Time for Talk" appeared in the movie American Anthem, which was composed by the song's co-author and producer of Another Page, Michael Omartian.

Trackslijst

1	No Time for Talk	4:27
2	Baby Says No	6:07
3	What Am I Supposed to Believe	4:29
4	Deal 'em Again	3:15
5	Think of Laura	3:24
6	All Right	4:17
7	Talking in My Sleep	3:40
8	Nature of the Game	3:59
9	Long World	3:34
10	Words of Wisdom	5:46

Natural High

Algemeen

Artiest	Commodores
Label	Motown Records
Datum uitgave	1978-05
Speelduur	41:08
Genre	Soul

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Fire Girl	4:08
2	X-Rated Movie	4:41
3	Flying High	5:06
4	Three Times a Lady	6:34
5	Such a Woman	4:38
6	Say Yeah	5:34
7	I Like What You Do	4:46
8	Visions	5:41

Together

Algemeen

Artiest	Country Joe and the Fish
Label	Vanguard
Datum uitgave	1968
Speelduur	0:00
Genre	Folk Rock

Details

Producent
Componist
Opmerkingen	Together is the third album by the San Francisco psychedelic rock band, Country Joe and the Fish, released in 1968. Before recording, Country Joe McDonald briefly left, so for developments with the band, they were addressed just as "The Fish". McDonald would return in time for recording sessions so the name change was relatively brief. Although it was not considered their strongest work, especially since McDonald's superior songwriting presence was absent, Together still was the most financially successful output from the band.[1] Melton and "Chicken" Hirsh take the role as main songwriters, creating variously different tracks in regard to style. The album begins with a tribute to James Brown with the track "Rock and Soul Music". From there, the band continues its development of psychedelic music with the theme of love and life for their songs.[2] Evidently, the band were still against the Vietnam War as the track "Untitled Protest" suggest. The organ played on the song was called "Death Mantra", the name bestowed upon by McDonald. With the success of the album, the band embarked on a national tour that was also dubbed a success thanks, in part, to their light shows.[3] Country Joe would not be involved in tracks two and five and would be filled in by studio musicians. This is a beginning of the personnel changes involved with the band's next two albums. Barthol would leave in the following month and Cohen and Hirsh would follow out in January 1969.[2] A1 Rock and Soul Music 6:51 A2 Susan 3:28 A3 Mojo Navigator 2:23 A4 Bright Suburban Mr. & Mrs. Clean Machine 2:19 A5 Good Guys/Bad Guys Cheer and The Streets of Your Town 3:39 B1 The Fish Moan 0:27 B2 The Harlem Song 4:19 B3 Waltzing in the Moonlight 2:13 B4 Away Bounce My Bubbles 2:25 B5 Cetacean 3:38 B6 An Untitled Protest 2:45

Trackslijst

A1	Rock and Soul Music	6:51
A2	Susan	3:28
A3	Mojo Navigator	2:23
A4	Bright Suburban Mr. & Mrs. Clean Machine	2:19
A5	Good Guys/Bad Guys Cheer and The Streets of Your Town	3:39
B1	The Fish Moan	0:27
B2	The Harlem Song	4:19
B3	Waltzing in the Moonlight	2:13
B4	Away Bounce My Bubbles	2:25
B5	Cetacaen	3:38
B6	An Untitled Protest	2:45

Mardi Gras

Algemeen

Artiest	Creedence Clearwater Revival
Label	Fantasy
Datum uitgave	1972
Speelduur	28:55
Genre	Southern Rock

Details

Producent
Componist
Opmerkingen	Mardi Gras is the seventh and final studio album by American band Creedence Clearwater Revival, released on April 11, 1972. The group disbanded after this album was released. Unlike previous albums, Mardi Gras had Stu Cook and Doug Clifford sharing songwriting and production with John Fogerty, as well as their own lead vocal contributions for the first time. Reviews were mixed to poor, with Jon Landau saying in his Rolling Stone review that the album may be known in the future as Fogerty's Revenge.[4] Following the album's release, the group was officially dissolved on 16 October in a statement released by the group and its record label Fantasy Records. Mardi Gras is the only album by the band that was not remastered and reissued until the 40th anniversary of their formation, in 2008. Creedence Clearwater Revival, often referred to as simply Creedence or CCR, was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock,[1] swamp rock,[2] and blues rock[3] genres. Despite their San Francisco Bay Area origins, they played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially-conscious lyrics about topics including the Vietnam War.[4] The band were one of the performers at the 1969 Woodstock Festival. After four years of chart-topping success, the group disbanded acrimoniously in late 1972. Tom Fogerty had officially left the previous year, and his brother John was at odds with the remaining members over matters of business and artistic control, all of which resulted in subsequent lawsuits between the former bandmates. Fogerty's ongoing disagreements with Saul Zaentz, owner of their label Fantasy Records, created further protracted court battles. As a result, John Fogerty refused to perform with the two other surviving former members at CCR's 1993 induction into the Rock and Roll Hall of Fame.[5][6] Creedence Clearwater Revival's music is still a staple of U.S. radio airplay;[7] the band has sold 26 million albums in the United States alone.[8] Rolling Stone ranked the band 82nd on its list of the 100 greatest artists of all time.[9]

Trackslijst

1	Lookin’ for a Reason	3:30
2	Take It Like a Friend	3:02
3	Need Someone to Hold	3:03
4	Tearin’ Up the Country	2:19
5	Someday Never Comes	4:02
6	What Are You Gonna Do	2:56
7	Sail Away	2:32
8	Hello Mary Lou	2:16
9	Door to Door	2:13
10	Sweet Hitch‐Hiker	2:58

Creedence Clearwater Revival

Algemeen

Artiest	Creedence Clearwater Revival
Label	Fantasy
Datum uitgave	1968
Speelduur	32:55
Genre	Southern Rock

Details

Producent
Componist
Opmerkingen	Geen binnenhoes Creedence Clearwater Revival is the debut studio album by the American rock band Creedence Clearwater Revival, released in 1968. While "Suzie Q" proved to be a hit, the band had played for years as the Golliwogs in the early 1960s, releasing numerous singles before achieving success in the pop world. In 1967, Saul Zaentz bought Fantasy Records and offered the band a chance to record a full-length album on the condition that they change their name. Having never liked 'the Golliwogs', in part because of the racial charge of the name, the four readily agreed, coming up with Creedence Clearwater Revival. In Hank Bordowitz's book Bad Moon Rising: The Unauthorized History of Creedence Clearwater Revival, bassist Stu Cook is quoted, "Fogerty, Cook, Clifford and Fogerty signed a publishing agreement with one of Fantasy's companies that gave up rights to copyright ownership...Lennon and McCartney never owned the copyrights to their compositions, either. When you're on the bottom, you make the best deal you can."[3] John Fogerty took charge of the group artistically, writing all of the band's fourteen hit records and assuming the roles of singer, guitarist, producer and arranger of nearly everything that appeared on Creedence's seven studio albums. Creedence Clearwater Revival is best remembered for the band's first hit single "Susie Q", which had been a hit for Dale Hawkins in 1957. It was released as a single version split into two parts, with the jam session during the coda on the A-side fading out with the guitar solo right before the coda which fades in part two on the B-side. Fogerty stated in a 1993 interview with Rolling Stone magazine that his purpose in recording "Susie Q" was to get the song played on KMPX, a funky progressive-rock radio station in San Francisco, which is why the song was extended to eight minutes in length. "'Suzie Q' was designed to fit right in," he explained. "The eight-minute opus. Feedback. Like [the Paul Butterfield Blues Band's] "East-West". And especially the little effect, the little telephone-box [vocal] in the middle, which is the only part I regret now. It's just funny sounding. But, lo and behold, it worked!" Fogerty elaborated to Larry King in 1999, "We recorded an old Dale Hawkins song but I psychedelicized it to get it played on the local San Francisco underground radio station." The guitarist on the original Hawkins version, James Burton, would also exert a major influence on Fogerty, with the singer telling Lynne Margolis of American Songwriter, "James Burton was a huge influence on me going back to when I was a child, when I bought that record, 'Suzie-Q,' and that was James Burton playing that guitar — which I didn’t know at the time, of course." Drummer Doug Clifford concurs to Jeb Wright on the Classic Rock Revisited website that he too tried to experiment with the tune, recalling "'Susie Q' was a rockabilly song that sounded like all of the other rockabilly songs. I came up with a quarter note idea and it made it harder edged and it gave it space and a totally different feel..." The Creedence version would reach #11 in the charts. In 2012 David Cavanagh of Uncut wrote, "For all his scepticism about long solos, Fogerty stretched out penetratingly on guitar while Creedence's rhythm trio laid down a sublime slow boogie." In 1998, Fogerty stated to Harold Steinblatt of Guitar World that the recording of "Susie Q" was "very pivotal" in another respect: ...it established how we would work for the next few years. After we finished recording our parts, the other guys hung around while I mixed. The problem was they were making all these comments like, "Well, that won't work. This won't work." You know, they were having a great time laughing...And that was the very last time I ever allowed them to be around when I mixed a record...Basically, we'd go in, we'd record the band, and then I'd throw them out of the studio. I just couldn't have them around while I was doing overdubs or when I was mixing, because they weren't very constructive. The album's other notable cover, the Screamin' Jay Hawkins classic "I Put a Spell on You", was a natural for Fogerty, whose own manic vocal delivery had much in common with Hawkins' powerful singing style. Released as a follow up to "Susie Q" in October 1968 with "Walk on the Water" as the B-side, it peaked on the U.S. charts at #58.

Trackslijst

1	I Put a Spell on You	4:25
2	The Working Man	3:02
3	Suzie Q	8:34
4	Ninety‐Nine and a Half (Won’t Do)	3:35
5	Get Down Woman	3:02
6	Porterville	2:13
7	Gloomy	3:48
8	Walk on the Water	4:16

Cosmo’s Factory

Algemeen

Artiest	Creedence Clearwater Revival
Label	Fantasy
Datum uitgave	1970
Speelduur	42:53
Genre	Southern Rock

Details

Producent
Componist
Opmerkingen	Cosmo's Factory is the fifth studio album by American rock band Creedence Clearwater Revival (CCR), released by Fantasy Records in July 1970, and released as Fantasy 8402 – the same month as the single release of "Lookin' Out My Back Door" with "Long as I Can See the Light" on the B side.[1] The name of the album comes from the warehouse in Berkeley where the band rehearsed early in their career. It was dubbed "The Factory" by drummer Doug "Cosmo" Clifford, because bandleader John Fogerty made them practice there almost every day.[5] Creedence Clearwater Revival, often referred to as simply Creedence or CCR, was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock,[1] swamp rock,[2] and blues rock[3] genres. Despite their San Francisco Bay Area origins, they played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially-conscious lyrics about topics including the Vietnam War.[4] The band were one of the performers at the 1969 Woodstock Festival. After four years of chart-topping success, the group disbanded acrimoniously in late 1972. Tom Fogerty had officially left the previous year, and his brother John was at odds with the remaining members over matters of business and artistic control, all of which resulted in subsequent lawsuits between the former bandmates. Fogerty's ongoing disagreements with Saul Zaentz, owner of their label Fantasy Records, created further protracted court battles. As a result, John Fogerty refused to perform with the two other surviving former members at CCR's 1993 induction into the Rock and Roll Hall of Fame.[5][6] Creedence Clearwater Revival's music is still a staple of U.S. radio airplay;[7] the band has sold 26 million albums in the United States alone.[8] Rolling Stone ranked the band 82nd on its list of the 100 greatest artists of all time.[9]

Trackslijst

1	Ramble Tamble	7:12
2	Before You Accuse Me	3:27
3	Travelin’ Band	2:09
4	Ooby Dooby	2:08
5	Lookin’ Out My Back Door	2:34
6	Run Through the Jungle	3:08
7	Up Around the Bend	2:42
8	My Baby Left Me	2:19
9	Who’ll Stop the Rain	2:30
10	I Heard It Through the Grapevine	11:09
11	Long as I Can See the Light	3:33

Deja Vu

Algemeen

Artiest	Crosby, Stills, Nash & Young
Label	Atlantic
Datum uitgave	1970
Speelduur	0:00
Genre	Rock Pop

Details

Producent
Componist
Opmerkingen	Presswell Press, Faux-Leather Gatefold Déjà Vu is the second album by trio Crosby, Stills & Nash, and their first as a quartet with Neil Young. It was released in March 1970 by Atlantic Records, catalogue SD 7200. It topped the pop album chart for one week and generated three Top 40 singles: "Woodstock", "Teach Your Children", and "Our House". It was re-released in 1977 as SD-19188 and the cover was changed from black to brown. In 2003, the album was ranked #148 on Rolling Stone magazine's list of the 500 greatest albums of all time. Certified septuple platinum by RIAA, the album's sales currently sit at over 8 million copies. It remains the highest-selling album of each member's career to date. History Déjà Vu was greatly anticipated after the popularity of the first CSN album. Stephen Stills estimates that the album took around 800 hours of studio time to record; this figure may be exaggerated, even though the individual tracks display meticulous attention to detail.[5] The songs, except for "Woodstock", were recorded as individual sessions by each member, with each contributing whatever was needed that could be agreed upon. Young appears on only half of the tracks, and drummer Dallas Taylor and bassist Greg Reeves are credited on the cover with their names in slightly smaller typeface while Grateful Dead frontman Jerry Garcia plays pedal steel guitar on "Teach Your Children" and former Lovin' Spoonful leader John Sebastian plays harmonica on the title track. Four singles were released from the album with all but the last, "Carry On," charting on the Billboard Hot 100. The song "Country Girl" by Young is a suite put together from three song fragments entitled "Whiskey Boot Hill," "Down Down Down," and "Country Girl (I Think You're Pretty)," and is so identified in the credits. The popularity of the album contributed to the success of the four albums released by each of the members in the wake of Déjà vu – Neil Young's After the Gold Rush, Stephen Stills' self-titled solo debut, David Crosby's If I Could Only Remember My Name, and Graham Nash's Songs for Beginners. In 2003, the album was placed at number 148 on Rolling Stone magazine's list of the 500 greatest albums of all time.[6] The same year, the TV network VH1 named Déjà vu the 61st greatest album of all time. The album ranked at #14 for the Top 100 Albums of 1970 and #217 overall by Rate Your Music. The album was issued on compact disc a second time September 6, 1994 after being remastered from the original tapes at Ocean View Digital by Joe Gastwirt. In 1997 guitarist Fareed Haque covered the entire album in jazz form for the Blue Note Cover Series.

Trackslijst

01	Carry On	4.26
02	Teach Your Children	2.53
03	Almost Cut My Hair	4.31
04	Helpless	3.33
05	Woodstock	3.54
06	Deja Vu	4.12
07	Our House	2.59
08	4 + 20	2.04
09	Country Girl	5.11
10	Everybody I Love You	2.21

I've Cried the Blue Right Out of My Eyes

Algemeen

Artiest	Crystal Gayle
Label	MCA Records
Datum uitgave	1978
Speelduur	0:00
Genre	Country

Details

Producent
Componist
Opmerkingen	I've Cried the Blue Right Out of My Eyes is a compilation album by the American country music singer Crystal Gayle. Released in February 1978, the album consists of her earliest recordings from Gayle's tenure on the Decca Records label from the early 1970s (Decca was assimilated into MCA Records during Gayle's contract). The album was produced by Owen Bradley, who had previously produced such country stars as Patsy Cline and Gayle's elder sister, Loretta Lynn (who wrote three of the songs featured on this compilation). Four of the album's ten tracks were originally released as singles between 1970 and 1973, including Gayle's earliest hit, "I've Cried (The Blue Right Out of My Eyes)", which reached #23 on the Billboard Country Singles chart in August 1970 (the song was re-released in early 1978 to promote this album, this time reaching #40 on the Country Singles chart). "Everybody Oughta Cry" reached #70 in January 1972, and "I Hope You're Havin' Better Luck Than Me" peaked at #49 in May 1972. "Show Me How" was released as a single in 1973, but failed to chart. Gayle was to have a short career with MCA, leaving for United Artists Records before an album had been released (although the aforementioned singles were). MCA released the album at the height of Gayle's popularity, sandwiched between two of her most successful UA albums, We Must Believe in Magic and When I Dream.

Trackslijst

01	I've Cried (The Blue Right Out of My Eyes)	2:42
02	Sparklin' Look of Love	2:00
03	Too Far	2:57
04	Everybody Oughta Cry	2:19
05	Mama It's Different This Time	2:20
06	Touching Me Again	2:14
07	Clock on the Wall	2:27
08	Show Me How	2:36
09	M.R.S. Degree	2:11

Rise and Fall of Ziggy Stardust and the Spiders From Mars (The)

Algemeen

Artiest	David Bowie
Label	Virgin
Datum uitgave	1972
Speelduur	38:31
Genre	Rock

Details

Producent
Componist
Opmerkingen	The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, released on 16 June 1972 in the United Kingdom. It was produced by Bowie and Ken Scott and features contributions from the Spiders from Mars, Bowie's backing band - Mick Ronson, Trevor Bolder and Mick Woodmansey. The album was recorded in Trident Studios, London, like his previous album, Hunky Dory. Most of the album was recorded in November 1971 with further sessions in January and early February 1972. Described as a loose concept album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars is about Bowie's titular alter ego Ziggy Stardust, a fictional androgynous bisexual rock star who acts as a messenger for extraterrestrial beings. The character was retained for the subsequent Ziggy Stardust Tour through the United Kingdom, Japan and North America. The album, and the character of Ziggy Stardust, were influenced by glam rock and explored themes of sexual exploration and social commentary, besides the ambiguity surrounding Bowie's sexuality. A concert film of the same name, directed by D. A. Pennebaker, was recorded in 1973 and released a decade later. Considered Bowie's breakthrough album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars peaked at number five on the UK Albums Chart and number 75 in the US Billboard Top LPs & Tape chart. As of January 2016 it had sold 7.5 million copies worldwide. The album received widespread critical acclaim and has been considered one of the greatest albums of all time. In 2017, it was selected for preservation in the National Recording Registry, being deemed "culturally, historically, or artistically significant" by the Library of Congress.

Trackslijst

1	Five Years	4:43
2	Soul Love	3:34
3	Moonage Daydream	4:39
4	Starman	4:14
5	It Ain’t Easy	2:57
6	Lady Stardust	3:20
7	Star	2:47
8	Hang On to Yourself	2:39
9	Ziggy Stardust	3:13
10	Suffragette City	3:24
11	Rock ’n’ Roll Suicide	3:01

ChangesOneBowie

Algemeen

Artiest	David Bowie
Label	RCA Victor
Datum uitgave	1976
Speelduur	46:39
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	Changesonebowie was David Bowie's first widely selling compilation album, issued by RCA Records in 1976. It collected songs from the 1969–1976 period, including the first LP appearance of "John, I'm Only Dancing". A 'sax version' of this song, cut during the Aladdin Sane sessions in 1973, appeared on the first 1000 copies of the UK pressing (these can be identified by the lack of the RCA logo in the upper-right corner of the cover). Later pressings of Changesonebowie featured the original version of the single that had been recorded and released in 1972. The U.S. LP contains this original version as well. Two of the tracks, "Ziggy Stardust" and "Suffragette City", had never been released as singles when Changesonebowie was issued, though the former had been the B-side of "The Jean Genie" in November 1972 and the latter would be released as an A-side in July 1976 to help promote the compilation. The cover shot was taken by Tom Kelley, who took the famous nude calendar photographs of Marilyn Monroe on red velvet in 1949.[citation needed]

Trackslijst

1	Space Oddity	5:17
2	John, I’m Only Dancing	2:48
3	Changes	3:37
4	Ziggy Stardust	3:14
5	Suffragette City	3:26
6	The Jean Genie	4:07
7	Diamond Dogs	6:05
8	Rebel Rebel	4:33
9	Young Americans	5:12
10	Fame	4:16
11	Golden Years	3:59

Lodger

Algemeen

Artiest	David Bowie
Label	RCA
Datum uitgave	1979
Speelduur	35:14
Genre	Pop Rock

Details

Producent	David Bowie, Tony Visconti
Componist
Opmerkingen	Lodger is the thirteenth studio album by English singer-songwriter David Bowie. It was originally released in May, 1979 by RCA Records. The last of the Berlin Trilogy, it was recorded in Switzerland and New York City with collaborator Brian Eno and producer Tony Visconti. Unlike Bowie's previous two albums, Lodger contained no instrumentals and a somewhat more pop-oriented style while experimenting with elements of world music and recording techniques inspired by Eno's Oblique Strategies cards.[4] The album was not, by Bowie's standards, a major commercial success. Indifferently received by critics on its initial release, it is now widely considered to be among Bowie's most underrated albums.[6][7] It was accompanied by several singles, including the UK Top 10 hit "Boys Keep Swinging".

Trackslijst

1	Fantastic Voyage	2:58
2	African Night Flight	2:58
3	Move On	3:21
4	Yassassin (Turkish for: Long Live)	4:13
5	Red Sails	3:47
6	D.J.	4:02
7	Look Back in Anger	3:10
8	Boys Keep Swinging	3:19
9	Repetition	3:01
10	Red Money	4:20

Stage

Algemeen

Artiest	David Bowie
Label	RCA Victor
Datum uitgave	1978
Speelduur	73:19
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	Stage is David Bowie's second live album, recorded on the Isolar II world tour, and released by RCA Records in 1978. First UK pressings were on translucent yellow vinyl and some European pressings were also available on blue vinyl. Though it was rumoured at the time that this would be his final outing with the label, following dissatisfaction over the promotion of Low and "Heroes", Bowie would in fact remain with RCA until 1982. The recording was culled from concerts in Philadelphia, Providence and Boston, US, in late April and early May 1978. It primarily included material from Bowie's most recent studio albums to that date, Station to Station, Low and "Heroes" but, in a surprise show of nostalgia, also featured five songs from The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Aside from Bowie's core team of Carlos Alomar, Dennis Davis and George Murray, band members included ex-Frank Zappa sideman Adrian Belew on guitar, Simon House from Hawkwind on electric violin, Roger Powell, best known for his work with Todd Rundgren in the group Utopia, on keyboards and Sean Mayes on piano, string ensemble and backup vocals. All would reunite the following year on Bowie's next studio LP, Lodger. Generally considered more relaxed than Bowie's previous live album, David Live (1974), Stage was praised on its initial vinyl release for the fidelity with which the band was able to emulate in concert the electronic and effects-filled numbers from Low and "Heroes", as well as for the singer's vocal performance. However, it was criticised for lacking a 'live' atmosphere, thanks to the recording being largely taken from direct instrument and microphone feeds which increased sound quality but minimised crowd noise. The original concert running order was also changed, with fades between tracks similar to a studio album. As Bowie rarely tampered with the arrangements – in contrast to his method on David Live – Stage added little to what was available on the original albums, and hence was seen by some commentators as simply a marketing exercise that did not do justice to a memorable series of live concerts. Even the cover picture came in for criticism, more so because the rest of the package contained only variations of the same shot. Stage reached No. 5 in the UK album charts but only No. 44 in the US. "Breaking Glass", which originally appeared in shorter form on Low, was released as a single. A 2005 re-issue saw most of the criticisms of the original LP addressed, and the new version garnered some favourable reviews. The album is included in The Quietus' list of its writers' "40 Favourite Live Albums".[10]

Trackslijst

1	Hang On to Yourself	3:25
2	Ziggy Stardust	3:32
3	Five Years	3:57
4	Soul Love	2:55
5	Star	2:33
6	Station to Station	8:49
7	Fame	4:07
8	TVC 15	4:37
9	Warszawa	6:49
10	Speed of Life	2:44
11	Art Decade	3:10
12	Sense of Doubt	3:13
13	Breaking Glass	3:28
14	“Heroes”	6:19
15	What in the World	4:24
16	Blackout	4:01
17	Beauty and the Beast	5:08

Loving The Alien

Algemeen

Artiest	David Bowie
Label
Datum uitgave	1984
Speelduur	19:31
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	Loving The Alien (Vinyl, 12", 45 RPM) album cover More Images David Bowie ‎– Loving The Alien Label: EMI America ‎– 12EA 195, EMI America ‎– K 060Z 20 0600 6 Format: Vinyl, 12", 45 RPM, Gatefold Country: UK Released: 1985 Genre: Electronic, Rock Style: Pop Rock, Synth-pop Tracklist Hide Credits A Loving The Alien (Extended Dance Mix) Written-By – David Bowie 7:27 B1 Don't Look Down (Extended Dance Mix) Written-By – I. Pop, J. Williamson 4:50 B2 Loving The Alien (Extended Dub Mix) Written-By – David Bowie 7:14 Companies, etc. Record Company – Capitol Records, Inc. Licensed To – EMI America Records Manufactured By – EMI Records Ltd. Phonographic Copyright (p) – David Bowie Copyright (c) – EMI America Records Pressed By – EMI Records Published By – EMI Music Publishing Ltd. Published By – Warner Bros. Music Ltd. Published By – Virgin Music (Publishing) Ltd. Credits Art Direction, Design – Shoot That Tiger! Artwork [Tonight Album Concept] – Mick Haggerty Engineer [Assistant] – Alex Haas Lacquer Cut By – Nickz* Music Consultant [Consultant] – Carlos Alomar Photography By – Steve Rapport Producer – David Bowie, Derek Bramble, Hugh Padgham Producer [Additional On Remix] – Steve Thompson Remix – Steve Thompson And Michael Barbiero* Notes Includes poster. A1, B2 published by EMI Music Publ. Ltd. B1 published by Warner Bros. Music Ltd./ Virgin Music Publ. Ltd. Featured on the EMI America Album & Tape "Tonight" ℗ 1984 Original sound recording made by David Bowie under license to EMI America Records, a division of Capitol Records, Inc. © 1985 EMI America Records, a division of Capitol Records, Inc. Manufactured in the UK by EMI Records Limited.

Trackslijst

A1	Loving The Alien (Extended Dance Mix)	7:27
B1	Don't Look Down (Extended Dance Mix)	4:50
B2	Loving The Alien (Extended Dub Mix)	7:14

Made in Japan

Algemeen

Artiest	Deep Purple
Label	Purple Records
Datum uitgave	1972
Speelduur	76:15
Genre	Rock

Details

Producent
Componist
Opmerkingen	Made in Japan is a double live album by English rock band Deep Purple, recorded during their first tour of Japan in August 1972. It was originally released in December 1972, with a US release in April 1973, and became a commercial and critical success. The band were well known for their strong stage act, and had privately recorded several shows, or broadcast them on radio, but were unenthusiastic about recording a live album until their Japanese record company decided it would be good for publicity. They insisted on supervising the live production, including using Martin Birch, who had previously collaborated with the band, as engineer, and were not particularly interested in the album's release, even after recording. The tour was successful, with strong media interest and a positive response from fans. The album was an immediate commercial success, particularly in the US, where it was accompanied by the top five hit "Smoke on the Water", and became a steady seller throughout the 1970s. A three-CD set of most of the tour's performances was released in 1993, while a remastered edition of the album with a CD of extra tracks was released in 1998. In 2014, a deluxe edition was announced with further bonus material. The album had a strong critical reception and continues to attract praise. A Rolling Stone readers' poll in 2012 ranked Made in Japan the sixth best live album of all time.

Trackslijst

1	Highway Star	6:47
2	Child in Time	12:19
3	Smoke on the Water	7:27
4	The Mule	9:43
5	Strange Kind of Woman	9:30
6	Lazy	10:39
7	Space Truckin'	19:50

Machine Head

Algemeen

Artiest	Deep Purple
Label	Warner-Pioneer Corporation
Datum uitgave	1972
Speelduur	37:47
Genre	Rock

Details

Producent
Componist
Opmerkingen	Machine Head is the sixth studio album released by the English rock band Deep Purple. It was recorded through December 1971 in Montreux, Switzerland, and released in March 1972. Machine Head is often cited as a major influence in the early development of the heavy metal music genre. Commercially, it is Deep Purple's most successful album, topping the charts in several countries following its release. The album reached number 1 in the United Kingdom and stayed in the top 40 for 20 weeks. It reached number 7 in the United States, remaining on the Billboard 200 for 118 weeks.

Trackslijst

1	Highway Star	6:08
2	Maybe I’m a Leo	4:52
3	Pictures of Home	5:07
4	Never Before	4:00
5	Smoke on the Water	5:42
6	Lazy	7:22
7	Space Truckin’	4:34

Black Night

Algemeen

Artiest	Deep Purple
Label	Harvest
Datum uitgave	1970
Speelduur	6:33
Genre	Rock

Details

Producent	Deep Purple
Componist	Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, Roger Glover
Opmerkingen	"Black Night" Black Night.jpg Single by Deep Purple B-side "Speed King" (UK) "Into The Fire" (US) Released 5 June 1970 Format 7-inch single Recorded May 1970, De Lane Lea Studios Genre Hard rock[1]heavy metal[2] Length 3:28 Label Harvest Songwriter(s) Ritchie BlackmoreIan GillanRoger GloverJon LordIan Paice Producer(s) Deep Purple Deep Purple singles chronology "Hallelujah" (1969) "Black Night" (1970) "Strange Kind of Woman" (1971) "Black Night" is a song by British hard rock band Deep Purple, first released as a single in June 1970 and later included on the 25th Anniversary version of their 1970 album, In Rock. The song became a hit following its release, peaking at No. 2 on UK charts, and to this day remains Deep Purple's highest charting UK single. It topped the charts in Switzerland, and is one of only two singles from the band to chart in Ireland, peaking at No. 4, thus making it the group's only Irish Top 10 hit. It was also the second non-album single penned by the band, the first being the flop Emmaretta, which was co-written by original singer Rod Evans. It also reached number 6 in South Africa.[3]

Trackslijst

A	Black Night	2:58
B	Living Wreck	3:35

In Flight

Algemeen

Artiest	Denny Laine
Label	Breakaway
Datum uitgave	1984
Speelduur	47:10
Genre	Pop, Beatles

Details

Producent
Componist
Opmerkingen	1984 In Flight (tracks from "Japanese Tears") with Paul McCartney Japanese Tears In January 1980, Wings planned a tour of Japan. However, upon the band's arrival at the airport in Japan, Paul McCartney was arrested for marijuana possession. The tour was cancelled, and McCartney then decided to release a solo album (McCartney II) instead of touring, putting Wings on hiatus. Laine decided to work on his own solo project (his third since joining Wings), and he released a single, "Japanese Tears". It became the title track of his album. The album also included three previously unreleased Laine compositions—"Send Me The Heart" (co-written by Paul McCartney), "I Would Only Smile", and "Weep for Love"—that had been recorded by different versions of Wings between 1972 and 1978 with Laine singing lead. In addition, it featured remakes of the Moody Blues' 1965 hit "Go Now", which Laine and Wings performed on tour, and a 1967 Laine composition, "Say You Don't Mind", that had become a top-20 UK hit in 1972 for Colin Blunstone. Two other songs featured the short-lived Denny Laine Band, which included fellow Wings member Steve Holley on drums, Andy Richards on keyboards and Laine's wife Jo Jo on backing vocals.[1] This album has been re-issued several times, under a variety of titles, on an assortment of labels.

Trackslijst

1	Somebody Ought to Know the Way	3:15
2	Lovers Light	2:30
3	Guess I'm Only Foolin'	2:30
4	Nothing to Go By	3:09
5	I Would Only Smile	3:20
6	Weep for Love	4:33
7	Say You Don't Mind	3:10
8	Japanese Tears	4:42
9	Danger Zone	3:03
10	Clock on the Wall	2:17
11	Send Me the Heart	3:39
12	Same Mistakes	3:43
13	Silver	3:59
14	Go Now	3:20

Holly Days

Algemeen

Artiest	Denny Laine
Label	EMI
Datum uitgave	1977
Speelduur	29:49
Genre	Pop, Beatles

Details

Producent
Componist
Opmerkingen	Holly Days is the second album by guitarist Denny Laine, released in 1977. It is a tribute to singer-songwriter Buddy Holly. The album was produced by Paul McCartney, who also played most of the instruments on the album. Due to the rudimentary recording methods used to capture the "Buddy Holly style", only tracks 2 and 3 were actually in stereo.

Trackslijst

1	Heartbeat	2:37
2	Moondreams	2:41
3	Rave On	1:53
4	I'm Gonna Love You Too	2:15
5	Fools Paradise	2:46
6	Lonesome Tears	3:05
7	It's So Easy / Listen to Me	3:47
8	Look at Me	3:10
9	Take Your Time	3:38
10	I'm Lookin for Someone to Love	3:57

Too-Rye-Ay

Algemeen

Artiest	Dexys Midnight Runners
Label	Mercury Records
Datum uitgave	27/12/2019
Speelduur	63:16
Genre	New Wave

Details

Producent	Kevin Rowland
Componist	Kevin Rowland
Opmerkingen	Review: https://www.sputnikmusic.com/review/73568/Dexys-Midnight-Runners-Too-Rye-Ay/ Too-Rye-Ay is the second studio album by English pop band Dexys Midnight Runners, released in July 1982 by Mercury Records. The album is best known for the hit single "Come On Eileen", which included the refrain that inspired the album's title. It was the band's most successful album, debuting at number two on the UK Albums Chart.[10] Shortly before recording this album, Dexys' bandleader Kevin Rowland had decided to add a violin section to the band's existing horn section, which had contributed strings (viola and cello) to the band's previous single, "Liars A to E". However, after violinists Helen O'Hara and Steve Brennan joined the band, the three members of the horn section, including Dexys' co-leader and album co-composer "Big" Jim Paterson, decided to leave Dexys and become an independent horn band (ultimately known as The TKO Horns). Rowland convinced them to stay with the band long enough to record the album and to perform in a kick-off concert debuting the album on BBC Radio One in June 1982. All the songs on the album were rearranged to add strings, which caused Dexys to re-record the 1981 singles "Plan B", "Liars A to E", and "Soon". During the rearrangement process, "Soon" was revised into the opening section of "Plan B"; since both songs were written by Rowland and Paterson, the merged songs are credited on the album simply as "Plan B". Release The album's "Come On Eileen" became a number one hit in both the UK and the US. Dexys Midnight Runners is best known as a one hit wonder in the US ("Come On Eileen" was also the first US single release by Dexys), but in the UK, "Geno" had previously reached number one, and "Jackie Wilson Said (I'm in Heaven When You Smile)" and "The Celtic Soul Brothers" were also UK hits. Before "Come On Eileen", Dexys' only North American single was the Northern Soul classic "Seven Days Too Long", which Dexys' previous label EMI America had released only in Canada (with "Geno" as the B-side).[11] However, on the strength of "Come On Eileen", Too-Rye-Ay reached number 14 in the US.[12] Dexys' success in US was not maintained; the best performer of the band's follow-up singles in the US was "The Celtic Soul Brothers", which peaked at number 86.[12] Different releases of Too-Rye-Ay featured different versions of "Come On Eileen". Certain editions of the album featured a version beginning with a solo fiddle playing the first line of the folk song "Believe Me, if All Those Endearing Young Charms" and ending with a simple fadeout (length: 4:12). This version of the song is the one featured on the single release. However, many other versions of the album omit this fiddle solo, beginning directly with the bassline (length 4:07).[13][14][15] Other editions of the album (including many of the "re-releases") featured a version without the violin intro and including a tag of Kevin Rowland singing "Young Charms" at the end (length: approximately 4:32), while the digital version offered by Spotify and the 2002 US CD reissue includes both front and end "Young Charms" tags. (length: approximately 4:47, or 4:19 without the ending tag).[16][17][18][19] In addition, the most common release of the album features "Come On Eileen" as the final track, while the original US release features the tune as the opening track on Side 2.[20] The album was re-released in 1996 on CD with 8 bonus tracks. In 2000 an enhanced edition was released with the music videos for "Come On Eileen" and "Jackie Wilson Said" as bonus material. In 2002 a US edition with bonus tracks was released. Marking its 25th Anniversary, a 2007 2-CD Deluxe Edition was released, which included the entire 14-song album kickoff performance on BBC Radio 1 that had previously been released (without "I'll Show You") as BBC Radio One Live in Concert.

Trackslijst

	The Celtic Soul Brothers	3:13
	Let’s Make This Precious	4:02
	All in All (This One Last Wild Waltz)	4:11
	Jackie Wilson Said (I’m in Heaven When You Smile)	3:04
	Old	5:45
	Plan B	5:07
	I’ll Show You	2:41
	Liars A to E	4:12
	Until I Believe in My Soul	7:06
	Come On Eileen	4:47

Baby It's Me

Algemeen

Artiest	Diana Ross
Label	Motown Records
Datum uitgave	1977
Speelduur	35:47
Genre	Soul, Pop

Details

Producent
Componist
Opmerkingen	Baby It's Me is a 1977 album released by American singer Diana Ross on the Motown label that peaked at #18 on the Billboard Top 200 and #7 on the R&B album chart. The album was produced by producer Richard Perry. The LP yielded one Top 40 hit, "Gettin' Ready for Love", reaching number 27 on the US Billboard Hot 100. Other charting singles released from the album include "You Got It" and "Your Love is so Good for Me," the latter receiving a Grammy nomination. It flew up the charts. However, though it sold rapidly and deserved a longer shelf life, a Grammy nod and strong reviews....Important to note: the sentiment amongst fans and critics was that Richard Perry guided Diana to hit status with her first solo album away from the Motown machine. Her subsequent albums, save for compilations, were recorded away from Motown. Adult Contemporary drove the success of this album, with both "Gettin' Ready for Love" (#8)[5] and "You Got It" (#9) being Top 10 hits, while the newly formed Billboard Dance charts ranked "Your Love is so Good For Me" Top 15. Although this album never made the UK charts it was certified Silver for UK sales in excess of 60,000 copies.[6] The album was embraced by her fans and eventually was certified Gold. Its success was driven by Adult Contemporary Airplay which traditionally is slower to impact commercial aspirations. Ross would continue to work with Perry including on her pairing with international vocalist, Julio Iglesias on their duet, "All of You" several years later.

Trackslijst

1	Gettin' Ready for Love	2:47
2	You Got It	3:57
3	Baby It's Me	3:15
4	Too Shy to Say	3:16
5	Your Love Is So Good for Me	4:15
6	Top of the World	3:08
7	All Night Lover	3:35
8	Confide in Me	3:35
9	The Same Love That Made Me Laugh	3:58
10	Come in From the Rain	3:58

Diana

Algemeen

Artiest	Diana Ross
Label	Motown Records
Datum uitgave	1980
Speelduur	34:22
Genre	Disco, Soul

Details

Producent
Componist
Opmerkingen	Diana (stylized as diana) is the tenth studio solo album by American singer Diana Ross, released on May 22, 1980 by Motown Records. The album is the biggest-selling studio album of Ross's career, selling nine million copies worldwide and spawning three international hit singles, including the US number 1 hit "Upside Down".[1] All songs are composed, played and produced by Chic members Nile Rodgers and Bernard Edwards.

Trackslijst

1	Upside Down	4:06
2	Tenderness	3:51
3	Friend to Friend	3:19
4	I'm Coming Out	5:25
5	Have Fun (Again)	5:57
6	My Old Piano	3:55
7	Now That You're Gone	3:59
8	Give Up	3:46

Someday We'll Be Together

Algemeen

Artiest	Diana Ross & The Supremes
Label	Tamla Motown
Datum uitgave	1969
Speelduur	5:32
Genre	Soul

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	Someday We'll Be Together	3:14
A2	He's My Sunny Boy	2:18

I Concentrate On You

Algemeen

Artiest	Dinah Washington
Label	Mercury Records
Datum uitgave	1960
Speelduur	0:00
Genre	Blues

Details

Producent	Believe Sas
Componist	Cole Porter
Opmerkingen

Trackslijst

A1	I Concentrate On You	0:00
B1	Daybreak	0:00

Heartbreaker

Algemeen

Artiest	Dionne Warwick
Label	Arista
Datum uitgave	1982
Speelduur	0:00
Genre	Pop, Soul

Details

Producent
Componist
Opmerkingen	Heartbreaker is a 1982 album by American singer Dionne Warwick, her fourth for the Arista label. It was largely written by the Bee Gees, and produced by Barry Gibb with Karl Richardson and Albhy Galuten; Gibb and Galuten also served as musicians on the album. Heartbreaker sold an estimated three million copies worldwide. In the United States, the album was certified Gold for sales in excess of 500,000 copies. In the United Kingdom, it reached No. 3 on the UK Albums Chart[2] and was certified Platinum. The title track, which was the album's lead single, hit the US Pop Top 10 as well as No. 1 Adult Contemporary in the United States, and No. 2 in the UK. The following two singles were "Take the Short Way Home" (US Billboard No. 41, Cash Box No. 32)[3] and "All The Love in the World" (the latter reaching the UK Top 10). In the UK, "Yours" was also released as a single. AL 9609

Trackslijst

Brothers in Arms

Algemeen

Artiest	Dire Straits
Label	Vertigo
Datum uitgave	1985
Speelduur	47:35
Genre	Blues Rock, Pop Rock

Details

Producent
Componist
Opmerkingen	Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. It charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart (between 18 January and 22 March 1986), nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Albums Chart. Brothers in Arms was the first album certified 10-times platinum in the UK[2] and is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide.[3][4][5][6] The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards.[7][8] Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever.[9] Brothers in Arms would become Dire Straits' final album until they reunited and recorded 1991's On Every Street.

Trackslijst

1	So Far Away	3:59
2	Money for Nothing	7:04
3	Walk of Life	4:07
4	Your Latest Trick	4:46
5	Why Worry	5:22
6	Ride Across the River	6:57
7	The Man’s Too Strong	4:40
8	One World	3:40
9	Brothers in Arms	7:00

Dire Straits

Algemeen

Artiest	Dire Straits
Label	Vertigo
Datum uitgave	1978
Speelduur	41:59
Genre	Blues Rock, Pop Rock

Details

Producent	Muff Winwood
Componist
Opmerkingen	Dire Straits is the debut studio album by the British rock band Dire Straits released on 7 October 1978 by Vertigo Records internationally and by Warner Bros. Records in the United States.[1][2] The album produced the hit single "Sultans of Swing", which reached #4 on the Billboard Hot 100 chart and number 8 on the UK Singles Chart. The album reached #1 on album charts in Germany, Australia and France, #2 in the United States and #5 in the United Kingdom. Dire Straits was later certified double-platinum in both the United States and the United Kingdom.

Trackslijst

1	Down to the Waterline	4:01
2	Water of Love	5:26
3	Setting Me Up	3:19
4	Six Blade Knife	4:12
5	Southbound Again	2:59
6	Sultans of Swing	5:52
7	In the Gallery	6:19
8	Wild West End	4:43
9	Lions	5:07

A Matter Of Facts / / Who Is Who

Algemeen

Artiest	Dizzy Man's Band
Label	Injection
Datum uitgave	1971
Speelduur	6:45
Genre	Rock

Details

Producent	Richard de Bois
Componist
Opmerkingen

Trackslijst

A	A Matter Of Facts	3:30
B	Who Is Who	3:15

American Pie

Algemeen

Artiest	Don McLean
Label	United Artists
Datum uitgave	1971
Speelduur	36:20
Genre	Folk, Pop Rock

Details

Producent
Componist
Opmerkingen	"American Pie" is a song by American folk rock singer and songwriter Don McLean. Recorded and released on the American Pie album in 1971, the single was a number-one US hit for four weeks in 1972. In the UK, the single reached No. 2 on its original 1972 release and a reissue in 1991 reached No. 12.[1] The song was listed as the No. 5 song on the RIAA project Songs of the Century. A truncated version of the song was covered by Madonna in 2000 and reached No. 1 in several countries, including the United Kingdom, Canada and Australia. The repeatedly mentioned "day the music died" refers to the 1959 plane crash which killed early rock and roll performers Buddy Holly, The Big Bopper, and Ritchie Valens. (The crash was not known by that name until after McLean's song became a hit.) The meaning of the other lyrics has long been debated, and for decades, McLean declined to explain the symbolism behind the many characters and events mentioned. However, the overall theme of the song is the loss of innocence of the early rock and roll generation as symbolized by the plane crash which claimed the lives of three of its heroes.[2] In 2017, McLean's original recording was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant".[3]

Trackslijst

1	American Pie	8:36
2	Till Tomorrow	2:15
3	Vincent	4:03
4	Crossroads	3:39
5	Winterwood	3:10
6	Empty Chairs	3:27
7	Everybody Loves Me, Baby	3:36
8	Sister Fatima	2:35
9	The Grave	3:14
10	Babylon	1:41

Tapestry

Algemeen

Artiest	Don McLean
Label	United Artists
Datum uitgave	1971
Speelduur	42:06
Genre	Folk, Pop Rock

Details

Producent
Componist
Opmerkingen	Tapestry is Don McLean's 1970 debut album. The album was originally released by Mediarts Records but was re-launched in 1971 by United Artists after United Artists' purchase of Mediarts.[4] The album was also reissued in 1981 on Liberty Records with the song "Three Flights Up" deleted. The album was produced by Jerry Corbitt of the Youngbloods.

Trackslijst

1	Castles in the Air	2:56
2	General Store	2:59
3	Magdalene Lane	4:34
4	Tapestry	3:43
5	Respectable	2:29
6	Orphans of Wealth	4:36
7	Three Flights Up	5:48
8	And I Love You So	4:16
9	Bad Girl	3:39
10	Circus Song	4:50
11	No Reason For Your Dreams	2:11

Sylvia's Mother

Algemeen

Artiest	Dr. Hook
Label	CBS
Datum uitgave	1978
Speelduur	34:31
Genre	Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	I Can't Touch the Sun	3:35
2	The Things I Didn't Say	2:57
3	Carry Me, Carrie	4:19
4	When She Cries	3:03
5	Kiss It Away	4:03
6	Sing Me a Rainbow	2:33
7	Life Ain't Easy	3:05
8	Sylvia's Mother	3:52
9	Last Mornin'	3:53
10	Turn on the World	3:07

Wild Places (The)

Algemeen

Artiest	Duncan Browne
Label	Logo Records
Datum uitgave	1978
Speelduur	33:03
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Duncan John Browne (25 March 1947 – 28 May 1993)[3] was an English singer-songwriter and musician.In 1989 Browne was diagnosed with cancer, and while initial treatment appeared to be successful, the disease returned a few years later and he died in 1993 aged 46. The Wild Places is the third studio album by English singer-songwriter and musician Duncan Browne. Released in 1978 through Logo and Sire Records,[1] it is Browne's first solo album since his departure from the band Metro that year, and features contributions from session musicians Tony Hymas, John Giblin and Simon Phillips. In contrast to his previous self-titled solo record, the sound of the album is fully electric and ranges from progressive rock to straightforward rock music[2] and synthpop.[3] The record achieved moderate commercial success.[4] It has been long out of print in the United States and was reissued during late 2000 in Japan. In their 1979 review, Billboard magazine described the record as "sophisticated and sensitive," writing that Browne's percussion playing in addition to his guitar work adds a good balance. The review concludes: "Browne sings cosmopolitan songs of sex, love and sensations, not yet jaded but getting there."[5] Nevertheless, The New Rolling Stone Album Guide critic Dave Marsh criticised the record and its successor, Streets of Fire (1979), dismissing them as "synthesizer pop that hardly lives up to the promise of the album titles." Marsh further wrote: "Fire and wild- ness, not to mention human passion, is just what this mechanical marvel [Browne] lacks."[3] In a retrospective review, AllMusic critic Bruce Eder was positive in his assessment of the album, comparing it to "a lost Roxy Music album, or perhaps a lost Bryan Ferry record." Eder further stated that "the music has a sense of drama as well as beautiful melodies that were even better realized, with lush contributions on the synthesizer and related keyboards" and concluded: "Duncan Browne was at the top of his game, as both a singer and composer, working in an introspective, romantic vein."[2]

Trackslijst

1	The Wild Places	6:04
2	Roman Vécu	4:47
3	Camino Real, Parts 1, 2 & 3	0:00
4	Samurai	4:36
5	Kisarazu	7:11
6	The Crash	3:54
7	Planet Earth	6:29

One of These Nights

Algemeen

Artiest	Eagles
Label	Asylum Records
Datum uitgave	1975-06-10
Speelduur	42:53
Genre	Country Rock

Details

Producent
Componist
Opmerkingen	One of These Nights is het vierde studioalbum van de Amerikaanse rockband Eagles. Het album werd in 1975 uitgebracht en bracht drie hitsingles voort: de titeltrack "One of These Nights", "Lyin' Eyes" en "Take It to the Limit". Verder bevat het album het enige Eagles-nummer waarop gitarist Don Felder de leadvocalen zingt, "Visions", en het bij de fans geliefde duet "After the Thrill Is Gone". Ook is One of These Nights het laatste Eagles-album waarop Bernie Leadon te horen is.

Trackslijst

1	One of These Nights	4:47
2	Too Many Hands	4:41
3	Hollywood Waltz	4:01
4	Journey of the Sorcerer	6:37
5	Lyin’ Eyes	6:22
6	Take It to the Limit	4:47
7	Visions	3:56
8	After the Thrill Is Gone	3:56
9	I Wish You Peace	3:43

Hotel California

Algemeen

Artiest	Eagles
Label	Asylum Records
Datum uitgave	1976
Speelduur	43:29
Genre	Country Rock

Details

Producent
Componist
Opmerkingen	Hotel California is the fifth studio album by American rock band the Eagles, and is one of the best-selling albums of all time. Three singles were released from the album, each reaching high in the Billboard Hot 100: "New Kid in Town" (number 1), "Hotel California" (number 1), and "Life in the Fast Lane" (number 11). The album became the band's best-selling album after Their Greatest Hits (1971–1975), with over 16 million copies sold in the U.S. alone and over 32 million copies sold worldwide. The album was ranked number 37 on Rolling Stone's list of "The 500 Greatest Albums of All Time". A 40th anniversary special was released in November 2017, the special includes the original remastered album and for the second pack, it includes also 10 tracks from the concert live at the Forum recorded in October 1976. The album was recorded by Bill Szymczyk at the Criteria and Record Plant studios between March and October 1976, and then released on Asylum in December. It was their first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and is the last album to feature bassist Randy Meisner. It is their sixth album (including Their Greatest Hits (1971–1975)), and fifth of new material. The front cover is a photograph of the Beverly Hills Hotel by David Alexander. The album topped the charts and won the band two Grammy Awards for "Hotel California" and "New Kid in Town". The album was nominated for Album of the Year but lost to Fleetwood Mac's Rumours.

Trackslijst

1	Hotel California	6:30
2	New Kid in Town	5:03
3	Life in the Fast Lane	4:46
4	Wasted Time	4:56
5	Wasted Time (reprise)	1:22
6	Victim of Love	4:11
7	Pretty Maids All in a Row	4:05
8	Try and Love Again	5:10
9	The Last Resort	7:25

All ’n All

Algemeen

Artiest	Earth, Wind & Fire
Label	Columbia
Datum uitgave	1977
Speelduur	39:02
Genre	Soul, Funk Rock

Details

Producent
Componist	N/A
Opmerkingen	All 'N All is the eighth studio album by the American band Earth, Wind & Fire, released in 1977 on Columbia Records. It is one of the group's most well known albums and has been certified triple platinum in the United States for sales of three million copies by the RIAA, gold in Canada by Music Canada and silver in the UK by the British Phonographic Industry.[7][8][9] All 'N All reached number three on the Pop Album chart and stayed at number one on the Black Album chart for nine weeks.[10] All 'N All was also the bestselling R&B album of 1978.[11] The album features hit songs such as "I'll Write A Song For You", "Serpentine Fire", "Love's Holiday", and the pop hit "Fantasy". A remastered version of the LP was issued in 2002.

Trackslijst

1	Serpentine Fire	3:51
2	Fantasy	4:38
3	In the Marketplace (interlude) / Jupiter	3:55
4	Love's Holiday / Brazilian Rhyme (interlude)	5:43
5	I'll Write a Song for You	5:23
6	Magic Mind	3:39
7	Runnin' / Brazilian Rhyme (interlude)	6:45
8	Be Ever Wonderful	5:08

Give Me A Star / Jesus

Algemeen

Artiest	Edwin Hawkins Singers
Label	Buddah Records
Datum uitgave	1972
Speelduur	6:32
Genre	Funk / Soul

Details

Producent
Componist
Opmerkingen

Trackslijst

A	Give Me A Star	4:00
B	Jesus	2:32

Ekseption

Algemeen

Artiest	Ekseption
Label	Philips
Datum uitgave	1969
Speelduur	31:53
Genre	Nederbeat, Symphonic Rock

Details

Producent
Componist
Opmerkingen	Ekseption ontstond in 1967 uit het Haarlemse schoolbandje The Jokers, dat in 1958 was opgericht door Hans Alta (bas), Rob Alta (gitaar), Rein van den Broek (trompet, flugelhorn, saxofoon), Tim Griek (drums) en Huib van Kampen (gitaar/saxofoon). In het eerste jaar speelden ook Ton Heydenrijk (saxofoon) en Hans Timmer (orgel) mee. De groep speelde voornamelijk covers van rhythm & blues-, jazz- en popnummers. In 1965 veranderden The Jokers hun naam in Incrowd, maar door het succes van een andere gelijknamige Nederlandse groep moesten ze weer iets anders verzinnen. In 1967 werd dat Ekseption. Ton Heydenrijk en Hans Timmer verlieten echter de groep. Rob Kruisman kwam erbij en nam de muzikale leiding op zich. De succesjaren Ekseption in het programma Fanclub (1967) In april 1967 kwam toetsenist Rick van der Linden de groep versterken. In 1968 won Ekseption de eerste prijs op het Loosdrechtse Jazz Festival en raakte daarmee in één klap tot ver over de Nederlandse grenzen bekend. Ze kregen bij Phonogram een platencontract, wat het volgende jaar zou resulteren in hun eerste grammofoonplaat, getiteld Ekseption. Hiermee begon een succesrijke periode van vijf jaar, waarin de band door heel Europa toerde en onder meer speelde in het Olympia in Parijs, de Philharmonie in Hamburg en het Palladium in Londen. In 1968 verlieten Hans Alta en Tim Griek de groep en werden vervangen door respectievelijk Cor Dekker (basgitaar) en Peter de Leeuwe (drums), beiden ex-The Hottletts. Rob Alta was al eerder opgestapt. Tim Griek zou later producer worden van onder anderen Brainbox en André Hazes. Koersverandering In 1969 werd Ekseption door de Engelse band The Nice geïnspireerd om klassieke stukken te bewerken en daarmee de muzikale koers te verleggen naar een mix van rock en klassieke muziek. Rick van der Linden had een conservatoriumopleiding klassieke muziek genoten en had ervaring met het spelen in verschillende pop- en jazzgroepen als het Occasional Swingcombo en het Ferdinand Povel Quartet. Met zijn arrangementen van klassieke werken van onder meer Bach, Albinoni, Beethoven, Mozart, Tsjajkovski en Chatsjatoerjan was hij voor een groot deel verantwoordelijk voor het geheel nieuwe, eigen en energieke geluid van de band. zie verse wikipedia Musicians: Rob Kruisman: Saxophones, flute, guitar, vocals Rick van der Linden: Piano, organ, dulcimer Rein van den Broek: Trumpet Cor Dekker: Bass guitar Peter de Leeuwe: Drums, vocals Huib van Kampen: Guitar, tenor sax

Trackslijst

A1	The 5th	3:21
A2	Dharma for One	3:25
A3	Little X Plus	2:33
A4	Sabre Dance	4:35
A5	Air	2:50
B1	Ritual Fire Dance	2:15
B2	Rhapsody in Blue	3:59
B3	This Here	4:10
B4	Dance Macabre Opus 40	2:20
B5	Canvas	2:25

Ekseption compilatie

Algemeen

Artiest	Ekseption
Label	Philips
Datum uitgave	1970
Speelduur	0:00
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	Compilation of eight tracks from first album and two tracks (A3, B4) from Ekseption - Beggar Julia's Time Trip. Club edition as released by Dutch mailorder company Boek En Plaat. The runout stamp refers to cat. no. 884 636, but that number only appears as a matrix number on the labels in fine print. The only actual cat. no. printed on the cover is the Boek En Plaat cat. no. which reads K - 120/4. Although the runout stamp contains "℗ 1969", this compilation certainly was not released prior to 1970.

Trackslijst

A1	Air
A2	Little X plus
A3	Feelings
A4	Sabre Dance
A5	Italian Cocerto
B1	The 5th
B2	Canvas
B3	Rapsody In Blue
B4	Concerto
B5	This Here

Trinity

Algemeen

Artiest	Ekseption
Label	Philips
Datum uitgave	1973
Speelduur
Genre

Details

Producent
Componist
Opmerkingen	In 1958 a school band The Jokers was formed in Haarlem. Members were Hans Alta (bass), Rein van den Broek (trumpet), Tim Griek (drums, he was the producer for the first Brainbox (3) album, he died in a car crash in 1988) and Huib van Kampen (guitar/saxophone). They played covers of well known songs. In 1965 the name was changed to Incrowd. In 1967 the name had already changed to Ekseption because there was another Dutch band with the name Incrowd. The central character in the changing roster, and the only band member present on every album, was conservatory-trained trumpeter Rein van den Broek (10 September 1945 - 11 May 2015). The band knew some commercial success in the 1970s, having Dutch top ten hit singles with their adaptations of Beethoven's "Fifth" and Bach's (Celebrated) "Air". The second album, Beggar Julia's Time Trip (1969), won the Dutch Edison Award for album of the year, and the first five albums all went gold. Arranged By [All Titles] – Rick Van Der Linden Bass Guitar – Cor Dekker Co-producer [Assisted By] – Pieter Nieboer Design [Album Design] – Jan Van Uden Directed By – Rein Van Den Broek, Rick Van Der Linden Drums, Percussion – Pieter Voogt Engineer – Pieter Nieboer Photography By – Claude Vanheye Piano, Organ [Hammond], Spinet, Organ [Pipe], Synthesizer [Arp 2600], Mellotron – Rick Van Der Linden Producer – Ekseption Tenor Saxophone, Soprano Saxophone, Flute – Jan Vennik Trumpet, Flugelhorn, Trumpet [With King Octavoice] – Rein Van Den Broek

Trackslijst

A1	Toccata (From Toccata And Fugue In D Minor For Pipe Organ)	5:16
A2	The Peruvian Flute	8:04
A3	Dreams	1:32
A4	Smile	2:53
A5	Lonely Chase	3:10
B1	Romance (From Romance For Violin And Orchestra No.2 In F Major, Op.50)	3:30
B2	Improvisation	9:01
B3	Meddle	1:07
B4	Flight Of Bumble Bee	3:22
B5	Finale III	2:50

Elaine Paige

Algemeen

Artiest	Elaine Paige
Label	WEA Records
Datum uitgave	1981
Speelduur	39:02
Genre	Pop

Details

Producent
Componist
Opmerkingen	Elaine Paige geboren Elaine Mary Bickerstaff (Barnet, 5 maart 1948) is een Engelse musicalster die hoofdrollen heeft gespeeld in de musicals van Andrew Lloyd Webber. Zij speelde onder andere Grizabella in Cats en Evita in de originele West End productie van Evita. In de musical van de ABBA muzikanten Björn Ulvaeus en Benny Andersson, Chess vertolkte ze de rol van Florence. De single I Know Him So Well, een duet met Barbara Dickson uit Chess haalde internationaal de hitlijsten, wat ze ook realiseerde met Memory uit Cats. Don't Cry For Me Argentina van Evita werd in de studioversie niet door haar, maar wel door Julie Covington ingezongen. Het werd later nog vele malen gecoverd, onder meer door Madonna toen deze in de musical aantrad. Elaine Paige is the second solo album from Elaine Paige, released in 1981.[1] The album charted at #56 in May 1982 [2] and was re-issued on CD in 1995 by Warner Music. The recording was produced by Tim Rice and Andrew Powell. Paige had met Rice when she was cast as Eva Perón in the original stage production of his musical Evita in 1978. He also wrote lyrics for a number of the tracks on the album. Rice's former writing partner Andrew Lloyd Webber wrote the arrangement of the track "The Second Time", for which Rice had set words to Francis Lai's theme to the film Bilitis. The track "Secrets" was originally written for the Barbra Streisand album Guilty, but didn't make it on to the final record. Soon after completing recording of the album, Paige stepped into the role of Grizabella in the musical Cats very soon before its opening night after Judi Dench, who was to have played the role, damaged her Achilles tendon during rehearsals.

Trackslijst

1	If You Don't Want My Love	3:53
2	Far Side of the Bay	3:33
3	So Sad (to Watch Good Love Go Bad)	3:13
4	Secrets	3:48
5	I Want to Marry You	3:46
6	The Second Time	4:10
7	The Last One to Leave	2:48
8	Hot as Sun	3:18
9	Falling Down to Earth	4:10
10	How the Heart Approaches What It Yearns	2:31
11	Miss My Love Today	3:52

Out of the Blue

Algemeen

Artiest	Electric Light Orchestra
Label	Jet Records
Datum uitgave	1987
Speelduur	70:22
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	Out of the Blue is the seventh studio album by the British rock group Electric Light Orchestra (ELO), released in October 1977. Written and produced by ELO frontman Jeff Lynne, the double album is among the most commercially successful records in the group's history, selling about 10 million copies worldwide.[1] Jeff Lynne wrote the entire album in three and a half weeks after a sudden burst of creativity while hidden away in his rented chalet in the Swiss Alps. It took a further two months to record in Munich. Side three of the original double LP consisted of the symphonic Concerto for a Rainy Day, composed of four separate tracks which together made up a cohesive suite, instead of one continuous track. The inclement weather effects heard on "Concerto" were real and recorded by Lynne during a very rainy summer in Munich 1977. The Concerto suite would be Lynne's last dabbling in symphonic rock[citation needed].

Trackslijst

1	Turn to Stone	3:47
2	It's Over	4:08
3	Sweet Talkin' Woman	3:50
4	Across the Border	3:53
5	Night in the City	4:02
6	Starlight	4:27
7	Jungle	3:52
8	Believe Me Now	1:21
9	Steppin' Out	4:39
10	Standin' in the Rain	4:19
11	Big Wheels	5:08
12	Summer and Lightning	4:10
13	Mr. Blue Sky	5:06
14	Sweet Is the Night	3:28
15	The Whale	5:02
16	Birmingham Blues	4:23
17	Wild West Hero	4:41

Showdown

Algemeen

Artiest	Electric Light Orchestra
Label	Harvest
Datum uitgave	1974
Speelduur	42:43
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	10538 Overture (long version)	5:28
2	From the Sun to the World (Boogie No. 1)	8:15
3	Whisper in the Night	4:44
4	Queen of the Hours	3:21
5	Roll Over Beethoven (long version)	7:00
6	First Movement (Jumping Biz)	2:57
7	In Old England Town (Boogie No. 2)	6:50
8	Showdown	4:08

A New World Record

Algemeen

Artiest	Electric Light Orchestra
Label	United Artists Records, Jet Records
Datum uitgave	1976
Speelduur	36:15
Genre	Rock, Pop

Details

Producent	Jeff Lynne
Componist	Jeff Lynne
Opmerkingen	A New World Record is the sixth studio album by Electric Light Orchestra (ELO). It was released in October 1976 on United Artists Records in the U.S., and on 19 November 1976 on Jet Records in the United Kingdom.[1][2] A New World Record marked ELO's shift towards shorter pop songs, a trend which would continue across their career. Their second album to be recorded at Musicland Studios in Munich, the LP proved to be the band's breakthrough in the UK; after their previous three studio recordings failed to chart in their home market, A New World Record became their first top ten album in the UK. It became a global success and reached multi-platinum status in the US and UK, The album sold five million units worldwide within its first year of release. The cover art features the ELO logo, designed by Kosh, for the first time. This logo would be included on most of the group's subsequent releases. The album yielded four hit singles, including "Livin' Thing", the transatlantic Top Ten hit "Telephone Line", which became the band's first gold US single, the UK Top Ten hit "Rockaria!", and the US number 24 hit "Do Ya", a remake of the 1972 single by The Move, of which Lynne was a member between 1970 and 1972. In 1977, four of the album's songs were featured on the soundtrack of the film Joyride. In 2006, the album was remastered and released with bonus tracks on Sony's Epic/Legacy imprint. "Surrender" was also issued as a promotional single and an iTunes download single, which entered the top 100 download chart. The track was originally written in 1976 for a cancelled film soundtrack and was finished in 2006.[3] In July 2012, the all vinyl record company Music on Vinyl re-released A New World Record on 180 gram vinyl with an embossed cover.

Trackslijst

A1	Tightrope	5:00
A2	Telephone Line	4:38
A3	Rockaria!	3:12
A4	Mission (A World Record)	4:24
B1	So Fine	3:55
B2	Livin' Thing	3:31
B3	Above The Clouds	2:16
B4	Do Ya	3:45
B5	Shangri-La	5:34

On the Third Day

Algemeen

Artiest	Electric Light Orchestra
Label	Jet Records
Datum uitgave	1973
Speelduur	39:34
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	On the Third Day is the third studio album by Electric Light Orchestra (ELO), and the first to be recorded without input from Roy Wood. It was released in the United States in November 1973 by United Artists Records, and in the United Kingdom on 14 December 1973 by Warner Bros. Records. From this album on, the word The was dropped from the band's name. On the Third Day was released in 1973 and failed to enter the UK charts at the time, although it did reach the US charts at number 52.[7] Side two of the album was recorded during or shortly after the sessions for ELO's second album ELO 2. On The Third Day contains shorter tracks than its predecessor, but the four songs on side one of the album were linked into a continuous suite. Violinist Mik Kaminski made his debut on side one of this album, replacing Wilfred Gibson, although Gibson plays on side two (plus the bonus tracks). Also, cellist Colin Walker left the line up around the same time, leaving Mike Edwards as lone cellist. "Showdown" was originally intended to be released only as a single, and, because it was on a different label (Harvest) than the UK album, did not appear on that album.[citation needed] It was, however, included on the U.S. version of the album, because the band remained on United Artists Records in the U.S. Some copies of On the Third Day from this period had "Showdown" as the last track on side one. Although he didn't record on the album, Hugh McDowell did appear on this front cover of the U.S. album seen at right, which was an unusual photograph taken by famed photographer Richard Avedon that had ELO displaying their navels.[citation needed]

Trackslijst

1	Ocean Breakup / King of the Universe	4:06
2	Bluebird Is Dead	4:22
3	Oh No Not Susan	3:27
4	New World Rising / Ocean Breakup (reprise)	4:06
5	Showdown	4:12
6	Daybreaker	3:50
7	Ma-Ma-Ma Belle	3:52
8	Dreaming of 4000	5:03
9	In the Hall of the Mountain King	6:32

Xanadu

Algemeen

Artiest	Electric Light Orchestra
Label	Jet Records
Datum uitgave	1980
Speelduur	0:00
Genre	Soundtrack, Symphonic Rock

Details

Producent
Componist
Opmerkingen	Electric Light Orchestra / Olivia Newton-John ‎– Xanadu (From The Original Motion Picture Soundtrack) Label: JET Records ‎– JET LX 526 Format: Vinyl, LP, Album, Gatefold Country: Europe Released: 1980 Genre: Electronic, Pop, Stage & Screen Style: Synth-pop, Disco, Soundtrack A1 –Olivia Newton-John Magic Arranged By [Strings], Conductor [Strings] – Richard HewsonBass – David HungateDrums – Carlos VegaMusic By, Lyrics By, Guitar, Synthesizer, Vocals [Vocal Group] – John Farrar 4:25 A2 –Olivia Newton-John Duet With Cliff Richard Suddenly Arranged By [Strings], Conductor [Strings] – Richard HewsonBass – David McDanielDrums – Ed Greene (2)Electric Piano – Jai WindingMusic By, Lyrics By, Guitar, Synthesizer – John FarrarVocoder – Michael Boddicker 4:03 A3 –Olivia Newton-John Duet With The Tubes Dancin’ Arranged By [Xanadu Big Band], Conductor [Xanadu Big Band] – Richard HewsonDrums [Rock Section] – Ed Greene (2)Guitar [Rock Section] – Bill Spooner, Roger SteenLead Vocals [Big Band Section], Vocals [Vocal Group Big Band Section] – Olivia Newton-JohnLead Vocals [Rock Section] – John “Fee” WaybillMusic By, Lyrics By, Guitar [Rock Section], Vocals [Vocal Group Rock Section] – John FarrarSynthesizer [Rock Section] – Michael Cotten 5:14 A4 –Olivia Newton-John Suspended In Time Arranged By [Strings], Conductor [Strings] – Richard HewsonBass – David HungateDrums – Ed Greene (2)Music By, Lyrics By, Guitar, Vocals [Vocal Group] – John Farrar 3:52 A5 –Olivia Newton-John Duet With Gene Kelly Whenever You’re Away From Me Arranged By [Xanadu Big Band], Conductor [Xanadu Big Band] – Richard HewsonMusic By, Lyrics By – John FarrarWhistle [Whistler] – Lou Halmy 4:15

Trackslijst

A1	Magic	4:25
A2	Suddenly	4:03
A3	Dancin’	5:14
A4	Suspended In Time	3:52
A5	Whenever You’re Away From Me	4:15
B1	I’m Alive	3:46
B2	The Fall	3:34
B3	Don’t Walk Away	4:46
B4	All Over The World	4:04
B5	Xanadu	3:30

Ella Sings Gershwin

Algemeen

Artiest	Ella Fitzgerald
Label	Metro
Datum uitgave	1960
Speelduur	0:00
Genre	Jazz

Details

Producent
Componist	George Gershwin
Opmerkingen	Ongelooflijk zuiver geluid voor opname uit 1960.

Trackslijst

A1	Sam And Delilah	3:15
A2	But Not For Me	3:31
A3	My One And Only	2:36
A4	Lets Call The Whole Thing Off	4:26
A5	(I've Got) Beginners Luck	3:08
A6	Embraceable By You	4:49
B1	Oh Lady Be Good
B2	Nice Work If You Can Get It
B3	Things Are Lookin Up
B4	Just Another Rhumba
B5	How Long Has This Been Going On
B6	I Can't Be Bothered Now
C1	S'Wonderful
C2	The Man I Love
C3	That Certain Feeling
C4	By Strauss
C5	Someone To Watch Over Me
C6	Real American Folk Song (Is A Rag)
C7	Funny Face
D1	Who Cares (So Long As You Carte For Me)
D2	Looking For A Boy
D3	They All Laughed
D4	My Cousin In Milwaukee
D5	Somebody From Somewhere
D6	They Can't Take That Away From Me
D7	Let's Kiss And Make Up

Don’t Shoot Me I’m Only the Piano Player

Algemeen

Artiest	Elton John
Label	MCA Records
Datum uitgave	1972
Speelduur	42:51
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	Don't Shoot Me I'm Only the Piano Player is the sixth studio album by Elton John.[4] Released by DJM Records, it was John's sixth normal studio album release, and was his second straight No. 1 album in the US, yielding his first No. 1 single in both the US and Canada: "Crocodile Rock".[5] "Daniel" was also a major hit from the album, giving him his second Canadian No. 1 single on the RPM Top Singles Chart[6] and just missing the top slot south of the border, still reaching a successful No. 2 on the US Billboard Hot 100 and reaching No. 4 in the UK, one place higher than achieved by "Crocodile Rock".

Trackslijst

1	Daniel	3:53
2	Teacher I Need You	4:10
3	Elderberry Wine	3:32
4	Blues for Baby and Me	5:42
5	Midnight Creeper	3:53
6	Have Mercy on the Criminal	5:58
7	I’m Going to Be a Teenage Idol	3:56
8	Texan Love Song	3:32
9	Crocodile Rock	3:57
10	High Flying Bird	4:13

Live

Algemeen

Artiest	Elton John
Label	Pickwick Records
Datum uitgave	1971
Speelduur	0:00
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	The recording was taken from a live radio broadcast on 17 November 1970, hence the album's title. According to John, a live album was never planned as a release.[3] Recordings of the broadcast, however, were popular among bootleggers which, according to John's producer, Gus Dudgeon, eventually prompted the record label to release it as an album.[4] It has been said that the release by an eastern bootlegger of the whole 60-minute air cast rather than the 48 minutes selected by Dick James Music significantly cut into the US sales of the live album.[5] However, the entire concert was an 80-minute affair, and double-LPs containing the entire concert were more common than those containing only 60 minutes. Another contributing factor to the original album's soft sales could have been the glut of Elton John product on the market at the time. John also had in release 2 full studio albums (Elton John and Tumbleweed Connection) and a movie soundtrack (Friends) when the live LP was issued. Nonetheless, it became the fourth of John's records to simultaneously land in the Top 100, making him the first act to do so since The Beatles. According to longtime NYC radio personality Dave Herman (who can be heard at the beginning and end of the album), Elton John cut his hand at some point during the performance, and by the end of the show, the piano keys were covered with blood. John and his band performed 13 songs during the radio broadcast. The original album included only six of the songs; a seventh, "Amoreena," appeared as a bonus track on the album's 1996 CD reissue. The other six performances remained until 2017 officially unreleased: "I Need You to Turn To", "Your Song", "Country Comfort", "Border Song", "Indian Sunset" and "My Father's Gun". John has stated in several interviews that he believes that this recording is his best live performance. He has also cited the album as a great showcase for the musicianship of drummer Nigel Olsson and bassist Dee Murray. It is also the only officially released example of what John's live band sounded like prior to the arrival of guitarist Davey Johnstone, who wouldn't be a member until the release of Honky Château in 1972. To commemorate the 10th Record Store Day, on 22 April 2017, John served as the first-ever worldwide Record Store Day Legend and released an expanded, double-vinyl version of the album. Retitled 17-11-70+, the release reinstates seven additional songs from the concert, making it the most complete official edition of the show available in any format. "Amoreena," previously available on the 1996 CD reissue, makes its first appearance on vinyl. [6]

Trackslijst

Get Happy!!

Algemeen

Artiest	Elvis Costello & The Attractions
Label	F-Beat
Datum uitgave	1980
Speelduur	48:19
Genre	New Wave, Rock

Details

Producent
Componist
Opmerkingen	Get Happy!! is a studio album by Elvis Costello and the Attractions. The fourth album by Elvis Costello, his third with the Attractions, it is notable for being a dramatic break in tone from Costello's three previous albums, and for being heavily influenced by R&B, ska and soul music. The cover art was intentionally designed to have a "retro" feel, to look like the cover of an old LP with ring wear on both front and back.[1] Like its predecessor Armed Forces, it was commercially successful, charting at number 11 in the US and number 2 in the UK, where it went gold. It was placed at No. 11 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. During the American concert tour for Armed Forces in April 1979, Costello engaged in a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio, Holiday Inn hotel bar, during which he referred to James Brown as a "jive-arsed nigger," then upped the ante by pronouncing Ray Charles a "blind, ignorant nigger." Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. It has been suggested that the R&B influence on the album was an attempt to atone for his comments,[2] but as Costello writes in the liner notes for the 2002 Rhino version, “ It might have been tempting to claim that I had some noble motive in basing this record on the music that I had admired and learned from prior to my brush with infamy. But if I was trying to pay respects and make such amends, I doubt if pride would have allowed me to express that thought after I had made my rather contrived explanation ... I simply went back to work and relied on instinct, curiosity, and enduring musical passions.[3] ” The band had played some of the songs during the "Armed Funk Tour" and had rehearsed them for the record, but were dissatisfied with the sound, feeling it was too "new wave."[4] (Some of the original versions can be found on disc 2 of the Rhino release.) They then went back and re-arranged many of the songs using an R&B sound. On their US tours, Costello had been able to find a number of R&B records of his favourite artists and having been listening to them during the rehearsals, decided to emulate the feel of those songs.[3] The band recorded the album at Wisseloord Studios in Hilversum, Netherlands, in an attempt to isolate themselves from distractions, but they were still able to keep themselves drunk during the recording sessions.[3] The exception to this was "New Amsterdam," which was recorded solo by Costello in a small studio in Pimlico. With twenty songs on the original album, the vinyl cutting and pressing process had to be precise to fit all of them on the two sides of the record.[4] A commercial for the album, added as a hidden track on the Rhino Records remaster, jokes about the album's length and number of songs.

Trackslijst

1	Love for Tender	1:57
2	Opportunity	3:13
3	The Imposter	1:58
4	Secondary Modern	1:57
5	King Horse	3:01
6	Possession	2:04
7	Man Called Uncle	2:18
8	Clowntime Is Over	3:00
9	New Amsterdam	2:13
10	High Fidelity	2:29
11	I Can’t Stand Up for Falling Down	2:06
12	Black and White World	1:56
13	5ive Gears in Reverse	2:39
14	B Movie	2:05
15	Motel Matches	2:31
16	Human Touch	2:30
17	Beaten to the Punch	1:49
18	Temptation	2:34
19	I Stand Accused	2:22
20	Riot Act	3:36

A Portrait in Music

Algemeen

Artiest	Elvis Presley
Label	RCA Victor
Datum uitgave	1973
Speelduur	0:00
Genre	Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Hound Dog	0:00
2	Jailhouse Rock	0:00
3	A Big Hunk o' Love	0:00
4	(Now and Then There's) A Fool Such as I	0:00
5	Wooden Heart (Muß I denn....)	0:00
6	Are You Lonesome Tonight?	0:00
7	It's Now or Never	0:00
8	Kiss Me Quick	0:00
9	Good Luck Charm	0:00
10	You're the Devil in Disguise	0:00
11	Guitar Man	0:00
12	U.S. Male	0:00

Mein Star - Elvis Presley

Algemeen

Artiest	Elvis Presley
Label	RCA Victor
Datum uitgave	1977
Speelduur	113:04
Genre	Pop

Details

Producent
Componist
Opmerkingen	Elvis Presley "Mein star" 3xLP GAT RCA VICTOR 65 998 7 Germany GBP 35,= 3 LP's

Trackslijst

A1	Hound Dog	2:15
A2	Loving You	2:15
A3	All Shook Up	1:58
A4	Heartbreak Hotel	2:08
A5	Jailhouse Rock	2:30
A6	Love Me	2:43
A7	Too Much	2:32
B1	Don't Be Cruel	2:03
B2	That's When Your Heartaches Begin	3:25
B3	(Let Me Be Your) Teddy Bear	1:53
B4	Love Me Tender	2:45
B5	Treat Me Nice	2:12
B6	Anyway You Want Me (That's How I Will Be)	2:15
B7	I Want You, I Need You, I Love You	2:39
	Love Letters From Elvis	2:39
C1	Love Letters	2:50
C2	When I'm Over You	2:27
C3	If I Were You	2:59
C4	Got My Mojo Working	4:34
C5	Heart Of Rome	2:51
D1	Only Believe	2:48
D2	This Is Our Dance	3:14
D3	Cindy, Cindy	2:29
D4	I'll Never Know	2:23
D5	It Ain't No Big Thing (But It's Growing)	2:46
D6	Life	2:46
	Elvis Forever	2:46
E1	Fever	3:32
E2	It's Now Or Never	3:12
E3	Are You Lonesome Tonight?	3:07
E4	Wooden Heart	1:58
E5	Surrender	1:51
E6	Wild In The Country	1:50
E7	Rock-A-Hula-Baby	1:58
E8	Can't Help Falling In Love	2:59
F1	Good Luck Charm	2:23
F2	Return To Sender	2:05
F3	You're The Devil In Disguise	2:18
F4	Crying In The Chapel	2:22
F5	Guitar Man	2:20
F6	In The Ghetto	2:44
F7	Suspicious Minds	4:22
F8	There Goes My Everything	2:58

U.S. Male (The)

Algemeen

Artiest	Elvis Presley
Label	RCA Camden
Datum uitgave	1975
Speelduur	0:00
Genre	Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	U.S. Male	0:00
A2	We'll Be Together	0:00
A3	It's A Matter Of Time	0:00
A4	Almost In Love	0:00
A5	Let's Forget About The Stars	0:00
A6	My Little Friend	0:00
B1	If I'm A Fool (For Loving You)	0:00
B2	I'll Take Love	0:00
B3	Today, Tomorrow And Forever	0:00
B4	Let's Be Friends	0:00
B5	No More	0:00
B6	Burning Love	0:00

Moody Blue

Algemeen

Artiest	Elvis Presley
Label	RCA
Datum uitgave	1977
Speelduur	31:35
Genre	Pop

Details

Producent
Componist
Opmerkingen	Moody Blue is the twenty fourth and final studio album by American singer and musician Elvis Presley, released by RCA Records the month before his death in August 1977. The album was a mixture of live and studio work, and included the four tracks from Presley's final studio recording sessions in October 1976 and two tracks left over from the previous Graceland session in February 1976. "Moody Blue" was a previously published hit song recorded at the earlier Graceland session and held over for this album. Also recorded at the February session was "She Thinks I Still Care". "Way Down" became a hit after Presley's death less than one month after this album's publication. The album was certified Gold and Platinum on September 12, 1977 and 2x Platinum on March 27, 1992 by the RIAA.

Trackslijst

1	Unchained Melody	2:36
2	If You Love Me (Let Me Know)	3:02
3	Little Darlin'	1:55
4	He'll Have to Go	4:35
5	Let Me Be There	3:38
6	Way Down	2:41
7	Pledging My Love	2:50
8	Moody Blue	2:53
9	She Thinks I Still Care	3:51
10	It's Easy for You	3:29

Elvis Forever

Algemeen

Artiest	Elvis Presley
Label	RCA International
Datum uitgave	1974
Speelduur	79:03
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	My Baby Left Me	2:15
2	Heartbreak Hotel	2:08
3	Blue Suede Shoes	2:02
4	Hound Dog	2:17
5	Love Me Tender	2:46
6	Got a Lot o' Livin' to Do	2:35
7	(Let Me Be Your) Teddy Bear	1:49
8	I'm All Shook Up	1:59
9	Don't	2:51
10	Hard Headed Woman	1:54
11	King Creole	2:10
12	Jailhouse Rock	2:27
13	A Big Hunk o' Love	2:07
14	I Got Stung	1:52
15	One Night	2:33
16	Stuck on You	2:21
17	Fever	3:34
18	It's Now or Never	3:16
19	Are You Lonesome Tonight?	3:07
20	Wooden Heart	2:03
21	Surrender	1:53
22	Wild in the Country	1:54
23	Rock-A-Hula-Baby	2:00
24	Can't Help Falling in Love	3:00
25	Good Luck Charm	2:24
26	Return to Sender	2:07
27	You're the Devil in Disguise	2:21
28	Crying in the Chapel	2:27
29	Guitar Man	2:20
30	In the Ghetto	2:52
31	Suspicious Minds	4:25
32	There Goes My Everything	3:00

I Wish You a Merry Christmas

Algemeen

Artiest	Elvis Presley
Label	RCA
Datum uitgave	1987
Speelduur	61:23
Genre	XMas, Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

1	O Come, All Ye Faithful	2:52
2	The First Noel	2:14
3	On a Snowy Christmas Night	2:53
4	Winter Wonderland	2:21
5	The Wonderful World of Christmas	2:00
6	It Won't Seem Like Christmas	2:45
7	Santa Claus Is Back in Town	2:26
8	White Christmas	2:27
9	Here Comes Santa Claus	1:58
10	I'll Be Home for Christmas	1:57
11	Blue Christmas	2:10
12	Santa Bring My Baby Back	1:55
13	I'll Be Home on Christmas Day	3:53
14	If I Get Home on Christmas Day	2:56
15	Holly Leaves and Christmas Tree	2:16
16	Merry Christmas Baby	5:49
17	Silverballs	2:31
18	O Little Town of Bethlehem	2:39
19	Silent Night	2:27
20	(There'll Be) Peace in the Valley (For Me)	3:25
21	I Believe	2:07
22	Take My Hand, Precious Lord	3:24
23	It Is No Secret	1:47

Best Of Emerson Lake & Palmer (The)

Algemeen

Artiest	Emerson Lake & Palmer
Label	Ariola
Datum uitgave	1980
Speelduur	38:50
Genre	Rock

Details

Producent
Componist	x
Opmerkingen	202 933-320

Trackslijst

A1	Hoedown	3:45
A2	Lucky Man	4:38
A3	Karn Evil 9: 1st Impression, Pt. 2	4:48
A4	Jerusalem	2:45
A5	Peter Gunn Theme	3:37
B1	Fanfare For A Common Man	2:57
B2	Still...You Turn Me On	2:45
B3	Tiger In The Spotlight	4:35
B4	Trilogy	8:51

Pictures at an Exhibition

Algemeen

Artiest	Emerson Lake & Palmer
Label	Manticore
Datum uitgave	1971
Speelduur	0:00
Genre	Rock

Details

Producent	Rhino / Wea
Componist	Emmerson, Lake, Palmer
Opmerkingen	Pictures at an Exhibition is a live album by the English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It is a recording of the band's arrangement of Pictures at an Exhibition by Modest Mussorgsky, performed live at Newcastle City Hall on 26 March 1971. Keith Emerson wished to arrange the piece after seeing an orchestral performance of it several years before. He bought a copy of the score, and pitched the idea to Greg Lake and Carl Palmer, who agreed to adapt it. Pictures at an Exhibition went to number 3 on the UK Albums Chart and number 10 on the US Billboard 200. In 2001, it was reissued as a remastered edition that included a studio version of the piece. The band's arrangement of the suite uses only four of the original ten pieces in Mussorgsky's suite, along with the linking "Promenades". The suite was performed live as one continuous piece, with new, group-written sections linking Mussorgsky's original themes, specific track markings on pressings are only a guide. Mussorgsky's original compositions are listed in bold. Promenade: Organ solo (instrumental, more information see above) The Gnome: Group (instrumental) Promenade: Hammond organ and vocal (Interlude: short synthesizer solo, not a Mussorgsky piece) The Sage: A new picture "drawn" by Lake in the mood of a medieval minnesang, works as sort of romantic prelude to "The Old Castle" (Interlude: Moog-ribbon-controller-solo by Emerson, not a Mussorgsky piece) The Old Castle: The full group performs a heavily accelerated adaptation of the original theme, leading directly into the next section Blues Variation, a twelve-bar blues credited to the group, borrowing themes from both The Old Castle itself, and some of the ex tempore work that Emerson had previously performed with The Nice Promenade: Group (instrumental) The Hut of Baba Yaga: Group (instrumental) The Curse of Baba Yaga is a new title to the middle section of the original piece. The music is again an adaption of the original piece, only the lyrics and vocal is completely new to the piece The Hut of Baba Yaga: Group (instrumental) The Great Gates of Kiev is also the last picture of Mussorgsky's piano-cycle, with vocals and lyrics added by the group. The piece features a refrain in the middle containing Hammond organ feedback.

Trackslijst

1	Promenade	0:00
2	The Gnome	0:00
3	Promenade	0:00
4	The Sage	0:00
5	The Old Castle	0:00
6	Blues Variation	0:00
7	Promenade	0:00
8	The Hut Of Baba Yaga	0:00
9	The Curse Of Baba Yaga	0:00
10	The Hut Of Baba Yaga	0:00
11	The Great Gates Of Kiev. The End	0:00
12	Nutrocker	0:00

Zijn grootste successen: De mooiste filmmelodieën

Algemeen

Artiest	Ennio Morricone
Label	RCA
Datum uitgave	1979
Speelduur	69:15
Genre	Filmmuziek

Details

Producent
Componist
Opmerkingen	Ennio Morricone OMRI (Rome, 10 november 1928) is een Italiaanse componist, orkestrator, dirigent en voormalig trompettist die de muziek voor ongeveer 500 films en televisieseries componeerde en orkestreerde. Hij componeerde tevens een honderdtal popsongs (voor onder anderen Mireille Mathieu en Mina) en een 150-tal klassieke composities zoals een opera, een tiental viool- en pianoconcerten en kamermuziek. Hij is tevens de winnaar van een Oscar voor beste originele muziek, die hij in 2016 op 87-jarige leeftijd in ontvangst nam. Daarmee is hij de oudste winnaar ooit van een Oscar.[1] Ennio Morricone behoort tot de invloedrijkste componisten van zijn generatie. Morricone's eerste composities dateren van de jaren veertig.[2] Morricone's omvangrijk en gevarieerd oeuvre omvat de muziek voor meer dan 70 prijswinnende films, waaronder alle films van Sergio Leone vanaf de Dollarstrilogie, zoals Once Upon a Time in the West en Once Upon a Time in America, alle films van Giuseppe Tornatore vanaf Cinema Paradiso, The Battle of Algiers, Bernardo Bertolucci's 1900, Exorcist II, Days of Heaven, diverse succesvolle Franse films, zoals La Cage aux folles en diverse Hollywoodfilms, waaronder The Thing, Roland Joffé's The Mission, The Untouchables (1987) van Brian De Palma, Barry Levinsons Bugsy (1991), Mike Nichols' Wolf (1994), Mission to Mars (2000) en Quentin Tarantino's The Hateful Eight (2015). Morricone's muziek werd eveneens uitvoerig aangewend in onder meer Quentin Tarantino's Kill Bill (2003-2004), Inglourious Basterds (2009) en Django Unchained (2012), The Boat That Rocked en series als The Simpsons en The Sopranos.[3] Met meer dan 10 miljoen verkochte exemplaren groeide Once Upon a Time in the West wereldwijd uit tot één van de succesvolste, instrumentale soundtracks. Zijn filmmuziek voor The Good, the Bad and the Ugly en The Mission wordt als invloedrijk beschouwd. In de Verenigde Staten behaalden beide soundtracks de goudstatus (RIAA). De componist verkocht wereldwijd meer dan 70 miljoen scores, compilaties en singles,[4][5] waarvan meer dan 6,5 miljoen[6] in Frankrijk, ruim drie miljoen in de Verenigde Staten[7] en meer dan twee miljoen albums in Korea.[8] In 1971 ontving Ennio Morricone een eerste gouden plaat (Disco d'Oro) voor de verkoop van 1 miljoen platen in Italië[9][10] en een "Targa d'Oro" voor de wereldwijde verkoop van 22 miljoen platen.[11]

Trackslijst

1	Once Upon a Time in the West	3:42
2	For a Few Dollars More	2:49
3	Moses Theme (Main Title)	4:04
4	The Adventurer	4:50
5	Le Train	3:12
6	A Gun for Ringo	2:19
7	Orient Express	3:27
8	My Name Is Nobody	3:10
9	Here's to You	3:09
10	A Fistful of Dollars	2:57
11	The Vice of Killing	2:25
12	The Good, the Bad, the Ugly	2:41
13	Bye Bye Colonel	1:45
14	Per amore	4:03
15	Speranza di liberta	2:28
16	Israel	5:01
17	A Fistful of Dynamite	4:36
18	L'Homme à l'harmonica	3:27
19	Valzer	2:15
20	Bambole	2:20
21	Gott mit uns	4:24

Newcastle‐on‐Tyne, December 1963

Algemeen

Artiest	Eric Burdon & The Animals
Label	Charly Records
Datum uitgave	1976
Speelduur	0:00
Genre	Rock, Blues

Details

Producent	Georgio Gomelsky
Componist	Eric Burdon,
Opmerkingen	Recorded at The Club A Gogo, guest starring Sonny Boy Williamson, The Animals (also billed as Eric Burdon and the Animals) are an English rhythm-and-blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic number-one hit single "The House of the Rising Sun" as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood." The band balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material and were part of the British Invasion of the US. The Animals underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon assembled a mostly new lineup of musicians under the name Eric Burdon and the Animals; the much-changed act moved to California and achieved commercial success as a psychedelic and hard rock band with hits such as "San Franciscan Nights", "When I Was Young" and "Sky Pilot" before disbanding at the end of the decade.[1] Altogether, the group had 10 top-20 hits in both the UK Singles Chart and the US Billboard Hot 100. The original lineup of Burdon, Alan Price, Chas Chandler, Hilton Valentine and John Steel reunited for a one-off benefit concert in Newcastle in 1968. They later launched brief comebacks in 1975 and 1983. Several partial regroupings of the original-era members have occurred since then under various names. The Animals were inducted into the Rock and Roll Hall of Fame in 1994.

Trackslijst

A1	Let It Rock	3:19
A2	Gotta Find My Baby	4:17
A3	Bob Diddley	7:47
B1	I'm Almost Grown	4:00
B2	Dimples	3:30
B3	Boom Boom	4:35
B4	C-Jam Blues	4:25

20 Greatest Hits

Algemeen

Artiest	Fats Domino
Label	EMI-Bovema Holland
Datum uitgave	1976
Speelduur	0:00
Genre	Rock, Blues

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	Blueberry Hill	0:00
A2	Be My Guest	0:00
A3	My Girl Josephine	0:00
A4	I Hear You Knocking	0:00
A5	The Fat Man	0:00
A6	Blue Monday	0:00
A7	Walking To New Orleans	0:00
A8	Ain't It A Shame	0:00
A9	My Blue Heaven	0:00
A10	I Want To Walk You Home	0:00
B1	Whole Lotta Loving	0:00
B2	Country Boy	0:00
B3	Let The Four Winds Blow	0:00
B4	It Keeps Raining	0:00
B5	Jambalaya (On The Bayou)	0:00
B6	I'm Ready	0:00
B7	Going To The River	0:00
B8	I'm Walkin'	0:00
B9	Goin' Home	0:00
B10	I'm Gonna Be A Wheel Someday	0:00

Fats Is Back

Algemeen

Artiest	Fats Domino
Label	Valiant
Datum uitgave	1968
Speelduur	29:56
Genre	Soul, R&B, Blues

Details

Producent	Richard Perry
Componist	Fats Domino
Opmerkingen

Trackslijst

1	My Old Friends	3:20
2	I'm Ready	2:34
3	So Swell When You're Well	2:34
4	Wait Till It Happens to You	2:36
5	I Know	2:48
6	Lady Madonna	2:18
7	Honest Papas Love Their Mamas Better	2:37
8	Make Me Belong to You	2:21
9	One for the Highway	2:35
10	Lovely Rita	2:32
11	One More Song for You	3:37

Fats On Fire

Algemeen

Artiest	Fats Domino
Label	Stateside
Datum uitgave	1964
Speelduur	0:00
Genre	Soul, R&B, Blues

Details

Producent	Felton Jarvis
Componist	Fats Domino
Opmerkingen	Recorded in Nashville - January, 1964.

Trackslijst

01	I Don't Want to Set the World on Fire	2.34
02	You Know I Miss You	2.30
03	Fats on Fire	2.07
04	The Land of Make-Believe	2.31
05	Old Man Trouble	1.52
06	Love Me	2.51
07	Mary, Oh Mary	2.12
08	Gotta' Get a Job	2.01
09	The Fat Man	2.27
10	Valley of Tears	2.13
11	Fats Shuffle	2.20
12	'm a Fool to Care	2.22

Variaties Op Een Dame

Algemeen

Artiest	Flairck
Label	Polydor
Datum uitgave	1978
Speelduur	68:42
Genre	Pop, Classical, Folk, World, & Country

Details

Producent	Cees Schrama
Componist
Opmerkingen

Trackslijst

A1	Aoife	6:20
A2	Voorspel In Sofia	7:00
A3	April 3rd	5:32
A4	Oneven Wals	7:10
B1	Variaties Op Een Dame	21:20
B2	Dubbelspel	21:20

Rumours

Algemeen

Artiest	Fleetwood Mac
Label	Warner Bros. Records
Datum uitgave	1977
Speelduur	40:03
Genre	Soft Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Second Hand News	2:53
2	Dreams	4:17
3	Never Going Back Again	2:15
4	Don’t Stop	3:13
5	Go Your Own Way	3:40
6	Songbird	3:23
7	The Chain	4:31
8	You Make Loving Fun	3:33
9	I Don’t Want to Know	3:15
10	Oh Daddy	3:57
11	Gold Dust Woman	5:02

In An Out Of Focus

Algemeen

Artiest	Focus
Label	Sire Records
Datum uitgave	1973
Speelduur	0:00
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Focus' debut album is gentler and more low-key and vocal-oriented than their subsequent efforts; fans of Jan Akkerman's pyrotechnics may be disappointed by his relatively restrained presence, but others may be pleasantly surprised to find a more economic group than they remember. A fair collection of progressive rock tunes without a clear focus, the material is dominated by Thijs Van Leer, often introducing classical sensibilities. But at least as often, it sticks with fairly conventional period folk-rock and blues influences, with occasional jazzy shadings. Akkerman's "House of the King" is the most accurate Jethro Tull imitation ever recorded.

Trackslijst

At The Rainbow

Algemeen

Artiest	Focus
Label	Polydor
Datum uitgave	1973
Speelduur	42:39
Genre	Rock

Details

Producent
Componist
Opmerkingen	At the Rainbow is the first live album from the Dutch rock band Focus, released in October 1973 on Imperial Records. The album was recorded at the Rainbow Theatre in London on 5 May 1973. A studio album was initially slated for release, but it was shelved due to disagreements within the band. (An album compiled from the tapes of these sessions was later released with the title Ship of Memories.) At the Rainbow was released instead.

Trackslijst

A1	Focus III	3:54
A2	Answers? Questions! Questions? Answers!	11:38
A3	Focus II	4:27
B1	Eruption (Excerpt)	8:29
B2	Hocus Pocus	8:29
B3	Sylvia	2:48
B4	Hocus Pocus (Reprise)	0:00

Motown Special

Algemeen

Artiest	Four Tops
Label	Motown Records
Datum uitgave	1977
Speelduur	0:00
Genre	Soul

Details

Producent
Componist
Opmerkingen	Companies, etc. Manufactured By – EMI-Bovema Holland Phonographic Copyright (p) – Motown Record Corporation Pressed By – EMI-Bovema N.V. – 31173 Pressed By – EMI-Bovema N.V. – 31174 Published By – Jobete-Anagon Credits Cover, Design – A. Backhausen* Photography By [Coverphoto] – Motown (3) Notes Manufactured by EMI-Bovema Holland ℗ 1977 ℗ Motown Record Corporation Made in Holland Barcode and Other Identifiers Matrix / Runout (Runout Side A): 5C038-98342 A/31173-1-Y Matrix / Runout (Runout Side B): 5C038-98342 B/31174-1-Y Rights Society: STEMRA

Trackslijst

A1	Reach Out, I'll Be There
A2	If I Were A Carpenter
A3	Standing In The Shadows Of Love
A4	Can't Seem To Get You Out Of My Mind
A5	Remember When
A6	We've Got A Strong Love (On Our Side)
B1	Bernadette
B2	I'll Turn To Stone
B3	I Like Everything About You
B4	Since You've Been Gone
B5	Stay In My Lonely Arms
B6	A Place In The Sun

Meisterwerke Fur Floten

Algemeen

Artiest	Frans Brüggen
Label	Telefunken
Datum uitgave	1964
Speelduur	0:00
Genre	Klassiek

Details

Producent
Componist
Opmerkingen

Trackslijst

Brüggen Met Blokfluiten

Algemeen

Artiest	Frans Brüggen
Label	Telefunken
Datum uitgave	1972-09-00
Speelduur	0:00
Genre	Classical

Details

Producent
Componist	Jean-Baptiste Loeillet
Opmerkingen

Trackslijst

Sonate Für Blockflöte Und B.c. C-moll

0:00

Something's Going On

Algemeen

Artiest	Frida
Label	Polar
Datum uitgave	1982
Speelduur	44:10
Genre	Pop

Details

Producent
Componist
Opmerkingen	thing's Going On is the third solo album by Swedish singer Anni-Frid Lyngstad (Frida), one of the founding members of the Swedish pop group ABBA, and her first album recorded entirely in English. Her previous two albums had been recorded in Swedish. Recorded in 1982 during the final months of ABBA, Something's Going On was first released in September 1982. Produced by Phil Collins, drummer and singer of the rock band Genesis, the album featured a harder-edged and more rock-oriented sound than that of ABBA's music, including Collins' distinctive gated reverb drum sound. The album was met with a positive reception by both critics and the public, with sales in excess of 1.5 million copies, making it the best-selling solo record of any of the ABBA members to date.[1] The album has since been re-released several times, including a 2005 remastered version that contained several bonus tracks In 1982, Frida felt it was time to record a solo album again, this time in English and aimed at the international market. ABBA were spending less and less time together. Going through her divorce from Andersson, Frida had heard Phil Collins' "In the Air Tonight", and then "listened to the album (Face Value) non-stop for eight months". As Collins himself put it in a TV interview: "Frida and I had something in common as far as our divorces were concerned. We were both the injured party." Polar Music approached Collins, asking if he would be interested in producing Frida's new solo album. He accepted the offer, thus making this his second album to be recorded in the Polar Studios, the first being Genesis' Duke (1980). Polar Music sent out invitations to publishing companies around the world, announcing Frida's plans and asking for songs suitable for the project. The response was overwhelming; more than 500 songs came into the Polar Music offices in Stockholm. Among the composers who made it to the album's final track list were Bryan Ferry, Stephen Bishop, Rod Argent and Russ Ballard. The Giorgio Moroder/Pete Bellotte composition "To Turn The Stone" was originally written for Donna Summer's 1981 album I'm a Rainbow – a double set for Geffen Records which for various reasons would remain in the archives until 1996. Frida also asked Per Gessle, later of Roxette, to set Dorothy Parker's bittersweet poem "Threnody" to music. A re-interpretation of the Face Value track "You Know What I Mean" – a song especially close to her heart, both musically and lyrically – was also included. The song "Here We'll Stay" had previously been recorded and performed by singer Sonia Jones for the UK pre-selection for the Eurovision Song Contest 1980.[2] On the album, it was recorded as a duet with Phil Collins, although he wasn't credited. When it was decided to release the song as a single in 1983, Frida re-recorded the song as a solo version.

Trackslijst

1	Tell Me It's Over	2:56
2	I See Red	4:35
3	I Got Something	4:04
4	Strangers	4:06
5	To Turn the Stone	5:18
6	I Know There's Something Going On	5:30
7	Thernody	4:16
8	Baby Don't Cry No More	2:59
9	The Way You Do	3:38
10	You Know What I Mean	2:39
11	Here We'll Stay	4:03

Concert for Bangla Desh (The)

Algemeen

Artiest	George Harrison
Label	Apple Records
Datum uitgave	1971-12-20
Speelduur	89:44
Genre	Rock, Beatles

Details

Producent
Componist
Opmerkingen	The Concert for Bangladesh – originally titled The Concert for Bangla Desh – is a live triple album by George Harrison and celebrity friends, released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the homeless Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). Co-produced by Phil Spector and featuring the latter's signature Wall of Sound in a live setting, the fundraiser album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS. Besides the main performers, the musicians and singers on the recording include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Linnear. The box set's original packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. On release, The Concert for Bangladesh was a major critical and commercial success, topping albums charts around the world, and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. The album was reissued in 2005, in remastered form, featuring a new cover. Among the many words of acclaim that have been written about The Concert for Bangladesh since its release, author Tom Moon describes it as an album to play "whenever your faith in the power of music begins to wane".[1] Sales of The Concert for Bangladesh continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a 2011 campaign marking the album's 40th anniversary.

Trackslijst

1	George Harrison / Ravi Shankar Introduction	6:16
2	Bangla Dhun	16:19
3	Wah-Wah	3:15
4	My Sweet Lord	4:16
5	Awaiting on You All	2:37
6	That's the Way God Planned It	4:05
7	It Don't Come Easy	2:38
8	Beware of Darkness	3:26
9	Introduction of the Band	3:00
10	While My Guitar Gently Weeps	4:39
11	Jumpin' Jack Flash / Youngblood	9:11
12	Here Comes the Sun	2:51
13	A Hard Rain's Gonna Fall	5:04
14	It Takes a Lot to Laugh / It Takes a Train to Cry	2:54
15	Blowin' in the Wind	3:34
16	Mr. Tambourine Man	4:06
17	Just Like a Woman	4:14
18	Something	3:05
19	Bangla Desh	4:14

Dark Horse

Algemeen

Artiest	George Harrison
Label	Apple Records
Datum uitgave	1974
Speelduur	41:19
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Dark Horse is the fifth studio album by English rock musician George Harrison, released on Apple Records in December 1974 as the follow-up to Living in the Material World. Although keenly anticipated on release, Dark Horse is associated with the controversial North American tour that Harrison staged with Indian classical musician Ravi Shankar in November and December that year. This was the first US tour by a member of the Beatles since 1966, and the public's nostalgia for the band, together with Harrison contracting laryngitis during rehearsals and choosing to feature Shankar so heavily in the program, resulted in scathing concert reviews from some influential music critics. The Dark Horse album was written and recorded during an extended period of upheaval in Harrison's personal life, when he dedicated much of his energies to business issues such as setting up Dark Horse Records. Author Simon Leng refers to the album as "a musical soap opera, cataloguing rock-life antics, marital strife, lost friendships, and self-doubt",[1] due to its focus on Harrison's split with first wife Pattie Boyd and his temporary withdrawal from the spiritual certainties of his previous work. The album features an array of guest musicians – including Tom Scott, Billy Preston, Willie Weeks, Andy Newmark, Jim Keltner, Ringo Starr, Gary Wright and Ron Wood – and produced two hit singles, "Dark Horse" and "Ding Dong, Ding Dong". It showed Harrison moving towards the funk and soul musical genres. The album was not well received by the majority of critics at the time. Dark Horse was certified gold by the Recording Industry Association of America within days of release, but it became Harrison's first solo album not to chart in Britain. The cover was designed by Tom Wilkes and consists of a school photograph from Harrison's time at the Liverpool Institute superimposed onto a Himalayan landscape. The album was reissued in remastered form on 22 September 2014, as part of the Apple Years 1968–75 Harrison box set.

Trackslijst

1	Hari’s on Tour (Express)	4:44
2	Simply Shady	4:38
3	So Sad	5:02
4	Bye Bye, Love	4:09
5	Māya Love	4:24
6	Ding Dong, Ding Dong	3:41
7	Dark Horse	3:55
8	Far East Man	5:53
9	It Is “He” (Jai Sri Krishna)	4:50

Bonnie & Clyde

Algemeen

Artiest	Georgie Fame
Label	Embassy
Datum uitgave	1973
Speelduur	56:17
Genre	R&B, Jazz

Details

Producent
Componist
Opmerkingen	"The Ballad of Bonnie and Clyde" is a song recorded by the British rhythm and blues singer Georgie Fame.[2] Released as a single, the song reached number one in the UK Singles Chart on 24 January 1968, remaining for one week.[3] The song reached number seven in the United States later the same year.[4]

Trackslijst

1	The Ballad of Bonnie & Clyde	3:17
2	Rosetta	2:52
3	Yeh Yeh	4:05
4	Getaway	5:08
5	Barefootin	4:03
6	Bring It on Home to Me	4:36
7	Saturday Night Fish Fry	5:19
8	Uptight	4:35
9	Everything I Own	3:35
10	Lean on Me	3:33
11	I Love Jamaica	3:53
12	Some Day	4:21
13	Lawdy Miss Clawdy	2:20
14	That Ol Rock 'n' Roll	4:35

Yeh Yeh

Algemeen

Artiest	Georgie Fame
Label	Spectrum Music
Datum uitgave	2015
Speelduur	56:06
Genre	Jazz, R&B

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Get Away	2:32
2	Sunny	2:35
3	Yeh Yeh	2:44
4	Night Train	4:27
5	Green Onions	2:11
6	In The Meantime	2:34
7	Papa's Got A Brand New Bag	3:43
8	Preach & Teach	1:58
9	Sitting In The Park	3:17
10	Get On The Right Track, Baby	2:51
11	Outrage	3:16
12	Rockin' Pneumonia And The Boogie Woogie Flu	1:59
13	Pink Champagne	3:50
14	Dawn Yawn	2:09
15	Do Re Mi	2:14
16	Like We Used To Be	2:14
17	See Saw	2:42
18	Sweet Thing	2:31
19	Baby Please Don't Go	2:51
20	Music Talk	3:18

Ooh-Wakka-Doo-Wakka-Day

Algemeen

Artiest	Gilbert O'Sullivan
Label	MAM
Datum uitgave	1972
Speelduur	0:00
Genre	Pop

Details

Producent	Gordon Mills (2)
Componist	Gilbert O'Sullivan
Opmerkingen	Ooh-Wakka-Doo-Wakka-Day is a 1972 song by Gilbert O'Sullivan. While it only made #8 on the UK Singles Chart,[1] it was the first of three #1s on the Irish Singles Chart for him.[2] The song was never released on a studio album, but in 2012 made it on to a remastered version of Back to Front.[3] In 2013, a single-purpose version of the song which featured 300 people singing a reworded version of the song whilst going about their daily lives was used for an advert for the National Lottery.[4]

Trackslijst

A	Ooh-Wakka-Doo-Wakka-Day	0:00
B	But I'm Not	0:00

Motown Legends

Algemeen

Artiest	Gladys Knight & The Pips
Label	Tamla Motown
Datum uitgave	1984
Speelduur	Frans Brüggen
Genre	Soul

Details

Producent
Componist
Opmerkingen	Gladys Knight & the Pips were an R&B/soul family musical act from Atlanta, Georgia that remained active on the music charts and performing circuit for three decades. Starting out as simply The Pips in 1952, derived from a cousin's nickname, the founding members were Gladys Knight, brother Merald "Bubba" Knight, sister Brenda Knight and cousins William and Eleanor Guest. After a couple years performing in talent shows, the group signed with Brunswick Records in 1957, recording a couple of singles that failed to chart. Brenda Knight and Eleanor Guest were eventually replaced by another cousin, Edward Patten and a non-relative, Langston George in 1959. This lineup produced the group's first hit single, "Every Beat of My Heart". After the single was released on three different labels, they changed their name to Gladys Knight & the Pips in 1961. Langston George left the same year and Gladys Knight left in 1962 to start a family with musician Jimmy Newman. Knight rejoined in 1964 and this lineup continued until the group's disbandment in 1989. The group reached commercial success after signing with Motown Records in 1966. After a year and a half, the group recorded the first hit single version of "I Heard It Through the Grapevine" in 1967, which led to several hit singles for Motown's Soul Records label, including "Nitty Gritty", "Friendship Train", "If I Were Your Woman" and "Neither One of Us (Wants to Be the First to Say Goodbye)", before leaving the label for Buddah Records in 1973, where they recorded the hits "Best Thing That Ever Happened to Me", "I've Got to Use My Imagination" and their number-one hit single, "Midnight Train to Georgia". Contractual difficulties with their labels forced the group to record side projects until 1980 when they signed with Columbia Records. Later hits included "Save the Overtime (For Me)" and the Grammy-winning single "Love Overboard". In 1989, the group disbanded with the Pips retiring and Knight embarking on a successful solo career. Gladys Knight & the Pips are multiple Grammy and American Music Award winners and are inductees into the Rock and Roll Hall of Fame[1] and the Vocal Group Hall of Fame in 1996 and 2001 respectively.[2]

Trackslijst

Verhalen door Godfried Bomans

Algemeen

Artiest	Godfried Bomans
Label	Philips
Datum uitgave	1972
Speelduur	58:32
Genre	Comedy, Nederlands

Details

Producent
Componist
Opmerkingen

Trackslijst

1	De engel	6:50
2	Protestant	5:50
3	Het beeld	11:25
4	Het aanzoek	4:35
5	Interview met een 100-jarige	8:11
6	Zo zit dat	4:41
7	Het kamerlid	9:35
8	Wim Sonneveld interviewt Godfried Bomans	7:25

Moontan

Algemeen

Artiest	Golden Earring
Label	Track Record
Datum uitgave	1974
Speelduur	39:49
Genre	Rock

Details

Producent
Componist
Opmerkingen	Moontan is the ninth album by Dutch rock band Golden Earring, released in 1973. It contains the radio hit "Radar Love", and was voted best Dutch pop album ever by readers of music magazine Oor in 2008.[2] In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #32 in its list of "40 Cosmic Rock Albums".[3] Moontan is the band's most successful album in the United States, being the only Golden Earring album to be certified Gold by the RIAA.[4] "Vanilla Queen" twice samples Marilyn Monroe's character in There's No Business Like Show Business: "Well, in simple English I'm..." from the "Lazy" performance and "What's your name, Honey?" from the "Heat Wave" performance.

Trackslijst

1	Radar Love	6:25
2	Candy’s Going Bad	6:13
3	Vanilla Queen	9:21
4	Big Tree, Blue Sea	8:15
5	Are You Receiving Me	9:33

Winter Harvest

Algemeen

Artiest	Golden Earring
Label	Polydor
Datum uitgave	1967-04
Speelduur	35:43
Genre	Dutch Pop, R&B

Details

Producent
Componist
Opmerkingen	Winter-Harvest is the second album by Dutch beat band Golden Earrings, released in 1967.

Trackslijst

1	Another Man in Town	2:23
2	Smoking Cigarettes	2:20
3	In My House	3:58
4	Don't Wanna Lose That Girl	2:16
5	Impeccable Girl	2:16
6	Tears and Lies	2:01
7	You've Got the Intention to Hurt Me	3:09
8	Dream	2:40
9	You Break My Heart	2:00
10	Baby Don't Make Me Nervous	2:25
11	Call Me	2:18
12	Happy and Young Together	3:05
13	Lionel the Miser	2:30
14	There Will Be a Tomorrow	2:18

Live

Algemeen

Artiest	Golden Earring
Label	Polydor
Datum uitgave	1977
Speelduur	87:07
Genre	Rock

Details

Producent
Componist
Opmerkingen	Live is the first live album by Dutch rock band Golden Earring, released in 1977, recorded at London's Rainbow Theater

Trackslijst

01	Candy's Going Bad	5:06
02	She Flies on Strange Wings	8:10
03	Mad Love's Comin'	9:53
04	Eight Miles High	10:01
05	Vanilla Queen	11:45
06	To the Hilt	6:55
07	Fightin' Windmills	8:26
08	Con Man	9:09
09	Radat Love	11:17
10	Just Like Vince Taylor	6:25

Another 45 Miles / I Can't Get A Hold On Her

Algemeen

Artiest	Golden Earring
Label	Polydor
Datum uitgave	1969
Speelduur	0:00
Genre	Rock

Details

Producent	Fred Haayen
Componist	George Kooymans
Opmerkingen

Trackslijst

A	Another 45 Miles	0:00
B	I Can't Get A Hold On Her	0:00

That Day / The Words I Need

Algemeen

Artiest	Golden Earring
Label	International Polydor Production
Datum uitgave	1966
Speelduur	0:00
Genre	Rock

Details

Producent	Fred Haayen
Componist	George Kooymans, Rinus Gerritsen
Opmerkingen

Trackslijst

A	That Day	0:00
B	The Words I Need	0:00

Living My Life

Algemeen

Artiest	Grace Jones
Label	Island
Datum uitgave	1982
Speelduur	37:41
Genre	New wave, Pop

Details

Producent	Alex Sadkin, Chris Blackwell
Componist
Opmerkingen	Living My Life is the sixth studio album by Grace Jones, released in 1982. It was the last of three albums she recorded at the Compass Point Studios in the Bahamas.

Trackslijst

1	My Jamaican Guy	6:00
2	Nipple to the Bottle	5:58
3	The Apple Stretching	7:09
4	Everybody Hold Still	3:10
5	Cry Now, Laugh Later	5:03
6	Inspiration	4:34
7	Unlimited Capacity for Love	5:45

10 Mistakes

Algemeen

Artiest	Gruppo Sportivo
Label	Epic
Datum uitgave	1978
Speelduur	38:38
Genre	Dutch Pop

Details

Producent
Componist	N/A
Opmerkingen	Gruppo Sportivo are a Dutch pop band, from The Hague, formed in 1976, who enjoyed some measure of international success in the late 1970s and 1980s. They had hit songs with "Hey Girl", "Beep Beep Love", "Tokyo (I'm On My Way)", "Disco Really Made It" and "Rock 'n' Roll". The frontman of the band, and writer of the material, is Hans Vandenburg. The band broke up in 2013.

Trackslijst

1	Beep Beep Love	2:55
2	Superman	6:27
3	Lasting Forever	4:12
4	Girls Never Know	3:16
5	I Shot My Manager	2:50
6	Mission A Paris	4:12
7	Rock N Roll	2:28
8	Henri	4:20
9	Armee Monika	4:50
10	Rubber Gun	3:08

Back to 78

Algemeen

Artiest	Gruppo Sportivo
Label	Ariola
Datum uitgave	1978
Speelduur	41:35
Genre	Dutch Pop

Details

Producent
Componist
Opmerkingen	The band formed in the 1970s, and rode to national popularity playing New wave music. The creative force was Hans Vandenburg (guitar and vocals), with Max Mollinger (drums), Peter Calicher (keyboards), Eric Wehrmeyer (bass), and the "Gruppettes" Josée van Iersel and Meike Touw (vocals). The band played pop songs whose lyrics contained humor, situational comedy, and inside musical jokes. Their first single was Out There In The Jungle (Polydor 1976), but the height of their career came with the two albums 10 Mistakes (1977) and Back to '78 (1978). They came to popularity just after the height of punk rock, but were regarded as more post-punk, veering more towards the mainstream pop.[citation needed] "Dreamin", a song from the album 10 Mistakes received some college radio airplay in the US. They were admired for their live performances, which had great humour and slapstick. Their best known song is Beep Beep Love (from the album Ten Mistakes), which enjoyed some success both in the UK and US. The UK's Radio & Records voted them "Top Newcomer '78". Other classics originating from the milestone albums include Tokyo, Hey Girl, I Said No, Lasting Forever, Shave, Rock 'n' Roll and Mission à Paris. The albums were produced by Robert Jan Stips (Supersister, Golden Earring, The Nits). After releasing single Sleeping Bag Hans Vandenburg disbanded Gruppo Sportivo at the height of their popularity. He got the band back together for Copy Copy in 1980, after the release of his solo debut album Buddy Odor Is a Gas (1979). Only Calicher and Mollinger remained from the original line-up.

Trackslijst

1	Hey Girl	2:27
2	Bernadette	3:07
3	P.S. 78	3:02
4	Tokyo	1:13
5	I Said No!	4:15
6	Real Teeth Are Out	3:47
7	Are You Ready?	2:05
8	The Booby-Trap Boogie	3:30
9	Blah Blah Magazines	2:02
10	One Way Love (From Me to You)	3:08
11	I'm a Rocket	2:31
12	Shave	2:48
13	The Pogo Never Stops	3:18
14	Bottom of the Class	3:03
15	The Single	1:12

Ses 20 plus grands succès

Algemeen

Artiest	Harry Belafonte
Label	Arcade
Datum uitgave	1978
Speelduur	Frans Brüggen
Genre	Folk, Calipso

Details

Producent
Componist
Opmerkingen

Trackslijst

Harry Sacksioni: Gitaar

Algemeen

Artiest	Harry Sacksioni
Label	Harlekijn
Datum uitgave	1975
Speelduur	0:00
Genre	Rock

Details

Producent	Rob Chrispijn
Componist
Opmerkingen	Harry Sacksioni (Amsterdam, 23 oktober 1950) is een Nederlands gitarist. Als artiest legt Sacksioni geen nadruk op commercieel succes. Hierdoor komt hij weinig via radio en televisie onder de publieke aandacht. Hij brengt zijn platen alleen nog in eigen beheer en op zijn eigen label uit, als protest tegen de hoge prijzen van cd's. Eind 2003 is een livealbum verschenen van een tournee die hij in 2003 samen met de gitaristen Jan Kuiper, Eric Vaarzon Morel, Digmon Roovers en Zou Diarra heeft gemaakt onder de titel The Five Great Guitars. Het eerste studioalbum van deze gitaarvirtuoos van eigen bodem. Alle, tja hits kan ik het niet noemen maar zoiets dus..., zijn aanwezig: ''Elixer, ''Scarborough Fair'', ''Hagelslag'', ''Thee bij Tante Josephine'' en ''Huiswaarts''. Aanrader voor liefhebbers van goed gitaarspel of gewoon schitterende akoestische/instrumentale muziek.

Trackslijst

A1	Elixer	0:00
A2	Scarborough Fair	0:00
A3	Meta Sequoia	0:00
A4	Lappenballerina	0:00
A5	Hagelslag	0:00
A6	Goofy	0:00
B1	Thee Bij Tante Josephine	0:00
B2	Huiswaarts	0:00
B3	Tranen	0:00
B4	De Vlechters	0:00
B5	Kleedkamer	0:00
B6	Breekbaar	0:00

Shpritsz

Algemeen

Artiest	Herman Brood & His Wild Romance
Label	Ariola
Datum uitgave	1978
Speelduur	37:24
Genre	Dutch Pop, Rock

Details

Producent	Robin Freeman, Herman Brood & His Wild Romance
Componist
Opmerkingen	Shpritsz is het tweede album van Herman Brood & His Wild Romance, verschenen in mei 1978. De plaat is sterk beïnvloed door de Britse pubrock van Graham Parker & The Rumour en de New Yorkse straatlyriek van Lou Reed. Bijna alle nummers hebben een up-tempo rockritme. Dit album betekende de doorbraak voor Brood. Voor het album werd een gouden plaat uitgereikt. https://nl.wikipedia.org/wiki/Shpritsz

Trackslijst

1	Saturday Night	3:42
2	Dope Sucks	2:06
3	One	1:54
4	Doin' It	2:39
5	Champagne (& Wine)	3:31
6	Back (In Y'r Love)	1:48
7	Hit	2:47
8	R & Roll Junkie	2:46
9	Never Enough	2:31
10	Pain	1:52
11	Get Lost	3:12
12	Hot-Talk	1:44
13	Prisoners	1:40
14	Doreen	2:32
15	Skid Row	2:35

Cha Cha

Algemeen

Artiest	Herman Brood & His Wild Romance
Label	Ariola
Datum uitgave	1978
Speelduur	35:39
Genre	Rock, Dutch Pop

Details

Producent
Componist
Opmerkingen	Cha Cha is een live LP van Herman Brood & his Wild Romance uit 1978. Op de hoes wordt manager Koos van Dijk vermeld met zijn geuzennaam Coach v Dijk. Naast manager op zakelijk gebied trad Koos van Dijk ook op als coach in het door drugsgebruik geplaagde leven van Herman Brood. Het hoesontwerp is van Eva van Dam & Dick van der Meyden. De foto's op de achterkant van de hoes zijn gemaakt door Anton Corbijn. Sinds de jaren 70 heeft Corbijn foto's van Brood gemaakt. Een selectie hiervan was in het najaar van 2006 samen met privé foto's van de familie Brood te zien in het Groninger Museum. De titel van deze tentoonstelling was Cha Cha, fenomeen Herman Brood.[1] De LP bevat onder andere de hit Still Believe. Cha Cha is ook de naam van een speelfilm met Herman Brood en Nina Hagen. Van deze speelfilm is een soundtrack LP gemaakt met ook de titel Cha Cha.

Trackslijst

1	Hit	1:29
2	Too Slow	2:29
3	Street	2:10
4	Still Believe	3:10
5	True Fine Mama	1:48
6	Rock 'n' Roll Junkie	2:28
7	One More Dose	3:14
8	Speedo	0:24
9	Dope Sucks	2:07
10	City	3:36
11	Blue	3:18
12	Can't Stand Up	2:08
13	Phony	3:26
14	Pop	3:52

Herman van veen I

Algemeen

Artiest	Herman van Veen
Label	Harlekijn Records
Datum uitgave	1991-07
Speelduur	68:21
Genre	Nederlands, Ballads

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Harlekijn lied	2:09
2	Diner	3:13
3	Waar blijft de tijd	2:41
4	De sonate voor piano	3:36
5	De neus	2:21
6	Vrouwen	2:22
7	Platenlied	1:42
8	Drie schuintambours	3:44
9	Hun eerste woning	2:03
10	De poort	2:10
11	Blonde Bert en zwarte Bart	2:01
12	Sterven in de zon	2:51
13	Het hondje	3:32
14	Harlekijn lied	0:45
15	Cirkels	2:49
16	Op elke bruiloft huil ik	1:56
17	Adieu Cafe	3:50
18	Suzanne	3:55
19	Optimist - Pessimist	1:49
20	Dan pas	1:17
21	Carnaval naar Santiago	2:40
22	Liefde van later	3:29
23	Muzikale droom	2:08
24	De boer uit Zwitserland	4:07
25	Een ochtendvol van liefde	2:11
26	Ik wil jou	2:47

Laughter

Algemeen

Artiest	Ian Dury & The Blockheads
Label	Stiff Records
Datum uitgave	1980
Speelduur	39:29
Genre	Rock, Punk Rock

Details

Producent
Componist
Opmerkingen	The Blockheads had undergone a significant personnel change since the previous album, Do It Yourself. Chaz Jankel, who played keyboards and co-wrote most of that album's songs, had left in the wake of a stressful tour. Jankel's place on guitar was taken by Wilko Johnson of Dr. Feelgood. Johnson (real name John Wilkinson) had considered retiring from the music business until he was asked by Davey Payne and Dury, old friends from their pub rock days, to join The Blockheads. The new-line up first appeared on the 'I Want To Be Straight' single, which was released before the album, and reached number 22 in the UK pop charts. Although Ian Dury was becoming harder to work with, the production of Laughter had started out as a relaxed affair, without the presence of Jankel and Dury. Rehearsals commenced in early 1980 at Milner Sound in Fulham, after keyboard player Mick Gallagher had returned from an American tour with The Clash. The group was, at that time, on hiatus after the gruelling promotional tour in support of Do It Yourself. Spurred on by recording commitments, Dury took over the rehearsals to form the basis of his new album and brought in Wilko Johnson, all without consulting the rest of the band. At that time Dury was an alcoholic, and also addicted to Mogadon, a brand of sedative. Coupled with his bad reaction to celebrity, and his bouts of depression, these addictions caused him to be cantankerous, confrontational, argumentative and controlling. Although these traits had come out during the recording of the group's previous album, they were at their peak during the record sessions for Laughter. Attempts to question Dury's judgment would cause explosions of defensiveness and aggression. He also insisted on synchronising the instruments to a click-track, which aggravated a number of the musicians, especially Wilko Johnson. To make matters worse, guitarist Johnny Turnbull suffered a head injury and was afflicted with mood swings. He eventually had a nervous breakdown. The album was preceded by the single "Sueperman's Big Sister", intentionally spelt wrong so to avoid any copyright issues with DC Comics. The 7" release included an exclusive track "You'll See Glimpses", while the 12" included the album's final track "Fucking Ada". The single, Stiff Records' 100th, employed the label for Stiff's very first (Nick Lowe's "Heart of the City") with the track names crossed out and the correct titles and artist (for "Sueperman's Big Sister") written in, as if by biro. Laughter was released the same month, November 1980, but the album was not well received by critics and its sales were mediocre. The "Soft As a Baby's Bottom" tour to support it, however, was a sell-out success. Stiff and Ian Dury parted ways afterwards and he signed a short-lived deal with Polydor Records without The Blockheads. 12-12-1980 van M. & GJ.

Trackslijst

1	Sueperman’s Big Sister	2:48
2	Pardon	2:39
3	Delusions of Grandeur	2:51
4	Yes & No (Paula)	3:06
5	Dance of the Crackpots	2:35
6	Over the Points	4:09
7	(Take Your Elbow Out of the Soup You’re Sitting on the Chicken)	2:34
8	Uncoolohol	3:01
9	Hey, Hey, Take Me Away	2:27
10	Manic Depression (Jimi)	3:48
11	Oh Mr. Peanut	3:21
12	Fucking Ada	6:02

New Boots and Panties!!

Algemeen

Artiest	Ian Dury & The Blockheads
Label	Stiff Records
Datum uitgave	1977
Speelduur	41:00
Genre	Punk Rock, New wave

Details

Producent
Componist
Opmerkingen	New Boots and Panties!! is the debut album by Ian Dury, released in the UK on Stiff Records on 30 September 1977. Usually thought of as the first album by Ian Dury and the Blockheads (his backing band from 1977 to 1982), the album is credited solely to Dury as the Blockheads were not officially formed until Stiff's 'Live Stiffs' package tour the month after its release, and two members of the Blockheads do not play on the album. Although it is often cited as one of the first classic UK punk albums, the record covers a diverse range of musical styles reflecting Dury's influences and background in pub rock, taking in funk, disco, British music hall and early rock and roll, courtesy of Dury's musical hero Gene Vincent. Dury's lyrics also eschew the anti-establishment stance associated with punk music, preferring cheeky love songs or character stories based on the working-class people of the East End and Essex Estuary areas where he grew up. The songs are frequently ribald and profane, but also contain humour and affection for his characters. Widely considered to be the best album of Ian Dury's career,[1][2] it is also his biggest selling, having been certified platinum status in the UK for 300,000 sales, in June 1979.[3] Sales of the album during the first few months after its release were modest, and the album's only single, "Sweet Gene Vincent", failed to chart. However, the following three Ian Dury and the Blockheads singles, "What a Waste", "Hit Me with Your Rhythm Stick" and "Reasons to be Cheerful, Part 3", all reached the top ten of the UK Singles Chart, and their success kept the album in the spotlight and ensured consistent sales over the next two years. New Boots and Panties!! was among the UK's top 30 best selling albums of both 1978 and 1979, and eventually peaked at number 5 in the UK Albums Chart in February 1979, some 17 months after its release, in the wake of "Hit Me with Your Rhythm Stick"'s chart-topping success. The album's title derives from Dury's habit of buying clothes second hand and refers to the only items of clothing he insisted on buying new. According to Ian Dury & the Blockheads: Song By Song, the name was chosen by Dury from a list of twenty potential titles drawn up by compere Kosmo Vinyl. New Boots and Panties!! has been reissued several times, including a three-disc edition for its 30th anniversary and a five-disc box set for its 40th anniversary.

Trackslijst

1	Wake Up and Make Love With Me	4:30
2	Sweet Gene Vincent	3:30
3	I’m Partial to Your Abracadabra	3:30
4	My Old Man	3:30
5	Billericay Dickie	4:00
6	Sex & Drugs & Rock & Roll	3:30
7	Clevor Trever	5:00
8	If I Was With a Woman	3:30
9	Blockheads	4:00
10	Plaistow Patricia	4:00
11	Blackmail Man	2:00

Do It Yourself

Algemeen

Artiest	Ian Dury & The Blockheads
Label	Stiff Records
Datum uitgave	1979
Speelduur	41:04
Genre	New Wave, Punk Rock

Details

Producent
Componist
Opmerkingen	Do It Yourself is a 1979 album by Ian Dury & the Blockheads. It was the first album to be credited to Ian Dury & the Blockheads rather than Ian Dury alone, although Dury had used the full band name for the "What a Waste" 7" single of 1978. The album was released in the wake of the chart-topping hit single "Hit Me with Your Rhythm Stick", and reached number two in the charts, behind ABBA's Voulez-Vous. Do It Yourself sold around 200,000 copies, and was Dury's second Platinum album (after its predecessor New Boots and Panties!!). Like New Boots and Panties!! before it, much of Do It Yourself was written at Dury's home, no longer a flat near the Oval cricket ground, but now a rented home in Rolvenden, Kent. Even though he declined point blank his management's attempts to get him to dust off and re-record old Kilburn & the High Roads songs like "England's Glory" Dury did resurrect one old song, "Sink My Boats", the very first song he and Chas Jankel wrote together. In fact, a number of other songs pre-date the rehearsal and songwriting sessions for Do It Yourself; the instrumentals for "Quiet", "This Is What We Find" and "Uneasy Sunny Day Hotsy Totsy" were all arranged by Blockheads members while they were still in their band Loving Awareness. Sex and Drugs and Rock and Roll:

Trackslijst

1	Inbetweenies	5:20
2	Quiet	3:34
3	Don’t Ask Me	3:19
4	Sink My Boats	4:12
5	Waiting for Your Taxi	2:54
6	This Is What We Find	4:10
7	Uneasy Sunny Day Hotsy Totsy	2:10
8	Mischief	3:33
9	Dance of the Screamers	6:40
10	Lullaby for Francies	5:07

World Of Ike & Tina (The)

Algemeen

Artiest	Ike & Tina Turner
Label	United Artists
Datum uitgave	1973
Speelduur	0:00
Genre	R&B, Funk

Details

Producent
Componist
Opmerkingen	"This double LP set is great, as long as Ike don't sing! otherwise, Great!" " Eh, there's a little too much Ike on this one. Don't get me wrong, I know it's Ike & Tina, the "and" being the operative word, but still. If you want the best of the Turner's live, go for Live at Carnegie Hall instead."

Trackslijst

01	Theme From Shaft	5.32
02	I Gotcha	4.05
03	Intro To Tina	1.24
04	She Came In Through The Bathroom Window	2.17
05	You're Still My Baby	3.00
06	Don't Fight It	2.40
07	Annie Had A Baby	3.10
08	With A Little Help From My Friends	3.17
09	Get Back	3.07
10	Games People Play	3.18
11	Honky Tonk Women	3.09
12	If You Love Me Like You Say (You Wouldn't Treat Me Like You Do)	2.43
13	I Can't Turn You Loose	3.00
14	I Wish It Would Rain	3.29
15	Just One More Day	3.35
16	Stand By Me	4.00
17	Dust My Broom	3.30
18	River Deep, Mountain High	2.14
19	Let Me Touch Your Mind	4.10
20	Chopper	3.00
21	1-2-3	4.40

Nutbush City Limits

Algemeen

Artiest	Ike & Tina Turner
Label	Music for Pleasure
Datum uitgave	1973
Speelduur	32:37
Genre	Funk, R&B

Details

Producent
Componist
Opmerkingen	"Nutbush City Limits" is a semi-autobiographical song written and originally performed by Tina Turner in which she commemorates her rural hometown of Nutbush, Tennessee. Released June 1973, shortly before her separation from then-husband and musical partner Ike Turner, "Nutbush City Limits" was the last hit single the duo would produce together. In the years since, "Nutbush City Limits" has been performed by a number of other artists—most notably Bob Seger and The Silver Bullet Band—and Tina Turner herself has re-recorded several different versions of the song. As an unincorporated rural community, Nutbush does not have official "city limits"; rather, its general boundaries are described by signs reading "Nutbush—Unincorporated" which are posted on the local highway.[2]

Trackslijst

1	Nutbush City Limits	2:55
2	Make Me Over	3:05
3	Drift Away	3:20
4	That's My Purpose	4:38
5	Fancy Annie	2:20
6	River Deep - Mountain High	4:02
7	Get It Out of Your Mind	3:20
8	Daily Bread	2:45
9	You Are My Sunshine	3:22
10	Club Manhattan	2:50

Jaap Fischer

Algemeen

Artiest	Jaap Fischer
Label	MFP
Datum uitgave	1961
Speelduur	0:00
Genre	Cabaret, Nederlands

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Om je geld	0:00
2	Vlinder	0:00
3	Cipier	0:00
4	Suzanne	0:00
5	Het Veerse Gat	0:00
6	Als ze slaapt	0:00
7	Het ei	0:00
8	Blaren	0:00
9	Het kerkhof	0:00
10	Omdat ik van je houd	0:00
11	Jan Soldaat	0:00
12	De bal	0:00

Sittin' in the Trap

Algemeen

Artiest	Jam Factory
Label	Epic
Datum uitgave	1970
Speelduur	43:45
Genre	Rock

Details

Producent	Onbekend
Componist	Howie Wyeth
Opmerkingen	Jam Factory was an American soul group from Syracuse, New York, active between 1970 and 1972. The six-man band was founded by Howie Wyeth of Syracuse University and featured Steve Marcone and Earl Ford on brass, Mark Hoffmann on guitar, Kent DeFelice on bass, Joe English on drums, and Gene McCormick on keyboards.[1][2] The band played the Schaefer Music Festival in 1970. After leaving Jam Factory, Joe English went on to be the drummer for Paul McCartney and Wings.

Trackslijst

01	Tight Knit Group	5:18
02	Sittin' in the Trap	3:06
03	Trying to Recall	6:26
04	Didn't Know Me Then	2:45
05	You Better Listen	5:32
06	It's Your World	11:47
07	Brothers Gemini	2:43
08	Mr. Slow	6:08

Je T'aime...Moi Non Plus / Jane B.

Algemeen

Artiest	Jane Birkin
Label	Fontana
Datum uitgave	1969
Speelduur	7:30
Genre	Pop, Chanson

Details

Producent
Componist	Serge Gainsbourg
Opmerkingen

Trackslijst

A	Je T'aime...Moi Non Plus	4:25
B	Jane B.	3:05

My Favourites

Algemeen

Artiest	Janis Ian
Label	CBS
Datum uitgave	1980
Speelduur	0:00
Genre	Ballads, Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

Jean-Pierre Rampal

Algemeen

Artiest	Jean‐Pierre Rampal
Label	Everest Records
Datum uitgave	1969
Speelduur	0:00
Genre	Klassiek

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Concerto Comique in A, op. 8 no. 4: "le Quadrille en Quatuor"	5:37
2	Concerto Comique in G, op. 8 no. 6: "le Plaisir des Dames"	5:09
3	Comique in C minor, op. 8 no. 3: "Margoton"	5:54
4	Concerto for Flute and Strings in G minor, BWV 1056: I. Moderato	3:36
5	Concerto for Flute and Strings in G minor, BWV 1056: II. Largo	2:53
6	Concerto for Flute and Strings in G minor, BWV 1056: III. Presto	3:47
7	Concerto for Flute in G minor "La Notte", op. 10 no. 2	9:18
8	Concerto for Flute and Strings in G major: I. Allegro non molto	3:31
9	Concerto for Flute and Strings in G major: II. Andante	4:40
10	Concerto for Flute and Strings in G major: III. Allegro	2:27
11	Concerto for Flute and Orchestra in E minor: I. Allegro con brio	8:35
12	Concerto for Flute and Orchestra in E minor: II, Adagio un poco andante	7:51
13	Concerto for Flute and Orchestra in E minor: III. Presto	5:12
14	Concerto for Flute and Orchestra in E minor: I. Allegro	8:22
15	Concerto for Flute and Orchestra in E minor: II. Adagio	5:50
16	Concerto for Flute and Orchestra in E minor: III. Rondo. Allegretto	5:39
17	Concerto for Flute, Oboe and Strings in C major: I. Allegro con spirito	4:21
18	Concerto for Flute, Oboe and Strings in C major: II. Andante	4:59
19	Concerto for Flute, Oboe and Strings in C major: III. Allegro	5:04
20	Concerto for Flute and Orchestra no. 2 in D major, K. 314: I. Allegro aperto	7:32
21	Concerto for Flute and Orchestra no. 2 in D major, K. 314: II. Andante ma non troppo	7:45
22	Concerto for Flute and Orchestra no. 2 in D major, K. 314: III. Allegro	5:40
23	Andante for Flute and Orchestra in C major, KV 315: Andante	6:41
24	Variations on a Theme by Rossini	5:05

Shakin' Jerry Lee! Jerry Lee Lewis' 20 Greatest Hits

Algemeen

Artiest	Jerry Lee Lewis
Label	Arcade
Datum uitgave	1978
Speelduur	0:00
Genre	Rock & Roll

Details

Producent	N/N
Componist	Jerry Lee Lewis
Opmerkingen	een described as "rock & roll's first great wild man."[5] A pioneer of rock and roll and rockabilly music, Lewis made his first recordings in 1956 at Sun Records in Memphis. "Crazy Arms" sold 300,000 copies in the South, but it was his 1957 hit "Whole Lotta Shakin' Goin' On" that shot Lewis to fame worldwide. He followed this with "Great Balls of Fire", "Breathless" and "High School Confidential". However, Lewis's rock and roll career faltered in the wake of his marriage to his 13-year-old first cousin once removed when he was 23 years old. He had minimal success in the charts following the scandal, and his popularity quickly eroded. His live performance fees plummeted from $10,000 per night to $250. In the meantime he was determined to gain back some of his popularity. In the early 1960s, he did not have much chart success, with few exceptions, such as a cover of Ray Charles's "What'd I Say". His live performances at this time were increasingly wild and energetic. His 1964 live album Live at the Star Club, Hamburg is regarded by music journalists and fans as one of the wildest and greatest live rock albums ever.[6][7][8][9][10] In 1968 Lewis made a transition into country music and had hits with songs such as "Another Place, Another Time". This reignited his career, and throughout the late 1960s and 1970s he regularly topped the country-western charts; throughout his seven-decade career, Lewis has had 30 songs reach the top 10 on the "Billboard Country and Western Chart".[11] His No. 1 country hits included "To Make Love Sweeter for You", "There Must Be More to Love Than This", "Would You Take Another Chance on Me", and "Me and Bobby McGee".

Trackslijst

A1	Great Balls Of Fire	0:00	Jack Hammer, Otis Blackwell
A2	Mean Woman Blues	0:00	Claude DeMetrius
A3	Be-Bop-A-Lu-La	0:00	Dizzy Gillespie
A4	When The Saints Go Marching In	0:00	Traditional
A5	Your Cheating Heart	0:00	Hank Williams
A6	Down The Line	0:00	Roy Orbison
A7	Breathless	0:00	Otis Blackwell
A8	Sweet Little Sixteen	0:00	Chuck Berry
A9	Fools Like Me	0:00	Jack Clement, Pee Wee Maddux
A10	Whole Lotta Shakin' Goin' On	0:00	Dave Williams (7), Sunny David
B1	High School Confidential	0:00	Ron Hargrave
B2	Hello Josephine	0:00	Domino & Bartholomew
B3	Johnny B Goode	0:00	Chuck Berry
B4	Hound Dog	0:00	Leiber & Stoller
B5	Good Rockin' Tonight	0:00	Roy Brown
B6	C C Rider	0:00	Ma Rainey
B7	Little Queenie	0:00	Chuck Berry
B8	What I'd Say	0:00	Ray Charles
B9	Lovin' Up A Storm	0:00	Allyson R. Khent, Willie Dixon
B10	Good Golly Miss Molly	0:00	John Marascalco, Robert Blackwell

Stand Up

Algemeen

Artiest	Jethro Tull
Label	Chrysalis
Datum uitgave	1969
Speelduur	37:53
Genre	Rock

Details

Producent
Componist
Opmerkingen	Stand Up is the second studio album by the British rock band Jethro Tull, released in 1969. Before recordings for the album began, the band's original guitarist Mick Abrahams resigned because of musical differences with Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock. He was replaced by guitarist Martin Barre, who appeared on every Jethro Tull album from this point on.[1] Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. The result was an eclectic album with various styles appearing in its songs, yet an album which remained somewhat in the blues rock mould, which would be the last such album from Jethro Tull. The album quickly went to number 1 in the UK charts, while the non-album single "Living in the Past" rose to number 3.[2] Jethro Tull are an English rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock, the band developed its sound to incorporate elements of British folk music and hard rock to forge a progressive rock signature.[1] The band is led by vocalist/flautist/guitarist Ian Anderson, and featured a revolving door of lineups through the years including significant members such as longtime guitarist Martin Barre, keyboardist John Evan, drummers Clive Bunker, Barriemore Barlow, and Doane Perry, and bassists Glenn Cornick, Jeffrey Hammond, and Dave Pegg. The group first achieved commercial success in 1969, with the folk-tinged blues album Stand Up, which reached No. 1 in the UK, and they toured regularly in the UK and the US. Their musical style shifted in the direction of progressive rock with the albums Aqualung (1971), Thick as a Brick (1972) and A Passion Play (1973), and shifted again to hard rock mixed with folk rock with Songs from the Wood (1977) and Heavy Horses (1978). Jethro Tull have sold an estimated 60 million albums worldwide,[2] with 11 gold and five platinum albums among them.[3] They have been described by Rolling Stone as "one of the most commercially successful and eccentric progressive rock bands".[4]

Trackslijst

1	A New Day Yesterday	4:09
2	Jeffrey Goes to Leicester Square	2:11
3	Bourée	3:47
4	Back to the Family	3:49
5	Look Into the Sun	4:21
6	Nothing Is Easy	4:24
7	Fat Man	2:52
8	We Used to Know	3:59
9	Reasons for Waiting	4:06
10	For a Thousand Mothers	4:13

Good 'N' Country

Algemeen

Artiest	Jim Reeves
Label	RCA Camden
Datum uitgave	1963
Speelduur	26:14
Genre	Country

Details

Producent
Componist
Opmerkingen	James Travis Reeves (Galloway Texas, 20 augustus 1923 – Nashville (Tennessee), 31 juli 1964) alias Gentleman Jim was een Amerikaanse country-zanger die bekend werd om zijn warme fluwelen stem. Jim Reeves' 1963 LP of GOOD 'N' COUNTRY (CAL/CAS 784) was reissued some years later by RCA/CAMDEN on a Dynaflex disc. The mono (CAL) version is superior soundwise to their fake stereo (CAS) one. "There's a Heartache Following Me" is its only single. The record didn't crack Billboard's C&W chart, but was a #6 in Britain. A laudatory back cover essay by Lorne Harasen of station CJGX Yorkton, Saskatchewan, comments on Jim's likeabilty as a man, musician and personal friend. Many in this small collection are sad songs. One exception is "Little Ole Dime," an upbeat celebration by an Okie cowpuncher. The bright tempo and arrangement of "Heartache Following Me" contrast with its message, yet somehow the song works. "World You Left Behind" has a post-Western Swing feel. Hardly a lush Nashville production, its appeal lies in a small group sound that includes steel guitar and jangly honky tonk piano. "I've Enjoyed as Much" has a curious theme: that of a gluttonous butterball of a child whose daddy expects will grow up to be a big strong man. "Bottle, Take Effect" is a quietly introspective ballad that takes full advantage of Jim's gorgeous deep baritone voice. Besides the usual musical contingent, he's supported here by a mixed chorus. "Before I Died" uses a "highway to nowhere" metaphor in expressing the frustration of a rejected lover.

Trackslijst

1	Don't Let Me Cross Over	2:23
2	There's a Heartache Following Me	2:07
3	The Talking Walls	2:43
4	Little Ole Dime	3:26
5	The World You Left Behind	2:20
6	I've Enjoyed as Much of This (As I Can Stand)	2:30
7	Lonely Music	2:26
8	Bottle, Take Effect	3:23
9	You Kept Me Awake Last Night	2:01
10	Before I Died	2:55

Naturally

Algemeen

Artiest	J.J. Cale
Label	ABC Records
Datum uitgave	1980
Speelduur	32:12
Genre	Rock, Blues

Details

Producent
Componist
Opmerkingen	Naturally is the debut album by J. J. Cale. First released in 1972, it includes his song "After Midnight", which had been recorded first by Eric Clapton in 1970. Cale, who was languishing in obscurity at the time, had no knowledge of Clapton's recording of "After Midnight" until it became a radio hit in 1970. Cale recalled to Mojo magazine that when he heard Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money."[4] Cale's friend and producer, Audie Ashworth, encouraged Cale to record a full album in order to capitalize on the success of his song. Naturally was recorded independently, "on spec," the musicians being paid demo fees. Some songs, such as "Call Me the Breeze", were recorded with primitive drum machine accompaniment and sound almost like demos. The album showcased Cale's distinctive, understated style, and it successfully established his solo recording career, which continued until his death in 2013. The album contained the 1972 hits "Crazy Mama" (Billboard Hot 100 #22- his only Top 40 hit [5]) and "After Midnight" (#42) as well as turntable hits "Bringing it Back" (recorded by Kansas for their first album), "Call Me the Breeze" (later recorded by Lynyrd Skynyrd), and "Clyde" (later recorded by Dr. Hook and the Medicine Show and a 1980 country hit for Waylon Jennings). Thom Owens of AllMusic rated the album three out of five stars and then said that "Cale effortlessly capture a lazy, rolling boogie" opposite to the early 1970s mainstream "styles of boogie, blues, and country rock."[6]

Trackslijst

1	Call Me the Breeze	2:39
2	Call the Doctor	2:28
3	Don’t Go to Strangers	2:25
4	Woman I Love	2:39
5	Magnolia	3:25
6	Clyde	2:33
7	Crazy Mama	2:25
8	Nowhere to Run	2:27
9	After Midnight	2:26
10	River Runs Deep	2:42
11	Bringing It Back	2:45
12	Crying Eyes	3:13

Baptism

Algemeen

Artiest	Joan Baez
Label	Vanguard
Datum uitgave	1968
Speelduur	40:40
Genre	Blues, Non-Music, Classical, Folk, World

Details

Producent	Jack Lothrop,Ed Friedner,Peter Schickele
Componist	Misc
Opmerkingen

Trackslijst

A1	Old Welsh Song	1:16	Henry Treece
A2	I Saw The Vision Of Armies	1:17	Walt Whitman
A3	Minister Of War	1:09	Arthur Waley
A4	Song In The Blood	4:25	Jacques Prévert, Lawrence Ferlinghetti
A5	Casida Of The Lament	1:58	Federico García Lorca, J.L. Gili, Stephen Spender
A6	Of The Dark Past [Ecce Puer]	1:58	James Joyce
A7	London	1:17	William Blake
A8	In Guernica	1:00	Norman Rosten
A9	Who Murdered The Minutes	3:20	Henry Treece
A10	Oh, Little Child	1:25	Henry Treece
A11	No Man Is An Island	0:55	John Donne
B1	From Portrait Of The Artist As A Young Man	2:12	James Joyce
B2	All The Pretty Little Horses	1:13	Traditional
B3	Childhood III	1:08	Arthur Rimbaud, Louise Varèse
B4	The Magic Wood	2:24	Henry Treece
B5	Poems From The Japanese	2:18	Kenneth Rexroth
B6	Colours	1:11	Евгений Евтушенко, Peter Levi, Robin Miller-Gulland
B7	All In Green Went My Love Riding	3:21	E. E. Cummings
B8	Gacela Of The Dark Death	2:04	Federico García Lorca, J.L. Gili, Stephen Spender
B9	The Parable Of The Old Man And The Young	0:50	Wilfred Owen
B10	Evil	1:31	Arthur Rimbaud, Norman Cameron
B11	Epitaph For A Poet	1:12	Countee Cullen
B12	Old Welsh Song	1:16	Henry Treece

Countdown serie

Algemeen

Artiest	Joe Cocker
Label	Splash
Datum uitgave	1982
Speelduur	0:00
Genre	Rock, R&B

Details

Producent
Componist
Opmerkingen

Trackslijst

Greatest Hits

Algemeen

Artiest	Joe Cocker
Label	Pickwick
Datum uitgave	1975
Speelduur	0:00
Genre	R&B

Details

Producent
Componist
Opmerkingen

Trackslijst

Everyday I Have the Blues

Algemeen

Artiest	Joe Williams with Count Basie & His Orchestra
Label	Roulette Records
Datum uitgave	1959
Speelduur	32:33
Genre	Blues, Jazz

Details

Producent
Componist
Opmerkingen	Everyday I Have the Blues is an album by singer Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 (with one track from 1957 on the original LP) which was originally released on the Roulette label.

Trackslijst

1	Everyday	4:43
2	Baby, Won't You Please Come Home	1:58
3	Going to Chicago Blues	4:09
4	Gee Baby, Ain't I Good to You	2:30
5	It's a Low Down Dirty Shame	5:26
6	Shake Rattle and Roll	2:13
7	Just a Dream	2:53
8	Cherry Red	2:52
9	Good Mornin' Blues	2:50
10	Ain't No Use	2:54

Live in London

Algemeen

Artiest	John Denver
Label	RCA
Datum uitgave	1976
Speelduur	45:42
Genre	Folk

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Starwood in Aspen	3:21
2	Sunshine on My Shoulders	4:14
3	Back Home Again	4:46
4	Grandma's Feather Bed	2:26
5	Pickin' the Sun Down	2:11
6	Thank God I'm a Country Boy	3:14
7	The Eagle and the Hawk	2:13
8	Spirit	3:33
9	Calypso	3:11
10	Amsterdam	5:45
11	Annie's Song	3:01
12	Take Me Home, Country Roads	3:56
13	Leaving on a Jet Plane	3:51

Blues Legend (4 LP) (The)

Algemeen

Artiest	John Lee Hooker, Lightnin' Hopkins,Leadbelly,Memphis Slim
Label	Time Wind
Datum uitgave	1991
Speelduur	0:00
Genre	Blues

Details

Producent	Unknown
Componist	John Lee Hooker, Lightnin' Hopkins,Leadbelly,Memphis Slim
Opmerkingen

Trackslijst

A1	Little Wheel	0:00	John Lee Hooker
A2	I'm In The Mood	0:00	John Lee Hooker
A3	Hobo Blues	0:00	John Lee Hooker
A4	Crawling King Snake	0:00	John Lee Hooker
A5	Blues Before Sunrise	0:00	John Lee Hooker
B1	Want Ad Blue	0:00	John Lee Hooker
B2	My First Wife Left Me	0:00	John Lee Hooker
B3	Wednesday Evening Blues	0:00	John Lee Hooker
B4	Maudie	0:00	John Lee Hooker
B5	Time Is Marching	0:00	John Lee Hooker
C1	Short Haired Woman	0:00	Lightnin' Hopkins
C2	Bottle It Up And Go	0:00	Lightnin' Hopkins
C3	Long Time	0:00	Lightnin' Hopkins
C4	The Foot Race Is On	0:00	Lightnin' Hopkins
C5	Prison Blues Come Down On Me	0:00	Lightnin' Hopkins
C6	Bunion Stew	0:00	Lightnin' Hopkins
D1	Mama And Papa Hopkins	0:00	Lightnin' Hopkins
D2	Get Off My Toe	0:00	Lightnin' Hopkins
D3	Trouble In Mind	0:00	Lightnin' Hopkins
D4	Gonna Pull A Party	0:00	Lightnin' Hopkins
D5	Till The Gin Runs Out	0:00	Lightnin' Hopkins
D6	When The Saints Go Marchin' In	0:00	Lightnin' Hopkins
E1	The Burgeouis Blues	0:00	Leadbelly
E2	Looky, Looky Yonder, Black Betty, Yellow Woman's Doorbells	0:00	Leadbelly
E3	Poor Howard Greenhorn	0:00	Leadbelly
E4	The Gallis Pole	0:00	Leadbelly
E5	Dekalb Woman	0:00	Leadbelly
F1	Noted Rider	0:00	Leadbelly
F2	Big Fat Woman	0:00	Leadbelly
F3	Burrow Love & Co	0:00	Leadbelly
F4	Bring Me Li'l Water Silvy	0:00	Leadbelly
F5	Julie Ann Johnson	0:00	Leadbelly
F6	Line 'Em	0:00	Leadbelly
F7	Whoe Back Buck	0:00	Leadbelly
F8	John Hardy	0:00	Leadbelly
G1	El Capitan	0:00	Memphis Slim
G2	This Is A Good Time To Write A Song	0:00	Memphis Slim
G3	I'm So Alone	0:00	Memphis Slim
G4	True Love	0:00	Memphis Slim
G5	Two Of A Kind	0:00	Memphis Slim
G6	Big City Girl	0:00	Memphis Slim
H1	Three And One Boogie	0:00	Memphis Slim
H2	Bertha May	0:00	Memphis Slim
H3	Celeste Boogie No. 2	0:00	Memphis Slim
H4	Three Woman Blue	0:00	Memphis Slim

Rock 'n' Roll

Algemeen

Artiest	John Lennon
Label	Apple Records
Datum uitgave	1975
Speelduur	0:00
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Rock 'n' Roll is the sixth studio album by John Lennon. Released in 1975, it is an album of late 1950s and early 1960s songs as covered by Lennon. Recording the album was problematic and spanned an entire year: Phil Spector produced sessions in October 1973 at A&M Studios, and Lennon produced sessions in October 1974 at Record Plant Studios (East). Lennon was being sued by Morris Levy over copyright infringement of one line in his song "Come Together". As part of an agreement, Lennon had to include three Levy-owned songs on Rock 'n' Roll. Spector disappeared with the session recordings and was subsequently involved in a motor accident, leaving the album's tracks unrecoverable until the beginning of the Walls and Bridges sessions. With Walls and Bridges coming out first, featuring one Levy-owned song, Levy sued Lennon expecting to see Lennon's Rock 'n' Roll album. The album was released in February 1975, reaching number 6 in both the United Kingdom and the United States, later being certified gold in both countries. It was supported by the single "Stand by Me", which peaked at number 20 in the US, and 30 in the UK. The cover was taken by Jürgen Vollmer during the Beatles' stay in Hamburg. It was Lennon's last album until 1980: With no recording contract obligation, he took a hiatus from the music business to raise his son Sean.

Trackslijst

Double Fantasy

Algemeen

Artiest	John Lennon
Label	Geffen Records
Datum uitgave	1980
Speelduur	45:04
Genre	Beatles

Details

Producent
Componist
Opmerkingen

Trackslijst

1	(Just Like) Starting Over	3:56
2	Kiss Kiss Kiss	2:41
3	Cleanup Time	2:58
4	Give Me Something	1:34
5	I'm Losing You	3:58
6	I'm Moving On	2:21
7	Beautiful Boy (Darling Boy)	4:03
8	Watching the Wheels	3:30
9	Yes, I'm Your Angel	3:39
10	Woman	3:32
11	Beautiful Boys	2:53
12	Dear Yoko	2:34
13	Every Man Has a Woman Who Loves Him	4:02
14	Hard Times Are Over	3:17

Mind Games

Algemeen

Artiest	John Lennon
Label	Apple Records
Datum uitgave	1973-11-02
Speelduur	40:55
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Mind Games is the fourth studio album by John Lennon. It was recorded at Record Plant Studios in New York in summer 1973. The album was released in the US 29 October 1973 and the UK 16 November 1973. The album was Lennon's first self-produced recording without help from Phil Spector. Like his previous album, the politically topical and somewhat abrasive Some Time in New York City, Mind Games received mixed reviews upon release. It reached number 13 in the UK and number 9 in the US, where it was certified gold. The album was recorded while Lennon was having difficulties with US immigration and at the beginning of his 18-month separation from Yoko Ono.[1] The title track was released as a single at the same time as the album. The album itself was later reissued several times throughout the 1970s and 1980s. By the start of 1973, John Lennon began distancing himself from the political and social issues he had embraced in the previous 18 months.[2] It was also around this time that he and his wife, Yoko Ono, were going through marital problems.[2][3] As Ono was completing her fourth album, Feeling the Space, Lennon decided he also wanted to record a new album, and liked the studio musicians that their assistant and production coordinator May Pang had assembled for Ono's album.[2] Shortly thereafter, he asked Pang to book them for his sessions.[4] Wanting to produce an album that would be more accepted than his previous politically charged commercial flop Some Time in New York City, Lennon began writing and demoing a few songs for Mind Games in his Greenwich Village apartment.[2] He began composing after a period of almost a year of not writing any material.[3] Amid frequent court appearances battling to stay in the United States, Lennon became stressed,[2] a situation that was only worsened by constant surveillance by the FBI,[2][3][5] due to his political activism.[2] Lennon said, "I just couldn't function, you know? I was so paranoid from them tappin' the phone and followin' me."[6] All this combined made Lennon begin to feel emotionally withdrawn.[6] Lennon put his suffering aside to write the songs for Mind Games,[6] writing all the songs for it in a week.[7] Under the moniker of "The Plastic U.F.Ono Band", Lennon engaged the services of session drummer Jim Keltner, guitarist David Spinozza, Gordon Edwards on bass, Arthur Jenkins on percussion, Michael Brecker on saxophone, Ken Ascher on piano and organ, and the vocal backing of a group called Something Different.[8] Difficulties between Lennon and Ono became more and more noticeable around this time.[9] Just as the sessions were to get under way in June at New York's Record Plant Studios, John and Yoko separated.[1] At Ono's urging,[9] Pang became Lennon's companion and lover in what would become an 18-month relationship later renowned as Lennon's "lost weekend".[10]

Trackslijst

1	Mind Games	4:10
2	Tight A$	3:35
3	Aisumasen (I’m Sorry)	4:41
4	One Day (at a Time)	3:27
5	Bring On the Lucie (Freda Peeple)	4:11
6	Nutopian International Anthem	0:03
7	Intuition	3:11
8	Out the Blue	3:23
9	Only People	3:26
10	I Know (I Know)	3:49
11	You Are Here	4:10
12	Meat City	2:49

Imagine

Algemeen

Artiest	John Lennon
Label	Apple Records
Datum uitgave	1971
Speelduur	39:08
Genre	Beatles

Details

Producent	John Lennon, Yoko Ono, Phil Spector
Componist
Opmerkingen

Trackslijst

1	Imagine	3:02
2	Crippled Inside	3:47
3	Jealous Guy	4:14
4	It’s So Hard	2:26
5	I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die	6:05
6	Gimme Some Truth	3:15
7	Oh My Love	2:43
8	How Do You Sleep?	5:34
9	How?	3:41
10	Oh Yoko!	4:16

Blues Roots

Algemeen

Artiest	John Mayall Blues Breakers
Label	Decca
Datum uitgave	1978
Speelduur	0:00
Genre	Blues

Details

Producent
Componist
Opmerkingen	John Mayall & the Bluesbreakers was an English blues rock band, led by singer, songwriter, and multi-instrumentalist John Mayall, OBE. While never producing a radio-friendly hit on their own, the Bluesbreakers greatest legacy is as an incubator for British rock and blues musicians. Many of the best known bands to come out of Britain in the 1960s and 1970s had members that came through the Bluesbreakers at one time, forming the foundation of British blues music that still appears heavily in classic rock radio. Among those with a tenure in the Bluesbreakers are Eric Clapton and Jack Bruce (later of Cream), Peter Green, Mick Fleetwood, and John McVie (who would form Fleetwood Mac), Mick Taylor (the Rolling Stones), Aynsley Dunbar (Frank Zappa and The Mothers of Invention), and numerous other musicians. Mayall used the band name between 1963 and 1967, but then dropped it for some fifteen years. However, in 1982 a 'Return of the Bluesbreakers' was announced, and the name was in use until the band again dissolved in 2008, to be resurrected again in 2009. The name has become generic, without a clear distinction between recordings that are to be credited to Mayall alone and recordings that are to be credited to Mayall and his band. Track 01: First released on "John Mayall plays John Mayall" album March 1965 / Mono Recordings / ℗ 1965 Track 02: First released on "Raw Blues" album January 1967 / Mono Recordings / ℗ 1967 Tracks 03 & 04: First released on "Blues Breakers" album December 1969 / ℗ 1966 Tracks 05 & 06: First released on "A Hard Road" album February 1967 / ℗ 1967 Track 07: First released as an "A" side January 1967 / ℗ 1967 Track 08: First released on "The Blues Alone" album November 1967 / ℗ 1967 Track 09: First released on "Crusade" album September 1967 / ℗ 1967 Track 10: First released on "Bare Wires" album June 1968 / ℗ 1968 Track 11: First released on "Blues from Laurel Canyon" album June 1968 / ℗ 1968 Text on back cover: John Mayall: If we travel back in time some fifteen years, we may well discover that era marked as the "Birth of British Blues". Such names as Cyril Davies, Alexis Korner, Graham Bond, Ronnie Jones, Herbie Goines, Chris Farlowe, and, of course, John Mayall spring to mind. (My apologies to those others omitted from this listing, due more to lack of space than any other reason). This particular volume in the Decca "Roots" series is an attempt to encapsulate, in just eleven tracks, the varied musical facets of John Mayall, Blues writer and performer, during those four short years that he recorded at West Hampstead before making Los Angeles his working and living base. Perhaps the "Complete and Potted History of a Blue Star"? Well, hardly. But let's hope that it goes down as a brave attempt at the same! John Mayall's first album recording was done at a "Live" session at West Hampstead's "Klook's Kleek" club and from this set I have chosen "Crocodile Walk". (This title was subsequently re-recorded and issued as a single). This was Mayall's first fully professional outfit and featured Roger Dean, guitar; John McVie, bass; and Hughie Flint, drums. Perhaps this performance best epitomises Mayall's consistent drive on live appearances a consistency that one could safely say has followed him throughout his long career - he always gives of his best. "Lonely Years", a duet between John and Eric Clapton, was recorded after Mayall's only session for Immediate and prior to his re-signing with Decca. Along with the instrumental "Bernard Jenkins", this title was cut for my own Purdah label, the forerunner of Blue Horizon Records. If you didn't know better you might think you were standing on Chicago's Maxwell Street! "All Your Love (I Miss Loving)" to give it its correct title - an Otis Rush original and Mayall's own "Key to Love" are taken from the highly successful "Bluesbreakers" album - once again featuring the magic of the one-time Yardbirds' guitarist, Eric Clapton. Selecting items from that package really caused me a headache or two. (For those listeners who enjoy this album they might to themselves a favour and pick up the "Bluesbreakers" set, for it truly is a landmark in rock music, and still one of the best examples of British Blues on record). From the "Hard Road" album which features the collective talents of Peter Green, John McVie and Aynsley Dunbar, I have chosen the solid, bluesy title track and the unusual "Another Kinda Love", which has the addition of horn players John Almond, Alan Skidmore and Ray Warleigh. Many is the time that I have caught myself regretting that there were so few chances to record this particular aggregation. Only the "Hard Road" set and the single "Sitting in the Rain" (also included here) stand to attest to the power of this unit and in particular, the force of guitarist Green. Of Course, on the other hand, there is a considerable amount of fine recorded work from Fleetwood Mac, the band formed by Peter after his departure from the Bluebreakers. John Peel in his sleeve note for the "Blues Alone" album issued on Ace of Clubs, says of "Sonny Boy Blow"..."A tribute to the late Sonny Boy Williamson - not a sad, gloomy tribute but a rollicking, cantering thing, filled with unrestrained outbursts on the harmonica and some rolling boogie woogie from John's famous 'jangle' piano". What more can I say... On the other hand John's tribute to Chicago's J.B. Lenoir titled "The Death of J.B. Lenoir" could perhaps be termed as being somewhat sad and gloomy. But for those who are at all familiar with Lenoir's work, they will notice a striking similarity between Mayall's tribute and much of the American's own recorded output, the use of baritone sax in particular. For me, this is one of John's most meaning performances and certainly one of the most "down home" in content. The album "Bare Wires" featured John's largest line-up of sidemen - Mick Taylor, Tony Reeves, Jon Hiseman, Chris Mercer, Dick Heckstall-Smith, and Henry Lowther with tenor player Mercer taking the honours on "I'm a stranger". "Bare Wires" was the biggest departure from tradition for John and as I recall was met with mixed feelings from the press and his legion of fans alike. Some of the criticisms or observations made may well have found their mark for the subsequent sessions featured John with a trio once again - Mick Taylor, Stephen Thompson and Colin Allen. From "Blues from Laurel Canyon", the site of his current home, comes the tough "Ready to Ride" really back to the roots. Perhaps Billy Preston was near the truth when he asked "Will It Go Round in Circles?" - And now, ten years on, John Mayall is probably on his third go round - More power to you! - Mike Vernon © 1978, The Decca Record Compagny Limited, London

Trackslijst

01	Crocodile Walk	2:26
02	Lonely Years	3:20
03	All Your Love (I Miss Loving)	3:33
04	Key To Love	2:26
05	A Hard Road	3:10
06	Another Kinda Love	3:00
07	Sitting In The Rain	2:55
08	Sonny Boy Blow	3:46
09	The Death Of J.B Lenoir	4:02
10	I'm A Stranger	5:11
11	Ready To Ride	3:32

Blues Breakers With Eric Clapton

Algemeen

Artiest	John Mayall Blues Breakers
Label	London Records
Datum uitgave	1966
Speelduur	37:43
Genre	Blues, British Blues, Blues Rock

Details

Producent	N/A
Componist	Various
Opmerkingen

Trackslijst

1	All Your Love	3:37
2	Hideaway	3:17
3	Little Girl	2:36
4	Another Man	1:47
5	Double Crossing Time	3:03
6	What’d I Say	4:30
7	Key to Love	2:07
8	Parchman Farm	2:24
9	Have You Heard	5:57
10	Ramblin’ on My Mind	3:10
11	Steppin’ Out	2:31
12	It Ain’t Right	2:42

Crusade

Algemeen

Artiest	John Mayall Blues Breakers
Label	Decca Records
Datum uitgave	1967
Speelduur	45:50
Genre	Blues

Details

Producent
Componist
Opmerkingen	Crusade is the fourth album and third studio album by the British blues rock band John Mayall & the Bluesbreakers, released on 1 September 1967 on Decca Records. It was the follow-up to A Hard Road, also released in 1967. As with their two previous albums, Crusade was produced by Mike Vernon. The album was the first recordings of the then-18-year-old guitarist, Mick Taylor.

Trackslijst

01	Oh, Pretty Woman	3:30
02	Stand Back Baby	1:43
03	My Time After Awhile	5:05
04	Snowy Wood	3:52
05	Man of Stone	2:22
06	Tears in My Eyes	4:14
07	Driving Sideways	3:48
08	The Death of J. B. Lenoir	4:21
09	I Can't Quit You Baby	4:28
10	Sreamline	3:10
11	Me and My Woman	3:52
12	Checkin' Up on My Baby	4:46

Back To The Roots

Algemeen

Artiest	John Mayall Blues Breakers
Label	Polydor
Datum uitgave	1971
Speelduur	1:32:40
Genre	Blues

Details

Producent
Componist
Opmerkingen	Back to the Roots is a 1971 double album by John Mayall released on Polydor.[2] Recording sessions took place both in California and London where Mayall invited some former members of his band, notably guitarists Eric Clapton and Mick Taylor. At the end of the 1980s Mayall remixed some tracks and issued them along with some of the older material as Archives to Eighties. An expanded two-CD version of Back to the Roots now includes both the original and later remixed versions of the tracks. Besides Mayall, who sang and played piano and guitar, the musicians who recorded the original tracks were: Eric Clapton, Mick Taylor, Harvey Mandel and Jerry McGee on guitars; Larry Taylor and Steven Thompson on bass; Keef Hartley and Paul Lagos on drums; Johnny Almond on saxophone and flute. For Archives to Eighties Mayall recorded new bass and drums tracks played by Bobby Haynes and Joe Yuele. For this double-LP recorded in November 1970, John Mayall gathered together prominent musicians who had played in his bands during the past several years, including Sugarcane Harris, Eric Clapton, Johnny Almond, Harvey Mandel, Keef Hartley, and Mick Taylor. Mayall's compositions aren't all that impressive, but the sidemen frequently shine, especially Clapton. Back to the Roots hit number 52 in the U.S. and number 31 in the U.K. Aangekocht juni 2018 E 16,00

Trackslijst

01	Prisons on the Road	4:16
02	My Children	5:08
03	Accidental Suicide	6:15
04	Groupie Girl	3:52
05	Blue Fox	3:41
06	Home Again	4:55
07	Television Eye	7:31
08	Marriage Madness	3:34
09	Looking at Tomorrow	6:53
10	Dream With Me	5:19
11	Full Speed Ahead	5:20
12	Mr. Censor Man	4:42
13	Force of Nature	6:32
14	Boogie Albert	2:16
15	Goodbye December	5:23
16	Unanswered Questions	4:40
17	Devil’s Tricks	7:45
18	Travelling	4:38

Diary of a Band, Volumes One & Two Live! (The)

Algemeen

Artiest	John Mayall Blues Breakers
Label	Decca Records
Datum uitgave	2007-09-03
Speelduur	92:59
Genre	Blues

Details

Producent	Gus Dudgeon
Componist	Various
Opmerkingen	The Diary Of A Band Volume One / Volume Two (Selected Highspots From Sixty Hours Of Bluesbreakers Club Recordings 1967) Musicbrainz CD code = LK 4918

Trackslijst

A1	Blood on the Night	9:09
A2	Edmonton - Cooks Ferry Inn (Speech Only - Impromptu)	2:59
A3	I Can't Quit You Baby	10:08
A4	Medley: Keef Hartley Interview (Speech only - impromptu) / Anzio Annie / Keef Hartley Interview (Continued) into John Mayall Interview / Snowy Wood / John Mayall Interview (conclusion) / The Lesson	9:42
A5	My Own Fault	11:30
A6	God Save the Queen	2:50
B1	Gimme Some Lovin' / Spoken Introduction / The Train	13:27
B2	Crying Shame	10:57
B3	Local Boy Makes Good (Speech only - Impromptu)	4:03
B4	Help Me	7:13
B5	Blues in B Flat	4:49
B6	Soul Of A Short Fat Man	6:08

Sincerely Yours

Algemeen

Artiest	Johnny Mathis
Label	Kelo Music
Datum uitgave	1979
Speelduur	0:00
Genre	Easy Listening

Details

Producent
Componist
Opmerkingen	John Royce Mathis (born September 30, 1935) is an American singer of popular music. Starting his career with singles of standard music, he became highly popular as an album artist, with several dozen of his albums achieving gold or platinum status and 73 making the Billboard charts to date. Although he is frequently described as a romantic singer, his discography includes traditional pop, Brazilian, Spanish, soul, rhythm and blues, soft rock, show tunes, Tin Pan Alley, blues, country, and even a few disco songs for his album Mathis Magic in 1979. Mathis has also recorded six albums of Christmas music. In a 1968 interview, Mathis cited Lena Horne, Nat King Cole, and Bing Crosby among his musical influences.[1]

Trackslijst

Back in Your Life

Algemeen

Artiest	Jonathan Richman & The Modern Lovers
Label	Beserkley Records
Datum uitgave	1979
Speelduur	32:37
Genre	New wave, Folk, Garage Rock

Details

Producent
Componist	Jonathan Richman
Opmerkingen	Sweet, fun, and honest aptly describe this 1979 long-player by Jonathan Richman. And while some singers badly fumble at being innocently possessed, Richman keeps it all engaging with his unbridled enthusiasm, wit, and crack songs. This was Richman's first solo venture since forming the Modern Lovers in the early '70s, and the newfound freedom shows on loose doo wop rockers like "Party in the Woods Tonight" and such Sesame Street-issue nature odes as "Buzz Buzz Buzz"; the breezy tone is further plied on surf-toned instrumental "Lover Please" and a harmony and handclapping-rich "Lydia." But it's not all passing fancy, as Richman also waxes sincere and lonely on strong, yet often hushed sides like "Affection," "Emaline," and the title track, his terminally congested vocals and jangly guitar chords perfectly echoing the wistful sentiment. Recent Modern Lovers graduates: start here. Jonathan Michael Richman[1] (born May 16, 1951)[2] is an American singer, songwriter and guitarist. In 1970 he founded the Modern Lovers, an influential proto-punk band. Since the mid-1970s, Richman has worked either solo or with low-key, acoustic and electric, backing. Currently, he plays only acoustic to protect his hearing. He is known for his wide-eyed,[3] unaffected and childlike outlook, and music that, while rooted in rock and roll, is influenced by music from around the world.

Trackslijst

1	Abdul and Cleopatra	3:16
2	(She's Gonna) Respect Me	2:50
3	Lover Please	1:56
4	Affection	4:06
5	Buzz Buzz Buzz	1:57
6	Back in Your Life	2:12
7	Party in the Woods Tonight	3:02
8	My Love Is a Flower (Just Beginning to Bloom)	2:21
9	I'm Nature's Mosquito	2:44
10	Emaline	2:07
11	Lydia	3:09
12	I Hear You Calling Me	2:52

Fantastic Feliciano

Algemeen

Artiest	Jose Feliciano
Label	Camden
Datum uitgave	1966
Speelduur	0:00
Genre	Folk

Details

Producent
Componist
Opmerkingen

Trackslijst

Never for Ever

Algemeen

Artiest	Kate Bush
Label	EMI Electrola GmbH
Datum uitgave	1980
Speelduur	37:30
Genre	Soft Rock

Details

Producent	Kate Bush, Jon Kelly
Componist
Opmerkingen	Catherine (Kate) Bush (Bexleyheath, 30 juli 1958) is een Britse zangeres, muzikante, singer-songwriter en producer. Haar vader was Engelsman en haar moeder Ierse. Toen ze nog maar 16 was zorgde David Gilmour van Pink Floyd ervoor dat ze tekende bij EMI. Haar experimentele stijl en aparte zangtechniek zorgden dat ze wordt gewaardeerd door collega-muzikanten en verder door een niet overdreven grote, maar toegewijde schare fans. Dat blijkt uit het feit dat haar platen altijd verkopen, hoewel ze voor het maken van een album vaak jaren de tijd neemt; voor Aerial zelfs twaalf jaar. Never for Ever is the third studio album by English singer Kate Bush. Released in September 1980, it was Bush's first number 1 album and was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at number 1. It has since been certified Gold by the BPI. It features the UK Top 20 singles "Breathing", "Army Dreamers" and "Babooshka", the latter being one of Bush's biggest hits. Bush co-produced the album with Jon Kelly.

Trackslijst

1	Babooshka	3:20
2	Delius (Song of Summer)	2:51
3	Blow Away (For Bill)	3:34
4	All We Ever Look For	3:48
5	Egypt	4:12
6	The Wedding List	4:15
7	Violin	3:15
8	The Infant Kiss	2:50
9	Night Scented Stock	0:51
10	Army Dreamers	2:58
11	Breathing	5:29

Hope

Algemeen

Artiest	Klaatu
Label	Capitol Records
Datum uitgave	1977
Speelduur	41:07
Genre	Psychedelic Rock

Details

Producent
Componist
Opmerkingen	If you're a 70's studio magic fetishist then this is an essential record to own. It ranks up there with the work of Godley & Creme, and the zanier aspects of Todd Rundgren's cut and paste psychedelia. Parts of this album remind me a bit of Blue Oyster Cult in their sci-fi, lite-metal moments. Whether the songs are actually good is a whole other story. I don't really know. Maybe they're not actually such well crafted songs. But the arrangement ideas and execution of the material is really fascinating. Sonically, Hope sounds breathtakingly full and dynamic. Klaatu fits neatly in the lineage of rock stemming from the collage-composition school of Good Vibrations. This is my favorite school so I am biased towards this sort of thing. Klaatu's Hope illustrates perfectly why people at the time speculated that they might be a sneakily reunited Beatles - between the vocal harmonies and the whimsical compositional style they sound uncannily like late-era Beatles with mildly updated instrumentation and production values. Few bands can pull off the Beatles' particular style of whimsy without sounding like irritatingly twee tryhards - hell, even the Beatles themselves couldn't pull it off 100% of the time - but here Klaatu nail it. Even when the album becomes saccharine and annoying, it does so at exactly the points the Fab Four themselves would have become saccharine and annoying. With a Phil Spector-like wall of sound approach applied to the production with skill and finesse, the better portions of the album put me in mind of a version of Let It Be that actually works, and for that achievement at least they deserve recognition.

Trackslijst

1	We're Off You Know	4:02
2	Madman	2:40
3	Around the Universe in Eighty Days	4:58
4	Long Live Politzania	9:11
5	The Loneliest of Creatures	3:52
6	Prelude	5:42
7	So Said the Lighthouse Keeper	5:56
8	Hope	4:44

Dream Goes On (The)

Algemeen

Artiest	Lee Clayton
Label	Capitol Records
Datum uitgave	1981
Speelduur	34:36
Genre	Rock, Folk, World, & Country

Details

Producent	Chip Young, Lee Clayton
Componist	Lee Clayton
Opmerkingen	His style has been described as in between rock and country. Clayton grew up in Oak Ridge, Tennessee and began to play harmonica and guitar at the age of seven.[1] At nine years old, he received his first steel guitar.[2] After quitting the Air Force he moved to Nashville in 1968 and began his career as a songwriter. In 1972 he wrote "Ladies Love Outlaws" for Waylon Jennings.[1] In 1973 he released his first album simply titled Lee Clayton, with which, as Clayton would later say, he was very dissatisfied. In the following years he continued his songwriting. He wrote songs like "Lone Wolf" for Jerry Jeff Walker and "If You Could Touch Her at All" for Willie Nelson. In 1978 his second album, Border Affair, was released. It was critically acclaimed but became a flop at the charts.[2] His most successful album was 1979's Naked Child. The songs' style was reminiscent of Bob Dylan and the single, "I Ride Alone", became very notable. In 1979, he went on a big world tour, which became a huge success. In 1981 he released his fourth studio album, The Dream Goes On, which had a harder sound than his previous work.[2] After that he published two autobiographical books and, in 1990, he released a live album entitled Another Night, which was recorded in September 9, 1988, at the Cruise Cafe, Oslo, Norway.[1] Also in 1990, The Highwaymen, an outlaw country supergroup comprising Johnny Cash, Waylon Jennings, Willie Nelson and Kris Kristofferson, had a minor hit with a song of his, "Silver Stallion", which had previously appeared on Border Affair (1978). In 1994 he released the album Spirit of the Twilight. Cat Power also covered "Silver Stallion" on the popular 2008 cover album Jukebox. In 2008 a new acoustic song "We The People" was "released" on YouTube. Today Clayton's career has largely gone silent. https://en.wikipedia.org/wiki/Lee_Clayton https://pusabase.com/blog/2011/06/23/lee-clayton-–-outlaw-country-originator/

Trackslijst

A1	What's A Mother Gonna Do	2:54
A2	Industry	7:27
A3	Won't You Give Me One More Chance	3:22
A4	Draggin' Them Chains	3:31
B1	Where Is The Justice	4:48
B2	Watcha Gonna Do	4:06
B3	Oh How Lucky I Am	3:41
B4	The Dream Goes On	4:47

Stateless

Algemeen

Artiest	Lene Lovich
Label	Stiff Records
Datum uitgave	1978
Speelduur	36:08
Genre	New wave

Details

Producent
Componist	Lovich Chappell
Opmerkingen	Stateless is the debut studio album by American singer Lene Lovich. It was released in October 1978 by Stiff Records. The album was first released outside the United Kingdom, then following the success of the lead single "Lucky Number". The UK version of the album was released with a slightly different track list. In the United States, the album was released in 1979. Produced by Lene Lovich and Les Chappell (credited as "The Stateless"), Stateless is a new wave album. The album was available in two very different variations. The more common release had most of the songs remixed from the original versions and now included the single version of Lucky Number. Some songs were slightly shortened and many had new vocals accentuating Lene's quirky singing style. The original vocals were often more straightforward. The running order was shuffled and the album cover also varied between countries. Upon its release, Stateless received positive reviews from music critics. However, it noted only a moderate commercial success. In the United Kingdom, the album peaked at number thirty-five and also charted in other countries, such as Netherlands and New Zealand. The lead single "Lucky Number" also received very positive reviews from music critics. It was a commercial success, peaking at number three on the UK Singles Chart, and was considered by many a defining song of the new wave music genre. Lene Lovich – vocals, saxophone Les Chappell – guitar, synthesizer, percussion, vocals Jeff Smith – synthesizer Nick Plytas – Hammond organ, piano Ron François – bass, percussion, vocals Bobby Irwin – drums, percussion, vocals Don Snow - piano on "Too Tender (to Touch)" Brian Griffin – photography

Trackslijst

1	Lucky Number	2:51
2	Sleeping Beauty	3:02
3	Home	3:42
4	Too Tender (to Touch)	4:08
5	Say When	2:51
6	Tonight	4:33
7	Writing on the Wall	3:10
8	Telepathy	2:48
9	Momentary Breakdown	3:19
10	One in a 1,000,000	2:52
11	I Think We're Alone Now	2:48

From A Jack To A King / Lucky Lips

Algemeen

Artiest	Les Carle, Mike Redway,
Label	Discofoon
Datum uitgave	1963
Speelduur	0:00
Genre	Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

A	From A Jack To A King	0:00
B	Lucky Lips	0:00

Heart Like a Wheel

Algemeen

Artiest	Linda Ronstadt
Label	RockBeat Records
Datum uitgave	1974
Speelduur	37:44
Genre	Country Rock

Details

Producent
Componist
Opmerkingen	Heart Like a Wheel is the fifth solo studio album by Linda Ronstadt, released in November 1974. It received a Grammy Award and is regarded by some as Ronstadt's breakthrough album. It was also Ronstadt's last album released by Capitol Records.

Trackslijst

1	You're No Good	3:44
2	It Doesn't Matter Anymore	3:26
3	Faithless Love	3:15
4	Dark End of the Street	3:55
5	Heart Like a Wheel	3:16
6	When Will I Be Loved	2:04
7	Willin	3:02
8	I Can't Help It (If I'm Still in Love with You)	2:46
9	Keep Me From Blowing Away	3:10
10	You Can Close Your Eyes	3:11
11	You're No Good (mono single)	3:43
12	When Will I Be Loved (mono single)	2:07

Living in the U.S.A.

Algemeen

Artiest	Linda Ronstadt
Label	Asylum Records
Datum uitgave	1978
Speelduur	35:21
Genre	Country Rock, Rock

Details

Producent	Peter Asher
Componist
Opmerkingen	Living in the USA is a 1978 album by American singer-songwriter and producer Linda Ronstadt. The album was Ronstadt's third (and last) No. 1 on the Billboard album chart. As a measure of her impact on popular culture in this time period, the front cover photograph of a roller skating Linda in a satin exercise outfit was noted to have increased the popularity of skating in the United States at the time. It was Ronstadt's record sixth consecutive million-selling —and thus Platinum — album. It was certified by the RIAA for 2 million copies sold in the US alone and has estimated real sales of 3 million US units sold.[8] It was the first album in history to ship Double Platinum.

Trackslijst

1	Back in the U.S.A.	3:04
2	When I Grow Too Old to Dream	3:48
3	Just One Look	3:19
4	Alison	3:27
5	White Rhythm & Blues	4:17
6	All That You Dream	3:47
7	Ooh Baby Baby	3:23
8	Mohammed’s Radio	4:21
9	Blowing Away	3:13
10	Love Me Tender	2:37

Lionel Hampton A L'Olympia

Algemeen

Artiest	Lionel Hampton
Label	CBS
Datum uitgave	1956
Speelduur	0:00
Genre	Jazz

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	Patricia's Boogie	0:00
A2	Blues For Sacha	0:00
A3	Where Or When	0:00
A4	Perdido	0:00
A5	Hey-Ba-Ba-Re-Bop	0:00
A6	Blues One	0:00
B1	Flying At The Olympia	0:00
B2	Memories Of You	0:00
B3	Halleluia	0:00
B4	Paulettes Bougie	0:00
B5	Panama	0:00
B6	One O'Clock Jump	0:00

Little River Band

Algemeen

Artiest	Little River Band
Label	Harvest
Datum uitgave	1975
Speelduur	41:50
Genre	Rock

Details

Producent	Beeb Birtles, Glenn Shorrock, Glenn Wheatley, Graham Goble
Componist	Beeb Birtles, Glenn Shorrock, Graham Goble
Opmerkingen	Little River Band is the debut studio album by the Australian rock group Little River Band which was released by EMI in November 1975. It peaked at No. 12 on the Australian Kent Music Report Albums Chart. The band's first single, "Curiosity (Killed the Cat)", was released in September ahead of the album and peaked at No. 15 on the Kent Music Report Singles Chart. The following single, "Emma", appeared in January 1976 and peaked at No. 20. In May, the band released "Everyday of My Life" together with its album, After Hours. In September, the group left on their first international tour with support dates to Queen in London; then toured the rest of Europe. Next they toured the US as support to the Average White Band. The third single from Little River Band — a trimmed version of "It's a Long Way There" — was released in November and reached the Australian Top 40. To coincide with the tour, the album was released internationally and reached No. 80 in the United States on the Billboard 200 album chart in 1976. "It's a Long Way There" became the band's first US Top 40 hit. It also charted in Netherlands to reach No. 14.[2] The next single, "I'll Always Call Your Name", also charted in the US but had no chart success in Australia.[3][4]

Trackslijst

A1	It's A Long Way There	8:40
A2	Curiosity (Killed The Cat)	3:40
A3	Meanwhile ...	3:53
A4	My Lady And Me	5:15
B1	I'll Always Call Your Name	4:48
B2	Emma	3:30
B3	The Man In Black	5:06
B4	Statue Of Liberty	3:34
B5	I Know It	3:24

Presents .. Round Robin

Algemeen

Artiest	Lloyd Thaxton
Label	Challenge
Datum uitgave	1965
Speelduur	0:00
Genre	R&B, Soul

Details

Producent
Componist
Opmerkingen	Lloyd Thaxton (May 31, 1927 – October 5, 2008) was an American writer, television producer, director, and television host best known for his syndicated pop music television program of the 1960s, The Lloyd Thaxton Show, which began as a local Los Angeles program on KCOP in 1961. In 1961 The Lloyd Thaxton Show (sometimes known as "The Lloyd Thaxton Hop") debuted on KCOP as an hour-long presentation from 5 to 6 p.m. The format, much along the lines of American Bandstand, featured local high school students dancing on the soundstage to the latest records. The show was almost totally unscripted and spontaneous. Thaxton's description of the idea: “No one told me what I had to do. I was producing it myself. I was writing it myself.” Thaxton frequently clowned around on stage to the music, lip-synching the vocals and accompanying the records on guitar or piano. One favorite recurring skit had the costumed Thaxton on his knees, impersonating painter Toulouse-Lautrec, while lip-synching a current song. He also occasionally "performed" on an odd contraption made from a tennis racket and a bow and arrow that roughly looked like a guitar and "play-synked" popular early-1960s instrumental tunes like "Scratchy" by Travis Wammack and various The Ventures and Link Wray guitar songs. The Lloyd Thaxton Show, with its mix of new music and comedy skits, immediately shot to Number One in the time period, with a viewership of at least 350,000 homes, including those on the East Coast. Many leading rock 'n' roll acts of the time, like The Byrds, Sonny & Cher, The Kinks, The Bobby Fuller Four, The Challengers and others appeared on the program. Thaxton would end each show by saying, "I'm Lloyd Thaxton," followed by the teen audience shouting, "so what," whereupon the Bill Black Combo instrumental of the same name would play.

Trackslijst

Put on Your Rockin' Shoes

Algemeen

Artiest	Long Tall Ernie And The Shakers
Label	Rotation
Datum uitgave	1972
Speelduur	34:21
Genre	R&R, Dutch Pop

Details

Producent	Arnie Treffers
Componist	Arnie Treffers
Opmerkingen	The Moans, genoemd naar een nummer van Art Blakey, was midden jaren 60 een muzikale uitspatting van een aantal Arnhemse Kunstacademiestudenten. De band had vanaf het eerste uur onder meer pianist Herman Brood in de gelederen. Nadat Brood zijn carrière voortzette bij Cuby and the Blizzards, ging the Moans nog enige tijd verder als Moan en Moan Nightmare. Moan mondde in 1972, bij wijze van grap, uit in Long Tall Ernie and the Shakers. Bij optredens speelde Moan voor de pauze progressieve popmuziek om daarna, verkleed als rockers, terug te komen voor rock-'n-rollcovers onder de naam Long Tall Ernie and the Shakers. Frontman werd Arnie Treffers (Long Tall Ernie), leadgitarist Alfons Haket (alias Alfie Muscles), bassist Hank Bruijsten (Hank the Knife) en - korte tijd later - drummer Alan Macfarlane (Tenderfoot Macfarlane). Even later wordt Jan Rietman, bij The Shakers Jumping Johnny genoemd, als pianist toegevoegd. In een aflevering van het fameuze VPRO-tv-programma Het Gat van Nederland in 1972 werd de grap door regisseur Theo Uittenbogaard visueel gedocumenteerd met opnamen van de Shakers in het beruchte Arnhemse Spijkerkwartier, met jakkerende auto's en motoren, vechtpartijen en handtastelijkheden en besloten met een stomend optreden in het Amsterdamse Concertgebouw.[1] In 1973 worden de zaken anders aangepakt. Onder leiding van manager Rein Muntinga verdwijnt Moan uit het voorprogramma en met een publiciteitscampagne worden de Shakers bekend als ruige rock-'n-rollband. Geruchten over agressieve bandleden en vechtpartijen samen met wilde optredens doen hun werk. Ze scoren successen met singles als Big Fat Mama, Get Yourself Together en Allright. In Duitsland volgen televisieoptredens en concerten. Vanaf 1974 gaat Henk Bruijsten zijn eigen weg als Hank the Knife & the Jets en zanger Arnie Treffers maakt een soloalbum. Jan Rietman vertrekt hetzelfde jaar, Alfons Haket het jaar daarop en Alan Macfarlane vertrekt uiteindelijk in 1978, na hun grootste hit, Do You Remember. Do you remember (geproduceerd door Jaap Eggermont) werd in 1977 de hit van het jaar in de Nationale Hitparade. In dat jaar wordt de rock-'n-rollact afgeschaft. Van de nieuwe lichting muzikanten beginnen gitarist Jos Jaspers en drummer Eugene Arts een nieuwe band onder de naam Turbo. In 1980 brengt de groep onder de naam The Block, vanwege contractuele verwikkelingen met Polydor, een single uit in Duitsland. In 1982 valt het doek voor de Shakers. Jan Rietman gaat verder als pianist van het Los Vast-orkest en presentator van het gelijknamige NCRV-programma. Henk, Alfons en Alan treffen elkaar later weer in Hank the Knife and the Jets. In 1995 overlijdt Treffers op 48-jarige leeftijd aan longkanker.

Trackslijst

01	Kiss Me Baby	3:03
02	Rock Little Sister	3:15
03	Hello Hello	2:05
04	Don't You Ever Change	3:05
05	Motor Man	3:10
06	Oh Pretty Baby	2:38
07	Rockin' Mama	2:50
08	Struggle for Life (Soundtrack)	2:33
09	Everynight (I Am Lonely)	2:57
10	Don't Knock Me Out	2:25
11	Ride Little Anny	2:20
12	Lucille	4:00

Do You Remember

Algemeen

Artiest	Long Tall Ernie And The Shakers
Label	Polydor
Datum uitgave	1977
Speelduur	0:00
Genre	Rock

Details

Producent	Jaap Eggermont
Componist	Arnie Treffers
Opmerkingen	Do you remember is de grootste hit voor de Arnhemse band Long Tall Ernie and the Shakers. Het nummer is een medley van bekende rock-'n-roll nummers: Lucille, Bird dog, Runaway, Bread and butter, That's allright, Rip it up en Jenny Jenny. De rest van het nummer is geschreven door zanger Arnie Treffers en multi-instrumentalist Tony Britnell. Ook hun tekst refereert aan oude nummers. Zo benoemen ze Peggy Sue, Hello Mary Lou, Buona sera, Rock around the clock, Heartbreak hotel, Rubber ball, Whole lotta shakin' goin' on en Diana. Het idee voor een medley kwam van producer Jaap Eggermont. Het leek hem een passende manier om het 5-jarig bestaan van de band te vieren. Aan de Hitkrant vertelde Treffers: "We stonden in het begin wat huiverig tegenover het idee om zo’n kollage [sic] te maken. [..] Het uitzoeken van de nummers heeft erg veel tijd gevergd. Eerst hebben we oude hitlijsten doorgebladerd. Daarna mocht iedereen zijn favoriete nummer opgeven. Kwa [sic] ritme moest het passen, het moest authentiek klinken en toch nog het geluid van nu hebben." De keuze van Treffers viel op zijn favoriete groep The Everly Brothers. De medley paste goed in de heersende popmode, met eerdere medleys hoog in de hitlijsten, zoals The best disco in town van de Ritchie Family, What kind of dance is this van Veronica Unlimited en het nummer dat vóór Do you remember op nummer 1 stond, I remember Elvis Presley van Danny Mirror. Vanaf 8 oktober 1977 stond Do you remember 4 weken op nummer 1 in de Nederlandse Top 40 en in de Nationale Hitparade. Vanaf 22 oktober 1977 stond het nummer ook 4 weken op nummer 1 in de Vlaamse Ultratop 50. In andere West-Europese landen scoorde het nummer ook, bv in Duitsland, waar het de 20e plek behaalde. Do you remember kwam als openingstrack op het tweede album van Long Tall Ernie and the Shakers, Do you remember. De andere tracks waren de voorgaande singles van de band, waarmee het album gezien kan worden als verzamelalbum. Het succes van Do you remember was zo groot, dat de band besloot in 1978 een tweede medley uit te brengen als volgende single: Golden years of rock 'n' roll. Toen producer Eggermont een paar jaar later begon aan zijn project Stars on 45, had hij dus al ervaring met medleys.

Trackslijst

A1	Do You Remember	0:00
A1a	Lucille	0:00
A1b	Bird Dog	0:00
A1c	Runaway	0:00
A1d	Bread And Butter	0:00
A1e	That's Alright	0:00
A1f	Rip It Up	0:00
A1g	Jenny Jenny	0:00
A2	Turn Your Radio On	0:00
A3	Operator Operator	0:00
A4	Kiss Me Baby	0:00
A5	Ballerina	0:00
B1	Big Fat Mama	0:00
B2	Alright Makin' Love In The Middle Of The Night	0:00
B3	You Should Have Seen Me (Rock 'N Rollin')	0:00
B4	Get Yourself Together	0:00
B5	Rockin' Rocket	0:00
B6	Get It In	0:00

Hot Shot

Algemeen

Artiest	Lonnie Brooks
Label	Alligator Records
Datum uitgave	1983
Speelduur	38:06
Genre	Blues, Chicago Blues

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Don't Take Advantage of Me	4:22
2	Wrong Number	3:17
3	Messed Up Again	3:24
4	Family Rules	3:27
5	Back Trail	3:43
6	I Want All My Money Back	4:36
7	Mr. Hot Shot	3:26
8	Brand New Mojo Hand	3:37
9	Mr. Somebody	5:38
10	One More Shot	2:36

Walk on the Wild Side: The Best of Lou Reed

Algemeen

Artiest	Lou Reed
Label	RCA
Datum uitgave	1977
Speelduur	41:19
Genre	Blues Rock

Details

Producent
Componist
Opmerkingen	Walk on the Wild Side: The Best of Lou Reed is the first greatest hits compilation by Lou Reed, formerly of The Velvet Underground. It was issued by RCA Records after Reed's first contract with them ended in 1976. Issued on compact disc on October 25, 1990. The album cover features photos by Mick Rock of Reed and then-girlfriend Rachel. [3] "Walk on the Wild Side" is a song by Lou Reed from his second solo album, Transformer (1972). It was produced by David Bowie and Mick Ronson, and released as a double A-side with "Perfect Day". The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution, and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex.

Trackslijst

1	Satellite of Love	3:43
2	Wild Child	4:38
3	I Love You	2:19
4	How Do You Think It Feels	3:08
5	New York Telephone Conversation	1:31
6	Walk on the Wild Side	4:14
7	Sweet Jane	3:39
8	White Light/White Heat	5:17
9	Sally Can't Dance	2:56
10	Nowhere at All	3:13
11	Coney Island Baby	6:36

Margriet

Algemeen

Artiest	Lucifer
Label	EMI-Bovema Holland
Datum uitgave	1977
Speelduur	36:45
Genre	Rock

Details

Producent	Yde de Jong, Dick Buysman
Componist	Margriet Eshuijs, Thijs van Leer
Opmerkingen	Lucifer was een Nederlandse popgroep uit de jaren 70, bestaande uit zangeres/organiste Margriet Eshuijs, bassist Dick Buijsman, drummer Henny Huisman en zanger/percussionist Julio Wilson. In 1975 scoorden ze een grote hit met House for sale. Later, toen de band minder succes had, ging Margriet Eshuijs verder met een solocarrière. In 1974 kreeg de groep een contract bij EMI. Voor de eerste elpee werd gekozen voor een combinatie van eigen nummers, aangevuld met enkele covers van andere artiesten en verder nog twee gezamenlijke nummers van Gloria Sklerov en Harry Lloyd.[1] Waaronder House for sale dat Sklerov aan Peter Schoonhoven van EMI had voorgespeeld, toen hij in 1973 een bezoek aan Garrett Music bracht. Eenmaal in Nederland overhandigde hij de demo aan Hans Vermeulen die de arrangeur/producent voor de groep was, met de suggestie het door Lucifer te laten uitvoeren.[2] House for sale werd de eerste single van de groep en ook meteen hun eerste hit. Begin 1976 werden Huisman, Wilson en Netten vervangen door gitarist Fred Berger en drummer Jan Pijnenburg. De drie ex-leden vormden vervolgens de band Match (= Engels voor lucifer). Een jaar later werd Pijnenburg vervangen door Willem Jongbloed en werd André Versluijs bassist in plaats van Dick Buysman.

Trackslijst

A1	Sandra	4:24
A2	Ramses	4:16
A3	Someone Is Waiting	4:58
A4	Love (Amsterdam)	6:17
B1	A Phase In Life	4:26
B2	Take A Jive In Life	3:53
B3	SelfPity	4:15
B4	No More	4:16

Hey You Love / Hey Diddle Diddle

Algemeen

Artiest	Mac & Katie Kissoon
Label	Young Blood
Datum uitgave	1972
Speelduur	5:30
Genre	Pop

Details

Producent	Miki Dallon
Componist
Opmerkingen

Trackslijst

A	Hey You Love	3:00
B	Hey Diddle Diddle	2:30

Absolutely

Algemeen

Artiest	Madness
Label	Stiff Records
Datum uitgave	1979
Speelduur	39:22
Genre	Ska, Pop

Details

Producent
Componist
Opmerkingen	Absolutely is the 1980 second album from the British ska band Madness. The album reached number 2 in the UK album charts.[3] Absolutely spawned some of the band's biggest hits, most notably "Baggy Trousers", which peaked at number 3 in the UK singles chart.[3] "Embarrassment" reached number 4 in the charts, and the instrumental song "The Return of the Los Palmas 7" climbed to number 7.[3] Although the album reviews were generally less enthusiastic than those of One Step Beyond..., they were mostly positive. Robert Christgau gave the album a favourable B- grade,[4] but Rolling Stone awarded the album just one out of five stars.[5] Rolling Stone was particularly scathing of the ska revival in general, stating that "The Specials wasn't very good" and Madness were simply "the Blues Brothers with English accents".[5] In 2009 and 2010, Madness re-released their entire back catalogue of studio albums until 1999's Wonderful with a bonus CD and extra tracks. The re-release of Absolutely has seven bonus tracks plus an additional CD featuring a 1980 concert recorded at the Hammersmith Odeon. The front cover sees the band standing in front of Chalk Farm tube station in Camden. When the original vinyl was released the first, more sombre, cover photograph was changed to a more animated pose after around 10,000 albums were pressed. The two sleeves can be distinguished by Mike Barson's holding of the umbrella: in the earlier pressing he holds it up to his chin while in the later, and subsequently used, releases the umbrella is on the ground.[7] The inner sleeve features a London Underground-style roundel for a railway station called "Cairo East" on one side (this roundel later reappeared in the video for "(Waiting For) The Ghost Train" and a history of the group on the other.

Trackslijst

1	Baggy Trousers	2:46
2	Embarrassment	3:10
3	E.R.N.I.E.	2:09
4	Close Escape	3:32
5	Not Home Today	2:43
6	On the Beat Pete	3:04
7	Solid Gone	2:19
8	Take It or Leave It	3:27
9	Shadow of Fear	1:59
10	Disappear	2:58
11	Overdone	3:45
12	In the Rain	2:43
13	You Said	2:34
14	Return of the Los Palmas 7	2:04

Like a Virgin

Algemeen

Artiest	Madonna
Label	Sire Records
Datum uitgave	1984
Speelduur	38:33
Genre	Dance-Pop, Pop

Details

Producent
Componist
Opmerkingen	Like a Virgin is the second studio album by American singer and songwriter Madonna, released on November 12, 1984, by Sire Records. Following the success of her self-titled debut album, Madonna wanted to become the record producer of her next album. However, her label was not ready to give her the artistic freedom and she chose Nile Rodgers instead to produce the album due to his work with David Bowie. Madonna wrote six songs on the record, five of which feature Steve Bray as a co-writer. The album was recorded at Power Station Studio in New York at a quick pace. Rodgers enlisted the help of his former Chic bandmates Bernard Edwards, who was the bassist, and Tony Thompson, who played drums. Jason Corsaro, the record's audio engineer, persuaded Rodgers to use digital recording, a new technique introduced at that time. The album's photographs were shot by Steven Meisel. Madonna wanted the album title and the cover image to make provocative link between her own religious name Madonna, as the Roman Catholic title for Jesus' mother Mary, and the Christian concept of the virgin birth. While not a substantial musical departure from Madonna's first album, she felt that the material from Like a Virgin was stronger. After its release, Like a Virgin received mixed reviews from music critics, but was a commercial success. It became Madonna's first number one album on the Billboard 200 and set the record as the first female album in history to sell over five million copies in the United States. The Recording Industry Association of America (RIAA) later certified it diamond for shipment of ten million units. It also reached number one in Germany, Italy, Netherlands, New Zealand, Spain and the United Kingdom, and remains one of the best-selling albums of all time with sales of over 21 million copies worldwide. Five singles were released from the album, including Madonna's first US number-one "Like a Virgin" and her first UK number-one "Into the Groove". To promote the album, she embarked on The Virgin Tour, which had shows in cities of North America only. Like a Virgin has attained significance as a cultural artifact of the 1980s. Madonna proved that she was not a one-hit wonder and was able to provide herself with a permanent footing in the music world. Her songs became a lightning rod for both criticism by conservatives and imitation by the younger female population, especially "Material Girl" and "Like a Virgin". According to author J. Randy Taraborrelli, "Every important artist has at least one album in his or her career whose critical and commercial success becomes the artist's magic moment; for Madonna, Like a Virgin was just such a defining moment."

Trackslijst

1	Material Girl	4:00
2	Angel	3:56
3	Like a Virgin	3:38
4	Over and Over	4:12
5	Love Don’t Live Here Anymore	4:50
6	Dress You Up	4:01
7	Shoo-Bee-Doo	5:17
8	Pretender	4:30
9	Stay	4:06

Bat Out of Hell

Algemeen

Artiest	Meat Loaf
Label	Epic
Datum uitgave	1977
Speelduur	46:31
Genre	Rock

Details

Producent
Componist
Opmerkingen	Bat Out of Hell is een album uit 1977 van zanger Meat Loaf (Marvin Lee Aday). Het was zijn tweede album. Het album bevat muziek van een bombastische en Wagneriaanse stijl. Toen Jim Steinman en Meat Loaf dit album aan muziekmaatschappijen voordroegen stuitten ze op veel problemen om iemand te vinden die het wilde produceren. Gitarist Todd Rundgren hoorde dit en hij besloot onmiddellijk dat hij het album wel wilde produceren. Rundgren vroeg eerst een slordige 45.000 dollar voor het produceren van albums, maar dit ketste af omdat dit te hoog was voor dit project. Hij ging akkoord met een percentage van de opbrengst, waardoor hij er alsnog een klein fortuin mee maakte. Er werd voor gekozen om het album in zijn geheel op te nemen en niet ieder nummer apart. Het kostte wat moeite om een label te vinden en uiteindelijk werd dat Cleveland International Records. Het hoesontwerp van dit album staat op naam van Jim Steinman en is geïllustreerd door Richard Corben. Het album is opgedragen aan Wesley en Wilma Aday (Meat Loafs ouders) en aan Louis Steinman.

Trackslijst

1	Bat Out of Hell	9:49
2	You Took the Words Right Out of My Mouth (Hot Summer Night)	5:04
3	Heaven Can Wait	4:40
4	All Revved Up With No Place to Go	4:19
5	Two Out of Three Ain't Bad	5:24
6	Paradise by the Dashboard Light	8:28
7	For Crying Out Loud	8:45

900 Shares of the Blues

Algemeen

Artiest	Michael Longo
Label	Groove Merchant
Datum uitgave	1974
Speelduur	37:07
Genre	Jazz, Blues

Details

Producent
Componist
Opmerkingen	Michael Josef Longo (born March 19, 1939) is a jazz pianist, composer, and author. He is most known for his work with Dizzy Gillespie.

Trackslijst

1	900 Shares of the Blues	5:01
2	Like a Thief in the Night	5:35
3	Ocean of His Might	5:59
4	Magic Number	5:25
5	Summers Gone	7:22
6	El Moodo Grande	7:45

Tubular Bells

Algemeen

Artiest	Mike Oldfield
Label	Virgin Records
Datum uitgave	1973
Speelduur	0:00
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	Tubular Bells (Engels voor "buisklokken") is het eerste album van de Britse muzikant Mike Oldfield. Het album werd uitgebracht in 1973. Het werd geschreven door Mike Oldfield, die ook de meeste van de instrumenten bespeelde. Toen Oldfield het album had uitgewerkt, ging hij er meerdere platenlabels mee langs, maar werd steeds afgewezen, veelal omdat de labels vonden dat de muziek niet goed in de markt zou liggen. Het album bevat namelijk geen lyrics of losse nummers en de hele eerste kant van de lp bevat geen drums. Toen Oldfield zijn demo's liet horen bij opnamestudio The Manor House, vonden de technici en ook hun baas Richard Branson dat Oldfield een kans verdiende om zijn album op te nemen. Het album werd door Virgin Records, het destijds nieuwe platenlabel van Branson, uitgebracht als de allereerste productie van dat label, vandaar dat het het catalogusnummer V2001 kreeg, hoewel V2002 en V2003 op dezelfde dag werden uitgebracht. Toen John Peel het hele album in zijn radioshow speelde, kreeg het album veel aandacht.[1] Tubular Bells kwam eind mei 1973 uit, toen Mike Oldfield twintig jaar was. Het album verkocht 2 miljoen exemplaren op de Britse thuismarkt en 15 tot 17 miljoen exemplaren wereldwijd. Het werd een gouden plaat in Amerika en werd bekroond met een Grammy Award voor beste instrumentale compositie in 1974. Mike Oldfield bespeelt zelf het merendeel van de instrumenten op de opname, door ze een voor een op te nemen en ze vervolgens te mixen (overdubbing), een techniek die hij op latere opnamen zou herhalen. De stijl van Tubular Bells is veelzijdig. Het album bestaat uit een soort combinatie van meerdere stijlen. Naar voren komen in elk geval de stijlen rock, new age, folk, ambient en blues. Het openingsthema van Tubular Bells, dat onder andere in de film The Exorcist werd gebruikt, gaf het album veel publiciteit en werd een soort herkenningstune voor het hele album. Met name door dit openingsthema is het album bekend geworden en velen hebben het thema later gebruikt, onder wie Janet Jackson in haar lied Velvet Rope. Ook op televisie is het regelmatig te horen geweest, bijvoorbeeld in Bassie en Adriaan en Moonlighting. Volkswagen gebruikte het thema in een advertentie in 2003. Tevens werd het in Scary Movie 2 gebruikt. Mike Oldfield kreeg van Richard Branson maar beperkte opnametijd in The Manor, zodat Tubular Bells met veel haast of 's nachts werd opgenomen. De eerste kant werd opgenomen in een week tijd, de tweede kant werd vooral 's nachts opgenomen, of op momenten dat er geen andere artiesten in de studio hoefden op te nemen. Om deze reden is er in 2003, toen het album dertig jaar bestond, een nieuwe opname van het album verschenen onder de titel Tubular Bells 2003. In de jaren 90 heeft Oldfield drie vervolgen op Tubular Bells gemaakt: Tubular Bells II (1992), Tubular Bells III (1998) en The Millennium Bell (1999). Een orkestrale versie van Tubular Bells gearrangeerd door David Bedford, The Orchestral Tubular Bells, werd in 1975 uitgebracht. Tubular Bells kent verschillende uitgaven. In 1983 werd het album voor het eerst uitgebracht op cd. Een jubileum-editie kwam in 1998 uit vanwege het 25-jarig jubileum van het album. In 2000 werd de geremasterde editie uitgebracht. Oldfield kreeg in 2008 de rechten over Tubular Bells terug van Virgin Records, 35 jaar na de release, zodat in juni 2009 een opnieuw gemixte en gemasterde editie met bonusmateriaal werd uitgebracht op Mercury Records, Oldfields huidige platenlabel. Dat er buisklokken op het album te horen zijn, is eigenlijk toeval. De buisklokken stonden nog van de vorige muzikant in de studio, en Oldfield vroeg of hij ze ook kon gebruiken. Uiteindelijk waren het deze buisklokken die de naam Tubular Bells aan het album gaven.[2]

Trackslijst

Mo

Algemeen

Artiest	Mo
Label	BackDoor
Datum uitgave	1980
Speelduur	33:35
Genre	Dutch Pop

Details

Producent
Componist
Opmerkingen	The Mo, also known simply as Mo, was a Dutch pop band best remembered for the 80's hit "Asia". The band was known to be an experimental pop band during the new wave era. The Mo was founded in 1979 by brothers Clement and Huub de Lange. Their debut album Mo, with Heili Helder as singer and Harm Bieger as drummer, had a separate instrumentation; the guitar was missing, instead testing out other instruments such as the use of the Wurlitzer electric piano, clavinet, and the classical wind instrument, the bassoon. In February 1981 the album reached the top 10. Successful singles from the album were "Nancy" and "Fred Astaire".[1] After the original group broke up in mid 1981, Harm Bieger then made a new start with the band, recruiting five new members, including singer Linda Bloemhard. He tried to sustain the original sound of Mo to follow up on the success. Two albums followed (Ha! Ha! The Sound of Laughing and Stop Staring), but failed to make much of an impact, although the song "Cheese" did become a modest hit in dance hall circuits. The single "Asia" in 1984 became a major hit, but it failed to save the group.[2] The group disbanded right after the release of their 1984 album Stop Staring. In 2013 Linda Bloemhard re-recorded "Cheese" with American producer Fernando Perdomo in Los Angeles and released it on lindabloemhardandfernandoperdomo.Bandcamp.com

Trackslijst

1	Nancy	2:32
2	Let Me Out	2:43
3	Heart Attack	3:08
4	Visions	2:50
5	TV Talks	2:52
6	Short Legged Dogs	2:57
7	Oh... Young People	2:50
8	Take Me for What I Am	3:19
9	Fred Astaire	2:56
10	Band With Bassoon	2:35
11	If I Take You Back	2:43
12	Release Me	2:10

Ha Ha! ['ha:`ha:] The Sound Of Laughing;

Algemeen

Artiest	Mo
Label	BackDoor
Datum uitgave	1982
Speelduur	36:26
Genre	Electronic

Details

Producent	Onbekend
Componist	Clemens en Huub de Lange
Opmerkingen	The Mo Naar navigatie springenNaar zoeken springen The Mo, ook wel kortweg Mo genoemd, was een Nederlandse popband die in 1979 werd opgericht door de broers Clemens en Huub de Lange. Hun debuutalbum Mo, met Heili Helder als zangeres en Harm Bieger als drummer, had een voor die tijd aparte instrumentatie: zowel de elektrische gitaar als de basgitaar ontbrak. In plaats daarvan werden toetseninstrumenten gebruikt (waaronder Wurlitzer-piano en Clavinet) en een klassiek blaasinstrument: de fagot. In februari 1981 haalde het album de top 10. Single-succes was er voor Nancy (1980), en bovenal voor Fred Astaire (1981). Nadat begin 1981 Huub de Lange de groep had verlaten en was opgevolgd door Ton van der Meer, viel de groep in juni 1981 uit elkaar door het vertrek van Heili Helder en Clemens de Lange. Bieger en Van der Meer maakten vervolgens een doorstart. Met twee nieuwe bandleden - zangeres Linda Bloemhard en toetsenist Hans Nieuwint - trachtten ze de oorspronkelijke Mo te kopiëren en een vervolg te geven aan het succes. Er volgden nog twee albums (Ha Ha! The Sound of Laughing en Stop Staring), maar het grote succes bleef uit. Wel was The Mo redelijk succesvol in het zalencircuit, mede op basis van de podiumpersoonlijkheid van Bloemhard en een bescheiden hitnotering voor het nummer Cheese (1982). De single Asia haalde in 1984 nog een tipparadenotering. Na de opnamen voor Stop Staring, geproduceerd door Willem Ennes, verliet Harm Bieger de groep. De nieuwe drummer was Hans van der Meer, een broer van toetsenist Ton van der Meer. In 1985 werd Mo definitief opgeheven. Discografie Albums Mo (1980) Ha Ha! The Sound of Laughing (1982) Stop Staring (1984) Bezetting (1979-1981) Heili Helder - zang Clemens de Lange - piano, toetsen-bas Huub de Lange - orgel, fagot Harm Bieger - drums Bezetting (1981-1985) Linda Bloemhard - zang Ton van der Meer - synthesizer Hans Nieuwint - synthesizer Harm Bieger - drums (in 1984 opgevolgd door Hans van der Meer)

Trackslijst

A1	ADSR	2:20
A2	Cheese	2:38
A3	Breakfast	3:25
A4	White Prince	3:34
A5	Human Race Put On Display	3:29
A6	Madman	2:20
B1	Old Friend	4:05
B2	Try Me	3:08
B3	Sound Of Laughing	2:17
B4	Jovial Scene	3:22
B5	Nicky Knits	2:51
B6	Stress	2:57

Greatest Hits

Algemeen

Artiest	Mungo Jerry
Label	Vogue
Datum uitgave	1980
Speelduur	0:00
Genre	Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

Nat King Cole

Algemeen

Artiest	Nat King Cole
Label	Everest Records
Datum uitgave	1974
Speelduur	25:52
Genre	R&B, Easy Listening

Details

Producent
Componist
Opmerkingen	Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American jazz pianist and vocalist. He recorded over one hundred songs that became hits on the pop charts. His trio was the model for small jazz ensembles that followed. Cole acted in films and on television and performed on Broadway. He was the first black man to host a television series.

Trackslijst

1	Straighten Up and Fly Right	2:27
2	Jumpin' at Capitol	2:29
3	Sweet Lorraine	3:11
4	Embraceable You	3:20
5	It's Only a Paper Moon	2:55
6	What Is This Thing Called Love?	2:58
7	You Can Depend on Me	2:58
8	I'm Thru With Love	2:56
9	Sweet Georgia Brown	2:18
10	The Frim Fram Sauce	3:17
11	(Get Your Kicks On) Route 66	3:01
12	Baby, Baby All the Time	3:00
13	You Call It Madness (But I Call It Love)	3:03
14	The Christmas Song (Merry Christmas to You)	3:13
15	(I Love You) For Sentimental Reasons	2:54
16	When I Take My Sugar to Tea	2:22
17	Too Marvelous for Words	2:33
18	Blues in My Shower	2:53
19	Kee-mo Ky-mo (The Magic Song)	2:20
20	Save the Bones for Henry Jones	2:40
21	Nature Boy	2:38
22	Lost April	2:57
23	A Portrait of Jennie	3:07
24	Bop-kick	2:36
25	For All We Know	3:03
26	Lush Life	3:17
27	My Baby Just Cares for Me	2:47
28	Can I Come in for a Second?	2:50
29	I'll Never Say Never Again	2:48
30	Mona Lisa	3:15
31	Ev'ry Day (I Fall in Love)	3:00
32	Orange Colored Sky	2:33
33	Jet	2:48
34	Too Young	3:12
35	Red Sails in the Sunset	3:16
36	Unforgettable	3:11
37	Walkin' My Baby Back Home	2:40
38	The Ruby and the Pearl	3:12
39	Somewhere Along the Way	2:53
40	You Stepped Out of a Dream	2:35
41	Funny (Not Much)	2:59
42	Pretend	2:44
43	Angel Eyes	3:14
44	Lover, Come Back to Me!	2:31
45	That's All	3:00
46	If Love Is Good to Me	2:46
47	Blue Gardenia	2:57
48	Love Is Here to Stay	2:49
49	This Can't Be Love	2:29
50	Darling, Je Vous Aime Beaucoup	2:49
51	Answer Me, My Love	2:38
52	Smile	2:54
53	My One Sin (In Life)	2:58
54	Open Up the Doghouse (Two Cats Are Comin' In)	2:27
55	If I Give My Heart to You	2:59
56	A Blossom Fell	2:31
57	If I May	3:03
58	It Could Happen to You	2:47
59	Autumn Leaves	2:39
60	There Will Never Be Another You	3:36
61	Let's Fall in Love	2:47
62	Night Lights	2:48
63	To the Ends of the Earth	2:17
64	Candy	3:53
65	Ballerina	2:51
66	Caravan	2:44
67	Stardust	3:14
68	When I Fall in Love	3:10
69	When Sunny Gets Blue	2:44
70	Send for Me	2:36
71	Don't Get Around Much Anymore	3:12
72	I Should Care	2:46
73	The Party's Over	2:43
74	St. Louis Blues	2:25
75	Looking Back	2:27
76	The Very Thought of You	3:48
77	But Beautiful	3:29
78	Avalon	1:48
79	The Late,Late Show	2:35
80	To Whom It May Concern	2:58
81	Non Dimenticar (Don't Forget)	2:51
82	Standin' In the Need of Prayer	2:14
83	The Best Thing for You	2:02
84	Perfidia	2:20
85	Wild is Love	2:51
86	Thou Swell	2:25
87	Where or When	3:16
88	Mr.Cole Won't Rock&Roll	7:51
89	I Remember You	3:15
90	A Nightingale Sang in Berkeley Square	4:46
91	The Touch of Your Lips	3:54
92	Poinciana (Song of the Tree)	3:57
93	Day In-Day Out	2:27
94	Azure-Te'	3:56
95	Ramblin' Rose	2:50
96	Say It Isn't So	3:06
97	That Sunday, That Summer	3:14
98	On the Street Where You Live	3:09
99	I Don't Want to See Tomorrow	2:39
100	L-O-V-E	2:32

S.O.B. And Other Stories

Algemeen

Artiest	Navel
Label	CNR Records
Datum uitgave	1980
Speelduur	0:00
Genre	Pop

Details

Producent
Componist
Opmerkingen	Dit tweede album van het onbekende bandje Navel uit 1980 is goed. Het is de opvolger van de eerste plaat uit 1978, waar Lisa Schulte-Nordholt (Lisa Boray) leadzangeres was. Op deze tweede LP heeft Bea Willemstein haar plaats ingenomen, die je misschien nog kent als de ene helft van hetsuccesvolle jaren 80-duo Bennett & Bee ("Take it or leave it"). Deze tweede plaat is heel experimenteel. Hele aparte maar melodieuze muziek. Wim Oudijk: Hij runde een platenzaak in het Zeeheldenkwartier in Den Haag en boekte in de jaren zeventig enig succes met zijn Haagse popgroep Navel. Joris Kila (guitar, vocals), Wim Oudijk (keyboards, guitar, vocals), Guus van Leeuwen (bass, vocals), Louis Debij (drums, percussion), Lisa Schulte Nordholt [aka Lisa Boray] (vocals, 1978-79), Bea Willemstein (vocals, 1979-80), Vera Goedhart (vocals, 1979-80)

Trackslijst

A1	Daybreak Headache Aspirin	0:00
A2	Miss Jekyll	0:00
A3	Natural Man	0:00
A4	Your Hands	0:00
A5	Luck Is Down	0:00
B1	Sucker For A Sob Story	0:00
B2	Quick Quick Slow	0:00
B3	Tee Vee Me	0:00
B4	(I Don´t Like) Reggae	0:00
B5	Razorblade Romance	0:00
B6	All´s Well That Ends Well	0:00

Hoezo jeugdsentiment?

Algemeen

Artiest	Neerlands Hoop in Bange Dagen
Label	EMI-Bovema Holland
Datum uitgave	1976
Speelduur	40:37
Genre	Nederlands, Cabaret

Details

Producent
Componist
Opmerkingen	Dutch comedy group led by comedian Freek de Jonge and singer/musician Bram Vermeulen. Formed in 1968 in Amsterdam, their theatre shows and pop records were popular in The Netherlands during the 1970's. Disbanded when Freek de Jonge embarked on a solo career in 1979.

Trackslijst

1	5 uur	3:12
2	Beestjes	3:02
3	Waar gaan wij naartoe na onze dood	3:36
4	Ik ben zo blij (dat mijn neus van voren zit en niet opzij)	2:43
5	Peter	6:39
6	Ik heb genoeg van jou	4:28
7	Marijke	3:46
8	Katinka	3:00
9	Ik heb geen zin om op te staan	6:25
10	Iedereen, iedereen twist (Je wordt er gek van)	3:46

Plankenkoorts

Algemeen

Artiest	Neerlands Hoop in Bange Dagen
Label	Imperial
Datum uitgave	1972
Speelduur	52:42
Genre	Nederlands, Cabaret

Details

Producent
Componist
Opmerkingen	In 1972 werden "Bram en Freek", zoals het duo rond deze tijd alom bekendstond, gevraagd een gelegenheidsprogramma te schrijven voor het rondreizende Holland Festival van juni 1972. Niet bang voor een uitdaging, accepteerde het duo de uitdaging en onderbrak hiervoor tijdelijk hun tournee. Het vlot geschreven programma liet een blauwdruk zien van een komische stijl, met veel chaos, terzijdes en running gags, die De Jonge in zijn latere solocarrière zou perfectioneren. Een opname van deze show verscheen hetzelfde jaar op elpee onder de noemer Plankenkoorts.

Trackslijst

1	Plankenkoorts	4:21
2	(Achter de facade van) Glitter en Goud	3:46
3	Duo Dubbel en Dwars	1:16
4	We moeten strijden voor de wadden	2:42
5	Duo Dubbel en Dwars	6:53
6	That's Soul	8:08
7	Fazant met zuurkool	5:58
8	Stilte	2:31
9	Opa	2:50
10	Vacantieperikelen 1	5:20
11	Bello de hond	2:39
12	Vacantieperikelen 2	2:49
13	Ik voel me zo eenzaam op de camping	3:29

Weerzien In Panama

Algemeen

Artiest	Neerlands Hoop in Bange Dagen
Label	Imperial
Datum uitgave	1973
Speelduur	105:59
Genre	Cabaret

Details

Producent	Just Enschedé
Componist
Opmerkingen	https://nl.wikipedia.org/wiki/Neerlands_Hoop_in_Bange_Dagen Na het grote succes van Neerlands Hoop in Bange Dagen brak er een moeilijke periode aan voor De Jonge en Vermeulen. Het was nu hun taak om de hooggespannen verwachtingen voor het tweede programma waar te maken. Op 9 september 1971 ging het programma Neerlands Hoop in Panama in première. Het programma overtrof gemakkelijk het succes van het eerste programma. De rol van Bram Vermeulen werd in dit programma uitgebreid van enkel muzikaal begeleider op de achtergrond naar aangever voor De Jonge. De muziek kreeg ook een belangrijkere rol in het programma, waarbij Vermeulen naast elektrische piano ook steeds vaker gitaar speelde. Hetzelfde jaar verscheen de nieuwe popplaat Neerlands Hoop in Panama, die gemaakt was volgens dezelfde formule als Neerlands Hoop in Bange Dagen, met Hans Hollestelle op gitaar, Frank Noya op bas en Eric Ineke op drums. In 1972 werden "Bram en Freek", zoals het duo rond deze tijd alom bekendstond, gevraagd een gelegenheidsprogramma te schrijven voor het rondreizende Holland Festival van juni 1972. Niet bang voor een uitdaging, accepteerde het duo de uitdaging en onderbrak hiervoor tijdelijk hun tournee. Het vlot geschreven programma liet een blauwdruk zien van een komische stijl, met veel chaos, terzijdes en running gags, die De Jonge in zijn latere solocarrière zou perfectioneren. Een opname van deze show verscheen hetzelfde jaar op elpee onder de noemer Plankenkoorts. Halverwege 1973 kwam er na twee seizoenen een einde aan de succesvolle tournee van Neerlands Hoop in Panama. Een liveregistratie van het programma verscheen op dubbel-elpee onder de titel Weerzien in Panama. De groep mocht datzelfde jaar, voor deze plaat, een Edison in ontvangst nemen.

Trackslijst

A1	Mededelingen	3:50
A2	Ik Doe Aan Kabaret	1:45
A3	De Zuster Van Oom Jozef	3:32
A4	Daar Gaan We Dan	5:45
A5	Ik Doe Aan Kabaret	0:38
A6	Lied Dat Niet Gezongen Wordt	5:55
A7	De Harde Waarheid	3:26
A8	De Fietstocht	4:05
B1	Elsje	3:51
B2	Een Ongeluk Zit In Een Klein Hoekje	6:27
B3	Wie Weet Waar De Uitweg Is	2:35
B4	Ik Ben Zo Bang	2:35
B5	Vrolijke Soldatenpotpourri	3:23
B6	Dutch Hope For Vietnam	7:15
C1	De Ballade Van Jan Lul	4:45
C2	Whiskey	8:45
C3	Maria Dolores	4:00
C4	Juanita Sambabal	3:25
D1	Fazant Met Zuurkool	5:30
D2	Kijk Dat Is Kees	3:25
D3	Corso 1945-1973	4:04
D4	Dat Is Het Spel	9:00
D5	Ik Doe Aan Kabaret	0:35
D6	De Guru, De Fakir En De Pelgrim	4:55
D7	Goedennacht En Welterusten	2:33

Hot August Night

Algemeen

Artiest	Neil Diamond
Label	MCA Records
Datum uitgave	1972
Speelduur	85:51
Genre	Rock, Pop

Details

Producent	Tom Catalano
Componist	Neil Diamond
Opmerkingen	Hot August Night is a 1972 live double album by Neil Diamond.[1] The album is a recording of a Diamond concert on August 24, 1972, one of ten sold-out concerts that Diamond performed that month at The Greek Theatre in Los Angeles. This also marks the first album released by the newly formed MCA Records (a merging of the Uni, Kapp, and Decca labels).[2] https://en.wikipedia.org/wiki/Hot_August_Night

Trackslijst

A1a	Prologue	2:58
A1b	Crunchy Granola Suite	4:08
A2a	Done Too Soon	3:03
A2b	Dialogue	1:16
A3	Solitary Man	3:03
A4	Cherry Cherry	4:36
A5	Sweet Caroline	3:49
B1	Porcupine Pie	1:46
B2	You're So Sweet	2:05
B3	Red Red Wine	3:34
B4	Soggy Pretzels	2:49
B5	And The Grass Won't Pay No Mind	4:25
B6	Shilo	3:17
B7	Girl You'll Be A Woman Soon	2:36
C1	Play Me	4:22
C2	Canta Libre	4:53
C3	Morningside	5:17
C4	Song Sung Blue	4:36
C5	Cracklin' Rosie	2:38
D1	Holly Holy	5:23
D2	I Am . . . I Said	4:33
D3	Walk Off/Soolaimon	1:13
D4	Brother Love's Travelling Salvation Show	8:14
D5	Encore	1:17

Comes a Time

Algemeen

Artiest	Neil Young
Label	Reprise Records
Datum uitgave	1978
Speelduur	37:00
Genre	Rock, Country Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Goin' Back	4:42
2	Comes a Time	3:04
3	Look Out for My Love	4:05
4	Lotta Love	2:40
5	Peace of Mind	4:05
6	Human Highway	3:09
7	Already One	4:53
8	Field of Opportunity	3:08
9	Motorcycle Mama	3:07
10	Four Strong Winds	4:07

Harvest

Algemeen

Artiest	Neil Young
Label	Reprise Records
Datum uitgave	1972
Speelduur	37:33
Genre	Country Rock, Folk Rock

Details

Producent
Componist	Neil Young
Opmerkingen	Harvest is the fourth album by Canadian musician Neil Young, released on February 1, 1972, on Reprise Records, catalogue MS 2032. It featured the London Symphony Orchestra on two tracks and vocals by noted guests David Crosby, Graham Nash, Linda Ronstadt, Stephen Stills, and James Taylor. It topped the Billboard 200 album chart[2] for two weeks, and spawned two hit singles, "Old Man", which peaked at #31 on the Billboard Hot 100, and "Heart of Gold", which reached #1.[3] It was the best-selling album of 1972 in the United States.[4]

Trackslijst

1	Out on the Weekend	4:35
2	Harvest	3:11
3	A Man Needs a Maid	4:05
4	Heart of Gold	3:07
5	Are You Ready for the Country?	3:23
6	Old Man	3:24
7	There's a World	2:59
8	Alabama	4:02
9	The Needle and the Damage Done	2:03
10	Words (Between the Lines of Age)	6:40

After the Gold Rush

Algemeen

Artiest	Neil Young
Label	Reprise Records
Datum uitgave	1970-09-19
Speelduur	35:13
Genre	Country Rock, Folk Rock

Details

Producent	Kendall Pacios, David Briggs, Neil Young
Componist
Opmerkingen	After the Gold Rush is the third studio album by Canadian musician Neil Young. Released in September 1970 on Reprise Records, it is one of four high-profile albums released by each member of folk rock collective Crosby, Stills, Nash & Young in the wake of their chart-topping 1970 album Déjà Vu. Gold Rush consists mainly of country folk music, along with the rocking "Southern Man",[4] inspired by the Dean Stockwell-Herb Bermann screenplay After the Gold Rush. After the Gold Rush peaked at number eight on the Billboard Top Pop Albums chart; the two singles taken from the album, "Only Love Can Break Your Heart" and "When You Dance I Can Really Love", made it to number 33 and number 93 respectively on the Billboard Hot 100. Despite a mixed initial reaction, it has since appeared on a number of "greatest albums" lists.

Trackslijst

1	Tell Me Why	2:58
2	After the Gold Rush	3:46
3	Only Love Can Break Your Heart	3:08
4	Southern Man	5:32
5	Till the Morning Comes	1:21
6	Oh, Lonesome Me	3:50
7	Don't Let It Bring You Down	2:58
8	Birds	2:33
9	When You Dance I Can Really Love	4:05
10	I Believe in You	3:28
11	Cripple Creek Ferry	1:34

Pussy Cats

Algemeen

Artiest	Nilsson
Label	RCA Victor
Datum uitgave	1974
Speelduur	37:15
Genre	Rock, Pop Rock

Details

Producent	John Lennon
Componist
Opmerkingen	Pussy Cats is the tenth album by American singer Harry Nilsson, released in 1974. It was produced by John Lennon during his "Lost Weekend" period. The album title was inspired by the bad press Nilsson and Lennon were getting at the time for being drunk and rowdy in Los Angeles. They also included an inside joke on the cover – children's letter blocks "D" and "S" on either side of a rug under a table − to spell out "drugs under the table" in code. The album was started in Los Angeles, but Lennon ultimately finished producing it in New York,[5] where he could better control the sessions. During the recording sessions, Nilsson ruptured one of his vocal cords but chose to keep this from Lennon. He forced himself to push through the sessions, which caused even more damage, that some say he never quite recovered from. Among the many musicians on Pussy Cats are drummers Ringo Starr, Keith Moon and Jim Keltner, who actually all play together (on three drum kits) on the closing track, "Rock Around the Clock". Other contributors include Jesse Ed Davis, Klaus Voormann, and Bobby Keys. After the first night of recording, March 28, Paul McCartney and Stevie Wonder popped into the studio unexpectedly.[6] Bootleg recordings from this session were later released as the album A Toot and a Snore in '74. A quadrophonic version was released on record and eight-track tape. The songs were treated to special mixes for this issue of the album.

Trackslijst

1	Many Rivers to Cross	5:01
2	Subterranean Homesick Blues	3:22
3	Don't Forget Me	3:41
4	All My Life	3:16
5	Old Forgotten Soldier	4:18
6	Save the Last Dance for Me	4:33
7	Mucho Mungo / Mt. Elga	3:48
8	Loop De Loop	2:43
9	Black Sails	3:18
10	Rock Around the Clock	3:12

Organisation

Algemeen

Artiest	Orchestral Manoeuvres in the Dark
Label	DinDisc
Datum uitgave	1980
Speelduur	51:20
Genre	New Romantic, Synthpop

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	Enola Gay	3:31
A2	2nd Thought	4:15
A3	VCL XI	3:50
A4	Motion and Heart	3:17
A5	Statues	4:27
B1	The Misunderstanding	4:53
B2	The More I See You	4:12
B3	Promise	4:49
B4	Stanlow	6:41

Achitecture & Morality

Algemeen

Artiest	Orchestral Manoeuvres in the Dark
Label	DinDisc
Datum uitgave	1981
Speelduur
Genre	New Romantic, Symphonic Rock

Details

Producent	Richard Manwaring
Componist	David Hughes
Opmerkingen	Architecture & Morality met with a lukewarm critical response.[28] Lynden Barber of Melody Maker wrote, "I don't believe the Orchs even care about this record... the style is the same, the content profoundly different, the onslaught of emptiness, frivolity disguised by furrowed brows, a new brand of meaninglessness."[29] Boston Phoenix journalist M. Howell said the record "gives off the dry stench of self-importance" and would have been more aptly titled "Mortician & Morality".[30] Brad Scharff of The Cavalier Daily observed a "flawed album" that occasionally lapses into "tedium", but had praise for much of the arranging and vocal work, concluding that "the positive aspects certainly outweigh its faults".[31] Record Mirror's Daniela Soave cautioned that the album "requires more effort on the listener's part", adding, "Although I had misgivings initially, Architecture & Morality is no disappointment."[24] Other critics were unapologetically favourable. Dave McCullough of Sounds gave a five-star review in which he referred to Architecture & Morality as OMD's "best album yet" and a "classic in the making",[27] while the Belfast Telegraph's Jim Cusack called it an "excellent album" by a band with "higher interests and concepts in music than most others of their genre."[32] The Evening Express stated, "'Souvenir' and the beautiful 'Joan of Arc' are obvious standouts but really any seven of the nine tracks are potential hits."[33] Architecture & Morality was included in Billboard's "Recommended LPs".[34] "We didn't think it got the respect it deserved", said McCluskey in 1983. "We put a lot into it and we really loved it... anything which undermines our own unstable balance creates a problem for us."[35] Sean O'Neal of The A.V. Club told how OMD responded to lacklustre reviews of the album by "pursu[ing] a darker, more defiantly experimental direction on its 1983 follow-up, Dazzle Ships—only to have the critics belatedly declare [Architecture & Morality] a masterpiece."[28] In particular, a 1984 article in Melody Maker offset the magazine's unflattering contemporary review, with Helen Fitzgerald labelling the record "the first true masterpiece of the Eighties."[36]

Trackslijst

01	The New Stone Age	Orchestral Manoeuvres in the Dark
02	She's Leaving
03	Souvenir
04	Sealand
05	Joan Of Arc
06	Joan Of Arc (Maid Of Orleans)
07	Achitecture & Morality
08	Georgia
09	The Beginning And The End

All This And World War II

Algemeen

Artiest	Original Soundtrack
Label	20th Century Records
Datum uitgave	1976
Speelduur	95:53
Genre	Beatles cover, Soundtrack

Details

Producent
Componist
Opmerkingen	All This and World War II is a 1976 musical documentary[1] that juxtaposes Beatles songs, performed by a number of musicians, with World War II newsreel footage and 20th Century Fox films from the 1940s. It lasted two weeks in cinemas.[2]

Trackslijst

1	Magical Mystery Tour	3:52
2	Lucy in the Sky With Diamonds	6:15
3	Golden Slumbers / Carry That Weight	3:17
4	I Am the Walrus	3:49
5	She's Leaving Home	3:07
6	Lovely Rita	1:13
7	When I'm Sixty-Four	2:36
8	Get Back	4:24
9	Let It Be	3:43
10	Yesterday	2:44
11	With a Little Help From My Friends / Nowhere Man	6:56
12	Because	3:24
13	She Came In Through the Bathroom Window	1:54
14	Michelle	4:00
15	We Can Work It Out	2:39
16	The Fool on the Hill	3:37
17	Maxwell's Silver Hammer	3:27
18	Hey Jude	4:58
19	Polythene Pam	1:30
20	Sun King	2:03
21	Getting Better	2:19
22	The Long and Winding Road	4:47
23	Help!	3:07
24	Strawberry Fields Forever	2:30
25	A Day in the Life	4:04
26	Come Together	4:08
27	You Never Give Me Your Money	3:04
28	The End	2:26

Sgt. Pepper’s Lonely Hearts Club Band

Algemeen

Artiest	Original Soundtrack
Label	Polydor
Datum uitgave	1978
Speelduur	83:12
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Sgt. Pepper's Lonely Hearts Club Band is a multi-platinum double album produced by George Martin,[1] featuring covers of songs by The Beatles. It was released in July 1978, as the soundtrack to the film Sgt. Pepper's Lonely Hearts Club Band, which starred the Bee Gees, Peter Frampton and Steve Martin. The project was managed by The Robert Stigwood Organisation (RSO). In 1975, the original plans for the album were suspended due to a dispute between Columbia and RSO.[2] RSO invested $12 million into this soundtrack and the profit offset set against costs such as $1 million for promotion.[3] The creation of the soundtrack was marked with tension from the beginning, with Frampton and the Bee Gees both feeling wary of the other artist as well as being unsure as to how their music would work together on the same album.[4] The release made history as being the first record to "return platinum", with over four million copies of it taken off store shelves and shipped back to distributors.[5] Hundreds of thousands of copies of the album ended up being destroyed by RSO. The company itself experienced a considerable financial loss and the Bee Gees as a group had their musical reputation tarnished, though other involved bands such as Aerosmith were unscathed in terms of their popularity.[4]

Trackslijst

1	Sgt. Pepper’s Lonely Hearts Club Band	4:42
2	Here Comes the Sun	3:06
3	Getting Better	2:47
4	Lucy in the Sky With Diamonds	3:42
5	I Want You (She’s So Heavy)	6:33
6	Good Morning, Good Morning	1:58
7	She’s Leaving Home	2:41
8	You Never Give Me Your Money	3:08
9	Oh! Darling	3:29
10	Maxwell’s Silver Hammer	4:00
11	Polythene Pam / She Came in Through the Bathroom Window / Nowhere Man / Sgt. Pepper’s Lonely Hearts Club Band (reprise)	5:10
12	Got to Get You Into My Life	3:36
13	Strawberry Fields Forever	3:30
14	When I’m Sixty-Four	2:38
15	Mean Mr. Mustard	2:39
16	Fixing a Hole	2:24
17	Because	2:45
18	Golden Slumbers / Carry That Weight	3:23
19	Come Together	3:46
20	Being for the Benefit of Mr. Kite	3:12
21	The Long and Winding Road	3:39
22	A Day in the Life	5:13
23	Get Back	2:57
24	Sgt. Pepper’s Lonely Hearts Club Band (finale)	2:14

Deer Hunter (The)

Algemeen

Artiest	Original Soundtrack
Label	Capitol Records
Datum uitgave	1979
Speelduur	23:31
Genre	Soundtrack

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Cavatina	3:32
2	Praise the Name of the Lord	1:44
3	Troika	2:19
4	Katyusha	1:38
5	Struggling Ahead	3:04
6	Sarabande	2:54
7	Waiting His Turn	1:27
8	Memory Eternal	1:13
9	God Bless America	1:45
10	Cavatina (reprise)	3:54

Saturday Night Fever

Algemeen

Artiest	Original Soundtrack
Label	RSO
Datum uitgave	1977
Speelduur	75:14
Genre	Dance, Disco, Film Soundtrack, Funk, Pop, Soundtrack

Details

Producent
Componist
Opmerkingen	Saturday Night Fever: The Original Movie Sound Track is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. In the United States, the album was certified 16× Platinum for shipments of at least 16 million units. [1] The album stayed atop the album charts for 24 straight weeks from January to July 1978 and stayed on Billboard's album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. 1. The album epitomized the disco phenomenon on both sides of the Atlantic and was an international sensation.[2] The album has been added to the National Recording Registry in the Library of Congress for being culturally significant.[3]

Trackslijst

1	Stayin’ Alive	4:41
2	How Deep Is Your Love	4:01
3	Night Fever	3:30
4	More Than a Woman	3:12
5	If I Can’t Have You	2:57
6	A Fifth of Beethoven	3:01
7	More Than a Woman	3:15
8	Manhattan Skyline	4:39
9	Calypso Breakdown	7:41
10	Night on Disco Mountain	5:08
11	Open Sesame	3:59
12	Jive Talkin’	3:43
13	You Should Be Dancing	4:13
14	Boogie Shoes	2:15
15	Salsation	3:51
16	K‐Jee	4:12
17	Disco Inferno	10:50

American Graffiti

Algemeen

Artiest	Original Soundtrack
Label	MCA Soundtracks
Datum uitgave	1973
Speelduur	99:29
Genre	Doo-Wop, General Film Music, Rock & Roll, Rockabilly

Details

Producent
Componist
Opmerkingen

Trackslijst

1	(We’re Gonna) Rock Around the Clock	2:10
2	Sixteen Candles	2:52
3	Runaway	2:19
4	Why Do Fools Fall in Love	2:18
5	That’ll Be the Day	2:16
6	Fanny Mae	2:53
7	At the Hop	2:27
8	She’s So Fine	2:23
9	The Stroll	2:28
10	See You in September	2:09
11	Surfin’ Safari	2:07
12	(He’s) The Great Imposter	1:34
13	Almost Grown	2:20
14	Smoke Gets in Your Eyes	2:39
15	Little Darlin’	2:06
16	Peppermint Twist	2:00
17	Barbara Anne	2:12
18	Book of Love	2:20
19	Maybe Baby	2:03
20	Ya Ya	2:24
21	The Great Pretender	2:35
22	Ain’t That a Shame	2:27
23	Johnny B. Goode	2:42
24	I Only Have Eyes for You	3:24
25	Get a Job	2:49
26	To the Aisle	2:46
27	Do You Wanna Dance	2:36
28	Party Doll	2:14
29	Come Go With Me	2:43
30	You’re Sixteen – You’re Beautiful (and You’re Mine)	1:59
31	Love Potion No. 9	1:54
32	Since I Don’t Have You	2:39
33	Chantilly Lace	2:23
34	Teen Angel	2:43
35	Crying in the Chapel	3:04
36	A Thousand Miles Away	2:28
37	Heart and Soul	1:54
38	Green Onions	2:27
39	Only You (and You Alone)	2:42
40	Goodnight, Well It’s Time to Go	2:46
41	All Summer Long	2:06

Grease

Algemeen

Artiest	Original Soundtrack
Label	RSO
Datum uitgave	1978
Speelduur	60:42
Genre	Soundtrack, Disco

Details

Producent
Componist
Opmerkingen	Grease is a 1978 American musical romantic comedy film based on Jim Jacobs and Warren Casey's musical of the same name. Written by Bronte Woodard[2] and directed by Randal Kleiser in his theatrical feature film debut, the film depicts the life of Rydell High School students Danny (John Travolta) and Sandy (Olivia Newton-John) in the late 1950s. Grease was successful both critically and commercially. Its soundtrack album ended 1978 as the second-best selling album of the year in the United States, behind the soundtrack of the 1977 blockbuster Saturday Night Fever.[3] A sequel, Grease 2, was released in 1982, with Maxwell Caulfield and Michelle Pfeiffer in lead roles. Only a few of the original cast members reprised their roles.

Trackslijst

1	Grease	3:13
2	Summer Nights	3:40
3	Hopelessly Devoted to You	2:50
4	You’re the One That I Want	2:31
5	Sandy	2:26
6	Beauty School Dropout	3:41
7	Look at Me I’m Sandra Dee	1:40
8	Greased Lightnin’	3:11
9	It’s Raining on Prom Night	2:47
10	Alone at a Drive in Movie	2:21
11	Blue Moon	2:22
12	Rock 'n' Roll Is Here to Stay	2:05
13	Those Magic Changes	2:17
14	Hound Dog	1:26
15	Born to Hand Jive	4:41
16	Tears on My Pillow	2:02
17	Mooning	2:08
18	Freddy My Love	2:46
19	Rock 'n' Roll Party Queen	2:12
20	There Are Worse Things I Could Do	2:15
21	Look at Me I’m Sandra Dee (reprise)	0:59
22	We Go Together	2:31
23	Love Is a Many Splendored Thing	1:25
24	Grease (reprise)	3:13

Stardust

Algemeen

Artiest	Original Soundtrack
Label	Arista
Datum uitgave	1975
Speelduur	0:00
Genre	Pop, Soundtrack

Details

Producent
Componist
Opmerkingen	Stardust is a 1974 British film directed by Michael Apted and starring David Essex and Adam Faith. The film is the sequel to the 1973 film That'll Be the Day. Its tagline is: "Show me a boy who never wanted to be a rock star and I'll show you a liar."

Trackslijst

Jesus Christ Superstar

Algemeen

Artiest	Original Soundtrack
Label	MCA Records
Datum uitgave	1973
Speelduur	96:57
Genre	Musical

Details

Producent
Componist
Opmerkingen	Jesus Christ Superstar is a 1973 American musical drama film directed by Norman Jewison and co-written by Jewison and Melvyn Bragg based on the Andrew Lloyd Webber/Tim Rice rock opera of the same name. The film, featuring a cast of Ted Neeley, Carl Anderson, Yvonne Elliman, Barry Dennen, Bob Bingham, and Kurt Yaghjian, centers on the conflict between Judas and Jesus[4] during the week before the crucifixion of Jesus. Neeley and Anderson were nominated for two Golden Globe Awards in 1974 for their portrayals of Jesus and Judas, respectively. Although it attracted criticism from some religious groups, reviews for the film were positive. The cast consisted mostly of actors from the Broadway show, with Ted Neeley and Carl Anderson starring as Jesus and Judas respectively. Neeley had played a reporter and a leper in the Broadway version, and understudied the role of Jesus. Likewise, Anderson understudied Judas, but took over the role on Broadway and Los Angeles when Ben Vereen fell ill. Along with Dennen, Yvonne Elliman (Mary Magdalene), and Bob Bingham (Caiaphas) reprised their Broadway roles in the film (Elliman, like Dennen, had also appeared on the original concept album). Originally, Jewison wanted Ian Gillan, who played Jesus on the concept album, to reprise the role for the film, but Gillan turned down the offer, deciding that he would please fans more by touring with Deep Purple. The producers also considered Micky Dolenz (from The Monkees) and David Cassidy to play Jesus before deciding to go with Neeley.[6]

Trackslijst

1	Overture	5:32
2	Heaven on Their Minds	4:22
3	What’s the Buzz	2:36
4	Strange Thing Mystifying	1:52
5	Then We Are Decided	2:34
6	Everything’s Alright	3:35
7	This Jesus Must Die	3:46
8	Hosanna	2:55
9	Simon Zealotes	4:52
10	Poor Jerusalem	1:37
11	Pilate’s Dream	1:49
12	The Temple	5:36
13	I Don’t Know How to Love Him	3:59
14	Damned for All Time / Blood Money	4:38
15	The Last Supper	7:15
16	Gethsemane (I Only Want to Say)	5:41
17	The Arrest	3:16
18	Peter’s Denial	1:28
19	Pilate and Christ	2:59
20	King Herod’s Song	3:16
21	Could We Start Again Please?	2:47
22	Judas’ Death	4:41
23	Trial Before Pilate	6:50
24	Superstar	3:58
25	The Crucifixion	2:43
26	John Nineteen: Forty-One	2:20

Evita

Algemeen

Artiest	Original Soundtrack
Label	MCA Records
Datum uitgave	12/11/1996
Speelduur	0:00
Genre

Details

Producent	Warner Bros / Wea
Componist
Opmerkingen	Deze plaat is een recording, geen weergave van alleen de songs. Waarschijnlijk daardoor NOOIT gedraaid door vorige eigenaar, op Don't Cry.... na. Evita is a musical with music by Andrew Lloyd Webber and lyrics and book by Tim Rice. It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine President Juan Perón. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976. Its success led to productions in London's West End in 1978, winning the Laurence Olivier Award for Best Musical, and on Broadway a year later, where it was the first British musical to receive the Tony Award for Best Musical. This has been followed by a string of professional tours and worldwide productions and numerous cast albums, as well as a 1996 film adaptation of the musical. The musical was revived in London in 2006, and on Broadway in 2012, and toured the UK again in 2013–14 before running for 55 West End performances at the Dominion Theatre in September–October 2014.

Trackslijst

1	Cinema in Buenos Aires, 26 July 1952	0:00
2	Requiem for Evita / Oh What A Circus	0:00
3	On This Night of a Thousand Stars	0:00
3	Eva and Magaldi	0:00
3	Eva Beware of the City	0:00
4	Buenos Aires	0:00
5	Goodnight and Thank You	0:00
6	The Lady's Got Potential	0:00
7	Charity Concert	0:00
7	I'd Be Surprisingly Good for You	0:00
8	Another Suitcase in Another Hall	0:00
9	Dangerous Jade	0:00
10	A New Argentina	0:00
11	On the Balcony of the Casa Rosada 1	0:00
11	Don't Cry for Me Argentina	0:00
12	High Flying, Adored	0:00
13	Rainbow High	0:00
14	Rainbow Tour	0:00
15	The Actress Hasn't Learned the Lines (You'd Like to Hear)	0:00
16	And the Money Kept Rolling (In and Out)	0:00
17	Santa Evita	0:00
18	Waltz for Eva and Che	0:00
19	She Is a Diamond	0:00
20	Dice Are Rolling	0:00
20	Eva's Sonnet	0:00
21	Eva's Final Broadcast	0:00
22	Montage	0:00
23	Lament	0:00

Hair

Algemeen

Artiest	Original Soundtrack
Label	RCA Victor
Datum uitgave	1979
Speelduur	12:19
Genre	Pop

Details

Producent	RCA
Componist
Opmerkingen	Hair: Original Soundtrack Recording is the soundtrack album from the 1979 musical film Hair. It was released on the RCA label. A few verses from "Manchester, England" and a small portion of "Walking in Space" have been removed. The film omits the musical's songs "The Bed", "Dead End", "Oh Great God of Power", "I Believe in Love", "Going Down", "Air", "My Conviction", "Abie Baby", "Frank Mills", and "What a Piece of Work is Man". The latter five songs were originally recorded for the film, but were eventually cut. They can be found on this album, although they were omitted on the 1990 reissue. While the songs "Don't Put It Down" and "Somebody to Love" are not sung by characters in the movie, they are both used as background or instrumental music for scenes at the army base. A new song written by MacDermot for the film is "Somebody to Love". There are several other differences from songs in the movie and as they appear on the soundtrack, mainly in omitted verses and different orchestrations.[1]

Trackslijst

A1	Aquarius	4:48
A2	Sodomy	1:30
A3	Donna / Hashish	4:20
A4	Colored Spade	1:34
A5	Manchester	1:58
A6	Abie Baby / Fourscore	2:43
A7	I'm Black / Ain't Got No	2:24
A8	Air	1:26
B1	Party Music	3:27
B2	My Conviction	1:47
B3	I Got Life	2:16
B4	Frank Mills	2:40
B5	Hair	2:42
B6	L.B.J.	1:07
B7	Electric Blues / Old Fashioned Melody	5:53
B8	Hare Krishna	2:24
C1	Where Do I Go?	2:49
C2	Black Boys	1:12
C3	White Boys	2:36
C4	Walking In Space	6:14
C5	Easy To Be Hard	3:39
C6	3-5-0-0	3:49
D1	Good Morning Starshine	2:24
D2	What A Piece Of Work Is Man	1:39
D3	Somebody To Love	4:12
D4	Don't Put It Down	2:25
D5	The Flesh Failures / Let The Sunshine In	6:04

Great Otis Redding Sings Soul Ballads (The)

Algemeen

Artiest	Otis Redding
Label	Volt
Datum uitgave	1965-03
Speelduur	34:00
Genre	Soul

Details

Producent
Componist
Opmerkingen	The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart, Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mixer made by engineer Tom Dowd, replacing the early mono mixer. The album features the Booker T. & the M.G.'s, the horn section Memphis Horns and the pianist Isaac Hayes, who possibly first appeared on this album, although this is disputed, as he was not credited on the liner notes. Unlike Redding's debut album, Sings Soul Ballads was released both on Atlantic's subsidiary Atco Records and Stax's Volt Records. While the album and its singles were moderately successful on the music charts, it includes Redding's first top-ten single, "Mr. Pitiful". The album received mixed critical reception.

Trackslijst

1	That's How Strong My Love Is	2:26
2	Chained and Bound	2:42
3	A Woman, A Lover, A Friend	3:21
4	Your One and Only Man	3:14
5	Nothing Can Change This Love	3:04
6	It's Too Late	3:03
7	For Your Precious Love	2:57
8	I Want to Thank You	2:40
9	Come to Me	2:50
10	Home in Your Heart	2:06
11	Keep Your Arms Around Me	2:53
12	Mr. Pitiful	2:40

Aguaplano

Algemeen

Artiest	Paolo Conte
Label	CGD
Datum uitgave	1987
Speelduur	38:44
Genre	Italiaans, Jazz

Details

Producent
Componist
Opmerkingen	Paolo Conte's star was on the rise throughout the '80s, yet at the same time that his ineffable stage persona was triumphing all over Europe, his records from the period -- while always eminently enjoyable -- were becoming slightly less consistent than before. Benefiting from the break granted by his 1985 live release Concerti, Conte sounds definitely inspired in Aguaplano, his first studio album in three years and a strong contender for his best work ever. The only double album in Conte's discography, Aguaplano is logically the longest, but paradoxically one of the most focused projects of his entire career. One of the main reasons for this is Renzo Fantini's production,which wisely maintains a similar instrumental palette for the entire record. Compared with previous records such as Appunti di Viaggio and Paolo Conte [1994], the sound of Aguaplano seems stripped down to the bare essentials. Backed up by the familiar rhythm section of Ares Tavolazzi, Ellade Bandini, and Jimmy Villotti, Conte's trademark piano and vocal stylings take center stage in virtually every song. Impeccable horn arrangements render this already impressive set positively exquisite. Rather than individual efforts, Conte's songs in Aguaplano seem conceived as parts of an organic suite of sketches or miniatures. There may not be any immediately recognizable hits in Aguaplano, but that is a consequence of its uniform quality of mood and content. This is the rare double album worth listening to in its entirety, where the sum is greater than the parts. Which is not to say that, taken individually, the songs are not of the highest Conte standard: "Anni," "Blu Notte," "Gratis," "Ratafià," "Les Tam-Tam du Paradis..." -- it is almost unfair to look for highlights in such a cohesive collection, one that seems to get better with every listening. If anything, in another rare occurrence for a double album, the second disc is probably superior to the first. Everything feels in the right place in Aguaplano, from the songwriting and arrangements down to the album art and track sequencing: it cannot be a coincidence that the record is bookended by its two greatest moments, "Aguaplano" and "Jimmy Ballando." The title track functions as a film's opening shot, zooming in from an airplane high in the air to discover the baffling spectacle of a concert piano floating at sea, a fitting welcome to a secret universe where music and sensuality (or rather, the languid sensuality derived from this kind of music) prevail over logic. The last song, "Jimmy Ballando" is a comic masterpiece in which Conte and his buddy Jimmy, two aged playboys drowsy after a pantagruelic meal, attempt for old times' sake a last dancehall seduction. Alas, their failing eyesight impedes them in seeing that the women they invite over are Chinese, killing off any possibility of verbal communication. Resigned, the two men content themselves with dancing with their unexpected partners. A brilliant farewell to the world introduced in Aguaplano, "Jimmy Ballando" represents the slow awakening from the slumber induced by a long journey of alcohol, smoke, and dancing, and the humorous realization that one may not be so young anymore, and certainly no longer in step with the times. Yet, much like the mood created by this album, it was magic while the illusion lasted.

Trackslijst

1	Aguaplano	4:07
2	Baci senza memoria	3:15
3	Languida	2:15
4	Paso doble	2:57
5	Dopo le sei	3:24
6	Max	3:46
7	Blu notte	4:46
8	La negra	2:45
9	Hesitation	3:48
10	Ratafià	2:59
11	Nessuno mi ama	4:42

Ram

Algemeen

Artiest	Paul McCartney
Label	Apple Records
Datum uitgave	1971
Speelduur	43:11
Genre	Beatles

Details

Producent	Linda McCartney, Paul McCartney
Componist	Paul McCartney
Opmerkingen	Ram is the second solo studio album by Paul and Linda McCartney, released in May 1971 on Apple Records. The album was recorded amid Paul McCartney's legal action in the United Kingdom's High Court to dissolve the Beatles' partnership, following the band's break-up the year before. It is the only album credited to the couple. He and Linda recorded it in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Its release coincided with a period of bitter acrimony between McCartney and his former bandmate John Lennon, who perceived verbal slights in the lyrics to songs such as "Too Many People". On release, Ram was unfavourably received by the majority of music critics, although opinion has become more positive in subsequent decades. The album was a commercial success nonetheless, topping the national albums charts in the UK, the Netherlands and Canada. Three singles were issued from Ram: "Uncle Albert/Admiral Halsey", which was McCartney's first number 1 hit in America as a solo artist, "The Back Seat of My Car" and "Eat at Home". The album was remastered on vinyl and CD and released as a deluxe box set in May 2012. According to Peter Brown, John Lennon believed that a number of songs on Ram contained jibes aimed at him, particularly "Too Many People" and "Dear Boy".[24][25] Lennon thought the line "Too many people preaching practices" was directly referencing him and Yoko Ono.[26] McCartney later claimed that only two lines in "Too Many People" were directed at Lennon. "In one song, I wrote, 'Too many people preaching practices,' I think is the line. I mean, that was a little dig at John and Yoko. There wasn't anything else on [Ram] that was about them. Oh, there was 'You took your lucky break and broke it in two.'"[nb 7][27] Brown also described the picture of two beetles copulating on the back cover as symbolic of how Paul McCartney felt the other Beatles were treating him.[24][25] George Harrison and Ringo Starr were said to consider the track "3 Legs" as an attack on them and Lennon.[6] Paul said that "Dear Boy" was directed at Linda's ex-husband, and not Lennon.[20] As well as conducting a war of words via the British music press,[6] Lennon's response was the scathing "How Do You Sleep?",[24][25][28] and it has been considered too that "Crippled Inside", also from his Imagine album, was directed at McCartney.[6][16] Early editions of Imagine included a postcard of Lennon pulling the ears of a pig in a parody of Ram's cover photograph of McCartney holding a ram by the horns.

Trackslijst

1	Too Many People	4:10
2	3 Legs	2:48
3	Ram On	2:30
4	Dear Boy	2:15
5	Uncle Albert / Admiral Halsey	4:54
6	Smile Away	3:53
7	Heart of the Country	2:24
8	Monkberry Moon Delight	5:25
9	Eat at Home	3:22
10	Long Haired Lady	6:04
11	Ram On	0:56
12	The Back Seat of My Car	4:28

No More Lonely Nights Maxi Single

Algemeen

Artiest	Paul McCartney
Label	MPL
Datum uitgave	1984
Speelduur	8:34
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	Two versions of the single on both 7" and 12" as well as a 12" picture disc were issued in both the UK and US. The first 7" version featured "No More Lonely Nights" backed with the playout version. The second featured the Arthur Baker Dance Mix as the B-side. The single reached number 6 in the US and number 2 in the UK.[2][3] In 1987, it was included on McCartney's double album compilation, All the Best!. 12" single – UK, 1984 "No More Lonely Nights" (extended version) "Silly Love Songs" (remake) "No More Lonely Nights" (ballad)

Trackslijst

1	No More Lonely Nights (extended version)	3:56
2	Silly LOve Songs
3	No More Lonely Nights (Ballad)

McCartney Interview (The)

Algemeen

Artiest	Paul McCartney
Label	Parlophone
Datum uitgave	1980
Speelduur	0:00
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	PAUL McCARTNEY The McCartney Interview (Scarce 1980 US promotional only double LP pressing of an original 1980 interview in Musician magazine, running for approximately 97 minutes, with a superb custom picture sleeve with cues on the back & a onepage press sheet. This was only ever issued commercially as a single album, the second album in this set being especially banded for radio use A2S-821).

Trackslijst

01

Interview

McCartney II

Algemeen

Artiest	Paul McCartney
Label	Parlophone
Datum uitgave	1980
Speelduur	39:22
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	McCartney II is the third completely solo studio album by Paul McCartney, and the first since the formation of Wings in 1971. It was released in 1980, a year before the band's dissolution and while their future lay in limbo. The album is a significant departure for McCartney, as much of it relies heavily on synthesizers and studio experimentation. It was reissued on 13 June 2011 as part of the Paul McCartney Archive Collection.[1] The album remains a cult favourite.[2] After the release of what turned out to be Wings' final album, Back to the Egg, McCartney went north to his farm in Scotland to begin some private recordings in July 1979.[3] "Check My Machine" samples dialogue from the 1957 Tweety and Sylvester cartoon Tweet Zoo. By sessions' end, he had recorded over 20 songs. With no immediate use for the recordings, he put them aside for the time being and returned to work with Wings to prepare for a UK tour that November and December. Simultaneously with the performances (which included the new "Coming Up"), McCartney released his first solo single since 1971, the Christmas-themed "Wonderful Christmastime", backed with "Rudolph the Red-Nosed Reggae", which charted at No. 6 in the UK,[4] but only No. 83 in the U.S.[5] The A-side was recorded during the McCartney II sessions, while its flip side had been cut in 1975. However, upcoming events were about to change McCartney's plans with Wings. After years of visa refusals due to his past arrests for marijuana possession, Japan had finally allowed McCartney, and thus Wings, to perform. It would be McCartney's first time playing there since 1966 with the Beatles, and anticipation was running high with Wings' tour completely sold out. However, upon his arrival in Tokyo on 16 January 1980, a search of McCartney's luggage revealed a bag containing 219 grams of marijuana, prompting his immediate arrest and eventually cancelling the tour. After a nine-day jail stay, McCartney was released and returned home to his Scottish farm. Deciding to put Wings on hold while he contemplated his future, he now decided to issue his solo recordings from the previous summer.[6]

Trackslijst

1	Coming Up	3:57
2	Temporary Secretary	3:19
3	On the Way	3:42
4	Waterfalls	4:48
5	Nobody Knows	2:59
6	Front Parlour	3:35
7	Summer’s Day Song	3:28
8	Frozen Jap	3:43
9	Bogey Music	3:31
10	Darkroom	2:22
11	One of These Days	3:58

Tug of War

Algemeen

Artiest	Paul McCartney
Label	Parlophone
Datum uitgave	1982
Speelduur	41:09
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	Tug of War is the third solo studio album by Paul McCartney, released in April 1982. It was McCartney's first album released after the dissolution of Wings in April, 1981 and McCartney's first album after the murder of former songwriting partner John Lennon. The album was produced by former Beatles producer George Martin and was a number 1 hit in numerous countries. It was hailed as a return-to-form for McCartney upon release. Its remastered deluxe edition received a nomination for Best Boxed or Special Limited Edition Package at the 2017 Grammy Awards. Following the release of the solo album McCartney II, Wings regrouped in July and October 1980 to rehearse several songs which later appeared on Tug of War and Pipes of Peace. Feeling the need for direction, McCartney called upon his old producer, George Martin, to begin recording a song written for the animated Rupert Bear character (to which McCartney owned the rights), entitled "We All Stand Together", among others. The productive sessions continued until 9 December, the morning McCartney woke up to discover his old songwriting partner and fellow ex-Beatle, John Lennon, had been shot and killed the night before in New York City. Abandoning that day's session part-way through (where he and Denny Laine were recording future B-Side "Rainclouds"), both Martin and McCartney felt it was best to leave the project for the time being and start anew once they were ready. In February 1981, two months after Lennon's death, Paul McCartney resumed his sessions, recording that month with Stevie Wonder, Stanley Clarke, Carl Perkins and Ringo Starr and laying down several songs in the process. The recordings were held at AIR Studios in Montserrat, in the Caribbean and lasted from 3 February to 2 March, ending with "Ebony and Ivory" and "What's That You're Doing," two songs featuring Stevie Wonder.[1] 10cc guitarist Eric Stewart also became a frequent collaborator of McCartney's during this era. Further sessions that summer were also undertaken at George Martin's AIR studios at Oxford Street, London – with the producer manning the controls and giving McCartney's music the benefit of 1980s technology. The sessions were so productive that several of its tracks would be held over for the next album, Pipes of Peace, which followed in 1983. The rest of 1981 would be spent in a quiet fashion, with McCartney and Martin touching up the album and perfecting it.

Trackslijst

1	Tug of War	4:22
2	Take It Away	4:15
3	Somebody Who Cares	3:19
4	What’s That You’re Doing?	6:22
5	Here Today	2:28
6	Ballroom Dancing	4:08
7	The Pound Is Sinking	2:55
8	Wanderlust	3:49
9	Get It	2:28
10	Be What You See (Link)	0:33
11	Dress Me Up as a Robber	2:42
12	Ebony and Ivory	3:42

Pipes of Peace

Algemeen

Artiest	Paul McCartney
Label	Parlophone
Datum uitgave	1983
Speelduur	39:06
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	Pipes of Peace is the fourth studio album by English singer-songwriter Paul McCartney using his own name, released in 1983. As the follow-up to the popular Tug of War, the album came close to matching the commercial success of its predecessor in Britain but peaked only at number 15 on America's Billboard 200 albums chart. While Pipes of Peace was the source of international hit singles such as "Say Say Say" (recorded with Michael Jackson) and the title track, the critical response to the album was less favourable than that afforded to Tug of War. Background and structure Many of the songs released on Pipes of Peace were recorded during the 1981 sessions for Tug of War, with "Pipes of Peace", "The Other Me", "So Bad", "Tug of Peace" and "Through Our Love" being recorded afterwards, in September–October 1982. Accordingly, the album has many things in common with its predecessor - it was produced by George Martin, it featured two collaborations with the same artist (this time with Michael Jackson; the Tug of War collaborations being with Stevie Wonder), and continued McCartney's alliance in the studio with Ringo Starr, former 10cc guitarist Eric Stewart and his last session work with Wings guitarist Denny Laine. By November, McCartney would start shooting his self-written motion picture Give My Regards to Broad Street (film), co-starring wife Linda, Ringo Starr and Tracey Ullman, which would take up most of his time throughout 1983. Due to the filming commitments (and to allow a reasonable lapse of time between his new album and Tug of War), Pipes of Peace was delayed until October for release. However, unlike Tug of War, the album features an electro-tinged sound.[1] On the track "Tug of Peace", McCartney blended the title song to Tug of War with that of the new album. Stephen Thomas Erlewine of AllMusic describes the mix as "an almost-electro collage that twists the songs into McCartney II territory".[2] With momentum building for his film project – and the accompanying soundtrack album – McCartney spent much of his energies finishing and preparing Give My Regards to Broad Street for its release in the autumn of 1984.

Trackslijst

1	Pipes of Peace	3:55
2	Say Say Say	3:56
3	The Other Me	3:59
4	Keep Under Cover	3:08
5	So Bad	3:24
6	The Man	3:57
7	Sweetest Little Show	2:54
8	Average Person	4:33
9	Hey Hey	2:56
10	Tug of Peace	2:56
11	Through Our Love	3:28

Give My Regards to Broad Street

Algemeen

Artiest	Paul McCartney
Label	Parlophone
Datum uitgave	1984-10-22
Speelduur	44:38
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	Give My Regards to Broad Street is the fifth studio album by Paul McCartney, as well as the soundtrack album to his 1984 film of the same name. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated. It was also to be his final album to be released under Columbia Records, which had been his US Label for over 5 years Songs The majority of the album – which is sequenced in the order of the songs' appearance in the film – features re-interpretations of many of Paul McCartney's past classics of The Beatles and Wings: "Good Day Sunshine", "Yesterday", "Here, There and Everywhere", "Silly Love Songs" , "For No One", "Eleanor Rigby" and "The Long and Winding Road". There were also interpretations of songs from McCartney's more recent albums; "Ballroom Dancing" and "Wanderlust" from Tug of War and "So Bad" from Pipes of Peace. Besides "No More Lonely Nights" (also heard in a dance version), the only previously-unheard tracks were "Not Such a Bad Boy", "No Values" and a symphonic extension of "Eleanor Rigby" entitled "Eleanor's Dream". The scope of the album was so immense that when it saw release that October, its vinyl issue had specially edited versions of its songs. The cassette and the later CD edition preserved the tracks' full lengths, while the CD went one further by including a bonus 1940s-styled piece called "Goodnight Princess". A notable switch from past album song credits is the crediting of song writing to "McCartney-Lennon" as opposed to the usual "Lennon-McCartney" on all other albums. Release and charts Preceded by "No More Lonely Nights (Ballad)", a worldwide top 10 hit featuring guitar work by David Gilmour, Give My Regards to Broad Street entered the UK charts at number 1 while going gold with a number 21 peak in the United States (selling under expectations there). It would also mark the end of McCartney's relatively brief alliance with Columbia Records in the US, which had started with the final Wings album Back to the Egg in 1979. McCartney would re-sign with EMI worldwide (where he remained until 2007) with his Columbia output reverting to his new – and original – label in the US, Capitol Records.[citation needed] Simultaneously with the film's premiere in November, McCartney's Rupert Bear recording, "We All Stand Together," started back in 1980 and credited to 'Paul McCartney and the Frog Chorus', was released and became a hit single in the UK, reaching number 3. The accompanying animated film was shown in cinemas immediately preceding the main "Give My Regards to Broad Street" feature. The soundtrack's original release was on Columbia Records in 1984 in North America. It was remastered in 1993 and reissued on CD as part of 'The Paul McCartney Collection' series with two extended dance mixes of "No More Lonely Nights (playout version)" as bonus tracks.

Trackslijst

1	No More Lonely Nights (Ballad)	4:58
2	Good Day Sunshine	1:59
3	Corridor Music	0:19
4	Yesterday	1:43
5	Here, There and Everywhere	1:45
6	Wanderlust	2:48
7	Ballroom Dancing	4:35
8	Silly Love Songs	4:31
9	Silly Love Songs (reprise)	0:57
10	Not Such a Bad Boy	3:19
11	No Values	3:43
12	No More Lonely Nights (Ballad reprise)	0:30
13	For No‐One	2:11
14	Eleanor Rigby / Eleanor’s Dream	3:07
15	Long and Winding Road	3:47
16	No More Lonely Nights (Playout version)	4:26

McCartney

Algemeen

Artiest	Paul McCartney
Label	Apple Records
Datum uitgave	1970
Speelduur	35:08
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	McCartney is the debut album by English rock musician Paul McCartney. It was issued on Apple Records in April 1970 after McCartney had resisted attempts by his Beatles bandmates to have the release delayed to allow for Apple's previously scheduled titles, notably the band's Let It Be album. McCartney recorded his album during a period of depression and confusion, following John Lennon's private announcement in September 1969 that he was leaving the Beatles, and the conflict over its release further estranged McCartney from his bandmates. A press release in the form of a self-interview, supplied with UK promotional copies of McCartney, led to the announcement of the group's break-up on 10 April 1970. McCartney recorded the album in secrecy, mostly using basic home-recording equipment set up at his house in St John's Wood. Mixing and some later recording took place at professional studios in London, which McCartney booked under an alias to maintain anonymity. Apart from occasional contributions by his wife, Linda, he performed the entire album by himself, playing every instrument. In its preference for loosely arranged performance over polished production, McCartney explored the back-to-basics style that had been the original concept for the Beatles' Let It Be project (then titled Get Back) in 1969. On release, the album received an unfavourable response from the majority of music critics, partly as a result of McCartney's role in officially ending the Beatles' career. Many reviewers criticised the inclusion of half-finished songs and McCartney's reliance on instrumental pieces, although the love song "Maybe I'm Amazed" was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US chart compiled by Billboard magazine and peaked at number 2 in Britain. In June 2011, the album was reissued as part of the Paul McCartney Archive Collection.

Trackslijst

1	The Lovely Linda	0:45
2	That Would Be Something	2:42
3	Valentine Day	1:44
4	Every Night	2:40
5	Hot as Sun / Glasses	2:08
6	Junk	1:57
7	Man We Was Lonely	3:00
8	Oo You	2:50
9	Momma Miss America	4:07
10	Teddy Boy	2:25
11	Singalong Junk	2:37
12	Maybe I'm Amazed	3:55
13	Kreen-Akrore	4:13

Egypt Station

Algemeen

Artiest	Paul McCartney
Label	MPL
Datum uitgave	2018
Speelduur	57:26
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	Egypt Station is the 17th solo studio album by Paul McCartney. It was released by Capitol Records on September 7, 2018.[1] Egypt Station was produced by Greg Kurstin and co-produced by McCartney, with the exception of one track produced by Ryan Tedder.[1] The album is McCartney's first studio release since 2013's New. The album's first (double A-side) single, consisting of the two songs "I Don't Know" and "Come On to Me", was released on June 20, 2018.[3][4] The name "Egypt Station" is shared by one of McCartney's paintings from 1988, from which the cover art is derived.[1][5] It became his first No. 1 album in the United States since 1982's Tug of War and his first to debut atop the Billboard 200. Recording Egypt Station was recorded in studios in Los Angeles, London, and Sussex.[1] McCartney began working with producer Greg Kurstin some time after the release of his 2013 album New and mentioned their working together several times leading up to the June 20, 2018 announcement of Egypt Station's release.[6] McCartney also recorded three songs with Ryan Tedder.[7] Two of the songs, "Fuh You" and "Nothing for Free", were released on the album. The song "Back in Brazil" was recorded at KLB Studios in the city of São Paulo.[8] Composition Egypt Station contains 16 tracks, including opening and penultimate instrumentals entitled "Opening Station" and "Station II", respectively. Tracks include the singles "I Don't Know" and "Come On to Me". "Happy with You" is described as "acoustic meditation on present day contentedness," "People Want Peace," called a "timeless anthem that would fit on virtually any album of any McCartney era," and "an epic multi-movement closer" called "Despite Repeated Warnings."[1] On the inspiration for the album's title and theme, McCartney said: "I liked the words 'Egypt Station.' It reminded me of the 'album' albums we used to make... 'Egypt Station' starts off at the station on the first song, and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from."[1] In the promotional event "Casual Conversation," McCartney further clarified his creative process behind recording Egypt Station and described it as a concept album. Critical reception Professional ratings Aggregate scores Source Rating Metacritic 74/100[14] Review scores Source Rating AllMusic 3.5/5 stars[15] The Guardian 4/5 stars[16] NME 4/5 stars[17] The Observer 4/5 stars[18] Pitchfork 5.8/10[19] Rolling Stone 4/5 stars[20] Slant Magazine 2.5/5 stars[21] Egypt Station has been well-received by music critics. On Metacritic, the album has an overall score of 74 out of 100 compiled from the scores of 25 music critics, indicating "generally favorable reviews".[14] In the review for AllMusic, Stephen Thomas Erlewine opined that "all the slower songs are peppered with haunting images of darkness creeping at the edges, while McCartney revives the carnality that marked "Press" – not just on the straight-forward "Fuh You," but "Come on to Me," a considerably better song than the Tedder exercise. Such twists are welcome, but what's satisfying about "Egypt Station" is what's always satisfying about a McCartney record: the hooks and imagination that are so rampant they seem effortless."[15] Dan Stubbs from NME gave the album 4 out of 5 stars, saying, "McCartney’s always been about inclusivity and openness, but this latest glimpse into his life feels like a particularly enlightening one."[17] Reviewing the album for The Observer, Kitty Empire also gave the album 4 out of 5 stars. In the review she states that "the finest songs here land immediately and hum with urgency."[18] Writing a four star review in Rolling Stone, Rob Sheffield claimed, "Make a list of all the songwriters who were composing great tunes in 1958. Now make an overlapping list of the ones who are still writing brilliant songs in 2018. Your list reads: Paul McCartney."[20] Chris Willman at Variety stated, "If it doesn't make for McCartney's most coherent collection, it's endearing how enthusiastically he strives, at 76, to avoid doing just one thing when he can do a dozen. Bitch, he's Macca."[22] ClassicRockHistory wrote in their review of the album, "This is great songwriting; it’s pop perfection. If we were living in the era in which radio used to play music other than hip hop and rap, these new Paul McCartney songs would become staples of pop culture like so many of the Beatles classics did. However, times have changed and so sadly these great records can get lost."[23]

Trackslijst

A1	Opening Station	0:42
A2	I Don't Know	4:27
A3	Come on to Me	4:11
A4	Happy With You	3:34
B1	Who Cares	3:13
B2	Fuh You	3:24
B3	Confidante	3:05
B4	People Want Peace	2:59
B5	Hand in Hand	2:35
C1	Dominoes	5:02
2	Back in Brazil	3:21
C3	Do It Now	3:17
C4	Caesar Rock	3:29
D1	Despite Repeated Warnings	6:58
D2	Station II	0:47
D3	Hunt You Down / Naked / C-Link	6:23

McCartney III

Algemeen

Artiest	Paul McCartney
Label	Capitol Records
Datum uitgave	2021
Speelduur	0:00
Genre	Beatles

Details

Producent	Paul McCartney
Componist	Paul McCartney
Opmerkingen	McCartney III is the 18th solo album by English musician Paul McCartney, released on 18 December 2020 by Capitol Records. It serves as a continuation to his solo albums McCartney (1970) and McCartney II (1980). Like those albums, McCartney III features McCartney on all instruments. The album was met with widespread acclaim from music critics. The album became McCartney's first UK number-one solo album since Flowers in the Dirt in 1989 and debuted at no. 2 on the U.S. Billboard 200 albums chart. https://en.wikipedia.org/wiki/McCartney_III

Trackslijst

01	Long Tailed Winter Bird	0:00
02	Find My Way	0:00
03	Pretty Boys	0:00
04	Women And Wives	0:00
05	Lavatory Lil	0:00
06	Deep Deep Feeling	0:00
07	Slidin'	0:00
08	The Kiss Of Venus	0:00
09	Seize The Day	0:00
10	Deep Down	0:00
11	Winter Bird / When Winter Comes	0:00

No Parlez

Algemeen

Artiest	Paul Young
Label	Columbia
Datum uitgave	1983
Speelduur	50:01
Genre	Pop, Rock

Details

Producent	Laurie Latham
Componist
Opmerkingen	No Parlez is the debut solo album by the English singer Paul Young. Released in 1983, it reached number one on the UK Albums Chart (for a non-consecutive total of 5 weeks) and remained in the UK Top 100 for 119 weeks.[3] The album has been certified Triple Platinum by the BPI for UK sales in excess of 900,000 copies.[4] Initially the first two singles, "Iron Out the Rough Spots" and a re-make of "Love of the Common People" had no success, but the third, a cover of the Marvin Gaye classic "Wherever I Lay My Hat (That's My Home)" was No. 1 in the UK singles chart for three weeks in the summer of 1983, and the first of Young's 14 British Top 40 singles. Similar success followed in continental Europe. In the UK, the follow-up single "Come Back and Stay" reached No. 4, and the re-release of "Love of the Common People" made it to No. 2 in late 1983. The album was released with a different cover in North America,[5] and a new video for the single "Come Back and Stay" was made.

Trackslijst

1	Come Back and Stay	4:25
2	Love Will Tear Us Apart	4:18
3	Wherever I Lay My Hat (That’s My Home)	5:18
4	Ku-Ku Kurama	4:20
5	No Parlez	4:57
6	Love of the Common People	4:57
7	Oh Women	3:34
8	Iron Out the Rough Spots	4:49
9	Broken Man	3:55
10	Tender Trap	4:32
11	Sex	4:50

Secret of Association (The)

Algemeen

Artiest	Paul Young
Label	Columbia
Datum uitgave	1985
Speelduur	55:41
Genre	Pop, Rock

Details

Producent	Laurie Latham
Componist
Opmerkingen	The Secret of Association is the second album by the English singer Paul Young. Released in 1985, it reached number one on the UK album charts and the Top 20 in the US. The album spawned the hit singles "Everytime You Go Away" (a #1 hit in the US and #4 in the UK), "I'm Gonna Tear Your Playhouse Down" (#9 UK, #13 US), "Everything Must Change" (#9 UK, #56 US), and "Tomb of Memories" (UK #16). The album has been certified Double Platinum (600,000 copies sold) by the BPI in the UK,[2] and Gold (500,000 copies sold) in the US by the RIAA.[3]

Trackslijst

1	Bite the Hand That Feeds	4:31
2	Everytime You Go Away	5:23
3	I'm Gonna Tear Your Playhouse Down	5:06
4	Standing on the Edge	4:32
5	Soldier's Things	6:20
6	Everything Must Change	5:34
7	Tomb of Memories	3:52
8	One Step Forward	3:41
9	Hot Fun	4:26
10	This Means Anything	3:13
11	I Was in Chains	5:42
12	Man in the Iron Mask	3:15

Percy Sledge Vol 2

Algemeen

Artiest	Percy Sledge
Label	WEA Musik GmbH
Datum uitgave	1973
Speelduur	0:00
Genre	Soul

Details

Producent
Componist
Opmerkingen

Trackslijst

01	Warm And Tender Love	3:17
02	It's All Wrong But It's Alright	2:53
03	Come Softly To Me	2:55
04	Standing On The Mountain	2:20
05	A Sweet Woman Like You	2:30
06	Love Me Tender	3:00
07	Take Time To Know Her	2:55
08	Rainbow Road	2:45
09	You Send Me	3:05
10	That's How Strong My Love Is	2:00
11	Between These Arms	2:40
12	My Adorable One	2:42

Fable

Algemeen

Artiest	Peter Goalby
Label	Magnet
Datum uitgave	1973
Speelduur	0:00
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Peter Goalby (born 13 July 1950)[1] is an English singer and guitarist. He was the lead vocalist for Uriah Heep[2] between 1982 and 1986, recording three albums with the band. He also wrote Blood Red Roses, recorded by the band for their 1989 album Raging Silence and released as the second single from the album. Before singing for Uriah Heep, he was lead singer and second guitarist in Trapeze on the studio recording Hold On (1978)[3] and the live album Live in Texas: Dead Armadillos (1981).[4] He also plays mandolin. He was born in Wolverhampton, England.

Trackslijst

1	See My Face	0:00
2	She Knows How To Love Me	0:00
3	Same Key	0:00
4	Four Horsemen	0:00
5	Speak Your Mind	0:00
6	Hard Life	0:00
7	Madolin	0:00
8	Thick As A Plank	0:00
9	Google Eye	0:00
10	Old Queen	0:00

Dark Side of the Moon

Algemeen

Artiest	Pink Floyd
Label	Takt Music
Datum uitgave	1973
Speelduur	42:55
Genre	Art Rock, Progressive Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Speak to Me / Breathe in the Air	3:58
2	On the Run	3:35
3	Money	6:22
4	Any Colour You Like	3:26
5	Brain Damage	3:51
6	Time	7:05
7	The Great Gig in the Sky	4:47
8	Us and Them	7:50
9	Eclipse	2:01

Wish You Were Here

Algemeen

Artiest	Pink Floyd
Label	CBS/Sony
Datum uitgave	1975
Speelduur	44:08
Genre	Art Rock, Progressive Rock

Details

Producent	Pink Floyd
Componist
Opmerkingen	Wish You Were Here is the ninth studio album by English rock band Pink Floyd. It was released on 12 September 1975 by Harvest Records in the United Kingdom and a day later by Columbia Records in the United States. The album topped record charts in both regions. Inspired by material the group composed while performing around Europe, Wish You Were Here was recorded during numerous recording sessions at Abbey Road Studios in London, England. Two of the album's four songs criticise the music business, another expresses alienation and the multi-part track "Shine On You Crazy Diamond" is a tribute to Syd Barrett. Barrett's mental breakdown had forced him to leave the group seven years earlier, prior to the release of the group's second studio album A Saucerful of Secrets (on which he only appeared on three tracks). It was lead writer Roger Waters' idea to split "Shine On You Crazy Diamond" into two parts that would bookend the album around three new compositions and to introduce a concept linking them all. As with their previous album The Dark Side of the Moon (1973), the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. These singers were Roy Harper, who provided the lead vocals on "Have a Cigar", and the Blackberries, who added backing vocals to "Shine On You Crazy Diamond". Wish You Were Here was an instant commercial success (despite the fact that Harvest Records' parent company EMI was unable to print enough copies of the album to satisfy commercial demand), and although it initially received mixed reviews, the album has since gone on to receive critical acclaim. It appears on Rolling Stone's lists of "The 500 Greatest Albums of All Time" and the "50 Greatest Prog Rock Albums of All Time". Band members Richard Wright and David Gilmour have cited Wish You Were Here as their favourite Pink Floyd album.

Trackslijst

1	Shine On You Crazy Diamond, Parts I–V	13:30
2	Welcome to the Machine	7:26
3	Have a Cigar	5:08
4	Wish You Were Here	5:40
5	Shine On You Crazy Diamond, Parts VI–IX	12:22

Wall (The)

Algemeen

Artiest	Pink Floyd
Label	Harvest
Datum uitgave	1979-11-30
Speelduur	81:47
Genre	Art Rock, Progressive Rock

Details

Producent
Componist
Opmerkingen	The Wall is the eleventh album by English rock band Pink Floyd. It was released as a double album on 30 November 1979, by Harvest Records in the United Kingdom and by Columbia Records in the United States. It received an initially mixed critical response, though was commercially successful, reaching number 3 on the UK Albums Chart, and topping the US Billboard 200 chart for 15 weeks. The album is considered one of the most recognisable concept albums.[4] It is the band's second best selling album (after The Dark Side of the Moon) and one of the best selling albums of all time. In 1982, it was adapted into a feature film of the same name. Bass guitarist and lyricist Roger Waters conceived the album as a rock opera during Pink Floyd's 1977 In the Flesh Tour, when his frustration with the audience became so acute that he spat on them. Its story, which follows themes of abandonment and personal isolation, explores Pink, a character whom Waters modeled after himself and the band's original leader Syd Barrett. Pink's life begins with the loss of his father during the Second World War, and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage; all contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall. The band, who were then struggling with personal and financial difficulties, supported the idea. Waters enlisted an outside collaborator, Canadian producer Bob Ezrin, due to his need for somebody who he felt was "musically and intellectually" similar to himself, as well as a helping hand for the cumbersome amount of material that was written. Recording lasted from December 1978 to November 1979, with stops in France, England, New York, and Los Angeles. Waters' song "Another Brick in the Wall, Part 2" became the band's first and only chart-topper when released as the album's lead single. Two songs co-written by guitarist David Gilmour, "Run Like Hell" and "Comfortably Numb", were also issued as singles. The Wall remains the last studio album released with the 11-year-spanning line-up of Waters, Gilmour, keyboardist Rick Wright, and drummer Nick Mason. Wright was unceremoniously fired from the band by Waters during its production, but stayed as a salaried musician, performing with Pink Floyd on their subsequent live tour. The live performances, which were later released as a live album, featured elaborate theatrical effects. Some of the album's themes would be continued in the band's next album, The Final Cut (1983), which contained some outtakes from The Wall. By 1999, the album had sold over 23 million RIAA-certified units (11.5 million albums), making it the third-highest certified album in the US.[5] In 2003, Rolling Stone placed The Wall at number 87 on its list of "The 500 Greatest Albums of All Time".

Trackslijst

1	In the Flesh?	3:19
2	The Thin Ice	2:29
3	Another Brick in the Wall, Part 1	3:10
4	The Happiest Days of Our Lives	1:51
5	Another Brick in the Wall, Part 2	4:00
6	Mother	5:33
7	Goodbye Blue Sky	2:49
8	Empty Spaces	2:07
9	Young Lust	3:33
10	One of My Turns	3:34
11	Don’t Leave Me Now	4:16
12	Another Brick in the Wall, Part 3	1:17
13	Goodbye Cruel World	1:14
14	Hey You	4:44
15	Is There Anybody Out There?	2:43
16	Nobody Home	3:27
17	Vera	1:36
18	Bring the Boys Back Home	1:29
19	Comfortably Numb	6:26
20	The Show Must Go On	1:38
21	In the Flesh	4:20
22	Run Like Hell	4:27
23	Waiting for the Worms	4:00
24	Stop	0:32
25	The Trial	5:22
26	Outside the Wall	1:44

Pretenders II

Algemeen

Artiest	Pretenders
Label	Sire Records
Datum uitgave	1981
Speelduur	46:41
Genre	Rock

Details

Producent
Componist
Opmerkingen	Pretenders II is the second studio album The success of the Pretenders' debut album in 1980 created a great demand for more material from the fledgling band; however, a lack of songs precluded the quick release of a follow-up album. In the UK, the band released two hit singles in 1980 and early 1981: "Talk of the Town" and "Message of Love," respectively. In the US, where standalone singles had become rare, these tracks were combined with three others for a stopgap EP release called Extended Play, in March 1981. Their second album, Pretenders II, was released a scant two months later, to mixed critical reception, partly because two of the better songs on the album had been previously released, and partly because many of the songs were viewed as overly-similar (though not quite as groundbreaking) to the band's debut. Nevertheless, several of the album's songs became hits and the album has increased in critical stature with time. The album is notable for the inclusion of a cover of The Kinks' "I Go to Sleep" (they had covered that band's "Stop Your Sobbing" on their debut album, and band leader Chrissie Hynde would have a personal relationship with Kinks' frontman Ray Davies), as well as the sexually-forward tunes "Bad Boys Get Spanked" and "The Adultress". Perhaps the album's most ambitious track, "Day After Day" spins a common second-album narrative of unaccustomed celebrity, with the band rushing from gig to gig, hotel to hotel, head-spun from the swiftness of it all. The song ends suddenly, mid-guitar-solo, with the sound of a crashing fighter plane. The song "Louie, Louie" is an original composition and not a version of identically titled and often covered song by Richard Berry. The album would be the final release from the original line-up of the band, as shortly afterwards the band would be fractured by the drug abuse that would take the lives of guitarist James Honeyman-Scott and bassist Pete Farndon, leading to a long recording hiatus. Twenty years after its release, it was certified gold (500,000 sold) in 2001. Rhino released a re-mastered edition of Pretenders II in 2006, including with it a second disc of live tracks and outtakes. On disc two, tracks 1–3, 5–6, 8–13, and 15 originally appeared as a Warner Bros. promotional live album, Pretenders Live at the Santa Monica Civic, from 1982. Tracks 4 and 7 appeared as B-sides to the single release of "I Go to Sleep". Tracks 14 and 16–18 are previously unreleased. Specialist label Mobile Fidelity Sound Labs known as MFSL or MoFi released a re-mastered version in 2010. The track listing, however, reverts to that of the original release i.e. no bonus tracks. The front cover portrait was photographed by Gavin Cochrane.

Trackslijst

1	The Adultress	3:59
2	Bad Boys Get Spanked	4:07
3	Message of Love	3:28
4	I Go to Sleep	2:57
5	Birds of Paradise	4:16
6	Talk of the Town	2:45
7	Pack It Up	3:52
8	Waste Not Want Not	3:46
9	Day After Day	3:47
10	Jealous Dogs	5:38
11	The English Roses	4:31
12	Louie Louie	3:30

Live: In Concert With the Edmonton Symphony Orchestra

Algemeen

Artiest	Procol Harum
Label	A&M Records
Datum uitgave	1972
Speelduur	41:31
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	Procol Harum (/ˈproʊkəl ˈhɑːrəm/) is an English progressive rock band formed in 1967. Their best-known recording is their 1967 hit single "A Whiter Shade of Pale", considered a classic in popular music and one of the few singles to have sold over 10 million copies.[2] Although noted for their baroque and classical influence, Procol Harum's music also embraces the blues, R&B, and soul. Procol Harum returned to success on the record charts in the following years with a symphonic rock sound, often backed by symphony orchestras. At this it was one of the first groups to achieve success; Procol Harum Live: In Concert with the Edmonton Symphony Orchestra was a No. 5 gold album in the US in 1972, as well as reaching No. 48 in Britain. "Conquistador" (a track from their first album, re-charted for accompaniment by the Edmonton Symphony in 1971) was a hit single in 1972, getting to No. 16 in the US and No. 7 in Canada, whilst reaching No. 22 in the UK.

Trackslijst

1	Conquistador	5:02
2	Whaling Stories	7:40
3	A Salty Dog	5:36
4	All This and More	4:21
5	In Held ’Twas in I	18:51

Superstarshine Vol.9

Algemeen

Artiest	Procol Harum
Label	Polydor
Datum uitgave	1972
Speelduur	0:00
Genre	Symphonic Rock

Details

Producent
Componist
Opmerkingen	ZEER SLECHTE HOES! Deze compilatie is vele malen uitgebracht o.a. Flyback: The Best of Procol Harum (in Engeland uitgegeven op Fly in 1971), A Salty Dog (ik bedoel niet het reguliere album, maar de Engelse MFP-uitgave), Portrait Of Procol Harum (Belgische uitgave uit 1975), The Best of Procol Harum (Belgische uitgave uit 1976 op het Polydor label, Prisma-serie). Met de albums zijn naast de hoezen nog al wat verschillen. Een aantal mono-nummers zijn op sommige persingen in fake-stereo en true-stereo aanwezig. Het is een goede verzamelaar, maar helaas ontbreekt hun grootste hit A Whiter Shade of Pale. Deze van Superstarshine (Polydor) is volgens mij van 1972. Het hoesontwerp is overgenomen van het album Live Cream II. Mijn hoes verkeert in een meest abominabele staat, maar het vinyl is wonder boven wonder van uitstekende kwaliteit. Homburg > single, 1967 She Wandered Through the Garden Fence > b-kantje van Conquistador (studio-versie), 1967 The Milk of Human Kindness > album-track van A Salty Dog, 1969 The Devil Came from Kansas > single, 1969 A Salty Dog > single, 1969 Magdalene, My Regal Zonophone > album-track van Shine on Brightly, 1968 Shine on Brightly > single, 1969 Boredom > b-kantje van The Devil Came from Kansas, 1969 Conquistador (studio-versie) > single, 1967 Your Own Choice > album-track van Home, 1970 Rambling On > album-track van Shine on Brightly, 1968 Pilgrim's Progress > album-track van A Salty Dog, 1969 Na het album Home stapte Procol Harum over naar het Chrysalis-label. In Amerika bleef A&M nog een tijdje doorgaan met hun albums uit te geven. De meeste Europese jaren 70 en 80 compilaties bestaan uit nummers uit de jaren 1967-1970, dus tracks van de eerste 4 albums, singles en overblijfsels. Heruitgegeven door Cube, Polydor, Castle en een heleboel kleinere labels. Chrysalis bracht in 1972 de live-versie van Conquistador als single uit en het was Veronica's Alarmschijf. Cube bracht kort daarna de maxi-single van A Whiter Shade of Pale uit. Pale scoorde beter dan Conquistador en behaalde opnieuw de eerste plaats van de Top 40.

Trackslijst

01	Homburg
02	She Wondered Through The Garden Fence
03	The Milk Of Human Kindness
04	The Devil Came From Kansas
05	A Salty Dog
06	Magdalene, My Regal Zonophone
07	Shine On Brightly
08	Boredom
09	Conquistador
10	Your Own Choice
11	Rambling On

World Of Birds / It Came To Me

Algemeen

Artiest	Q65
Label	Decca
Datum uitgave	1967
Speelduur	0:00
Genre	Garage Rock

Details

Producent	Hans van Hemert
Componist
Opmerkingen

Trackslijst

A	World Of Birds	0:00
B	It Came To Me	0:00

Life I Live (The)

Algemeen

Artiest	Q65
Label	Decca
Datum uitgave	1966
Speelduur	0:00
Genre	Rock

Details

Producent
Componist	Frank Nuyens, Jay Baar, Joop Roelofs, Peter Vink, Wim Bieler
Opmerkingen	Formed in 1965 in The Hague (The Netherlands), they made their recording debut with 'You're The Victor', a wild, rhythmic track inspired by the Pretty Things. It was succeeded by the equally compulsive 'The Life I Live', a searing slice of R&B. Q65 travelled to London to promote this release but, having been denied work permits, opted to turn the visit into a promotional tool. They returned to The Netherlands on a rubber lifeboat, taking almost 12 hours to cross the Channel. Upon landing at the Scheveningen Pier, the group was greeted by almost 30.000 cheering fans who were rewarded with an open-air concert. The menacing 'I Despise You' was followed by 'Revolution', their 1966 debut album, which blended original material with R&B standards, notably a 13-minute version of Sonny Boy Williamson's 'Bring It On Home'. In 1967 they released the 'Kjoe Blues EP'. They were into soft drag, and their sound changed. In 1968 Wim was drafted into the army. This marked the end of the first Q65 era. They regrouped in 1970 with a new album called 'Afganistan'. In 1971 'the Q' releases their third and final album 'We Are Gonna Make It'. The sound was different from their early era, more psychedelic.

Trackslijst

A	The Life I Live	0:00
B	Cry In The Night	0:00

A Night at the Opera

Algemeen

Artiest	Queen
Label	EMI
Datum uitgave	1975-11-21
Speelduur	43:16
Genre	Art Rock

Details

Producent	Roy Thomas Baker, Brian May
Componist
Opmerkingen

Trackslijst

1	Death on Two Legs (Dedicated to…)	3:43
2	Lazing on a Sunday Afternoon	1:07
3	I’m in Love With My Car	3:05
4	You’re My Best Friend	2:52
5	’39	3:31
6	Sweet Lady	4:04
7	Seaside Rendezvous	2:16
8	The Prophet’s Song	8:21
9	Love of My Life	3:39
10	Good Company	3:23
11	Bohemian Rhapsody	5:55
12	God Save the Queen	1:15

A Day at the Races

Algemeen

Artiest	Queen
Label	EMI Electrola
Datum uitgave	1976
Speelduur	44:20
Genre	Art Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Tie Your Mother Down	4:48
2	You Take My Breath Away	5:08
3	Long Away	3:33
4	The Millionaire Waltz	4:55
5	You and I	3:25
6	Somebody to Love	4:56
7	White Man	4:59
8	Good Old-Fashioned Lover Boy	2:54
9	Drowse	3:45
10	Teo Torriatte (Let Us Cling Together)	5:54

Hot Space

Algemeen

Artiest	Queen
Label	EMI
Datum uitgave	1982-05-21
Speelduur	43:42
Genre	Art Rock

Details

Producent
Componist
Opmerkingen	Hot Space is the tenth studio album by the British rock band Queen. It was released on 21 May 1982 by EMI Records in the UK and by Elektra Records in the US. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, rhythm and blues, dance and pop music on the album.[1][2] This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band.[1] Queen's decision to record a dance-oriented album germinated with the massive success in the US of their 1980 hit "Another One Bites the Dust" (and to a lesser extent, the UK success of the song).[2] "Under Pressure", Queen's collaboration with David Bowie, was released in 1981 and became the band's second #1 hit in the UK.[3] Though included on Hot Space, the song was a separate project and was recorded ahead of the album, before the controversy over Queen's new disco-influenced rock sound.[4] The album's second single, "Body Language", peaked at #11 on the US charts. In July 2004, Q magazine listed Hot Space as one of the top fifteen albums where great rock acts lost the plot.[5] Most of the album was recorded in Munich during the most turbulent period in the band's history, and Brian May and Roger Taylor despised the new sound, with both being very critical of the influence Freddie Mercury's manager Paul Prenter had on the singer.[6] Estimated sales of the album currently stand at 3.5 million copies.

Trackslijst

1	Staying Power	4:14
2	Dancer	3:48
3	Back Chat	4:35
4	Body Language	4:33
5	Action This Day	3:35
6	Put Out the Fire	3:19
7	Life Is Real (Song for Lennon)	3:33
8	Calling All Girls	3:53
9	Las palabras de amor (The Words of Love)	4:32
10	Cool Cat	3:30
11	Under Pressure	4:06

News of the World

Algemeen

Artiest	Queen
Label	EMI
Datum uitgave	1977-10-28
Speelduur	39:25
Genre	Art Rock

Details

Producent
Componist
Opmerkingen	News of the World is een album uit 1977 van de Britse rockgroep Queen. Het is de zesde elpee van de band en bevat de bekende nummers We Will Rock You en We Are The Champions. De plaat haalde in sommige hitlijsten de eerste plaats. Van het album verschenen drie singles, We Will Rock You en We Are The Champions als een dubbele single, en Spread Your Wings. We Will Rock You werd in Europa nooit als single uitgebracht, maar was uitgebracht als een dubbele A-kant met We Are The Champions. In de VS werd We Will Rock You wel uitgebracht, maar dan in de snellere versie. De single We Are The Champions stond in Frankrijk 12 weken op nummer 1. Langer mocht een nummer daar niet op 1 staan, en de week erna stond dan ook We Will Rock You op die plek. Verder kent het album ook een stevig nummer, Sheer Heart Attack, wat ook de naam was van het derde album van Queen. It's Late is een episch rocknummer, waarop Brian May wellicht als eerste popgitarist de gitaartechniek van tapping gebruikt en het laatste nummer is een rustig pianoliedje. Toen dit album uitkwam, was er behoorlijk wat kritiek op, maar naarmate de tijd vorderde, werd er positiever op gereageerd.

Trackslijst

1	We Will Rock You	2:02
2	We Are the Champions	3:01
3	Sheer Heart Attack	3:27
4	All Dead, All Dead	3:11
5	Spread Your Wings	4:35
6	Fight From the Inside	3:03
7	Get Down, Make Love	3:51
8	Sleeping on the Sidewalk	3:08
9	Who Needs You	3:06
10	It's Late	6:26
11	My Melancholy Blues	3:30

Greatest Hits

Algemeen

Artiest	Queen
Label	EMI
Datum uitgave	1981
Speelduur	0:00
Genre	Art Rock

Details

Producent
Componist
Opmerkingen	Greatest Hits is een compilatiealbum uit 1981 van de Britse rockgroep Queen. In Groot-Brittannië is dit album het best verkochte album ooit. Het album is er 5,4 miljoen maal verkocht, zeshonderdduizend stuks meer dan de nummer twee in de lijst. Wereldwijd is het album zo'n 25 miljoen keer verkocht. Op dit compilatiealbum staan ruwweg alle Queen-hits uit de jaren zeventig. Van de hits uit de jaren 80 en begin jaren 90 is later een tweede compilatiealbum, Greatest Hits II uitgebracht. Sindsdien werden beide albums samen als box set verkocht. Nadat ook een derde compilatiealbum (Greatest Hits III) verscheen, is de drie-cd-box The Platinum Collection uitgebracht. Verkoopcijfers van die verzamelboxen zijn niet inbegrepen bij de eerder genoemde getallen.

Trackslijst

Little Criminals

Algemeen

Artiest	Randy Newman
Label	Warner Bros. Records
Datum uitgave	1977
Speelduur	38:39
Genre	Pop

Details

Producent	Russ Titelman, Lenny Waronker
Componist
Opmerkingen	Little Criminals is a 1977 album by Randy Newman. Like most of Newman's work, the album eschews traditional pop-music themes ("I'll Be Home" is the only love song on the album) in favor of musical story-telling, often featuring quirky characters and cynical views. The first song on the album – "Short People" – became a hit single in its own right. The album itself peaked at #9 on the US Billboard 200 chart, Newman's highest-charting album to date. Some of the instrumental work and backing vocals on the album are performed by members of the Eagles. In particular, Glenn Frey played guitar on two tracks, Joe Walsh played guitar on three tracks, and Don Henley and Tim Schmit sang background vocals on one track each. Frey and J. D. Souther, who had earlier been the duo Longbranch Pennywhistle, sang background vocals on three tracks. Newman wrote, conducted and played keyboards on all tracks. Synthesizers were programmed by Michael Boddicker. In September 1977 the British music magazine NME published the following interview with Newman talking sardonically about his then new release: "There's one song about a child murderer," Newman deadpans. "That's fairly optimistic. Maybe. There's one called 'Jolly Coppers on Parade' which isn't an absolutely anti-police song. Maybe it's even a fascist song. I didn't notice at the time. There's also one about me as a cowboy called 'Rider in the Rain'. I think it's ridiculous. The Eagles are on there. That's what's good about it. There's also this song 'Short People'. It's purely a joke. I like other ones on the album better but the audiences go for that one."[5] The song "Baltimore" was covered by Nina Simone, Nils Lofgren, The Tamlins, David Gray, Billy Mackenzie, Lianne La Havas, Jazmine Sullivan and in 2015 Nedric Nedo. "In Germany Before the War" was covered by British band Diesel Park West on their covers album "God Only Knows" in 1992. The song "I'll Be Home", meanwhile, had been written by Newman years previously, and was originally recorded in 1970 by Harry Nilsson on his album Nilsson Sings Newman.

Trackslijst

1	Short People	2:57
2	You Can't Fool the Fat Man	2:46
3	Little Criminals	3:06
4	Texas Girl at the Funeral of Her Father	2:43
5	Jolly Coppers on Parade	3:49
6	In Germany Before the War	3:42
7	Sigmund Freud's Impersonation of Albert Einstein in America	2:53
8	Baltimore	4:05
9	I'll Be Home	2:48
10	Rider in the Rain	3:54
11	Kathleen (Catholicism Made Easier)	3:37
12	Old Man on the Farm	2:13

Get Ready

Algemeen

Artiest	Rare Earth
Label	Rare Earth
Datum uitgave	1969
Speelduur	44:05
Genre	Rock

Details

Producent
Componist	N/A
Opmerkingen	Get Ready is the RIAA Platinum-certified second studio album by American blues rock band Rare Earth. It was released on September 30, 1969 by Motown Records. The album spawned one hit single, an edited version of "Get Ready", which peaked at #4 on the Billboard Hot 100 chart in 1970.[2]

Trackslijst

1	Magic Key	3:57
2	Tobacco Road	7:11
3	Feelin' Alright	5:03
4	In Bed	3:01
5	Train to Nowhere	3:23
6	Get Ready	21:30

Everything You See Is Me

Algemeen

Artiest	Rasa
Label	Govinda Records
Datum uitgave	1979
Speelduur	0:00
Genre	Jazz Funk, Soul Funk

Details

Producent
Componist
Opmerkingen

Trackslijst

Fresh Raspberries

Algemeen

Artiest	Raspberries
Label	Capitol Records
Datum uitgave	1972
Speelduur
Genre

Details

Producent	Jimmy Iener
Componist	E. Carmen, D. Smalley, W. Bryson
Opmerkingen	https://en.wikipedia.org/wiki/Raspberries_(band) : Raspberries were an American pop rock band formed in 1970 from Cleveland, Ohio. They had a run of success in the early 1970s music scene with their pop rock sound, which Allmusic later described as featuring "exquisitely crafted melodies and achingly gorgeous harmonies." The members were known for their clean-cut public image, with short-hair and matching suits, which brought them teenybopper attention as well as scorn from some mainstream media outlets as "uncool". The group drew influence from the British Invasion era—especially The Beatles, The Who, The Hollies, and Small Faces—and its mod sensibility. In both the U.S. and the UK, the Raspberries helped pioneer the power pop music style that took off after the group disbanded. They also have had a following among professional musicians such as Jack Bruce, Ringo Starr, and Courtney Love. The group's "classic" lineup consisted of Eric Carmen (vocalist/guitarist/bassist/pianist), Wally Bryson (guitarist), Jim Bonfanti (drummer), and Dave Smalley (guitarist/bassist). Their best known songs include "Go All the Way", "Let's Pretend", "I Wanna Be with You", "Tonight", and "Overnight Sensation (Hit Record)". Producer Jimmy Ienner was responsible for all four of the Raspberries' albums in the 1970s. The group broke up in 1975 after a five-year run, and Eric Carmen proceeded to a successful career as a solo artist. Bryson and Smalley resurrected the group's name in 1999 for an album, which included singer/songwriter Scott McCarl as vocalist. In 2004 the original four-man lineup reunited and undertook a well-received reunion tour in 2005.

Trackslijst

A1	I Wanna Be With You	3:05
A2	Goin' Nowhere Tonight	2:30
A3	Let's Pretend	3:42
A4	Every Way I Can	2:44
A5	I Reach For The Light	4:01
B1	Nobody Knows	2:19
B2	It Seemed So Easy	3:53
B3	Might As Well	2:25
B4	If You Change Your Mind	3:59
B5	Drivin' Around	3:03

Greatest Hits

Algemeen

Artiest	Ray Charles
Label	London
Datum uitgave	2010
Speelduur	19:25
Genre	R&B, Soul, Blues

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Georgia on My Mind	3:41
2	Hit the Road Jack	2:01
3	Unchain My Heart	2:54
4	What'd I Say, Parts 1 & 2	6:31
5	You Are My Sunshine	3:03
6	Hallelujah I Love Her So	2:40
7	Mess Around	2:45
8	I've Got a Woman	2:58
9	(Night Time Is) The Right Time	3:31
10	I'm Movin' On	2:24
11	Sticks and Stones	2:17
12	A Fool for You	3:05
13	I Can't Stop Loving You	4:24
14	Busted	2:14
15	Don't Set Me Free	2:41
16	Carrying That Load	2:26
17	Tell the Truth	3:09
18	Don't Let the Sun Catch You Cryin'	3:49
19	One Mint Julep	3:08
20	You Don't Know Me	3:19
21	Drown in My Own Tears	3:23
22	Take These Chains From My Heart	3:00
23	Let's Go Get Stoned	3:05
24	Here We Go Again	3:20
25	America the Beautiful	3:36
26	Born to Lose	3:18
27	Your Cheatin' Heart	3:35
28	Cincinnati Kid	2:23
29	I Don't Need No Doctor	2:33
30	It Should've Been Me	2:40
31	Leave My Woman Alone	2:39
32	This Little Girl of Mine	2:33
33	At the Club	2:59
34	Come Rain or Come Shine	3:41
35	Baby It's Cold Outside	4:10
36	Crying Time	2:57
37	That Lucky Old Sun	4:24
38	Cry	3:30
39	Ruby	3:52
40	Lonely Avenue	2:35
41	I'm Gonna Move to the Outskirts of Town	3:42
42	In the Heat of the Night	2:36
43	I Can Make It Thru' the Days	3:55
44	Rainy Night in Georgia	6:13
45	The Jealous Kind	4:38
46	Shake Your Tail Feather (with the Blues Bros.)	2:48
47	Seven Spanish Angels (with Willie Nelson)	3:51
48	Imagine	4:29

That Old Black Magic / One Night

Algemeen

Artiest	Rick Corio, Judy Peters, Tiny Mann & Orchestra, Ronnie Martino
Label	Bell Records
Datum uitgave	1958
Speelduur	0:00
Genre	Rock & Roll, Jazz

Details

Producent
Componist
Opmerkingen

Trackslijst

A	That Old Black Magic	0:00
B	One Night	0:00

Goodnight Vienna

Algemeen

Artiest	Ringo Starr
Label	Apple Records
Datum uitgave	1974
Speelduur	0:00
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Goodnight Vienna is the fourth studio album by Ringo Starr. It was recorded in the summer of 1974 in Los Angeles, and released later that year. Goodnight Vienna followed the commercially successful predecessor Ringo, and Starr used many of the same players, including Billy Preston, Klaus Voormann, Robbie Robertson, Harry Nilsson, and producer Richard Perry. The title is a Liverpool slang phrase meaning "it's all over". While all three other former Beatles had contributed to Ringo (1973),[1] only John Lennon contributed to Goodnight Vienna as Paul McCartney was busy with his band Wings promoting the album Band on the Run and George Harrison was recording Dark Horse.[2] On 17 June 1974, Starr called Lennon, who was about to record his Walls and Bridges album, and asked him to write a song he could include on his next album.[3] Lennon wrote what became the title track, "Goodnight Vienna".[nb 1][4] A demo of "(It's All Down to) Goodnight Vienna" was recorded by Lennon on 28 June,[5] with the session musicians from Walls & Bridges and sent to Starr in advance of the sessions. Besides writing and playing piano on the title track,[6] Lennon suggested Starr cover The Platters' hit "Only You (And You Alone)"[7] playing acoustic guitar and providing a guide vocal for Starr to follow.[3] Starr's versions of both "Only You (And You Alone)" and "(It's All Down to) Goodnight Vienna" were recorded at a session produced by Lennon.[5][nb 2] Elton John also contributed a track, "Snookeroo", co-written with Bernie Taupin.[2] Harry Nilsson gave Starr the track "Easy for Me", which he later recorded his own version of for his Duit on Mon Dei album.[8]

Trackslijst

1	Goodnight Vienna	0:00
2	Occapella	0:00
3	Oo-Wee	0:00
4	Husbands and Wives	0:00
5	Snookeroo	0:00
6	All by Myself	0:00
7	Call Me	0:00
8	No No Song	0:00
9	Only You (and You Alone)	0:00
10	Easy for Me	0:00
11	Goodnight Vienna (reprise)	0:00

Ringo's Rotogravure

Algemeen

Artiest	Ringo Starr
Label	Atlantic
Datum uitgave	1976
Speelduur	34:22
Genre	Beatles

Details

Producent	Arif Mardin
Componist
Opmerkingen	Ringo's Rotogravure is the fifth studio album by Ringo Starr, released in 1976. It would turn out to be the last album featuring active involvement from all four former Beatles before John Lennon's death in 1980. Following the end of his contract with EMI, Starr signed on with Polydor Records worldwide (Atlantic Records handling US distribution). t was reported in December 1975 that ABC Records in the US was to sign former Beatle Ringo Starr for a 5-year recording contract, worth $5 million.[1] However, on 26 January 1976, when Starr's recording contract with EMI ended, he signed with Atlantic for the US and Polydor for the UK, on 10 March.[2] As stated in the deal, Starr was expected to release 7 albums within 5 years, with the first album planned for release in June.[1] Starr's original intention was to get Richard Perry to produce the album, before he had switched labels.[3] Starr thought "since we were trying another label, we'd try another producer."[3] It had been suggested by Atlantic to Starr that he work with Arif Mardin, who was the in-house producer for the label at the time.[3] Mardin met up with Starr in London to see what they were like together and, pleased with the encounter, Mardin told Starr he'd be happy to work with him.[3] Starr's intention was to work in Los Angeles as his friends were there.[3] Well, Paul asked to write a song. I asked John and [...] eventually he came up with 'You Got Me Cooking'(sic). [...] I also asked George to write one, but there was an old one of his that was never released by anybody that I always loved. [...] I asked him if instead of writing one, could I have that old one? He said fine; it saved him a job. It's called 'I Still Love You', a big ballady thing.[1] – Ringo Starr, upon being asked how he got material from his former-bandmates Starr again stuck to his tried-and-true formula of having friends write songs and play on the recordings. This time, Eric Clapton took part, in addition to his old friend Harry Nilsson, and Peter Frampton, Melissa Manchester, Dr. John, and former Beatles John Lennon, Paul McCartney and George Harrison.[4] Sessions began in April at Sunset Sound Recorders in Los Angeles,[1] and eventually moved on 12 June to Cherokee Recording Studios.[2] Starr was joined at this session by Lennon and his wife Yoko Ono, recording "A Dose of Rock 'n' Roll", which featured Lennon on piano,[2] and the Lennon-penned "Cookin' (In the Kitchen of Love)".[nb 1][1][4] McCartney, while on break from his Wings Over America tour with Wings, made the backing track to "Pure Gold" along with his wife Linda McCartney, which McCartney got Starr to sing over,[4] on 19 June.[2] Harrison donated a song too, but because of his commitments to get his album Thirty Three & 1/3 (1976) done on schedule, he couldn't take part in any recording for Ringo's Rotogravure.[5][6] Harrison's contribution was a song previously known as "When Every Song Is Sung",[6] which he had attempted to record first with Ronnie Spector in 1971, then with Cilla Black (on which Starr also played), and later still with Leon Russell's wife Mary.[5] Eric Clapton played guitar on the track "This Be Called a Song".[7] Several unreleased tracks were recorded during the sessions: "Where Are You Going",[nb 2] "All Right", "It's Hard to Be Lovers"[1] and a track Starr co-wrote with Nilsson, "Party".[9]

Trackslijst

1	A Dose of Rock 'N' Roll	3:24
2	Hey Baby	3:11
3	Pure Gold	3:15
4	Cryin'	3:17
5	You Don't Know Me at All	3:16
6	Cookin' (In the Kitchen of Love)	3:42
7	I'll Still Love You	2:58
8	This Be Called a Song	3:15
9	Las Brisas	3:34
10	Lady Gaye	2:59
11	Spooky Wierdness	1:26

Ringo

Algemeen

Artiest	Ringo Starr
Label	Apple Records
Datum uitgave	1973
Speelduur	0:00
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Ringo is the third studio album by Ringo Starr, released in 1973 on Apple Records. It peaked at number 7 on the UK Albums Chart and number 2 on the Billboard 200, and has been certified platinum by the RIAA. In Canada, it reached number 1 on the RPM national albums chart. The album is noted for the appearance of all four Beatles, and for its numerous guest stars, something which would become a signature for Starr on many of his subsequent albums and tours. After releasing the standards tribute Sentimental Journey and the country and western Beaucoups of Blues, both in 1970, Starr issued two singles over 1971–72 – "It Don't Come Easy" and "Back Off Boogaloo"[2] – produced by and co-written with his former Beatles bandmate George Harrison.[3] While both of these singles were big successes and would ordinarily have inspired albums to support them, Starr declined to follow through, preferring to concentrate on acting during this period.[4] In early 1973, Starr decided the time was right to begin his first rock solo album. Having already used Richard Perry to arrange one of the tracks on Sentimental Journey, Starr asked Perry to produce the sessions.[5]

Trackslijst

1	I'm the Greatest	0:00
2	Have You Seen My Baby (Hold On)	0:00
3	Photograph	0:00
4	Sunshine Life for Me (Sail Away Raymond)	0:00
5	You're Sixteen (You're Beautiful and You're Mine)	0:00
6	Oh My My	0:00
7	Step Lightly	0:00
8	Six O'Clock	0:00
9	Devil Woman	0:00
10	You and Me (Babe)	0:00

Beaucoups of Blues

Algemeen

Artiest	Ringo Starr
Label	Apple Records
Datum uitgave	1970
Speelduur	0:00
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Beaucoups of Blues is the second studio album by the English rock musician and former Beatle Ringo Starr. It was released in September 1970, five months after his debut solo album, Sentimental Journey. However, Beaucoups of Blues is very far removed in style from its pop-based predecessor, relying on country and western influences. Still, like its predecessor, the album proved a moderate commercial success, reaching Billboard's number 35 slot on the Country Albums chart and number 65 on the Billboard 200 chart.[1] During Ringo Starr's tenure with the Beatles he had dabbled with country music: the band covered the country song "Act Naturally", and Starr co-wrote the country-influenced track "What Goes On" and wrote the country song "Don't Pass Me By".[2] While playing on sessions for George Harrison's All Things Must Pass, Starr – a long-time country and western fan – met Pete Drake,[3][4] in May 1970.[5] Starr had to pick up Drake from the airport so that the pair could record with Harrison; Drake noticed the number of country albums Starr had in his vehicle.[6] Realising Drake's deep connection to country, Starr asked him if they could collaborate on an album together.[2] Drake told Starr his musician friends could compose more than an album's worth of material in a week, which Starr thought was "impossible".[3][7] Starr was very keen and agreed. Starr promptly flew to Nashville on 22 June.[2]

Trackslijst

1	Beaucoups of Blues	0:00
2	Love Don’t Last Long	0:00
3	Fastest Growing Heartache In The West	0:00
4	Without Her	0:00
5	Woman of the Night	0:00
6	I’d be Talking all the Time	0:00
7	$15 Draw	0:00
8	Wine, Women and Loud Happy Songs	0:00
9	I Wouldn’t Have You Any Other Way	0:00
10	Loser’s Lounge	0:00
11	Waiting	0:00
12	Silent Homecoming	0:00

Robert Gordon with Link Wray

Algemeen

Artiest	Robert Gordon
Label	RCA Victor
Datum uitgave	1977
Speelduur	28:31
Genre	R&R

Details

Producent
Componist
Opmerkingen	Robert Gordon (born March 29, 1947) is an American musician and actor, best known as a neo-rockabilly singer. Record producer Richard Gottehrer discovered Robert during a rehearsal one afternoon with the Tuff Darts and soon afterward the two were talking about making a rock and roll record. Gottehrer was impressed with Gordon's baritone[citation needed] voice and his rendition of Elvis Presley's "One Night".[1] After some conversation, Robert suggested working with guitar legend Link Wray. Wray was contacted and he agreed to work with them both. "Robert to me sounds a lot like the early Elvis, back when he was at Sun Records," Wray would comment.[1] In 1977 Robert Gordon with Link Wray on Private Stock Records was the result of this collaboration. Due to Elvis Presley's death, the album picked up some airplay, and the label Private Stock tried to hype Gordon as the heir to Elvis. In 1978, Gordon made a second album with Wray, on the Private Stock label, called Fresh Fish Special. The record featured The Jordanaires, who had been background vocalists for Presley, and included the Bruce Springsteen song "Fire", written for Gordon. Springsteen played keyboards on the track. An advertisement in the March 11, 1978 edition of Billboard magazine read, in part: "Robert Gordon, the new voice of Rock and Roll, and Link Wray, the legendary guitarist, are together again! FRESH FISH SPECIAL follows their red hot first album – and it's a killer! Bruce Springsteen wrote a song for it. Elvis Presley, Gene Vincent, Eddie Cochran and Jack Scott are faithfully remembered in it."

Trackslijst

1	Red Hot	2:25
2	I Sure Miss You	3:04
3	Summertime Blues	2:20
4	Boppin' the Blues	2:43
5	Sweet Surrender	3:38
6	Flyin' Saucers Rock & Roll	1:53
7	The Fool	3:13
8	It's in the Bottle	3:14
9	Woman (You're My Woman)	2:43
10	Is This the Way	3:18

Close Personal Friend

Algemeen

Artiest	Robert Johnson
Label	Mercury Records
Datum uitgave	1978
Speelduur	39:56
Genre	Blues Rock

Details

Producent
Componist
Opmerkingen	Timing is everything, but it wasn't Robert Johnson's best friend. Sweeping out of the Rolling Stones' shopping list when they were searching for Mick Taylor's replacement, Johnson (whose very name should have landed him the job) was one of the hottest rock & roll guitarists of the mid-'70s, bluesy and bruising, street smart and sharp, and a gritty songwriter, too. But one glance at his debut album and you have him pegged for another new waver, just one more in that long line of quirky power poppers who emerged from the post-Costello '70s and were soundly dismissed on the spot. Which leaves Close Personal Friend in that awkward space somewhere between the classic it is and the bargain-bin regular it became. Too soulful for the skinny-tie brigade but too confusing for everyone who should have loved it, Close Personal Friend features ten stunning rockers that dance on the brittlest edge of American roots, and if any album of that era demands rediscovery, this is it.

Trackslijst

01	I'll Be Waiting	4:45
02	Wish Upon a Star	4:59
03	Guide My Energy	4:29
04	Say Girl	2:58
05	Responsibility	3:50
06	Kerri	2:51
07	Leslie	4:11
08	Wreck My Mind	4:09
09	Debbie's Theme	3:59
10	Tell Me About It, Slim	3:41

Vroeger of later

Algemeen

Artiest	Robert Long
Label	EMI Music Netherlands
Datum uitgave	1974
Speelduur	32:23
Genre	Nederlands

Details

Producent
Componist
Opmerkingen	Vroeger of Later, uit 1974, is het eerste solo-album van Robert Long. Er werden geen singles van getrokken. Het album bevat enkele nummers over politiek- en religieus-gevoelige zaken als homoseksualiteit en politieke hypocrisie. Ook wordt de spot gedreven met de burgerij en haar moraal. Daarom werd het album, en de zanger, geboycot door omroepen als de EO, NCRV, TROS, AVRO en de KRO. De titel van deze klassieker uit de Nederlandstalige lichte muziek is een anglicisme.[1] In 1973 vroeg hoofd programmabureau Frank Jansen van Bovema, de platenmaatschappij waarbij Long als zanger van de Utrechtse groep Unit Gloria onder contract stond, naar Longs toekomstplannen. Uit gesprekken was immers gebleken dat Long de ambitie had om liever 'vroeger' dan 'later' meer 'eigen' dingen te gaan doen. "Iets waarin hij zijn eigen ideeën kwijt kon". Hij gaf toen al (!) aan de ambitie te hebben om in de toekomst meer de cabaretkant uit te willen, en (dus ook) uitsluitend nog Nederlandstalig eigen werk te willen doen, ook en vooral op de bühne. Op de vraag van Jansen hoe hij dat dan zag - qua repertoire bijvoorbeeld - vertelde Long hem tot zijn grote verrrassing dat hij een eenvoudige huis-tuin-en-keuken-demo (stem en 1 gitaar) had gemaakt met een stuk of tien eigen nummers. Jansen vroeg hem die te mogen horen. Dat was een precaire, vertrouwelijke zaak omdat toen de Engelstalige carrière van Unit Gloria 'heilig' was na de grote successen. Jansens enthousiasme overtuigde de marketing- en promotiemensen van Bovema. Hij engageerde Erik van der Wurff, die toen al de arrangementen voor Herman van Veen maakte, en verzocht John Möring om leiding aan de opnames te geven

Trackslijst

1	Liefste, mijn liefste	2:40
2	Mien	3:08
3	Afscheid	5:30
4	Allemaal angst	3:00
5	Toe maar jongens	2:50
6	Kalverliefde	3:45
7	Het leven was lijden	2:40
8	Zeven over twaalf	3:00
9	Jezus redt	3:15
10	Vieze Lieze	2:35

Maybe It's Live

Algemeen

Artiest	Robert Palmer
Label	Island
Datum uitgave	1983
Speelduur	36:34
Genre	Rock

Details

Producent
Componist
Opmerkingen	Maybe It's Live is a live album by Robert Palmer, released in 1982. It combines six live tracks of old songs with four new songs recorded in the studio, including "Some Guys Have All the Luck", which was a hit for Palmer in the UK,[2] peaking at #16 on the UK chart. The album peaked at #23 in Sweden and #92 in the Netherlands.[4]

Trackslijst

1	Sneakin' Sally Thru the Alley	4:10
2	What's It Take	2:56
3	Best of Both Worlds	3:06
4	Every Kinda People	4:18
5	Bad Case of Lovin' You (Doctor, Doctor)	3:58
6	Some Guys Have All the Luck	3:09
7	Style Kills	4:17
8	Si Chatouilleux	4:34
9	Maybe It's You	3:43
10	What Do You Care	2:20

A Night on the Town

Algemeen

Artiest	Rod Stewart
Label	Warner Bros. Records
Datum uitgave	1976
Speelduur	41:08
Genre	Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Tonight's the Night (Gonna Be Alright)	3:54
2	The First Cut Is the Deepest	4:31
3	Fool for You	3:49
4	The Killing of Georgie, Part I and II	6:28
5	The Balltrap	4:37
6	Pretty Flamingo	3:27
7	Big Bayou	3:53
8	The Wild Side of Life	5:09
9	Trade Winds	5:15

Foolish Behaviour

Algemeen

Artiest	Rod Stewart
Label	Warner Bros. Records
Datum uitgave	1980
Speelduur	41:18
Genre	Rock

Details

Producent
Componist
Opmerkingen	Foolish Behaviour is Rod Stewart's tenth studio album released on 21 November 1980 (see 1980 in music) and on the Riva label in the United Kingdom (RVLP 11) and on Warner Bros. Records in both The United States (HS 3485) and Germany (WB 56 865). The tracks were recorded at The Record Plant Studios and Cherokee Studios in Los Angeles from February to September, 1980. "Passion", "My Girl", "Somebody Special" and "Oh God, I Wish I Was Home Tonight" were released as singles. The video to another song on the album, "She Won't Dance With Me", was the third video to be played on MTV when it launched 1 August 1981. The lyrics contain the use of the word "fuck" which remained unedited in the video.[3]

Trackslijst

1	Better Off Dead	3:08
2	Passion	5:34
3	Foolish Behaviour	4:25
4	So Soon We Change	3:45
5	Oh God, I Wish I Was Home Tonight	5:04
6	Gi' Me Wings	3:48
7	My Girl	4:28
8	She Won't Dance With Me	2:30
9	Somebody Special	4:30
10	Say It Ain't True	4:03

Camouflage

Algemeen

Artiest	Rod Stewart
Label	Warner Bros. Records
Datum uitgave	1984
Speelduur	37:48
Genre	Rock

Details

Producent
Componist
Opmerkingen	Camouflage is a studio album released by Rod Stewart on 18 June 1984 (see 1984 in music). It was Stewart's 13th studio album and was released on Warner Bros. Records (WEA 925 095-1). Three singles came from this album. They were "Infatuation", "Some Guys Have All the Luck", and a cover of the Free hit "All Right Now". The album marked a reunion of sorts between Stewart and Jeff Beck, who plays guitar on several tracks, as the two had been members of the influential 1960s group The Jeff Beck Group.

Trackslijst

1	Infatuation	5:15
2	All Right Now	4:42
3	Some Guys Have All the Luck	4:34
4	Can We Still Be Friends	3:51
5	Bad for You	5:18
6	Heart Is on the Line	4:04
7	Camouflage	5:19
8	Trouble	4:41

Every Picture Tells a Story

Algemeen

Artiest	Rod Stewart
Label	Mercury Records
Datum uitgave	1971
Speelduur	40:50
Genre	Rock

Details

Producent
Componist
Opmerkingen	Every Picture Tells a Story is the third studio album by the British singer-songwriter Rod Stewart, released in May 1971. It incorporates hard rock, folk, and blues styles.[2] It went to number one on both the UK and US charts and finished third in the Jazz & Pop critics' poll for best album of 1971.[3] It has been an enduring critical success, including a number 172 ranking on Rolling Stone's 2003 list of the 500 greatest albums of all time.[4] The title song is featured in Grand Theft Auto: Episodes from Liberty City radio station Liberty Rock Radio 97.8.

Trackslijst

1	Every Picture Tells a Story	6:02
2	Seems Like a Long Time	4:03
3	That's All Right	6:00
4	Tomorrow Is Such a Long Time	3:44
5	Maggie May	5:50
6	Mandolin Wind	5:35
7	(I Know) I'm Losing You	5:24
8	Reason to Believe	4:09

Atlantic Crossing

Algemeen

Artiest	Rod Stewart
Label	Warner Bros. Records
Datum uitgave	1975
Speelduur	44:46
Genre	Rock

Details

Producent
Componist
Opmerkingen	Atlantic Crossing is Rod Stewart's sixth album, released in 1975. It peaked at number one in the UK (his fifth solo album to do so), and number nine on the Billboard Top Pop Albums chart.[5][6] The title indicated Stewart's new commercial and artistic direction, referring to both his crossing over to Warner Brothers and on his departure to escape the 83 per cent top rate of income tax introduced by British Labour Prime Minister Harold Wilson for the jet-set lifestyle in Los Angeles (where he had applied for American citizenship at this time). The album was divided into a slow side and a fast side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland. Stewart would repeat the format for his next two albums. With Atlantic Crossing, Stewart ended his association with Ronnie Wood, Ian McLagan and the stable of musicians who had been his core collaborators on his classic run of albums for Mercury Records, fusing soul and folk. Instead, he used a group of session musicians, including The Memphis Horns and three-quarters of Booker T. and the MG's. The album was produced by Tom Dowd, the famous engineer and producer on records by so many of Stewart's heroes during Dowd's time on staff at Atlantic Records. The only song performed from this album on The Faces' final US tour in autumn 1975 was "Three Time Loser", and the rest of the group heavily disliked Stewart's change in musical direction on this album. Following the success of the album, and his move to the U.S., Stewart announced his exit from the Faces by the end of the year. "Sailing" was a number one hit in the UK in September 1975, and returned to the UK Top 3 a year later when it was used as the theme for the BBC series Sailor; both acoustic and electric guitars in the song were played by Pete Carr.[7] In 1977, almost two years after the album was released, Stewart scored another UK number one from the album with the double A-side single "I Don't Want to Talk About It" and "The First Cut Is the Deepest".

Trackslijst

1	Three Time Loser	4:07
2	Alright for an Hour	4:20
3	All in the Name of Rock 'n' Roll	5:03
4	Drift Away	3:45
5	Stone Cold Sober	4:14
6	I Don't Want to Talk About It	4:51
7	It's Not the Spotlight	4:24
8	This Old Heart of Mine	4:07
9	Still Love You	5:13
10	Sailing	4:39

Foot Loose & Fancy Free

Algemeen

Artiest	Rod Stewart
Label	WEA Musik GmbH
Datum uitgave	1977
Speelduur	44:41
Genre	Rock

Details

Producent
Componist
Opmerkingen	Foot Loose & Fancy Free is Rod Stewart's eighth album, released in November 1977 on Riva Records in the UK and Warner Bros in the US.

Trackslijst

1	Hot Legs	5:15
2	You're Insane	4:52
3	You're in My Heart	4:30
4	Born Loose	6:04
5	You Keep Me Hangin' On	7:28
6	(If Loving You Is Wrong) I Don't Want to Be Right	5:26
7	You Got a Nerve	4:59
8	I Was Only Joking	6:07

Blondes Have More Fun

Algemeen

Artiest	Rod Stewart
Label	Warner Bros. Records
Datum uitgave	1978
Speelduur	43:12
Genre	Rock

Details

Producent
Componist
Opmerkingen	Blondes Have More Fun is Rod Stewart's ninth album, released in November 1978. As was the popular musical trend at the time, it is Stewart's foray into disco music, which although commercially successful, was critically panned. The lead single "Da Ya Think I'm Sexy" became one of Stewart's biggest hits, peaking at No.1 in both the UK and US. The album has sold more than 14 million copies worldwide. After carving a highly successful career throughout the 1970s as a rock singer, Stewart elected to follow the disco trend that was at its peak in 1978 for some tracks of this album. The first single was "Da Ya Think I'm Sexy" which became a number one hit in the UK, US, Australia and a number of other countries.[5][6][7] Many critics panned the direction of song towards disco, but it nevertheless became one of his biggest hits. Stewart has since defended the song commenting that Paul McCartney and The Rolling Stones had also dabbled with disco music by this time.[8] The second single was "Ain't Love a Bitch", which became a No.11 hit in the UK and No.22 in the US.[9][7] The third and final single "Blondes (Have More Fun)" peaked at 63 in the UK, his lowest-charting single there at this time, but performed better in Ireland at No.23.[9][10] The album itself peaked at No.3 in the UK, being certified platinum by Christmas and was a No.1 hit in the US, where it went double platinum.[11] It also charted within the top ten in a host of other countries.

Trackslijst

1	Da Ya Think I’m Sexy?	5:31
2	Dirty Weekend	2:35
3	Ain’t Love a Bitch	4:38
4	The Best Day of My Life	4:21
5	Is That the Thanks I Get?	4:32
6	Attractive Female Wanted	4:16
7	Blondes (Have More Fun)	3:47
8	Last Summer	4:06
9	Standin’ in the Shadows of Love	4:29
10	Scarred and Scared	4:53

Rod Stewart Collection (The)

Algemeen

Artiest	Rod Stewart
Label	Starbrite
Datum uitgave	1977
Speelduur	0:00
Genre	Rock

Details

Producent
Componist
Opmerkingen	https://www.discogs.com/Rod-Stewart-The-Rod-Stewart-Collection/release/1426243

Trackslijst

Tonight I’m Yours

Algemeen

Artiest	Rod Stewart
Label	WEA Records
Datum uitgave	1981
Speelduur	41:36
Genre	Rock

Details

Producent
Componist
Opmerkingen	Tonight I'm Yours is the eleventh studio album by Rod Stewart, released in 1981. It features hints of classic rock, pop and new wave. The album had three hit singles, with the title track "Tonight I'm Yours (Don't Hurt Me)" (US Billboard No. 20, US Cash Box No. 15; Canada No. 2[4]), "Young Turks" (US No. 5), and "How Long?" (US No. 49). Tonight I'm Yours saw Rod Stewart further adopting current musical trends, after some disco-influenced songs on Blondes Have More Fun and Foolish Behaviour, by adding elements of synthpop and new wave to a couple of songs (the title track, and "Young Turks"), while mostly keeping to his rock traditions elsewhere. The album included three covers: "Tear It Up", "How Long?", and "Just Like a Woman". The song "Never Give Up on a Dream" was dedicated to Canadian athlete Terry Fox, who ran 3,339 miles with one prosthetic leg in the Marathon of Hope to raise money for cancer research. Fox succumbed to cancer in 1981, the year the album was released. The music video for "Tonight I'm Yours" was shot by famous Australian Music-Video Director, Russell Mulchany The album was mostly well received, being given four out of five stars in both Rolling Stone's contemporary review[3] and in a retrospective from AllMusic.[1] On AllMusic, Stewart has not yet surpassed the 4-star rating that the album received with any of his subsequent releases. The album has sold more than 10 million copies worldwide. The album reached No. 11 on the "Pop Album Charts" in the US, eventually going Platinum. The song "Young Turks" was the biggest hit from the album, reaching No. 5 on the "Pop Singles" chart. "Young Turks", and four further singles, "How Long?", "Jealous", "Tonight I'm Yours (Don't Hurt Me)", and "Tora, Tora, Tora (Out With The Boys)", all peaked within the Top 50 of the "Pop Singles" and "Mainstream Rock" charts.

Trackslijst

1	Tonight I’m Yours (Don’t Hurt Me)	4:11
2	How Long	4:14
3	Tora, Tora, Tora (Out With the Boys)	4:31
4	Tear It Up	2:28
5	Only a Boy	4:10
6	Just Like a Woman	3:57
7	Jealous	4:32
8	Sonny	4:04
9	Young Turks	5:03
10	Never Give Up on a Dream	4:21

Roxy Music

Algemeen

Artiest	Roxy Music
Label	Reprise Records
Datum uitgave	1972
Speelduur	45:05
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Roxy Music is the debut studio album by the English glam rock band of the same name. It was released on 16 June 1972. It was generally well received by contemporary critics and made it to number 10 in the UK Albums Chart.[1] The opening track, "Re-Make/Re-Model", has been labelled a postmodernist pastiche, featuring solos by each member of the band echoing various touchstones of Western music, including The Beatles' "Day Tripper", Duane Eddy's version of "Peter Gunn", and Wagner's "Ride of the Valkyries"; the esoteric "CPL 593H" was supposedly the license number of a car spotted by Bryan Ferry that was driven by a beautiful woman. Brian Eno produced some self-styled "lunacy" when Ferry asked him for a sound "like the moon" for the track "Ladytron". "If There Is Something" was covered by David Bowie's Tin Machine, and was later featured quite extensively, almost as a central figure, in the British film Flashbacks of a Fool. Several of the album's songs were thematically linked to movies. "2HB", with its punning title, was Ferry's tribute to Humphrey Bogart and quoted the line "Here's looking at you, kid" made famous by the 1942 film Casablanca; "Chance Meeting" was inspired by David Lean's Brief Encounter (1945). "The Bob" took its title from Battle of Britain (1968) and included a passage simulating the sound of gunfire. Discussing the music, Andy Mackay later said "we certainly didn't invent eclecticism but we did say and prove that rock 'n' roll could accommodate – well, anything really".[2] The band had been rehearsing and re-working the songs for a couple of months before they finally found a recording place, after which the entire album was recorded in the space of a single week. This was necessary because there was no record deal as yet, and their managers at EG were financing the sessions themselves, paying £5,000 in recording fees.[1] The album was produced by King Crimson's lyricist Peter Sinfield, who had recently left that band. In May 1972, a few weeks after the recording sessions, a contract was signed with Island Records and in June the album was released. The band's penchant for glamour was showcased both in the lyrics and in the 1950s-style album cover. The photographer Karl Stoecker shot the cover, featuring model Kari-Ann Muller, who later married Chris Jagger, brother of Mick Jagger (a stylised portrait of Kari-Ann Muller also graces the cover of Mott the Hoople's 1974 album The Hoople). The album was dedicated to Susie, a drummer who auditioned for Roxy Music in the early days.[3] https://www.theguardian.com/music/2018/feb/01/bryan-ferry-roxy-music-invented-new-pop-game-for-anything

Trackslijst

1	Re‐Make/Re‐Model	5:10
2	Ladytron	4:21
3	If There Is Something	6:33
4	Virginia Plain	2:50
5	2 H.B.	4:34
6	The Bob (Medley)	5:48
7	Chance Meeting	3:00
8	Would You Believe?	3:47
9	Sea Breezes	7:00
10	Bitters End	2:02

Country Life

Algemeen

Artiest	Roxy Music
Label	Island
Datum uitgave	1974
Speelduur	41:42
Genre	Art Rock

Details

Producent	John Punter, Roxy Music
Componist
Opmerkingen	Country Life is the fourth album by the English rock band Roxy Music, released in 1974 and reaching No. 3 in the UK charts. It also made No. 37 in the United States, their first record to crack the Top 40 there. The album is considered by many critics to be among the band's most sophisticated and consistent. Jim Miller in his review for Rolling Stone wrote "Stranded and Country Life together mark the zenith of contemporary British art rock."[6] Band leader Bryan Ferry took the album's title from the British rural lifestyle magazine Country Life. In 2003, the album was ranked number 387 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. It was one of four Roxy Music albums that made the list (For Your Pleasure, Siren and Avalon being the others).[7] Shot by Eric Boman,[9] the cover features two scantily-clad models, Constanze Karoli (cousin of Can's Michael Karoli[10]) and Eveline Grunwald (who was also Michael Karoli's girlfriend). Bryan Ferry met them in Portugal and persuaded them to do the photo shoot as well as to help him with the words to the song "Bitter-Sweet". Although not credited for appearing on the cover, they are credited on the lyric sheet for their German translation work. The cover image was controversial in some countries such as the United States, Spain, and the Netherlands, where it was censored for release. As a result, a later American LP release of Country Life (available during the years 1975–80) featured a different cover shot. Instead of Karoli and Grunwald posed in front of some trees, the reissue used a photo from the album's back cover that featured only the trees.[11] Author Michael Ochs has described the result as the "most complete cover-up in rock history".[12]

Trackslijst

1	The Thrill of It All	6:25
2	Three and Nine	4:04
3	All I Want Is You	2:52
4	Out of the Blue	4:48
5	If It Takes All Night	3:12
6	Bitter‐Sweet	4:50
7	Triptych	3:10
8	Casanova	3:25
9	A Really Good Time	3:46
10	Prairie Rose	5:07

Avalon

Algemeen

Artiest	Roxy Music
Label	E’G Records
Datum uitgave	1982
Speelduur	36:55
Genre	Art Rock

Details

Producent
Componist
Opmerkingen	Avalon is the eighth and final studio album by English rock band Roxy Music. Released in May 1982, it was recorded in 1981–82 at Compass Point Studios in Nassau, Bahamas, and is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It was the band's most successful studio album, reaching No. 1 in the UK (for 3 weeks) and staying on the album charts for over a year. Although it only peaked at No. 53 in the United States, Avalon endured as a sleeper hit and became the band's only million-selling record in that country, ultimately receiving a RIAA platinum certification. A single, "More Than This", preceded the album and was a Top 10 hit in Britain, Australia, and several European countries. The title track was released as the album's second single and also became a UK Top 20 hit. A third extract, "Take a Chance With Me", with a remixed version of album track "The Main Thing" on the B-side, reached the UK Top 30 and was Roxy Music's last UK hit single to date. Both "More Than This" (No. 103) and "Take a Chance With Me" (No. 104) performed relatively well in the United States, narrowly missing the American Top 100.

Trackslijst

1	More Than This	4:30
2	The Space Between	4:28
3	Avalon	4:15
4	India	1:45
5	While My Heart Is Still Beating	3:25
6	The Main Thing	3:47
7	Take a Chance With Me	4:43
8	To Turn You On	4:10
9	True to Life	4:20
10	Tara	1:31

Greatest Hits

Algemeen

Artiest	Roxy Music
Label	Atco
Datum uitgave	1977
Speelduur
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Greatest Hits is Roxy Music's first standard "greatest hits" compilation album, issued after Roxy Music went on hiatus. The edited version of "The Thrill of It All" is unique to this release, while the single version (3:20) is available on 7" 45 RPM single and the 2012 box set The Complete Studio Recordings. "Mother of Pearl" is an edit in that it does not crossfade into the next song, as it does on Stranded, the album on which it originally appeared. The version of "Pyjamarama" on this collection is a remix of the original 1973 single which is also available on The Complete Studio Recordings.

Trackslijst

Viva!

Algemeen

Artiest	Roxy Music
Label	Island
Datum uitgave	1976
Speelduur	0:00
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	Viva! Roxy Music was the first live Roxy Music album. It was released in August 1976 and was recorded at three venues in the United Kingdom between 1973 and 1975. The recordings were from the band's shows at the Glasgow Apollo in November 1973, Newcastle City Hall in October 1974 and the Wembley Empire Pool in October 1975.

Trackslijst

Musique

Algemeen

Artiest	Roxy Music
Label	E.G. Music
Datum uitgave	1983
Speelduur	0:00
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	The High Road is a live EP by the English rock band Roxy Music. Recorded at the Apollo in Glasgow, Scotland on 30 August 1982 during the band's Avalon tour,[5] it features four tracks. Two of the songs are covers, including Roxy Music's no.1 hit version of John Lennon's "Jealous Guy" and Neil Young's "Like A Hurricane". A Bryan Ferry solo effort was also included, originally released on his 1978 album The Bride Stripped Bare. The EP reached number 26 on the UK Album Charts.[6] Despite sharing the same title and cover art, there are no recordings on this album in common with the High Road videocassette/DVD, which was recorded in Frejus, France on 27 August 1982. So far, none of the recordings on this EP have been issued on CD. While the same songs were released on the full-length live CD Heart Still Beating (1990) they were different performances from a different location than those from The High Road EP.

Trackslijst

Manifesto

Algemeen

Artiest	Roxy Music
Label	ATCO Records
Datum uitgave	1979
Speelduur	42:27
Genre	Art Rock

Details

Producent
Componist
Opmerkingen	Manifesto is the sixth studio album by the English rock band Roxy Music. It was released in March 1979 by E.G. in the UK, Polydor in Europe and by Atco Records in the US Following an almost four-year recording hiatus, Manifesto was Roxy Music's first studio album since 1975's Siren. The first single from Manifesto was "Trash", which barely made the UK top 40.[2] However, the second single, the disco-tinged "Dance Away", returned the band to the top 3, beaten to no.1 for two weeks from 26 May 1979 by Blondie's "Sunday Girl". Regardless, it became one of the band's biggest hits and was also the 9th best-selling single in the UK in 1979. The song was also released as a 12" extended version (running at six and half minutes), a format that had started to become popular in the late 1970s. The third single from the album was a re-recorded version of "Angel Eyes", which was far more electronic and "disco" in nature than the power-pop album version. An extended 12" mix was also released. The single also made the UK Top 5 in August.[2] The album itself peaked at no. 7 in the UK.[2] The cover design which featured a variety of mannequins (a concept also used for the covers of the singles from the album), was created by Bryan Ferry with fashion designer Antony Price amongst others. The picture disc version of the album featured a version of the design in which the mannequins are unclothed. The cover's typography, as well as the album's title, were inspired by the first edition of Wyndham Lewis's literary magazine Blast.

Trackslijst

1	Manifesto	5:30
2	Trash	2:13
3	Angel Eyes	3:32
4	Still Falls the Rain	4:11
5	Stronger Through the Years	6:13
6	Ain’t That So	5:39
7	My Little Girl	3:18
8	Dance Away	3:45
9	Cry, Cry, Cry	2:54
10	Spin Me Round	5:12

Russ Abbot’s Madhouse

Algemeen

Artiest	Russ Abbot
Label	Ronco Records
Datum uitgave	1983
Speelduur	0:00
Genre	Cabaret

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Livin’ It Up (Theme From T.V. Series)	0:00
2	Mi Amore	0:00
3	Mother in Law	0:00
4	Ballad of Stampin’ Stan (Big Bad John)	0:00
5	The Other Three	0:00
6	Reason for Leaving	0:00
7	Honey, I’m Just After Your Cash	0:00
8	Burnley Is Babylon	0:00
9	Oh My Memories	0:00
10	Ghost Joggers in the Sky	0:00
11	Smelly Feet	0:00
12	A Real Man	0:00
13	Someday You’ll Wish You Had Stayed With Me	0:00
14	That’s What My Father Said	0:00
15	Upper Norwood Girls	0:00
16	Doreen	0:00
17	Only One Man	0:00
18	Cliff	0:00

Daybreak

Algemeen

Artiest	Ruud Hermans Band
Label	Mercury
Datum uitgave	1980
Speelduur	40:41
Genre	Country

Details

Producent	Arendsen, De Boer
Componist	Ruud Hermans
Opmerkingen	Zijn muzikale loopbaan begon bij de folkband Heating uit Tilburg, die een elpee en een aantal singles uitbracht. Als jongeling ontwikkelde Hermans zich op het gebied van Americana. In 1973 werd hij aangenomen door Ton en Ine Masseurs als leadzanger van de Tumbleweeds. Hij wisselde de zangpartijen met Ine Masseurs af en speelde daarnaast nog extra slagpartijen op twaalfsnarige gitaar die de slaggitarist van dienst Berry Masseurs niet kon spelen op zijn zessnarige. Ondanks het succes zag Hermans zich nooit als onderdeel van de band De Tumbleweeds brachten hem naar de Verenigde Staten (1973/1974). Ondanks de optredens en uitvoeringen van zelf geschreven liedjes werd Hermans ontevreden met het repertoire, hij vond ze niet meer in de tijd passen. In 1975 had de band een nummer-1-notering in de Nederlandse hitparades met Merle Haggards Somewhere between. Hermans’ liedjes werden door de pers ontvangen als steenkolenengels, maar de bandleden probeerden zo het Hermans zo goed mogelijk naar de zin te maken. In 1977 maakte Hermans aan Ad Masseurs duidelijk, dat hij de Tumbleweeds zou gaan verlaten. Hij wilde meer popgeoriënteerde countrymuziek maken. Hij richtte de Ruud Hermans Band op, maar die kreeg onvoldoende commerciële aandacht. Om succes te kunnen verkrijgen in de Verenigde Staten gaf hij de band een nieuwe naam Tulsa, naar de stad Tulsa. Ook met deze band bleef een doorbraak uit; ze werd wel ingeschakeld als voorprogramma bij optredens van andere artiesten, waaronder de eerder genoemd Merle Haggard en ook Johnny Cash. In 2005 werd hij benoemd tot ridder in de Orde van Oranje-Nassau. In 2010 sneuvelt het programma American Connection vanwege herinrichting van de zenders. Tegelijkertijd werd hij in de Verenigde Staten genomineerd voor de Global Artist Award voor zijn inzet voor de countrymuziek buiten de VS; een aantal optredens in Nashville (Tennessee) volgt. In 2007 wordt hij Zanger van het jaar bij de Dutch Country Poll Award Gala. Daarna stopte hij een tijdje met muziek en werd uitvaartbegeleider.[1] Hij deed nog een ijdele poging een reünie van de Tumbleweeds te bewerkstelligen. Na enige tijd trok de muziek weer aan hem en organiseerde hij huiskamerconcerten. Dit mondde uit in zijn deelname aan en het winnen van de tweede serie van The Voice Senior, waarin hij bijgestaan werd door coach Ilse DeLange.

Trackslijst

A1	Hangin' Tree	4:49
A2	My End And My Beginning	2:50
A3	Tulsa Time	3:10
A4	Jolene	3:40
A5	Use It Up, Wear It Out	3:26
A6	The Garden	2:28
B1	You're Gonna Love Yourself In The Morning	2:51
B2	Billy	3:47
B3	I Think I Love You	2:27
B4	Kaw Liga	3:57
B5	Everybody Sings His Own Love Song	3:42
B6	Daybreak	3:34

Sailor

Algemeen

Artiest	Sailor
Label	CBS
Datum uitgave	1974
Speelduur	34:58
Genre	Pop Rock

Details

Producent	Dan Loggins
Componist	Georg Kajanus
Opmerkingen	The group's leader, Georg Kajanus, had previously written "Flying Machine" for Cliff Richard in 1971, although it was Richard's first British single that failed to reach the top 30. Sailor developed from Kajanus Pickett, a singer-songwriter duo that had formed when Phil Pickett and Kajanus met in 1970 at E H Morris, a music publisher where Pickett briefly worked. They later recorded the album Hi Ho Silver for Signpost Records. Sailor first came together in 1973 with the addition of musicians Henry Marsh (ex-Gringo) and Grant Serpell (ex-Affinity). The group's work included Kajanus's invention the Nickelodeon, a musical instrument made of pianos, synthesizers and glockenspiels that allowed the four-piece band to reproduce on stage the acoustic arrangements that they had done in the recording studio. The group's first UK single was "Traffic Jam" from their first album, Sailor. "A Glass of Champagne", issued late the following year from the Trouble album, reached No. 2 in the UK Singles Chart. The follow-up "Girls, Girls, Girls" also made the Top 10, but of their subsequent singles, only "One Drink Too Many" registered in the UK Top 40.[1] Sailor's original line-up split up in 1978,[1] although Pickett and Marsh released more material as Sailor with Gavin and Virginia David in 1980, with an album of Pickett compositions called Dressed for Drowning, produced by James William Guercio at his Caribou studio in Colorado (Epic / Caribou). Sailor, the Musical Journey The premiere of Sailor, the Musical Journey at the Carnegie Hall was in July 2006 in Dunfermline, Scotland. The new musical was written by Bill Blenman and made up entirely of Kajanus compositions.

Trackslijst

	Traffic Jam	3:24
	Blue Desert	3:49
	Sailor	3:01
	The Girls of Amsterdam	3:11
	The Street	3:35
	Let’s Go to Town	4:09
	Josephine Baker	4:03
	Blame It on the Soft Spot	3:43
	Open Up the Door	2:32
	Sailor’s Night on the Town	3:25

Festivál

Algemeen

Artiest	Santana
Label	CBS
Datum uitgave	1976
Speelduur	45:41
Genre	Latin Rock

Details

Producent
Componist
Opmerkingen	Festivál is a 1977 album from Santana. It was their eighth studio album. It peaked number twenty seven in the Billboard 200 chart and number twenty nine in the R&B Albums chart.[5]

Trackslijst

1	Carnaval	2:15
2	Let the Children Play	3:28
3	Jugando	2:12
4	Give Me Love	4:30
5	Verão Vermelho	5:01
6	Let the Music Set You Free	3:41
7	Revelations	4:36
8	Reach Up	5:25
9	The River	4:53
10	Try a Little Harder	5:03
11	María Caracôles	4:32

Abraxas

Algemeen

Artiest	Santana
Label	Columbia
Datum uitgave	1970-11
Speelduur	37:23
Genre	Latin Rock

Details

Producent
Componist
Opmerkingen	Abraxas is the second studio album by Latin rock band Santana. Building upon the interest generated by their first album released in August 1969 entitled Santana and their highly acclaimed live performance at the Woodstock Festival in August 1969, the band released Abraxas in September 1970. The album's mix of rock, blues, jazz, salsa, and other influences was very well received, showing a musical maturation from their first album and refining the band's early sound. In 2016, the album was selected for preservation in the National Recording Registry due to its "cultural, historic, or artistic significance."[1]

Trackslijst

1	Singing Winds, Crying Beasts	4:53
2	Black Magic Woman / Gypsy Queen	5:17
3	Oye como va	4:17
4	Incident at Neshabur	4:59
5	Se acabó	2:52
6	Mother’s Daughter	4:28
7	Samba pa ti	4:47
8	Hope You’re Feeling Better	4:17
9	El Nicoya	1:30

Santana

Algemeen

Artiest	Santana
Label	CBS
Datum uitgave	1969
Speelduur	76:05
Genre	Latin Rock

Details

Producent
Componist
Opmerkingen	Santana is the debut studio album by Latin rock band Santana released in 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band. At the suggestion of manager Bill Graham, the band took to writing more conventional songs for more impact, but managed to retain the essence of improvisation in the music. The album was destined to be a major release, given a headstart by the band's seminal performance at the Woodstock Festival earlier that August. Although "Jingo" was not very successful (only reaching #56), "Evil Ways", the second single taken from the album, was a U.S. Top 10 hit. The album peaked at #4 on the Billboard 200 pop album chart and #26 on the UK Albums Chart. It has been mixed and released in both stereo and quadraphonic.

Trackslijst

1	Waiting	4:48
2	Evil Ways	4:00
3	Shades of Time	2:28
4	Savor	5:31
5	Jingo	5:18
6	Persuasion	3:09
7	Treat	6:51
8	You Just Don’t Care	5:02
9	Soul Sacrifice	9:07
10	Savor (alternate take)	2:58
11	Soul Sacrifice (alternate take no. 4)	11:53
12	Studio Jam	7:12
13	Fried Neckbones	7:44

Havana Moon

Algemeen

Artiest	Santana
Label	CBS
Datum uitgave	1983
Speelduur	46:08
Genre	Latin Rock

Details

Producent	Jerry Wexler, Barry Beckett
Componist	Carlos Santana
Opmerkingen

Trackslijst

01	Watch Your Step	4:01
02	Lightnin	3:51
03	Who Do You Love?	2:55
04	Mudbone	5:51
05	One with You	5:51
06	Ecuador	1:10
07	Tales of Kilimanjaro	4:50
08	Havana Moon	4:09
09	Daughter of the Night	4:18
10	They All Went to Mexico	4:47
11	Vereda Tropica	4:57

Graduate (The)

Algemeen

Artiest	Simon & Garfunkel
Label	CBS
Datum uitgave	1968
Speelduur	0:00
Genre	Folk Pop, Soundtrack

Details

Producent
Componist
Opmerkingen	The Graduate is a 1967 American romantic comedy-drama film directed by Mike Nichols[3] and written by Buck Henry and Calder Willingham, based on the 1963 novel of the same name by Charles Webb, who wrote it shortly after graduating from Williams College. A bildungsroman that follows its protagonist's transition into adulthood, the film tells the story of 21-year-old Benjamin Braddock (Dustin Hoffman), a recent college graduate with no well-defined aim in life, who is seduced by an older woman, Mrs. Robinson (Anne Bancroft), and then falls in love with her daughter Elaine (Katharine Ross). The film was released on December 22, 1967, received positive reviews and grossed $104.9 million. With the figures adjusted for inflation the film's gross is $754 million, making it the 22nd highest-ever grossing film in North America.[4] In 1996, The Graduate was selected for preservation in the U.S. National Film Registry as being "culturally, historically, or aesthetically significant." Initially, the film was placed at number 7 on AFI's 100 Years... 100 Movies list in 1998. When AFI revised the list in 2007, the film was moved to number 17. The Graduate won the Academy Award for Best Director for Nichols and was nominated in six other categories, making it the last film so far to win Best Director and nothing else.

Trackslijst

Bridge Over Troubled Water

Algemeen

Artiest	Simon & Garfunkel
Label	CBS
Datum uitgave	1970
Speelduur	37:26
Genre	Folk Pop

Details

Producent
Componist
Opmerkingen	Bridge over Troubled Water is het vijfde en laatste studioalbum van het folkduo Simon & Garfunkel. Het werd op 26 januari 1970 uitgebracht door Columbia Records. Wereldwijd werden er meer dan 25 miljoen exemplaren van het album verkocht. Hiermee is het een belangrijk album in de popmuziekgeschiedenis. Het won verschillende prijzen zoals een Grammy voor beste album van het jaar 1971. De eerder goedlopende samenwerking tussen Paul Simon en Art Garfunkel begon scheuren te vertonen. Regelmatige ruzies over wie de meeste zeggenschap over de liedjes moest hebben, begonnen hun tol te eisen. Zo ook met dit nummer. Simon had het nummer weliswaar geschreven, maar de voornaamste zangstem ging naar Garfunkel en dat kon Simon moeilijk verkroppen. Saillant detail daarbij is dat Garfunkel in eerste instantie het nummer juist niet wilde zingen; het zou niet bij zijn stem passen; Garfunkel zou gezegd hebben dat Paul Simon het maar moest zingen, aldus Simon in Rolling Stone (1972). Dat de heren in onmin met elkaar leefden bleek geen invloed te hebben op het succes. Het haalde vele hitnoteringen binnen in allerlei Top-tigs. Het eerdergenoemde blad Rolling Stone benoemde het tot één van de beste 500 singles, ooit uitgegeven.

Trackslijst

1	Bridge Over Troubled Water	4:55
2	El Condor Pasa (If I Could)	3:09
3	Cecilia	2:55
4	Keep the Customer Satisfied	2:38
5	So Long, Frank Lloyd Wright	3:45
6	The Boxer	5:12
7	Baby Driver	3:18
8	The Only Living Boy in New York	4:02
9	Why Don’t You Write Me	2:45
10	Bye Bye Love	2:55
11	Song for the Asking	1:48

Brownsville Blues

Algemeen

Artiest	Sleepy John Estes
Label	Delmark Records
Datum uitgave	1992
Speelduur	48:07
Genre	Blues

Details

Producent	Steve Wagner
Componist
Opmerkingen	Estes sang with a distinctive "crying" vocal style. He frequently teamed with more capable musicians, such as Yank Rachell, Hammie Nixon, and the piano player Jab Jones. Estes sounded so much like an old man, even on his early records, that blues revivalists reportedly delayed looking for him because they assumed he would have to be long dead (and because the musician Big Bill Broonzy had written that he was dead). By the time he was tracked down by the blues historians Bob Koester and Samuel Charters in 1962, he was completely blind and living in poverty. He resumed touring with Nixon and recording for Delmark Records.[5] Estes, Nixon and Rachell appeared at the Newport Folk Festival in 1964.[6] Many of Estes's original songs were based on events in his life or people he knew in his hometown, Brownsville, such as the local lawyer ("Lawyer Clark Blues"), the local auto mechanic ("Vassie Williams' Blues"), or an amorously inclined teenage girl ("Little Laura Blues").[5] In "Lawyer Clark Blues", about the lawyer and later judge and senator Hugh L. Clarke, whose family lived in Brownsville, Estes sang that Clark let him "off the hook" for an offense. He also dispensed advice on agricultural matters ("Working Man Blues") and chronicled his own attempt to reach a recording studio for a session by hopping a freight train ("Special Agent [Railroad Police Blues]"). His lyrics combined keen observation with an ability to turn an effective phrase.[7][8]

Trackslijst

A1	The Girl I Love	2:58
A2	City Hall Blues	3:24
A3	Government Money	2:29
A4	Working Man Blues	2:24
A5	Mailman Blues	2:33
A6	Mary Come on Home	1:46
B1	Pat Mann	2:25
B2	Vassie Williams	2:35
B3	Young Lawyer	3:13
B4	Al Rawls	2:43
B5	Lawyer Clarck	2:39
B6	Martha Hardin	3:42

Divergence

Algemeen

Artiest	Solution
Label	Harvest
Datum uitgave	1972
Speelduur	34:23
Genre	Dutch Pop, Symphonic Rock

Details

Producent
Componist	Willems
Opmerkingen	Divergence is the second album by the Dutch progressive rock group Solution. It was released in 1972 on the EMI subsidiary Harvest Records. This album is among the most progressive by the group. It consists of three instrumental pieces ("Fever", "Theme" and the title track) next to three tracks with vocals, sung by Guus Willemse, who had joined the band in 1971. Beginning as a piano-led song, "Second Line" "diverges" into a lengthy instrumental section which reprises a theme first heard in "Preview", from the album Solution the previous year. Similarly, "Theme" is based on a motif from the introduction to "Concentration". Part of the track "Divergence" was used by Focus in their "Eruption" suite, found on their 1971 album Focus II (Moving Waves). The section was titled "Tommy" after Solution saxophonist Tom Barlage.[1] Consequently, the original song is perhaps the most well-known Solution track, owing to the success Focus enjoyed in the early seventies (Focus II is also home to the hit single "Hocus Pocus"). Divergence was reissued in 1976 as a double set with the first album, simply titled Solution. The shortest song, "Fever", was left off the subsequent reissue on Compact Disc in 1988, but was included on The Ultimate Collection in 2006. Na het succes van het eerste album en voldoende nieuwe stukken werd Guus Willemse door Willem Ennes benaderd om bij de band te komen spelen. Wederom een initiatief van John Schuursma: hij had Guus leren kennen in zijn tijd bij Rob Hoeke, die vaak in Noord Holland bivakeerde bij een ander lid van de Hoeke-groep, waar John naast woonde. John en Guus hadden elkaar weer daarvoor leren kennen toen Guus met zijn eigen bandje 'Truce' door het gehele land speelde in van de vele Provadya-clubs gedurende de jaren 60. Omdat Peter van der Sande de band verlaten had kwam John met de naam van Guus op de proppen. Tijdens een korte doch memorabele auditie onstond de bezetting die het tot het einde zou uithouden (een korte 'vakantie van Guus daargelaten). De band kon op een gegeven moment de studio in maar besloot te wachten tot de volgende generatie meersporenrecorder was aangeschaft door EMI: het gevolg: 'Divergence'. Second Line....door Tom, Willem, Hans en Guus Divergence....door Tom, Willem, Hans en Guus Fever....door Tom, Willem, Hans en Guus Concentration....door Tom, Willem, Hans en Guus Theme....door Tom, Willem, Hans en Guus New Dimension....door Tom, Willem, Hans en Guus Alle teksten door Guus Solution is: Tom Barlage - Saxen, fluit Willem Ennes - Keyboards Hans Waterman - Drums Guus Willemse - Basgitaar en Vocals Producers Joop Visser en John Schuursma cdp 7 907512 EMI Bovema 1988

Trackslijst

1	Second Line	8:47
2	Divergence	6:00
3	Concentration	12:31
4	Theme	0:41
5	New Dimension	6:24

Cordon Bleu

Algemeen

Artiest	Solution
Label	The Rocket Record Company
Datum uitgave	1975
Speelduur	42:45
Genre

Details

Producent	Gus Dudgeon
Componist	Tom, Willem. Hans, Guus
Opmerkingen	Cordon Bleu is the third album released in 1975, now on Elton John's label. Recorded at Rockfield Studios in Monmouth, Wales, Cordon Bleu saw the main quartet of Willem Ennes, Tom Barlage, Guus Willemse and Hans Waterman complemented by Chiel Pos. Pos contributed acoustic guitar to "Last Detail" and tenor sax to "Third Line" and "Whirligig", while Frankie Fish co-wrote some lyrics and also, together with Pos, added backing vocals. Like its predecessor Divergence (1972), Cordon Bleu mixed long instrumental pieces ("Chappaqua" and "Whirligig") with shorter vocal songs which also featured instrumental passages ("Third Line", "Last Detail" and "Black Pearl"). "A Song for You" is the shortest song on the album, and is a more conventional pop song. This was released as a single in Europe, with an edited version of "Chappaqua" as the B-side. "Chappaqua" was issued as an A-side in its own right in some territories (backed by "Whirligig"), and was a B-side again to "Give Some More" in 1977/78. Produced by Elton John's producer Gus Dudgeon, the album had a crisper sound than Solution and Divergence. This trend was continued on the following album Fully Interlocking (1977), also produced by Dudgeon. Cordon Bleu charted in the Netherlands on 20 December 1975, reaching #18 and spending 11 weeks on the chart. First released on vinyl and cassette, it was later reissued by CBS in 1980 and on Compact Disc in 1988. In 2006, "Chappaqua", "Whirligig" and "Third Line" were included on the compilation The Ultimate Collection, with versions of the other three tracks featured on the live disc. Solution is: Willem Ennes, Tom Barlage, Guus Willemse and Hans Waterman, Michiel Pos and Frankie Fish on backing vocals Produced by Gus Dudgeon. Recorded at Rockfield Studios in Wales. Engineers: Pat Moran & Phil Dunne. Remixed at Marquee Studios in London. Engineers: Steve Holroyd & Gus Dudgeon. Sleeve design & photography by Hipgnosis Lettering by Richard Evans.

Trackslijst

A1	Chappaqua	10:33
A2	Third Line (Part 1)	1:38
A3	Third Line (Part 2)	5:44
A4	A Song For You	3:53
B1	Whirligig	9:00
B2	Last Detail (Part 1)	2:48
B3	Last Detail (Part 2)	2:41
B4	Black Pearl (Part 1)	1:14
B5	Black Pearl (Part 2)	5:01

Premieplaat 1962

Algemeen

Artiest	Sonneveld + Bomans
Label	CCGC
Datum uitgave	1962
Speelduur	0:00
Genre	Non-Music

Details

Producent
Componist
Opmerkingen

Trackslijst

A	Wim Sonneveld Interviewt Godfried Bomans	0:00
B	Mijn Discotheek	0:00

Through the Barricades

Algemeen

Artiest	Spandau Ballet
Label	Epic
Datum uitgave	1986
Speelduur	40:38
Genre	New Romantic, New Wave, Pop

Details

Producent
Componist
Opmerkingen	Through the Barricades is the fifth studio album by Spandau Ballet. It was released in November 1986 by Epic Records. The album reached number seven and remained on the UK album chart for 19 weeks. It produced three UK hit singles: "Fight For Ourselves" (#15), "How Many Lies" (#34) and the band's final top ten hit, "Through the Barricades" (#6).[2] The song lyrics were inspired by love prevailing over the Troubles in Northern Ireland and the death of a member of the crew in the Troubles. In a mainly critical review for AllMusic, Dan LeRoy claimed: "Rocking up Spandau Ballet's smooth white-boy soul, Through the Barricades manages to avoid utter disaster via the tuneful creations of songwriter/guitarist Gary Kemp." LeRoy argued "the production and mix prove the undoing of this effort. Most of the tunes demand guitar and drum bombast; instead, the riff-rocking Cross the Line and Fight for Ourselves, in particular, are undercut by the polite-sounding rhythm section." However, he praised the title-track, which he said "became a deserved hit."[1]

Trackslijst

1	Barricades – Introduction	1:16
2	Cross the Line	4:07
3	Man in Chains	5:40
4	How Many Lies?	5:21
5	Virgin	4:23
6	Fight for Ourselves	4:22
7	Swept	4:53
8	Snakes and Lovers	4:36
9	Through the Barricades	5:57

True

Algemeen

Artiest	Spandau Ballet
Label	Chrysalis
Datum uitgave	1983
Speelduur	35:58
Genre	New Romantic, New Wave, Pop

Details

Producent
Componist
Opmerkingen	True is the third studio album by British band Spandau Ballet. It was released in March 1983 on Chrysalis Records. While Spandau Ballet's first two albums earned them European popularity, True made them worldwide stars and was heavily influenced by jazz, soul and R&B. It reached number 1 on the UK Albums Chart,[2] the Top 20 on the US Billboard 200,[citation needed] and charted in numerous other countries around the world. The title track spent four weeks at number 1 in the UK Singles Chart and went to number 4 on the US Billboard Hot 100. It was also Spandau Ballet's first album to be recorded outside of London (at Compass Point Studios in the Bahamas). Other singles from the album included "Gold" (a no. 2 UK hit and a Top 30 hit in the US), "Lifeline", "Communication", and "Pleasure". Later album releases by the band never equalled the success of True. "True" was remastered on CD and stereo SACD in 2003 for its 20th anniversary. In June 2010, a special edition was released on 2 CDs and DVD as part of the 2010 Spandau Ballet reissues series, featuring remastered 12" remixes and B-sides, plus a live concert. In 2008, the album was given away free with copies of the Daily Mail newspaper.

Trackslijst

1	Pleasure	3:33
2	Communication	3:41
3	Code of Love	5:11
4	Gold	4:51
5	Lifeline	3:36
6	Heaven Is a Secret	4:27
7	Foundation	4:08
8	True	6:29

Good Time Spirit

Algemeen

Artiest	Spargo
Label	Baby Records (2)
Datum uitgave	1980
Speelduur	45:23
Genre	Funk / Soul, Nederbeat

Details

Producent	Onbekend
Componist	Hans Hollestelle
Opmerkingen	https://www.discogs.com/Спарго-Спарго/master/80460 Spargo werd in 1975 opgericht door de Amsterdammers Ruud Mulder (gitaar, zang, speelde eerder in rock/bluesgroup Space 7,1967-1975), Hans Elbersen (gitaar, zang, speelde ook eerder in rock/bluesgroup Space 7), Ellert Driessen (toetsen, zang, componist, 1958), Jef Nassenstein (bas, zang) en Leander Lammertink (drums). Eind jaren 70, ruim na het vertrek van Elbersen, kreeg de groep versterking van de van oorsprong Amerikaanse zangeres Lilian Day Jackson. (geb.3 maart 1960 in Parijs). Zij is een stiefdochter van Art Blakey[1] en heeft onder andere bij Hans Dulfer gezongen. Met Jackson als leadzangeres en Driessen als zanger kreeg de groep zijn kenmerkende geluid en brak door. De single You and Me werd de bestverkochte plaat van 1980 in Nederland en bereikte daar de nummer 1-positie. Ook buiten Nederland werd deze plaat een grote hit (onder andere nummer 1 in Italië, België, IJsland, Peru en Suriname). Tussen augustus 1980 en maart 1982 scoorde Spargo nog vier top-5 hits in Nederland, maar het succes van You and Me (maart 1980) zou niet meer worden geëvenaard (zie discografie singles onderaan deze pagina). Andere nummers uit deze periode waren onder andere: Worry (1980), Back in my arms again (1980), Inside Your Heart (1980), Hey you! (1981), Running From Your Lovin'.

Trackslijst

A1	Good Time Spirit	4:16
A2	Inside Your Heart	6:39
A3	Sometimes	4:25
A4	Back In My Arms Again	5:20
B1	Take A Break	3:34
B2	Head Up To The Sky	4:35
B3	You And Me	4:15
B4	I Found The Sister Of Ali Baba	12:19

Hold On

Algemeen

Artiest	Spargo
Label	Polydor
Datum uitgave	1982
Speelduur	41:59
Genre	Pop

Details

Producent	Martin Duiser
Componist	Hans Hollestelle
Opmerkingen	Spargo werd in 1975 opgericht door de Amsterdammers Ruud Mulder (gitaar, zang, speelde eerder in rock/bluesgroup Space 7,1967-1975), Hans Elbersen (gitaar, zang, speelde ook eerder in rock/bluesgroup Space 7), Ellert Driessen (toetsen, zang, componist, 1958), Jef Nassenstein (bas, zang) en Leander Lammertink (drums). Eind jaren 70, ruim na het vertrek van Elbersen, kreeg de groep versterking van de van oorsprong Amerikaanse zangeres Lilian Day Jackson. (geb.3 maart 1960 in Parijs). Zij is een stiefdochter van Art Blakey[1] en heeft onder andere bij Hans Dulfer gezongen. Met Jackson als leadzangeres en Driessen als zanger kreeg de groep zijn kenmerkende geluid en brak door. De single You and Me werd de bestverkochte plaat van 1980 in Nederland en bereikte daar de nummer 1-positie. Ook buiten Nederland werd deze plaat een grote hit (onder andere nummer 1 in Italië, België, IJsland, Peru en Suriname). Tussen augustus 1980 en maart 1982 scoorde Spargo nog vier top-5 hits in Nederland, maar het succes van You and Me (maart 1980) zou niet meer worden geëvenaard. Andere nummers uit deze periode waren onder andere: Worry (1980), Back in my arms again (1980), Inside Your Heart (1980), Sometimes - met een alternatieve versie als This Christnmas - (1980), Hey you! (1981), Running From Your Lovin'.

Trackslijst

A1	Love & True Love	4:07
A2	(Maybe We Can) Hold On	6:54
A3	Groovy People	3:56
A4	Feelin' Like A Stranger	4:43
B1	Goodbye	4:06
B2	Special Love	4:37
B3	Shout It Out	4:43
B4	Are You Serious?	5:12
B5	So Funny	3:41

Propaganda

Algemeen

Artiest	Sparks
Label	Island
Datum uitgave	1974-11
Speelduur	0:00
Genre	Rock

Details

Producent
Componist
Opmerkingen	The album followed its predecessor Kimono My House by half a year and was a successful album in the UK and US. It reached #9 on the UK Album Chart[6][7](which would remain their second highest album chart position in the UK for nearly 43 years until pushed down into third place by Hippopotamus in 2017)[7] and #63 on the Billboard 200 (and remains their highest peak in that country).[8] The singles "Never Turn Your Back on Mother Earth" and "Something for the Girl with Everything", while not as successful as those from Kimono My House both reached the top twenty in the UK reaching number 13 and number 17 respectively.[6] In France, "At Home, At Work, At Play" together with "Propaganda" was released as a single instead of "Something for the Girl with Everything". In the US, "Achoo" was released as the album's only single.

Trackslijst

1	Propaganda	0:00
2	At Home, At Work, At Play	0:00
3	Reinforcements	0:00
4	B.C.	0:00
5	Thanks but No Thanks	0:00
6	Don’t Leave Me Alone With Her	0:00
7	Never Turn Your Back on Mother Earth	0:00
8	Something for the Girl With Everything	0:00
9	Achoo	0:00
10	Who Don’t Like Kids	0:00
11	Bon Voyage	0:00

La Dolce Vita

Algemeen

Artiest	Sparks
Label	Oasis
Datum uitgave	1979-01
Speelduur	8:42
Genre	Rock

Details

Producent
Componist
Opmerkingen	Single 33 + 45 rpm 12" (LP formaat)

Trackslijst

1	La Dolce Vita	3:48
2	My Other Voice	4:54

Indiscreet

Algemeen

Artiest	Sparks
Label	Island
Datum uitgave	1975-10
Speelduur	41:46
Genre	Rock

Details

Producent	Tony Visconti
Componist
Opmerkingen	Indiscreet is the fifth album by the American rock band Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors. Gekocht in Oswestry. https://www.theguardian.com/music/2021/jul/16/we-have-a-hostility-to-being-boring-sparks-still-flying-in-their-70s

Trackslijst

1	Hospitality on Parade	4:00
2	Happy Hunting Ground	3:47
3	Without Using Hands	3:23
4	Get in the Swing	4:07
5	Under the Table With Her	2:21
6	How Are You Getting Home?	2:59
7	Pineapple	2:44
8	Tits	4:59
9	It Ain’t 1918	2:08
10	The Lady Is Lingering	3:41
11	In the Future	2:12
12	Looks, Looks, Looks	2:36
13	Miss the Start, Miss the End	2:49

Big Band Bossa Nova

Algemeen

Artiest	Stan Getz
Label	Verve
Datum uitgave	30/10/1999
Speelduur	33:50
Genre	Jazz, Latin

Details

Producent	Creed Taylor
Componist	Gary McFarland
Opmerkingen	The music for the album consists of four songs by Brazilian composers and four original compositions by McFarland. The instrumentation chosen by McFarland eschews the traditional big band format of eight brass and five saxophones for a smaller ensemble featuring four woodwinds and French horn as well as three trumpets and two trombones. The four piece rhythm section is augmented by two percussionists. McFarland freely mixes his instrumental colors to provide a constantly shifting palette in support of Getz's tenor. Jim Hall, Hank Jones, Doc Severinsen and Bob Brookmeyer are each featured in short solos.

Trackslijst

01	Manha de Carnaval (Morning of the Carnival)	5:49
02	Balanço no samba	3:01
03	Melancólico	4:44
04	Entre amigos	3:01
05	Chega de saudade	4:13
06	Noite triste	4:59
07	Samba de uma nota só	3:29
08	Bim bom	4:31

Greatest Hits

Algemeen

Artiest	Steely Dan
Label	MCA Records
Datum uitgave	1978
Speelduur	0:00
Genre	Soft Rock, Jazz Rock

Details

Producent	Gary Katz
Componist	Donald Fagan
Opmerkingen	Steely Dan is een Amerikaanse jazz-georiënteerde popgroep rond de muzikanten en componisten Walter Becker en Donald Fagen. De naam Steely Dan is ontleend aan de naam van een gigantische dildo uit het boek Naked Lunch van William S. Burroughs.[1]

Trackslijst

Songs in the Key of Life

Algemeen

Artiest	Stevie Wonder
Label	Motown Records
Datum uitgave	1976
Speelduur	86:36
Genre	R B

Details

Producent
Componist
Opmerkingen	Songs in the Key of Life is the eighteenth album by American recording artist Stevie Wonder, released on September 28, 1976, by Motown Records, through its division Tamla Records. It was the culmination of his "classic period" albums.[2] The album was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City. Final mixing was performed at Crystal Sound.[3] An ambitious double LP with a four-song bonus EP,[4] Songs in the Key of Life became the best-selling and most critically acclaimed album of Wonder's career. In 2003, it was ranked number 57 on Rolling Stone magazine's list of the 500 greatest albums of all time. In the same year it was preserved into the National Recording Registry by the Library of Congress, which called it "culturally, historically, or aesthetically significant." By 1976, Stevie Wonder had become one of the most popular figures in R&B and pop music, not only in the U.S., but worldwide. Within a short space of time, the albums Talking Book, Innervisions and Fulfillingness' First Finale were all back-to-back top five successes, with the latter two winning Grammy Award for Album of the Year, in 1974 and 1975, respectively. By the end of 1975, Wonder became serious about quitting the music industry and emigrating to Ghana to work with handicapped children. He had expressed his anger with the way that the U.S. government was running the country.[5][6] A farewell concert was being considered as the best way to bring down the curtain on his career. Wonder changed his decision, when he signed a new contract with Motown on August 5, 1975, thinking he was better off making the most of his career. At the time, rivals such as Arista and Epic were also interested in him. The contract was laid out as a seven-year, seven LP, $37 million deal and gave him full artistic control, making this the largest deal made with a recording star up to that point.[5] Almost at the beginning Wonder took a year off from the music market, with a project for a double album to be released in 1976.[7] There was huge anticipation for the new album which was initially scheduled for release around October 1975. It was delayed on short notice when Wonder felt that further remixing was essential. According to Wonder, the marketing campaign at Motown decided to take advantage of the delay by producing "We're almost finished" T-shirts.[8] Work on the new album continued into early 1976. A name was finally chosen for the album: Songs in the Key of Life. The title would represent the formula of a complex "key of life" and the proposals for indefinite success.[9] The album was released on September 28, 1976 after a two-year wait as a double LP album with a four-track seven-inch EP titled A Something's Extra ("Saturn", "Ebony Eyes", "All Day Sucker" and "Easy Goin' Evening (My Mama's Call)") and a 24-page lyric and credit booklet.[8][10]

Trackslijst

1	Love's in Need of Love Today	7:05
2	Have a Talk With God	2:42
3	Village Ghetto Land	3:25
4	Contusion	3:45
5	Sir Duke	3:56
6	I Wish	4:11
7	Knocks Me off My Feet	3:36
8	Pastime Paradise	3:27
9	Summer Soft	4:14
10	Ordinary Pain	6:22
11	Isn't She Lovely	6:34
12	Joy Inside My Tears	6:29
13	Black Man	8:27
14	Ngiculela Es Una Historia I Am Singing	3:49
15	If It's Magic	3:12
16	As	7:09
17	Another Star	8:09

Journey Through the Secret Life of Plants

Algemeen

Artiest	Stevie Wonder
Label	Disques Vogue
Datum uitgave	1979
Speelduur	89:55
Genre	R&B

Details

Producent
Componist
Opmerkingen	Stevie Wonder's Journey Through "The Secret Life of Plants" is an album by Stevie Wonder, originally released on the Tamla Motown label on October 30, 1979 (see 1979 in music). It is the soundtrack to the documentary The Secret Life of Plants, directed by Walon Green, which was based on the book of the same name by Peter Tompkins and Christopher Bird.

Trackslijst

1	Earth's Creation	4:03
2	The First Garden	2:36
3	Voyage to India	6:29
4	Same Old Story	3:45
5	Venus' Flytrap and the Bug	2:25
6	Ai No, Sono	2:05
7	Seasons	2:55
8	Power Flower	5:30
9	Send One Your Love (Instrumental)	3:06
10	Race Babbling	8:52
11	Send One Your Love	4:01
12	Outside My Window	5:29
13	Black Orchid	3:47
14	Ecclesiastes	3:42
15	Kesse Ye Lolo De Ye	3:01
16	Come Back as a Flower	5:02
17	A Seed's a Star - Tree Medley	5:54
18	The Secret Life of Plants	4:16
19	Tree	5:48
20	Finale	7:02

Talking Book

Algemeen

Artiest	Stevie Wonder
Label	Motown
Datum uitgave	1972
Speelduur
Genre	Soul

Details

Producent	Stevie Wonder
Componist	Stevie Wonder
Opmerkingen

Trackslijst

A1	You Are The Sunshine Of My Life	2:45
A2	Maybe Your Baby	6:45
A3	You And I	4:39
A4	Tuesday Heartbreak	3:09
A5	You've Got It Bad Girl	4:55

Soundeffects Vol.3

Algemeen

Artiest	Super-Sound
Label	Audio Fidelity
Datum uitgave	1970
Speelduur	0:00
Genre	Soundeffects

Details

Producent
Componist
Opmerkingen

Trackslijst

Paris

Algemeen

Artiest	Supertramp
Label	A&M Records
Datum uitgave	1980
Speelduur	1:26:12
Genre	Album Rock

Details

Producent
Componist
Opmerkingen	Tom' s exemplaar springt de naald alle kanten op doordat deze te lang liggend opgeslagen is geweest, Derhalve een tweede exemplaar van Discogs gehaald, met enige tikken en een beetje ruis, verder prima geluid voor E 10,= Paris is a live album by the English rock band Supertramp, released in 1980. It was recorded on Supertramp's Breakfast in America tour in Paris, France, with most of the tracks taken from a 29 November 1979 show at the Pavillon de Paris, a venue which was once a slaughterhouse.[1] The album was originally going to be called Roadworks.[1] Paris reached number 8 on the Billboard 200 in late 1980 and went Gold immediately,[2] while the live version of "Dreamer" hit the US Top 20. According to Roger Hodgson, Supertramp had several reasons to record a live album at the time, including a desire to introduce their pre-Breakfast in America works to USA listeners and a mutual sentiment that some of their songs were pulled off better live than in the studio.[1] However, he admits that the chief purpose of the album was to buy time; the band was under pressure to produce a suitable follow-up to the immense success of Breakfast in America, and needed to get off the treadmill of touring and recording for a while in order to consider their direction for such an album. Taking such a breather meant the next studio album wouldn't be finished until 1981 at the earliest, and so something was needed "to fill the gap."[1] Using the band's mobile studio, a number of shows in Canada and throughout Europe were recorded. However, when Pete Henderson and Russel Pope presented the band with unlabeled cassettes containing rough mixes of these recordings, and the members voted on their favourite tracks, the majority of votes coincidentally fell on recordings from the 29 November show at the Pavilion.[1] A few tracks were taken from other concerts during the band's stay in Paris, and studio overdubs were also added, chiefly for the vocals and John Helliwell's organ. However, Helliwell contended that the amount of overdubbing was minimal compared to most live albums of the time: "A lot of people, when they make a live album, just keep the drums and bass and redo everything else."[1] Filmmaker Derek Burbidge shot the concerts in 16 mm film, missing only five songs ("A Soapbox Opera", "You Started Laughing", "From Now On", "Ain't Nobody But Me" and "Downstream") to lower expenses and give the camera crew some rest. A&M Records requested music videos out of three songs, “Dreamer”, “The Logical Song” and “Asylum”. Peter Clifton edited them along with Sarah Legon, and even extended his work to ten songs. However, the studio never sent an approval, so Clifton retreated back to his Sydney home and brought the negatives along to Australia.[3] The album's set list contains almost all of the 1974 Crime of the Century (except for "If Everyone Was Listening"), three songs from Crisis? What Crisis? (1975), two from Even in the Quietest Moments (1977), three from Breakfast in America (1979) plus "You Started Laughing", the B-side to the track "Lady" from Crisis? What Crisis?. The hit "Give a Little Bit" was played on the tour but not included because, according to Hodgson, "we were shocked when we listened back to the live tapes to find how bad all the versions were. There just wasn't one version that we felt that we wanted to put on the album."[1] Other songs that were on the tour's set list but not on the album are "Goodbye Stranger",

Trackslijst

1	School	5:28
2	Ain't Nobody but Me	5:37
3	The Logical Song	3:56
4	Bloody Well Right	7:38
5	Breakfast in America	2:56
6	You Started Laughing	4:02
7	Hide in Your Shell	6:54
8	From Now On	7:07
9	Dreamer	3:44
10	Rudy	7:08
11	A Soapbox Opera	4:51
12	Asylum	6:51
13	Take the Long Way Home	4:57
14	Fool's Overture	10:57
15	Two of Us	1:25
16	Crime of the Century	6:31

Breakfast in America

Algemeen

Artiest	Supertramp
Label	A&M Records
Datum uitgave	1979
Speelduur	45:58
Genre	Album Rock, Art Rock, Pop Rock, Progressive Pop, Progressive Rock, Rock

Details

Producent
Componist
Opmerkingen	Breakfast in America is the sixth studio album by the English rock band Supertramp, released on 29 March 1979 by A&M Records. It was recorded in 1978 at The Village Recorder in Los Angeles. It spawned four U.S. Billboard hit singles: "The Logical Song" (No. 6), "Goodbye Stranger" (No. 15), "Take the Long Way Home" (No. 10) and "Breakfast in America" (No. 62). In the UK, "The Logical Song" and the title track were both top 10 hits, the only two the group had in their native country.[1] Breakfast in America won two Grammy Awards in 1980, and holds an RIAA certification of quadruple platinum. Breakfast in America became Supertramp's biggest-selling album with more than 4 million copies sold in the US alone and was No. 1 on Billboard Pop Albums Chart for six weeks in the spring and summer of 1979. The album also hit No. 1 in Norway, Austria, Canada, Australia and France, where it is one of the five biggest selling albums of all time. Supertramp (known as Daddy in 1969–1970) are an English rock band formed in London in 1969. Though their music was initially categorised as progressive rock, they later incorporated a combination of traditional rock, pop and art rock into their music. The band's work is marked by the individual songwriting of founders Roger Hodgson and Rick Davies and the prominent use of Wurlitzer electric piano and saxophone. Though their early style was progressive, they would enjoy greater commercial success when they incorporated more radio-friendly pop elements into their work in the mid-1970s, going on to sell more than 60 million albums.[4][5] The band reached their commercial peak with 1979's Breakfast in America, which sold more than 20 million copies.[6] Supertramp attained significant popularity in the UK, US, Canada, Europe, South Africa, and Australia. Since co-founder Hodgson's departure in 1983, Davies has led the band by himself.

Trackslijst

1	Gone Hollywood	5:19
2	The Logical Song	4:10
3	Goodbye Stranger	5:50
4	Breakfast in America	2:39
5	Oh Darling	3:47
6	Take the Long Way Home	5:10
7	Lord Is It Mine	4:10
8	Just Another Nervous Wreck	4:25
9	Casual Conversations	2:58
10	Child of Vision	7:25

Sky-High!

Algemeen

Artiest	Tavares
Label	Capitol Records
Datum uitgave	1976
Speelduur	37:54
Genre	Soul

Details

Producent	Freddie Perren
Componist	Diversen
Opmerkingen

Trackslijst

1	The Mighty Power of Love	3:58
2	Ridin' High	4:05
3	To the Other Man	4:34
4	Heaven Must Be Missing an Angel	6:32
5	Bein' With You	3:45
6	Wonderful	4:00
7	Guiding Star	4:42
8	Don’t Take Away the Music	6:18

Roll Along

Algemeen

Artiest	Teach-In
Label	CNR
Datum uitgave	1974
Speelduur	0:00
Genre	Pop

Details

Producent
Componist
Opmerkingen

Trackslijst

A1	In The Summernight	0:00
A2	Sing To The Moon	0:00
A3	I'm Alone	0:00
A4	Bye Bye Bye	0:00
A5	It's A Beautiful Day	0:00
A6	Doll	0:00
B1	Tennessee Town	0:00
B2	There Ain't No Time	0:00
B3	Old Friend Goodbye	0:00
B4	Silly Billy (Silly Milly)	0:00
B5	The Circus Is Coming To Town	0:00
B6	Fly Away	0:00

In The Morning Of My Days

Algemeen

Artiest	Tee-Set
Label	Negram
Datum uitgave	1970
Speelduur	0:00
Genre	Dutch Pop

Details

Producent
Componist
Opmerkingen	De band werd in 1965 opgericht door Peter Tetteroo, Gerard Romeyn, Polle Eduard en Carry Janssen. Deze bezetting is te zien op de hoes van de eerste single Early in the morning. Vervolgens voegt Robbie Plazier zich bij de groep als organist. Met Hans van Eijck als ondersteunende songwriter (hij levert vier nummers aan) wordt het eerste album Emotion opgenomen. Na het uitkomen van het eerste album wordt Plazier vervangen door Van Eijck als vast bandlid. Gerard Romeyn verlaat de band begin 1967 en treedt toe tot The Motions (als vervanger van Robbie van Leeuwen). Romeyn wordt vervangen door de Britse gitarist Ray Fenwick (Romeyn staat nog op de hoes van de single Don't you leave, maar Fenwick is te zien in een clip van het nummer uit het popprogramma Moef Ga Ga). Een tweespalt tussen zanger Tetteroo en manager Theo Kuppens enerzijds en de andere bandleden anderzijds leidt tot ruzies in de band. De inkomsten die Kuppens opstrijkt met de hit Don't you leave (een oud bluesnummer dat door de manager onder eigen naam was geregistreerd) spelen hierbij een rol. Fenwick, Van Eijck en Eduard stappen op en formeren een nieuwe band After Tea. Carry Janssen is op dat moment al uit de groep gezet, zodat op de fotohoes van Now's the time weer een viermansformatie prijkt. Tetteroo trekt drie nieuwe muzikanten uit de Amsterdamse groep James Mean aan om Tee Set voort te zetten: Franklin Madjid (bas), Joop Blom (drums) en Ferdi Karmelk (gitaar). Jan-Pieter Boekhoorn wordt de nieuwe toetsenist en daarmee is de Tee Set weer een kwintet. Het einde van James Mean is daarmee een feit, want zanger Michel van Dijk vindt emplooi bij Les Baroques. Door de Tee Set wordt een eigen platenmaatschappij Tee-Set Records opgericht (voor het eerst in de Nederlandse muziekgeschiedenis), om de rechten in eigen beheer te kunnen houden. Na enige tijd wordt Boekhoorn vervangen door Peter Seilberger. Met de terugkeer van Hans van Eijck in 1969 wordt een fase ingezet waarin Tee Set langzaam transformeert naar een popgroep, die makkelijk in het gehoor liggende liedjes brengt. Op het personele gebied blijft het rommelen: Dihl Bennink (ook wel gespeld als Dill, broer van Leo Bennink uit de JayJays en The Motions) wordt de nieuwe gitarist en Herman van Boeyen is enige tijd de drummer als opvolger van Blom. De grootste hit uit de geschiedenis van de band wordt in 1969 uitgebracht: Ma Belle Amie. In het voorjaar van 1970 stijgt het nummer tot de vijfde plaats op de Amerikaanse hitlijst. Bennink wordt vervangen door Ferry Lever (ook uit After Tea). Op de LP The Morning of my days is het enige nummer te vinden dat op nummer een in de hitparade terechtkomt: She likes weeds. Inmiddels is Max Spangenberg de nieuwe drummer. Het nummer wordt echter in de Verenigde Staten geboycot, omdat het zou refereren aan drugsgebruik. De titel is echter afkomstig uit de film 'Funeral In Berlin' (1966) en niet uit The IPCRESS File zoals Peter Tetteroo per vergissing in diverse interviews vertelde. Tussen 1970 en 1975 heeft Tee Set een vaste bezetting. In 1975 wordt Lever vervangen door Polle Eduard, maar hits heeft de band niet meer. In 1979 is er nog een hit met het nummer Linda Linda, maar daarna is het vier jaar stil rondom de groep en gaan de bandleden ieder hun eigen weg. Vanaf 1983 treedt Tee Set weer enkele jaren op, met Peter Tetteroo en verder een wisselende bezetting. Hits komen er niet meer, maar de band speelt in die tijd regelmatig op festivals. Tetteroo overlijdt op 9 september 2002 op 55-jarige leeftijd. In 2012 bracht het label Pseudonym de dubbel-cd She Likes Weeds - Collected uit met 47 geremasterde tracks uit hun gehele oeuvre, waaronder nieuwe stereomixen. In december 2014 herhaalt dat label dit kunstje met de 4CDBox Mythology. Daarop staan 99 tracks met nog veel meer leuke solo- en andere vaak eenmalige muzikale uitstapjes. Their former lead singer, Peter Tetteroo, died in September 2002 from liver cancer, at the age of 55.[5]

Trackslijst

A1	She Likes Weeds
A2	In The Morning Of My Days
A3	You Turned My Green Light Red
A4	A Never Ending Melody
A5	Marie Claire
A6	A Perfect Way
B1	Walk On By (My Door)
B2	Whole My Life Is In His Hands
B3	Now That You've Gone
B4	Black Gypsy Tambourine Girl
B5	If You Do Believe In Love (Part 2)
B6	Ma Petite Bergère

Songbook

Algemeen

Artiest	Tee-Set
Label	Teenbeat
Datum uitgave	1967
Speelduur	0:00
Genre	Nederbeat, Pop

Details

Producent
Componist
Opmerkingen	Tee Set* ‎– Tee Set Songbook Label: Teenbeat (2) ‎– APLP 103 Format: Vinyl, LP, Compilation Country: Netherlands Released: 1967 Genre: Rock, Pop

Trackslijst

A1	Early In The Morning
A2	Jet Set
A3	When I Needed You
A4	Can Your Monkey Do The Dog
A5	Plat That Record
A6	Willy Nilly
A7	Don't Leave You
B1	Please Call Me
B2	I Can't Forget You
B3	So I Came Back To You
B4	Nothing Can Ever Change This Love
B5	Don't Mess With Cupid
B6	Believe What I Say
B8	Bring A Little Sunshine

Emotion

Algemeen

Artiest	Tee-Set
Label	Delta
Datum uitgave	1966
Speelduur	0:00
Genre	Jazz

Details

Producent
Componist
Opmerkingen	Things can move very quickly in pop music. In the spring of 1966 nobody had heard of the Tee-Set. But Early In The Morning, written by Shocking Blue guitarist Robbie van Leeuwen, changed that instantaneously. For ten weeks the song appeared in the Dutch Top 40. The band was compared to the Spencer Davis Group. Singer Peter Tetteroo had a similarly pleasant voice to their lead singer Steve Winwood and the band from Delft also dug into the rich history of rhythm & blues. Their first lp Emotion features covers of Wilson Pickett (In The Midnight Hour), Joe Tex (You Better Believe It), Rufus Thomas (Can Your Monkey Do The Dog), Sam Cookes Nothing Can Ever Change This Love and For Miss Caulker of The Animals, and also original songs by Hans van Eijck and Peter Tetteroo. And of course the cheerful single Don't You Leave, which brought the band in the Top 10 for the first time. Countless successes followed. On Emotion: The Album-The Rarities, all the recordings from the beginning of that period are brought together. From a 'historical' live-recording of Tee-Set's predecessor the Shats to the big breakthrough from 1967, including the first Peter Tetteroo solo single When I Needed You So and the hit singles Early In The Morning, Believe What I Say, Don't You Leave, Please Call Me and Now's The Time. These classic recordings are accompanied by a second disc with unreleased versions/tracks from the same period. Emotion appears as a double-cd with 36 bonus-tracks, dynamically remastered from the original master tapes for the first time. Enjoy the breakthrough of the Tee-Set. LP Emotion VINYL Label: Delta (2) ‎– MU 209 Format: Vinyl, LP, Album Country: Netherlands Released: 1966 Bass, Lead Guitar – Gerard Romeyn Design – Cor Aaftink Drums – Carry Janssen Guest, Musician – Cees Smal, Herman Schoonderwalt Liner Notes – H. Hopman Organ, Harmonica – Robert Plazier Photography [Color] – Studio T.S. Photography By [Black-White] – Kees Vrisekoop Producer – Theo Kuppens Rhythm Guitar, Lead Guitar – Robby Eduard* Vocals, Piano, Guitar – Peter Tetteroo

Trackslijst

A1	Just Another Hour
A2	I Go Out Of My Mind
A3	Don't You Leave
A4	Midnight Hour
A5	Nothing Can Ever Change This Love
A6	Jet Set
B1	Willy Nilly
B2	Play That Record
B3	Can Your Monkey Do The Dog
B4	So Fine
B5	For Miss Caulker
B6	You Better Believe It

Eye in the Sky

Algemeen

Artiest	The Alan Parsons Project
Label	Arista
Datum uitgave	1981
Speelduur	41:55
Genre	Progressive Rock, Symphonic Rock

Details

Producent	Alan Parsons, Eric Woolfson
Componist	Parsons, Woolfson
Opmerkingen	Eye in the Sky is the sixth studio album by the British rock band The Alan Parsons Project, released in June 1982 by Arista label. It was recorded in London's Abbey Road Studios. Songs on this album are in a number of different styles, from cool and funky to lyrical and heavily orchestrated. The Hipgnosis-designed sleeve is green with an image of the Eye of Horus, which was gold-foil stamped for early pressings of the LP. It is variously reported as The Alan Parsons Project's best-selling album, and was the last platinum record in the United States from the band (joining I Robot and The Turn of a Friendly Card).[3] Vocal performers are Eric Woolfson, David Paton, Chris Rainbow, Lenny Zakatek, Elmer Gantry and Colin Blunstone. Eye in the Sky contains the Project's biggest hit, the title track with lead vocals by Eric Woolfson. The album itself was a major success, reaching the Top 10 (and sometimes the #1) in numerous countries.[4] This album is the first of three the Project recorded on analogue equipment and mixed directly to the digital master tape (a fact not widely known until the liner notes of Vulture Culture, where this trick was revealed).[citation needed] The album features the instrumental piece "Sirius", which has become a staple of many big-time college and professional sporting arenas throughout North America. It is best known for its use by the Chicago Bulls to introduce its starting line-up (including Michael Jordan) during its championship years of the 1990s[5] (and continued to the present).[citation needed] "Sirius" segues into "Eye in the Sky". The former is almost always[citation needed] followed by the latter on airplay, though not always in live performances — at the 1995 World Liberty Concert "Sirius" was played as the introduction to "Breakaway" (from the Alan Parsons solo album Try Anything Once), with Candy Dulfer on saxophone.

Trackslijst

1	Sirius	1:51
2	Eye in the Sky	4:35
3	Children of the Moon	4:49
4	Gemini	2:10
5	Silence and I	7:05
6	You’re Gonna Get Your Fingers Burned	4:21
7	Psychobabble	4:49
8	Mammagamma	3:34
9	Step by Step	3:52
10	Old and Wise	4:46

Ammonia Avenue

Algemeen

Artiest	The Alan Parsons Project
Label	Arista
Datum uitgave	1984
Speelduur	39:58
Genre	Progressive Rock, Rock

Details

Producent	Alan Parsons
Componist	Parsons, Woolfson
Opmerkingen	Ammonia Avenue is the seventh studio album by the British progressive rock band The Alan Parsons Project, released on 7 February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries[3] and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the top 40. "Since The Last Goodbye" was a minor hit. Ammonia Avenue is one of the band's biggest-selling albums, carrying an RIAA certification of gold and reaching the Top 10 in a number of countries.[4]

Trackslijst

1	Prime Time	5:03
2	Let Me Go Home	3:20
3	One Good Reason	3:36
4	Since the Last Goodbye	4:34
5	Don't Answer Me	4:11
6	Dancing on a Highwire	4:22
7	You Don't Believe	4:26
8	Pipeline	3:56
9	Ammonia Avenue	6:30

Best Of The Andrews Sisters (The)

Algemeen

Artiest	The Andrews Sisters
Label	MCA Records
Datum uitgave	1976
Speelduur	67:20
Genre	Swing

Details

Producent	Misc
Componist	Misc
Opmerkingen	The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie (February 16, 1918 – January 30, 2013).[1] The sisters have sold an estimated 80 million records.[2] Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso. The Andrews Sisters' harmonies and songs are still influential today, and have been copied and recorded by entertainers such as Patti Page, Bette Midler, Christina Aguilera, Pentatonix, and others. The group was among the inaugural inductees to the Vocal Group Hall of Fame upon its opening in 1998.[3] Writing for Bloomberg, Mark Schoifet said the sisters became the most popular female vocal group of the first half of the 20th century.[4] They are still widely acclaimed today for their famous close harmonies. They were inducted into the Minnesota Rock/Country Hall of Fame in May 2006.

Trackslijst

A1	Bei Mir Bist Du Schön	3:05	Jacob Jacobs, Sammy Cahn, Saul Chaplin
A2	Beer Barrel Polka	2:51	Jaromír Vejvoda, Lew Brown
A3	Sonny Boy	2:48	Lew Brown, Ray Henderson, Al Jolson, Buddy G. De Sylva
A4	Rum And Coca-Cola	3:07	Jeri Sullivan, Morey Amsterdam, Paul Baron
A5	Don't Sit Under The Apple Tree (With Anyone Else But Me)	2:58	Charles Tobias, Lew Brown, Sam H. Stept
A6	Hold Tight (Sea Food)	3:12	Jerry Brandow, Leonard Kent
B1	Boogie Woogie Bugle Boy	2:45	Don Raye, Hughie Prince
B2	Yes, My Darling Daughter	2:42	Jack Lawrence (2)
B3	Ti-Pi-Tin	2:37	Maria Grever, Raymond Leveen
B4	Oh! Ma-Ma! (The Butcher Boy)	2:28	Lew Brown, Paolo Citorello, Rudy Vallee
B5	Well All Right	2:58	Dan Howell, Don Raye, Frances Faye
B6	Oh Johnny, Oh Johnny, Oh!	2:45	Abe Olman, Ed Rose (2)
C1	Beat Me Daddy, Eight To The Bar	2:50	Don Raye, Eleanore Sheehy, Hughie Prince
C2	Joseph! Joseph!	2:48	Nellie Casman, Sammy Cahn, Samuel Steinberg, Saul Chaplin
C3	I'll Be With You In Apple Blossom Time	2:57	Albert Von Tilzer, Neville Fleeson
C4	Pennsylvania Polka	2:45	Lester Lee (2), Zeke Manners
C5	Strip Polka	2:51	Johnny Mercer
C6	I Can Dream, Can't I?	2:36	Irving Kahal, Sammy Fain
D1	South American Way	2:44	Al Dubin, Jimmy McHugh
D2	Rhumboogie	2:36	Don Raye, Hughie Prince
D3	Say "Si Si" (Para Vigo Me Vay)	2:31	Al Stillman, Ernesto Lecuona, Francia Luban
D4	Tico-Tico	2:15	Aloysio De Oliveira, Ervin Drake, Zequinha Abreu
D5	I Wanna Be Loved	3:14	Billy Rose, Edward Heyman, Johnny Green
D6	There Will Never Be Another You	2:57	Harry Warren (2), Mack Gordon

Beach Boys (The)

Algemeen

Artiest	The Beach Boys
Label	Music for Pleasure
Datum uitgave	1970
Speelduur	0:00
Genre	Pop, Surf Pop

Details

Producent	Brian Wilson
Componist	Brian Wilson
Opmerkingen

Trackslijst

1	How She Boogalooed It	0:00
2	Don't Talk (Put Your Head on My Shoulder)	0:00
3	Car Crazy Cutie	0:00
4	We'll Run Away	0:00
5	Misirlou	0:00
6	Whistle In	0:00
7	Summertime Blues	0:00
8	Anna Lee the Healer	0:00
9	Boogie Woodie	0:00
10	Tell Me Why	0:00
11	Louie Louie	0:00
12	Good to My Baby	0:00

A Hard Day’s Night

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1964
Speelduur	30:31
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film A Hard Day's Night. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord,[4] and the previously released "Can't Buy Me Love", both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr.[5] According to Lennon in a 1980 interview with Playboy magazine: "I was going home in the car and Dick Lester [director of the movie] suggested the title, 'Hard Day's Night' from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny ... just said it. So Dick Lester said, 'We are going to use that title.'"[6]

Trackslijst

1	A Hard Day’s Night	2:33
2	I Should Have Known Better	2:44
3	If I Fell	2:22
4	I’m Happy Just to Dance With You	1:59
5	And I Love Her	2:31
6	Tell Me Why	2:10
7	Can’t Buy Me Love	2:15
8	Any Time at All	2:13
9	I’ll Cry Instead	1:48
10	Things We Said Today	2:39
11	When I Get Home	2:18
12	You Can’t Do That	2:38
13	I’ll Be Back	2:21

Live at Star Club in Hamburg 1962

Algemeen

Artiest	The Beatles
Label	Bellaphon
Datum uitgave	1977
Speelduur	57:54
Genre	Beatles

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Intro	0:34
2	I Saw Her Standing There	2:22
3	Roll Over Beethoven	2:15
4	Hippy Hippy Shake	1:42
5	Sweet Little Sixteen	2:45
6	Lend Me Your Comb	1:44
7	Your Feets Too Big	2:18
8	Twist and Shout	2:03
9	Mr. Moonlight	2:06
10	A Taste of Honey	1:45
11	Bésame Mucho	2:36
12	Reminiscing	1:41
13	Kansas City / Hey Hey Hey	2:09
14	Ain't Nothin Shaking (But the Leaves on the Tree)	1:15
15	To Know Her Is to Love Her	3:02
16	Little Queenie	3:51
17	Falling in Love Again	1:57
18	Ask Me Why	2:26
19	Bee Bob A Lula	2:29
20	Hallelujah I Love Her So	2:10
21	Red Sails in the Sunset	2:00
22	Everybody's Trying to Be My Baby	2:25
23	Matchbox	2:35
24	I'm Talking About You	1:48
25	Shimmy Shake	2:17
26	Long Tall Sally	1:45
27	I Remember You	1:54

And The Beatles Were Born

Algemeen

Artiest	The Beatles
Label	Napoleon
Datum uitgave	1972
Speelduur	0:00
Genre	Rock

Details

Producent
Componist
Opmerkingen	With Tony Sheridan

Trackslijst

A1	Boys	0:00	The Beatles
A2	A Hard Days Night	0:00	The Beatles
A3	Long Tall Sally	0:00	The Beatles
A4	Twist And Shout	0:00	The Beatles
A5	You Can't Do That	0:00	The Beatles
A6	All My Loving	0:00	The Beatles
B1	Did He Want	0:00	Captain Beefheart
B2	Moonshine	0:00	Captain Beefheart
B3	She Get Soul	0:00	Buffalo Springfield
B4	Call You Love	0:00	Unknown Artist
B5	Lover Memory	0:00	Captain Beefheart
B6	The Dorty Old City M. G. Driver	0:00	The Who
B7	Soon Be Home	0:00	The Who
B8	Tchad	0:00	The Who

1967–1970

Algemeen

Artiest	The Beatles
Label	Apple Records
Datum uitgave	1973
Speelduur	60:00
Genre	Beatles

Details

Producent	George Martin
Componist	Lennon/McCartney
Opmerkingen	1967–1970 (widely known as "The Blue Album") is a compilation of songs by the English rock band the Beatles, spanning the years indicated in the title. It was released with 1962–1966 ("The Red Album"), in 1973. 1967–1970 made number 1 on the American Billboard chart and number 2 on the British Album Chart. This album was re-released in September 1993 on CD, charting at number 4 in the United Kingdom. The album was compiled by Beatles manager Allen Klein.[5] Songs performed by the Beatles as solo artists were also considered for inclusion, but like the cover songs on 1962–1966, limited space resulted in this idea having to be abandoned.[citation needed] As with 1962–1966, this compilation was produced by Apple/EMI at least partially in response to a bootleg collection titled Alpha Omega, which had been sold on television the previous year. Print advertising for the two records made a point of declaring them "the only authorized collection of the Beatles."[6]

Trackslijst

1	Strawberry Fields Forever	4:10
2	Penny Lane	3:04
3	Sgt. Pepper’s Lonely Hearts Club Band	2:03
4	With a Little Help From My Friends	2:46
5	Lucy in the Sky With Diamonds	3:29
6	A Day in the Life	5:08
7	All You Need Is Love	3:51
8	I Am the Walrus	4:37
9	Hello, Goodbye	3:32
10	The Fool on the Hill	3:02
11	Magical Mystery Tour	2:51
12	Lady Madonna	2:21
13	Hey Jude	7:11
14	Revolution	3:26
15	Back in the U.S.S.R.	2:46
16	While My Guitar Gently Weeps	4:47
17	Ob‐La‐Di, Ob‐La‐Da	3:11
18	Get Back	3:13
19	Don’t Let Me Down	3:35
20	The Ballad of John and Yoko	3:00
21	Old Brown Shoe	3:20
22	Here Comes the Sun	3:07
23	Come Together	4:19
24	Something	3:03
25	Octopus’s Garden	2:52
26	Let It Be	3:52
27	Across the Universe	3:47
28	The Long and Winding Road	3:37

Rubber Soul

Algemeen

Artiest	The Beatles
Label	EMI-Odeon
Datum uitgave	1965
Speelduur	35:16
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American version of the album was altered by Capitol Records to include a different selection of tracks. Rubber Soul met with a highly favourable critical response and topped record charts in Britain and the United States for several weeks. Often referred to as a folk rock album, Rubber Soul incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism "plastic soul", which referred to soul played by English musicians. After the British version of A Hard Day's Night, it was the second Beatles LP to contain only original material. For the first time in their career, the band were able to record the album over a continuous period, uninterrupted by touring commitments. The songs demonstrate the Beatles' increasing maturity as lyricists and, in their incorporation of brighter guitar tones and new instrumentation such as harmonium, sitar and fuzz bass, the group striving for more expressive sounds and arrangements for their music. The project marked the first time that the band explored the possibilities of the album as an artistic work, an approach they continued to develop with Revolver and Sgt. Pepper's Lonely Hearts Club Band. The North American version of Rubber Soul contained ten of the fourteen new songs, supplemented by two tracks withheld from the band's Help! album. The four songs omitted by Capitol, including the February 1966 single "Nowhere Man", instead appeared on the North American-only release Yesterday and Today. Rubber Soul was highly influential on the Beatles' peers, leading to a widespread focus away from singles and onto creating albums of consistently high-quality songs. It has been recognised by music critics as an album that opened up the possibilities of pop music in terms of lyrical and musical scope, and as a key work in the development of styles such as psychedelia and progressive rock. Among its many appearances on critics' best-album lists, Rolling Stone ranked it fifth on the magazine's 2012 list "The 500 Greatest Albums of All Time". The album was certified 6× platinum by the RIAA in 1997, indicating shipments of at least six million copies in the US. In 2013, after the British Phonographic Industry changed its sales award rules, the album was certified platinum.

Trackslijst

1	Drive My Car	2:21
2	Norwegian Wood (This Bird Has Flown)	2:05
3	You Won’t See Me	3:18
4	Nowhere Man	2:44
5	Think for Yourself	2:18
6	The Word	2:41
7	Michelle	2:41
8	What Goes On	2:47
9	Girl	2:29
10	I’m Looking Through You	2:24
11	In My Life	2:27
12	Wait	2:13
13	If I Needed Someone	2:21
14	Run for Your Life	2:27

Revolver

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1966-08-05
Speelduur	35:26
Genre	Beatles

Details

Producent
Componist
Opmerkingen	Revolver is the seventh studio album by the English rock band the Beatles. Released on 5 August 1966, it was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology up to that time, building on the advances of their 1965 release Rubber Soul. The album's diverse sounds include tape loops and backwards recordings on the psychedelic "Tomorrow Never Knows", a classical string octet on "Eleanor Rigby", and Indian-music backing on "Love You To". The album was reduced to eleven songs by Capitol Records in North America, where three of its tracks instead appeared on the June 1966 release Yesterday and Today. The Beatles recorded the album following a three-month break from professional commitments at the start of 1966, and during a period when London was feted as the era's cultural capital. The songs reflect the influence of psychedelic drugs such as LSD and the increasing sophistication of the Beatles' lyrics to address themes including death and transcendence from material concerns. With no thoughts of reproducing their new material in concert, the band made liberal use of studio techniques such as varispeeding, reversed tapes, close audio miking and automatic double tracking (ADT), in addition to employing musical instrumentation outside of their standard live set-up. Some of the changes in studio practice introduced by Revolver, particularly ADT, were soon adopted throughout the recording industry. The sessions also produced a non-album single, "Paperback Writer" backed with "Rain", for which the Beatles filmed their first on-location promotional films. In the UK, Revolver's fourteen tracks were released to radio stations throughout July 1966. In the US, it was the last Beatles album to be subjected to Capitol's policy of altering the band's intended running order and content. The release there coincided with the Beatles' final concert tour, which was marred by the controversy surrounding John Lennon's remark that the band had become "more popular than Jesus". The record topped the UK Albums Chart for seven weeks and America's Billboard Top LPs list for six weeks. Together with the children's novelty song "Yellow Submarine", "Eleanor Rigby" became an international hit when issued as a double A-side single. The album cover was designed by Klaus Voormann, whose work combined Aubrey Beardsley-inspired line drawing with photo collage and went on to win the 1967 Grammy Award for Best Album Cover, Graphic Arts. The 1987 international CD release standardised the album's content to the original Parlophone version. Revolver expanded the scope of pop music in terms of the range of musical styles used on the album and the lyrical content of its songs. The album was influential in advancing principles espoused by the 1960s counterculture and in inspiring the development of subgenres such as psychedelic rock, electronica, progressive rock and world music. Many music critics recognise it as the Beatles' best album, surpassing Sgt. Pepper's Lonely Hearts Club Band. The album was ranked first in Colin Larkin's book All-Time Top 1000 Albums and third in Rolling Stone magazine's list of the "500 Greatest Albums of All Time". In 2013, after the British Phonographic Industry had changed its sales award rules, Revolver was certified platinum in the UK. The album has been certified 5× platinum by the Recording Industry Association of America.

Trackslijst

1	Taxman	2:41
2	Eleanor Rigby	2:10
3	I’m Only Sleeping	3:04
4	Love You To	3:03
5	Here, There and Everywhere	2:28
6	Yellow Submarine	2:42
7	She Said She Said	2:39
8	Good Day Sunshine	2:12
9	And Your Bird Can Sing	2:04
10	For No One	2:04
11	Doctor Robert	2:17
12	I Want to Tell You	2:32
13	Got to Get You Into My Life	2:33
14	Tomorrow Never Knows	2:57

Sgt. Pepper’s Lonely Hearts Club Band

Algemeen

Artiest	The Beatles
Label	Hör Zu
Datum uitgave	1967-06-01
Speelduur	40:08
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by English rock band the Beatles. Released on 26 May 1967 in the United Kingdom[nb 1] and 2 June 1967 in the United States, it was an immediate commercial and critical success, spending 27 weeks at the top of the UK albums chart and 15 weeks at number one in the US. On release, the album was lauded by the vast majority of critics for its innovations in music production, songwriting and graphic design, for bridging a cultural divide between popular music and legitimate art, and for providing a musical representation of its generation and the contemporary counterculture. It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honour. In August 1966, the Beatles permanently retired from touring and began a three-month holiday from recording. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian era military band that would eventually form the impetus of the Sgt. Pepper concept. Sessions for the album began on 24 November in Abbey Road Studio Two with two compositions inspired by their youth, "Strawberry Fields Forever" and "Penny Lane", but after pressure from EMI, the songs were released as a double A-side single and were not included on the album. In February 1967, after recording the title track "Sgt. Pepper's Lonely Hearts Club Band", McCartney suggested that the Beatles should release an entire album that would represent a performance by the fictional Sgt. Pepper band. This alter ego group would give them the freedom to experiment musically. During the recording sessions, the band furthered the technological progression they had made with their 1966 album Revolver. Knowing they would not have to perform the tracks live, they adopted an experimental approach to composition and recording on songs such as "With a Little Help from My Friends", "Lucy in the Sky with Diamonds" and "A Day in the Life". Producer George Martin and engineer Geoff Emerick's innovative recording of the album included the liberal application of sound shaping signal processing and the use of a 40-piece orchestra performing aleatoric crescendos. Recording was completed on 21 April 1967. The cover, depicting the Beatles posing in front of a tableau of celebrities and historical figures, was designed by the British pop artists Peter Blake and Jann Haworth. Sgt. Pepper is regarded by musicologists as an early concept album that advanced the use of extended form in popular music while continuing the artistic maturation seen on the Beatles' preceding releases. It has been described as one of the first art rock LPs, aiding the development of progressive rock, and credited with marking the beginning of the Album Era. An important work of British psychedelia, the album incorporates a range of stylistic influences, including vaudeville, circus, music hall, avant-garde, and Western and Indian classical music. In 2003, the Library of Congress placed Sgt. Pepper in the National Recording Registry, honouring the work as "culturally, historically, or aesthetically significant".[2] That same year, Rolling Stone magazine ranked it number one in its list of the "500 Greatest Albums of All Time". As of 2011, it has sold more than 32 million copies worldwide, making it one of the best-selling albums in history. Professor Kevin J. Dettmar, writing in the Oxford Encyclopedia of British Literature, described it as "the most important and influential rock and roll album ever recorded".[3]

Trackslijst

1	Sgt. Pepper’s Lonely Hearts Club Band	2:02
2	With a Little Help From My Friends	2:44
3	Lucy in the Sky With Diamonds	3:30
4	Getting Better	2:50
5	Fixing a Hole	2:39
6	She’s Leaving Home	3:37
7	Being for the Benefit of Mr. Kite!	2:39
8	Within You Without You	5:07
9	When I’m Sixty‐Four	2:40
10	Lovely Rita	2:44
11	Good Morning Good Morning	2:43
12	Sgt. Pepper’s Lonely Hearts Club Band (reprise)	1:19
13	A Day in the Life	5:34

With The Beatles

Algemeen

Artiest	The Beatles
Label	Odeon
Datum uitgave	1963
Speelduur	33:23
Genre	Beatles

Details

Producent
Componist
Opmerkingen	With the Beatles is the second album by the English rock band the Beatles. It was released on 22 November 1963, on Parlophone, and was recorded four months after the band's debut Please Please Me. The album features eight original compositions (seven by Lennon–McCartney and "Don't Bother Me", George Harrison's first recorded solo composition and his first released on a Beatles album) and six covers (mostly of Motown, rock and roll, and R&B hits). The cover photograph was taken by the fashion photographer Robert Freeman, and it has been mimicked by several music groups over the years. The album became the first Beatles album released in North America when it was released in Canada on 25 November under the augmented title Beatlemania! With the Beatles, with additional text on the album cover, and issued only in mono at the time, catalogue number T 6051 (a stereo Canadian release would come in 1968, catalogue number ST 6051). With The Beatles was unevenly "split" over the group's first two Capitol albums in the United States; nine tracks were issued on Meet the Beatles! (the eight original compositions plus "Till There Was You"), and the remaining five, all "covers", were placed on The Beatles' Second Album. The LP had advance orders of a half million and sold another half million by September 1965, making it the second album to sell a million copies in the United Kingdom, after the soundtrack to the 1958 film South Pacific.[14] With the Beatles remained at the top of the charts for 21 weeks, displacing Please Please Me, so that the Beatles occupied the top spot for 51 consecutive weeks. It even reached number 11 in the "singles charts" (because at the time UK charts counted all records sold, regardless of format). EMI Australia did not receive the cover art, and used different shots of the band in a similar style to the black-and-white photograph on other releases. The Beatles were unaware of this until fans showed them the cover during their only Australian tour, and informed the EMI publicity staff that they were not pleased with the substitution.[15] On 26 February 1987, With the Beatles was officially released on compact disc (in mono only, catalogue number CDP 7 46436 2). Having been available only as an import in the US in the past, the album was also issued domestically in the US on LP and cassette on 21 July 1987. Along with the rest of the Beatles' canon, it was re-released on CD in newly re-mastered stereo and mono versions on 9 September 2009. The album was ranked number 420 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time in 2003,[16] and was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.[17]

Trackslijst

1	It Won’t Be Long	2:13
2	All I’ve Got to Do	2:05
3	All My Loving	2:09
4	Don’t Bother Me	2:29
5	Little Child	1:48
6	Till There Was You	2:17
7	Please Mister Postman	2:35
8	Roll Over Beethoven	2:48
9	Hold Me Tight	2:33
10	You Really Got a Hold on Me	3:03
11	I Wanna Be Your Man	1:59
12	Devil in Her Heart	2:28
13	Not a Second Time	2:08
14	Money	2:48

Yellow Submarine (Mono)

Algemeen

Artiest	The Beatles
Label	Apple Records
Datum uitgave	1968
Speelduur	40:13
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Yellow Submarine is the tenth studio album by English rock band the Beatles, released on 13 January 1969 in the United States and on 17 January 1969 in the United Kingdom. It was issued as the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" (1966) and "All You Need Is Love" (1967). The remainder of the album was a re-recording of the film's orchestral soundtrack by the band's producer, George Martin. The project was regarded as a contractual obligation by the Beatles, who were asked to supply four new songs for the film. Some songs were written and recorded specifically for the soundtrack, while others were unreleased tracks from other projects. The album was issued two months after the band's self-titled double LP (also known as the "White Album") and was therefore not viewed by the band as a significant release. Yellow Submarine has since been afforded a mixed reception from music critics, some of whom consider that it falls short of the high standard generally associated with the Beatles' work. It reached the top 5 in the UK and the US, and has been reissued on compact disc several times.

Trackslijst

1	Yellow Submarine	2:43
2	Only a Northern Song	3:28
3	All Together Now	2:14
4	Hey Bulldog	3:14
5	It's All Too Much	6:28
6	All You Need Is Love	3:53
7	Pepperland	2:24
8	Sea of Time	3:00
9	Sea of Holes	2:21
10	Sea of Monsters	3:40
11	March of the Meanies	2:22
12	Pepperland Laid Waste	2:15
13	Yellow Submarine in Pepperland	2:11

Help!

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1965-08-06
Speelduur	34:20
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Help! is the fifth studio album by English rock band the Beatles, the soundtrack from their film Help!, and released on 6 August 1965. Produced by George Martin, it was the fifth UK album release by the band, and contains fourteen songs in its original British form. Seven of these, including the singles "Help!" and "Ticket to Ride", appeared in the film and took up the first side of the vinyl album. The second side contained seven other releases including the most-covered song ever written, "Yesterday".[4] The American release was a true soundtrack album, mixing the first seven songs with instrumental material from the film. Of the other seven songs that were on the British release, two were released on the US version of the next Beatles album, Rubber Soul, two were back-to-back on the next US single and then appeared on Yesterday and Today, and three had already been on Beatles VI. In 2012, Help! was voted 331st on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".[5] In September 2013, after the British Phonographic Industry changed their sales award rules, the album was declared as having gone platinum.[6]

Trackslijst

1	Help!	2:21
2	The Night Before	2:36
3	You’ve Got to Hide Your Love Away	2:11
4	I Need You	2:31
5	Another Girl	2:08
6	You’re Going to Lose That Girl	2:20
7	Ticket to Ride	3:12
8	Act Naturally	2:33
9	It’s Only Love	1:58
10	You Like Me Too Much	2:38
11	Tell Me What You See	2:39
12	I’ve Just Seen a Face	2:07
13	Yesterday	2:07
14	Dizzy Miss Lizzy	2:54

Beatles for Sale

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1964
Speelduur	34:15
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. Eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only. The album marked a departure from the ebullient tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. The songs introduced darker musical moods and more introspective lyrics, with John Lennon adopting an autobiographical perspective in compositions such as "I'm a Loser" and "No Reply". The album also reflected the twin influences of country music and Bob Dylan, whom the Beatles met in New York in August 1964. The Beatles recorded the album at EMI Studios in London in between their touring and radio engagements. Partly as a result of the group's hectic schedule, only eight of the tracks are original compositions, with cover versions of songs by artists such as Carl Perkins, Chuck Berry, Buddy Holly and Little Richard being used to complete the album. The sessions also produced a non-album single, "I Feel Fine" backed by "She's a Woman". In Britain, Beatles for Sale held the number-one spot for 11 of the 46 weeks that it spent in the top 20. The album was similarly successful in Australia, where the band's cover of Berry's "Rock and Roll Music" also topped the singles chart. One of the songs omitted from the US version of the album, "Eight Days a Week", became the Beatles' seventh number one in the United States when issued as a single there in February 1965. Beatles for Sale was not released in the US until 1987, when the Beatles' catalogue was standardised for release on CD.

Trackslijst

1	No Reply	2:18
2	I’m a Loser	2:34
3	Baby’s in Black	2:08
4	Rock and Roll Music	2:34
5	I’ll Follow the Sun	1:51
6	Mr. Moonlight	2:37
7	Medley: Kansas City / Hey‐Hey‐Hey‐Hey!	2:33
8	Eight Days a Week	2:45
9	Words of Love	2:15
10	Honey Don’t	3:00
11	Every Little Thing	2:05
12	I Don’t Want to Spoil the Party	2:36
13	What You’re Doing	2:35
14	Everybody’s Trying to Be My Baby	2:24

Silver Beatles (The)

Algemeen

Artiest	The Beatles
Label	Allround Trading
Datum uitgave	1979
Speelduur	27:30
Genre	Beatles

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Three Cool Cats	2:18
2	Crying, Waiting, Hoping	1:57
3	September in the Rain	1:51
4	Besame Mucho	2:34
5	Searchin'	2:56
6	Sheik of Araby	1:38
7	To Know Her Is to Love Her	2:28
8	Take Good Care of My Baby	2:19
9	Memphis	2:14
10	Sure to Fall (In Love With You)	1:57
11	Money	2:20
12	Till There Was You	2:53

Silver Beatles (The)

Algemeen

Artiest	The Beatles
Label	Ultra Sound
Datum uitgave	1979
Speelduur	27:30
Genre	Beatles

Details

Producent
Componist
Opmerkingen

Trackslijst

1	Three Cool Cats	2:18
2	Crying, Waiting, Hoping	1:57
3	September in the Rain	1:51
4	Besame Mucho	2:34
5	Searchin'	2:56
6	Sheik of Araby	1:38
7	To Know Her Is to Love Her	2:28
8	Take Good Care of My Baby	2:19
9	Memphis	2:14
10	Sure to Fall (In Love With You)	1:57
11	Money	2:20
12	Till There Was You	2:53

Beatles Featuring Tony Sheridan (The)

Algemeen

Artiest	The Beatles
Label	Polydor
Datum uitgave	1973
Speelduur	32:24
Genre	Rock & Roll

Details

Producent	Various
Componist	Various
Opmerkingen	https://www.thebeatles.com/photo-album/early-years

Trackslijst

A1	Ain’t She Sweet	2:10
A2	Cry for a Shadow	2:22
A3	Let’s Dance	2:32
A4	My Bonnie	2:06
A5	Take Out Some Insurance On Me Baby	2:52
A6	What’d I Say	2:37
B1	Sweet Georgia Brown	2:03
B2	The Saints	3:19
B3	Ruby Baby	2:48
B4	Why (Can't You Love Me Again)	2:55
B5	Nobody’s Child	3:52
B6	Ya Ya	2:48

Beatles' Greatest

Algemeen

Artiest	The Beatles
Label	Odeon
Datum uitgave	1967
Speelduur	38:47
Genre	Beatles

Details

Producent
Componist
Opmerkingen

Trackslijst

1	I Want to Hold Your Hand	2:24
2	Twist and Shout	2:34
3	A Hard Day’s Night	2:32
4	Eight Days a Week	2:44
5	I Should Have Known Better	2:44
6	Long Tall Sally	2:07
7	She Loves You	2:22
8	Please Mister Postman	2:35
9	I Feel Fine	2:23
10	Rock and Roll Music	2:34
11	Ticket to Ride	3:11
12	Please Please Me	2:03
13	It Won’t Be Long	2:13
14	From Me to You	1:57
15	Can’t Buy Me Love	2:14
16	All My Loving	2:09

Beatles (The)

Algemeen

Artiest	The Beatles
Label	Apple Records
Datum uitgave	1968
Speelduur	93:50
Genre	Beatles

Details

Producent	George Martin, Chris Thomas
Componist
Opmerkingen	The Beatles, also known as the White Album, is the ninth studio album by English rock group the Beatles, released on 22 November 1968. A double album, its plain white sleeve has no graphics or text other than the band's name embossed,[a] which was intended as a direct contrast to the vivid cover artwork of the band's earlier Sgt. Pepper's Lonely Hearts Club Band. Although no singles were issued from The Beatles in Britain and the United States, the songs "Hey Jude" and "Revolution" originated from the same recording sessions and were issued on a single in August 1968. The album's songs range in style from British blues and ska to tracks influenced by Chuck Berry and by Karlheinz Stockhausen. Most of the songs on the album were written during March and April 1968 at a Transcendental Meditation course in Rishikesh, India. The group returned to EMI Studios (now known as Abbey Road Studios) in May to commence recording sessions that lasted through to October. During these sessions, arguments broke out among the Beatles, and witnesses in the studio saw band members quarrel over creative differences. Another divisive element was the constant presence of John Lennon's new partner, Yoko Ono, whose attendance at the sessions broke with the Beatles' policy regarding wives and girlfriends. After a series of problems, including producer George Martin taking a sudden leave of absence and engineer Geoff Emerick quitting, Ringo Starr left the band briefly in August. The same tensions continued throughout the following year, leading to the eventual break-up of the Beatles in April 1970. On release, The Beatles received favourable reviews from the majority of music critics, but other commentators found its satirical songs unimportant and apolitical amid the turbulent political and social climate of 1968. The band and Martin have since debated whether the group should have released a single album instead. Nonetheless, The Beatles reached number one on the charts in both the United Kingdom and the United States and has since been viewed by some critics as one of the greatest albums of all time.

Trackslijst

1	Back in the U.S.S.R.	2:43
2	Dear Prudence	3:56
3	Glass Onion	2:17
4	Ob‐La‐Di, Ob‐La‐Da	3:08
5	Wild Honey Pie	0:52
6	The Continuing Story of Bungalow Bill	3:14
7	While My Guitar Gently Weeps	4:45
8	Happiness Is a Warm Gun	2:43
9	Martha My Dear	2:28
10	I’m So Tired	2:03
11	Blackbird	2:18
12	Piggies	2:04
13	Rocky Raccoon	3:32
14	Don’t Pass Me By	3:50
15	Why Don’t We Do It in the Road?	1:41
16	I Will	1:46
17	Julia	2:54
18	Birthday	2:44
19	Yer Blues	4:01
20	Mother Nature’s Son	2:49
21	Everybody’s Got Something to Hide Except Me and My Monkey	2:26
22	Sexy Sadie	3:17
23	Helter Skelter	4:30
24	Long, Long, Long	3:05
25	Revolution 1	4:16
26	Honey Pie	2:42
27	Savoy Truffle	2:55
28	Cry Baby Cry	3:13
29	Revolution 9	8:13
30	Good Night	3:11

Magical Mystery Tour

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1967-12-08
Speelduur	37:10
Genre	Soundtrack, Beatles

Details

Producent	George Martin
Componist
Opmerkingen	Magical Mystery Tour is an album by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. Produced by George Martin, it includes the soundtrack to the 1967 film of the same name. The EP was issued in the UK on 8 December 1967 on the Parlophone label, while the Capitol Records LP release in the US occurred on 27 November and featured eleven tracks with the addition of songs from the band's 1967 singles. The first release as an eleven-track LP in the UK did not occur until 1976. Despite widespread media criticism of the Magical Mystery Tour film, the soundtrack was a critical and commercial success and a number one Grammy-nominated album in the US. When EMI issued the Beatles' catalogue on compact disc in 1987, the track listing of the 1967 US LP was adopted rather than the six-song UK release.

Trackslijst

1	Magical Mystery Tour	2:54
2	The Fool on the Hill	3:02
3	Flying	2:19
4	Blue Jay Way	3:59
5	Your Mother Should Know	2:32
6	I Am the Walrus	4:39
7	Hello Goodbye	3:33
8	Strawberry Fields Forever	4:13
9	Penny Lane	3:05
10	Baby You’re a Rich Man	3:06
11	All You Need Is Love	3:48

Abbey Road

Algemeen

Artiest	The Beatles
Label	Odeon
Datum uitgave	1969
Speelduur	47:25
Genre	Beatles

Details

Producent	George Martin
Componist	Lennon/McCartney
Opmerkingen	Abbey Road is the eleventh studio album by English rock band the Beatles, released on 26 September 1969 by Apple Records. The recording sessions for the album were the last in which all four Beatles participated. Although Let It Be was the final album that the Beatles completed before the band's dissolution in April 1970, most of the album had been recorded before the Abbey Road sessions began.[1] A double A-side single from the album, "Something"/"Come Together", released in October, topped the Billboard chart in the US. Abbey Road is a rock album[2] that incorporates genres such as blues, pop, and progressive rock,[3] and it makes prominent use of the Moog synthesizer and the Leslie speaker. Side two contains a medley of song fragments edited together to form a single piece. The album was recorded amid a more enjoyable atmosphere than the Get Back/Let It Be sessions earlier in the year, but there were still frequent disagreements within the band, particularly over Paul McCartney's song "Maxwell's Silver Hammer". John Lennon had privately left the group by the time the album was released and McCartney publicly quit the following year. A 16-minute medley of several short songs comprise the majority of side two, closing with the lyric "and in the end, the love you take is equal to the love you make". Although Abbey Road was an immediate commercial success and reached number one in the UK and US, it initially received mixed reviews, some critics describing its music as inauthentic and bemoaning the production's artificial effects. Many critics now view the album as the Beatles' best and rank it as one of the greatest albums of all time. In particular, George Harrison's contributions, "Something" and "Here Comes the Sun", are considered to be among the best songs he wrote for the group. The album's cover features the four band members walking across a zebra crossing outside Abbey Road Studios and has become one of the most famous and imitated images in the history of popular music.

Trackslijst

1	Come Together	4:21
2	Something	3:03
3	Maxwell’s Silver Hammer	3:27
4	Oh! Darling	3:27
5	Octopus’s Garden	2:51
6	I Want You (She's So Heavy)	7:47
7	Here Comes the Sun	3:06
8	Because	2:46
9	You Never Give Me Your Money	4:02
10	Sun King	2:26
11	Mean Mr. Mustard	1:06
12	Polythene Pam	1:13
13	She Came In Through the Bathroom Window	1:58
14	Golden Slumbers	1:32
15	Carry That Weight	1:37
16	The End	2:20
17	Her Majesty	0:23

Let It Be

Algemeen

Artiest	The Beatles
Label	Apple Records
Datum uitgave	1970-11-06
Speelduur	35:03
Genre	Beatles

Details

Producent	Phil Spector
Componist
Opmerkingen	Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, almost a month after the group's break-up. Like most of the band's previous releases, it was a number one album in many countries, including both the US and the UK, and was released in tandem with the motion picture of the same name. The album was conceived as Get Back, a return to the Beatles' earlier, less complicated approach to music. It was recorded and projected for release before their album Abbey Road (1969); for this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group's final album and Let It Be the penultimate. Rehearsals began at Twickenham Film Studios in January 1969 as part of a planned documentary showing the Beatles preparing to return to live performance. A project instigated by Paul McCartney, the filmed rehearsals were marked by ill-feeling, leading to George Harrison's temporary departure from the group. As a condition of his return, the Beatles reconvened at their own Apple Studio, where they completed the recordings with the help of guest musician Billy Preston. Following several rejected mixes by Glyn Johns, a new version of the album was produced by Phil Spector in March–April 1970. While three songs from the sessions were released as singles before the album's release, "Get Back"/"Don't Let Me Down" and "Let It Be", the songs were remixed by Spector for the album and "Don't Let Me Down" was not included. Let It Be... Naked was released in 2003, an alternative version of the album, without any of Spector's production work and using some different takes of songs.

Trackslijst

1	Two of Us	3:36
2	Dig a Pony	3:54
3	Across the Universe	3:47
4	I Me Mine	2:26
5	Dig It	0:50
6	Let It Be	4:03
7	Maggie Mae	0:40
8	I’ve Got a Feeling	3:37
9	One After 909	2:53
10	The Long and Winding Road	3:38
11	For You Blue	2:32
12	Get Back	3:07

1962–1966

Algemeen

Artiest	The Beatles
Label	Apple Records
Datum uitgave	1973
Speelduur	62:40
Genre	Beatles

Details

Producent	George Martin
Componist	Lennon/McCartney
Opmerkingen	1962–1966 (also known as "The Red Album") is a compilation album by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart 1967–1970 ("The Blue Album") in 1973, it reached No. 3 in the United Kingdom and No. 1 in the United States Cash Box album chart. However, in Billboard, 1962–1966 peaked at No. 3, while 1967–1970 reached the top spot. The album was re-released in September 1993 on compact disc, charting at No. 3 in the UK. The album was compiled by Beatles manager Allen Klein.[5] Even though the group had success with cover versions of songs, most notably with "Twist and Shout", which made number 2 on the Billboard charts, only songs composed by the Beatles were included. As with 1967–1970, this compilation was produced by Apple/EMI at least partially in response to a bootleg collection titled Alpha Omega, which had been sold on television the previous year. Print advertising for the two records made a point of declaring them "the only authorized collection of the Beatles."[6]

Trackslijst

1	Love Me Do	2:23
2	Please Please Me	2:03
3	From Me to You	1:57
4	She Loves You	2:22
5	I Want to Hold Your Hand	2:27
6	All My Loving	2:09
7	Can’t Buy Me Love	2:14
8	A Hard Day’s Night	2:34
9	And I Love Her	2:31
10	Eight Days a Week	2:45
11	I Feel Fine	2:20
12	Ticket to Ride	3:11
13	Yesterday	2:05
14	Help!	2:20
15	You’ve Got to Hide Your Love Away	2:11
16	We Can Work It Out	2:16
17	Day Tripper	2:50
18	Drive My Car	2:28
19	Norwegian Wood (This Bird Has Flown)	2:05
20	Nowhere Man	2:44
21	Michelle	2:42
22	In My Life	2:27
23	Girl	2:32
24	Paperback Writer	2:19
25	Eleanor Rigby	2:08
26	Yellow Submarine	2:37

Help! (USA)

Algemeen

Artiest	The Beatles
Label	Parlophone
Datum uitgave	1965-08-06
Speelduur	34:20
Genre	Beatles

Details

Producent	George Martin
Componist
Opmerkingen	The American release was a true soundtrack album, mixing the first seven songs with instrumental material from the film. Of the other seven songs that were on the British release, two were released on the US version of the next Beatles album, Rubber Soul, two were back-to-back on the next US single and then appeared on Yesterday and Today, and three had already been on Beatles VI. In 2012, Help! was voted 331st on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".[5] In September 2013, after the British Phonographic Industry changed their sales award rules, the album was declared as having gone platinum.[6] http://www.beatlesebooks.com/help-soundtrack

Trackslijst

1	Help!	2:21
2	The Night Before	2:36
3	You’ve Got to Hide Your Love Away	2:11
4	I Need You	2:31
5	Another Girl	2:08
6	You’re Going to Lose That Girl	2:20
7	Ticket to Ride	3:12
8	Act Naturally	2:33
9	It’s Only Love	1:58
10	You Like Me Too Much	2:38
11	Tell Me What You See	2:39
12	I’ve Just Seen a Face	2:07
13	Yesterday	2:07
14	Dizzy Miss Lizzy	2:54

Bee Gees Complete Hit Album (The)

Algemeen

Artiest	The Bee Gees
Label	Polydor
Datum uitgave	2001-04-21
Speelduur	15:49
Genre	Pop, Pop Rock

Details

Producent
Componist
Opmerkingen

Trackslijst

1	This Is Where I Came In	0:41
2	Man in the Middle	1:33
3	I’ve Gotta Get a Message to You (live at the MGM Grand)	4:11
4	Run to Me (live at the MGM Grand)	1:13
5	Too Much Heaven (live at the MGM Grand)	2:00
6	The Making of the Video This Is Where I Came In (CD-ROM)	6:08

Spirits Having Flown

Algemeen

Artiest	The Bee Gees
Label	RSO
Datum uitgave	1979
Speelduur	45:31
Genre	Pop, Pop Rock

Details

Producent
Componist
Opmerkingen	Spirits Having Flown is the fifteenth album released by the Bee Gees. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers and tying a record set by The Beatles. It was the first Bee Gees album to make the UK top 40 in ten years (not counting the soundtrack for Saturday Night Fever), as well as being their first and only UK No. 1 album. Spirits Having Flown marked the tail end of the band's most successful era, prior to a severe downturn in the early 1980s when they would endure a near-total radio blackout (particularly in America) that Robin Gibb would refer to as "censorship" and "evil" in interviews. Reprise Records remastered and re-released the album on CD in 2006, although it did not include any additional bonus tracks, demos or outtakes.

Trackslijst

1	Tragedy	5:05
2	Too Much Heaven	4:57
3	Love You Inside Out	4:13
4	Reaching Out	4:07
5	Spirits (Having Flown)	5:21
6	Search, Find	4:16
7	Stop (Think Again)	6:41
8	Living Together	4:23
9	I'm Satisfied	3:58
10	Until	2:27

I've Gotta Get A Message To You

Algemeen

Artiest	The Bee Gees
Label	Polydor
Datum uitgave	1968
Speelduur	0:00
Genre	Pop

Details

Producent	Bee Gees, Robert Stigwood
Componist	Robin Gibb, Barry Gibb & Maurice Gibb, Vince Melouney
Opmerkingen	Slechte Hoes!! "I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart[1] and their first US Top 10 hit. The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife.[2] Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark."[3] The song was written with Percy Sledge in mind to record it.[4] Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time. Barry recalled, "In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it." Robin adds: "It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on".[5] "I've Gotta Get a Message to You" was recorded with "I Laugh in Your Face" (released on Odessa in 1969) on 12 July 1968. This track was not recorded during the Idea sessions, which had concluded on 25 June 1968 with the recording of "I Started a Joke".[6] As Barry explained, "Now that was a memorable night. The song we wrote together, all three of us. I think that night, I know for a fact, we didn't sing the choruses in harmony. Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody. I want three-part harmony choruses.' So we went in and attempted that 'round about midnight. Everyone drove back to the studio, and that's what we did." The song features bass guitar lines by Maurice Gibb as Barry explained, "He had a lot of intensity in his bass, Mo was a real McCartney bass freak, as a lot of us were. He would pick up on all the things that McCartney would [do]. Maurice was very good on different instruments, you know. Good lead guitarist, good bass player, good keyboard player. He was versatile. He loved playing bass more than anything else, I think, at that time."[5]

Trackslijst

A1	Let There Be Love	0:00
A2	Kitty Can	0:00
A3	In The Summer Of His Years	0:00
A4	Indian Gin & Whisky Dry	0:00
A5	Down To Earth	0:00
A6	Such A Shame	0:00
B1	I've Gotta Get A Message To You	0:00
B2	When The Swallows Fly	0:00
B3	I've Decided To Join The Air Force	0:00
B4	I Started A Joke	0:00
B5	Kilburn Towers	0:00
B6	Swan Song	0:00

Souvenirs

Algemeen

Artiest	The Blue Diamonds
Label	Philips
Datum uitgave
Speelduur
Genre	Pop

Details

Producent	Diversen
Componist	Diversen
Opmerkingen	The Blue Diamonds was een Nederlands duo bestaande uit de broers Riem en Ruud de Wolff. De broers, van Nederlands-Indische afkomst, braken in 1960 door met de wereldwijde hit Ramona. Ontstaan Riem en Ruud de Wolff kwamen in 1949 met hun ouders naar Nederland en woonden daar in Driebergen. Ze zongen in hun tienerjaren op schoolfeesten in bandjes als The String Extase Boys en The Cool Cats. Het repertoire bestond voornamelijk uit covers van The Everly Brothers, zo ook hun debuutsingle (Till) I kissed you. In 1960 stond hun uitvoering van de song Ramona uit 1927 maandenlang in de hitlijsten, en ook in veel andere landen was het nummer een grote hit. Andere succesnummers uit die tijd waren onder andere Oh Carol en Little Ship. Begin jaren zestig toerden de broers samen met Anneke Grönloh door Indonesië, terwijl in Nederland en andere Europese landen verschillende nummers de hitparade haalden. Voor Ramona ontvingen de broers een Edison uit handen van Wim Sonneveld, nadat er zeven miljoen exemplaren waren verkocht. Ook in de jaren zeventig brachten The Blue Diamonds diverse singles uit, maar het stormachtige succes van Ramona werd niet meer geëvenaard. Dat trof als eerste hun versie van Save the last dance for me. Begin jaren tachtig namen zij in Indonesië diverse platen op in het Maleis, waarvan miljoenen exemplaren over de toonbank gingen. Tot de dood van Ruud de Wolff in december 2000 bleven The Blue Diamonds platen maken en optreden. Echt grote successen bleven uit, maar de typische Blue Diamonds-sound bleef populair. Na de dood van Ruud op 18 december 2000 op 59 jarige leeftijd, bleef Riem optreden als soloartiest, met een begeleidingsband en als duo met zijn zoon Steffen onder de naam The New Diamonds Op 29 april 2005 werd Riem benoemd tot Ridder in de orde van Oranje Nassau. Hij overleed op 12 september 2017 op 74-jarige leeftijd.

Trackslijst

A1	Yes Tonight, Josephine
A2	Near You
A3	Goodnight Irene
A4	Carolina In The Morning
A5	Vaya Con Dios
A6	My Grandfather's Clock
A7	Goodnight Sweetheart
A8	Pretty Blue Eyes
B1	The Banana Boat Song
B2	Let It Be Me
B3	Among My Souvenirs
B4	Mexicall Rose
B5	Margie
B6	Missouri Waltz
B7	Amapola
B8	When Day Is Done
C1	Ramona
C2	Baby Face
C3	All Of Me
C4	Down By The Riverside
C5	Little Ship
C6	I'm Forever Blowing Bubbles
C7	Hey! Ba-ba-re-bop
C8	Cathy's Clown
D1	('Til) I Kissed You
D2	In A Little Spanish Town
D3	Isle Of Capri
D4	Oh Carol
D5	Sukiyaki
D6	Rag Mop
D7	Pagan Love Song
D8	Lilli Marlene

Mondo Bongo

Algemeen

Artiest	The Boomtown Rats
Label	Phonogram Records
Datum uitgave	1980
Speelduur	0:00
Genre	New wave, Rock

Details

Producent	Tony Vosconti
Componist	Geldof, Briquette, Crowe
Opmerkingen	Mondo Bongo was The Boomtown Rats' fourth album.[2] It peaked at No. 6 in the UK Albums Chart in February 1981,[4] and No. 116 in the US Billboard 200.[5] It included the hit singles: "Banana Republic", which had reached No. 3 in the UK Singles Chart in November 1980 and "The Elephants Graveyard (Guilty)" which made No. 26 in January 1981.[4] The album received mixed reviews in the press, with American critics being generally more positive than their British counterparts. New Musical Express put down the record as "hollow pop, quaking under a plethora of poorly integrated rip-offs", while Sounds called it "self-indulgent" and lacking in depth or emotion.[6] Rolling Stone, however, praised it as "an intoxicating mixture of pop and punk", and Trouser Press called it "an enormously enjoyable LP, with hardly a dry patch on it".[6]

Trackslijst

Mr. Tambourine Man / I Knew I'd Want You

Algemeen

Artiest	The Byrds
Label	CBS
Datum uitgave	1965
Speelduur	4:31
Genre	Rock

Details

Producent	Terry Melcher
Componist
Opmerkingen	"Mr. Tambourine Man" is a song by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The Byrds released a jangle pop version in April of the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. This song has been performed and recorded by many artists, including Judy Collins, Odetta, Melanie, and William Shatner. The song's popularity led to Dylan recording it live many times, and it has been included in multiple Dylan and Byrds compilation albums. It has been translated into other languages, and has been used or referenced in television shows, films, and books. The song has a bright, expansive melody and has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singer's muse, a reflection of the audience's demands on the singer, and religious interpretations. Dylan's song has four verses, of which The Byrds only used the second for their recording. Dylan's and The Byrds' versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stone's list of the 500 best songs ever. Both versions received Grammy Hall of Fame Awards. The Byrds' version Release The Byrds performing "Mr. Tambourine Man" on The Ed Sullivan Show, December 12, 1965 "Mr. Tambourine Man", recorded in January 1965, was released on April 12, 1965 by Columbia Records as the debut single of the Byrds,[36] and in June 1965 as the title track of the band's debut album, Mr. Tambourine Man.[36] The Byrds' version is abridged and in a different key from Dylan's original. The single's success initiated the folk rock boom of 1965 and 1966, many acts imitating the band's hybrid of rock beat, jangly guitar, and poetic or socially conscious lyrics.[15][37] The single, the "first folk rock smash hit",[38] gave rise to the very term "folk rock" in the U.S music press to describe the band's sound.[39][40] This hybrid had its antecedents in the American folk revival of the early 1960s,[41] the Animals's rock-oriented recording of the folk song "The House of the Rising Sun,"[42] the folk-influences present in the songwriting of the Beatles,[43] and the twelve-string guitar jangle of the Searchers, and the Beatles's George Harrison.[44] However, the success of the Byrds' debut created a template for folk rock that proved successful for many acts during the mid-1960s. [15][45] Conception Mr. Tambourine Man (1964 demo) MENU0:00 An excerpt from a 1964 demo recording of "Mr. Tambourine Man" by the Byrds, highlighting Michael Clarke's martial, marching band-style drumming. Problems playing this file? See media help. Most of the members of the Byrds had a background in folk music,[38] since Roger McGuinn (then known as Jim McGuinn), Gene Clark, and David Crosby had all worked as folk singers during the early 1960s.[46][47] They had spent time, independently of each other, in various folk groups, including the New Christy Minstrels, the Limeliters, the Chad Mitchell Trio, and Les Baxter's Balladeers.[46][48][49][50] In early 1964, McGuinn, Clark, and Crosby formed The Jet Set and started developing a fusion of folk-based lyrics and melodies, with arrangements in the style of the Beatles.[47][51] In August 1964, the band's manager Jim Dickson acquired an acetate disc of "Mr. Tambourine Man" from Dylan's publisher, featuring a performance by Dylan and Ramblin' Jack Elliott.[3][47][52] Although the band members were initially unimpressed with the song, they began rehearsing and demoing it.[53] In an attempt to make it sound more like the Beatles, the band and Dickson elected to give the song a full, electric rock band treatment.[38][52][53] To further bolster the group's confidence in the song, Dickson invited Dylan to hear the band's rendition.[54] Dylan was impressed, enthusiastically commenting, "Wow, you can dance to that!" His endorsement erased any lingering doubts the band had about the song.[54] During this period, drummer Michael Clarke and bass player Chris Hillman joined,[47] and the band changed their name to the Byrds.[52] The two surviving demos of "Mr. Tambourine Man" dating from this period feature an incongruous marching band drum part from Clarke but overall the arrangement, which utilized a 4/4 time signature instead of Dylan's 2/4 configuration, is very close to the later single version.[55][56]

Trackslijst

A	Mr. Tambourine Man	2:18
B	I Knew I'd Want You	2:13

In One Eye and Out the Other

Algemeen

Artiest	The Cate Brothers
Label	Wounded Bird Records
Datum uitgave	2009-08-11
Speelduur	41:32
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	For their sophomore effort, the Cate Brothers -- twin siblings Earl Cate (lead guitar, vocals) and Ernie Cate (vocals, keyboards) -- were once more working with producer Steve Cropper, who also plays on some tracks, along with Donald "Duck" Dunn and a brace of top session men, including Jim Horn and Bobby Keys. And the production here is pretty powerful stuff, soaring most of the time whether Earl and Ernie Cate are doing slow soul ballads ("Start All Over Again") or driving, high-energy numbers, such as the title cut -- although no matter how imposing the overall sound and the playing within, it's always rooted around the vocalizing by the two Cates (helped at times by Cropper, and Terry Cagle and Albert Singleton). Apart from the superb playing and singing, the amazing aspect of this record is how much it was ignored by most of the public at the time of its release, at least outside of the South where the Cates had built an audience. The Cate Brothers were a more soulful and virtuoso outfit than the Doobie Brothers, whose sales at the time were almost a license to print money. And as this album reveals, they were better at assimilating and building on the Motown sound as a foundation for soul-based rock than the Doobies, and Cropper's production gave them an ever better claim to the Stax/Volt sonic legacy than their considerable natural inclinations in that direction would have led them -- and it's all merged seamlessly here. Perhaps the problem was that Asylum Records, with its reputation as a haven for singer/songwriters, just wasn't the label to break an act like this -- one wonders if the Cates might have fared better if they'd been signed to Asylum's sister label Atlantic Records instead. In any case, most of the resulting album was comprised of songs that few listeners would mind hearing more than once in the same sitting, with highlights that include "Can't Stop," "Start All Over Again," and "Where Can We Go." And somebody must have recognized that In One Eye and Out the Other was still a great record 30-plus years later, because it finally saw CD release in the 21st century.

Trackslijst

1	Start All Over Again	3:58
2	In One Eye and Out the Other	4:09
3	Can't Stop	5:06
4	Stuck in Chicago	3:00
5	Travelin' Man	4:49
6	Give It All to You	4:12
7	Music Making Machine	4:31
8	Let's Just Let It Be	3:29
9	I Don't Want Nobody (Standing Over Me)	4:02
10	Where Can We Go	4:16

Cyril Dagworth Players (The)

Algemeen

Artiest	The Cyril Dagworth Players
Label	Pye Records
Datum uitgave	1976
Speelduur	0:00
Genre	Pop Rock

Details

Producent
Componist
Opmerkingen	Desmond Parton (born David Eric Stanley Parton) is an English singer-songwriter and record producer from Newcastle Under Lyme, Staffordshire, England. He is also known as Des Parton, based on the initials of his first three names. Parton was the frontman of Strange Fox, who were nurtured by Tony Hatch in the early 1970s.[1] Parton achieved songwriting success writing songs for Sweet Sensation in the mid-1970s, namely "Sad Sweet Dreamer" which was a number 1 single in the UK, and "Purely by Coincidence" which also charted.[1] He arranged and co-produced both tracks with Tony Hatch and Jackie Trent.[2] In 1975, Parton released an album entitled Snaps on the Buk record label, a short lived imprint of Decca Records.[3] A year later he re-emerged with a band called The Cyril Dagworth Players, where Parton masqueraded as Dagworth. They released one album, also co-produced by Parton and Hatch.[4][5] Parton then sang a cover version of Stevie Wonder's "Isn't She Lovely" which he again co-produced with Hatch. When the original contracted singer (Marcel King from Sweet Sensation) was unable re-create Wonder's vocal nuances, rather than dispose of the backing track, Parton sang the lead vocal, and it was decided to issue this version.[1] It was released on 15 January 1977 and was in the UK Singles Chart for nine weeks, reaching number 4.[6] Lack of further chart action saw him dubbed as a one-hit wonder. He later worked as a songwriter and producer based in Cheshire.[1] He has generally sung and played guitar with local bands from North Staffordshire.

Trackslijst

Captain And Me (The)

Algemeen

Artiest	The Doobie Brothers
Label	Warner Bros. Records
Datum uitgave	1973
Speelduur	41:53
Genre	Rock

Details

Producent	Ted Templeman
Componist
Opmerkingen	The Captain and Me is the third studio album by American rock band The Doobie Brothers. The album was released on March 2, 1973, by Warner Bros. Records. It features some of their most popular hits including "Long Train Runnin'", "China Grove" and "Without You". The album is certified 2× Platinum by the RIAA. It was voted number 835 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[8] There was pressure on the band to move quickly[citation needed] and to save time they began reworking old tunes. One of Tom Johnston's songs, "Osborn", had been an improvisational piece that the band played live. After laying down the track, according to producer Ted Templeman, "We still really didn't have it, and I said, 'Make it about a train, since you have this thing about 'Miss Lucy down along the track.' So he came up with "Long Train Runnin'." Synthesizers and strings were brought in to record The Captain and Me. Synth programmers Malcolm Cecil and Robert Margouleff were brought in to engineer the opening track, "Natural Thing". Striving for a synthesized sound like that of The Beatles' "Being for the Benefit of Mr. Kite!", they would overdub individual notes to create chords for the song's bridge.[9] "Dark Eyed Cajun Woman" was a bluesy track (one of the band's earliest) and seen by Johnston as a tribute to the blues and B.B. King. "South City Midnight Lady", while being about South San Francisco, is not about any woman in particular. Jeff Baxter of Steely Dan played pedal steel guitar on the track. He would become an official Doobie Brother in 1974. Cecil and Margouleff also added the synthesized effect of a woman whispering at the end.[9] "Clear as the Driven Snow", according to Johnston, is a warning about recreational chemical abuse, which reflected the band members' lifestyles at that time.[9] The second side of the album opens with the rocker "Without You". This song, like many others, had begun as a jam. "That song had both drummers playing at the same time," Johnston stated. "It was kind of a tribute to The Who. We did it in concert for quite a while." Patrick Simmons' short solo guitar piece "Busted Down Around O'Connelley Corners" segues into "Ukiah", which Johnston wrote in tribute to the area. Johnston said, "We played a few shows in Ukiah, and I used to camp out a lot in the area when I was going to college." The song's back-to-the-land sentiments also reflected some of his feelings at the time, although he admitted he probably couldn't make it as a farmer. This track segues into the album closer and title track, "The Captain and Me". According to Johnston, the captain is no one in particular and the lyrics were written at the last minute and have no real meaning. The song was released as a single in the Netherlands and received some airplay there.

Trackslijst

A1	Natural Thing	3:17
A2	Long Train Runnin'	3:25
A3	China Grove	3:14
A4	Dark Eyed Cajun Woman	4:12
A5	Clear As The Driven Snow	5:18
B1	Without You	4:58
B2	South City Midnight Lady	5:27
B3	Evil Woman	3:17
B4	Busted Down Around O'Connelly Corners	0:48
B5	Ukiah	3:04
B6	The Captain And Me	4:53

L.A. Woman

Algemeen

Artiest	The Doors
Label	Elektra
Datum uitgave	1971
Speelduur	48:46
Genre	Blues Rock

Details

Producent
Componist
Opmerkingen	A. Woman is het zesde album van The Doors, en werd uitgebracht in april 1971. Dit is het laatste studioalbum waarop Jim Morrison nog te horen is. Drie maanden na het verschijnen van de plaat overleed hij in zijn badkamer in Parijs. De baspartijen zijn gespeeld door Jerry Scheff, bassist van Elvis tijdens diens Vegas shows. Jim Morrison zou hem hiervoor hebben gevraagd omdat hij een groot Elvis fan was. Er wordt gezegd dat Scheff als vast lid tot de band zou toetreden. De dood van Morisson maakte hier echter een vroegtijdig einde aan. Het album is in 2000 ook verschenen op dvd-audio, waarbij de oorspronkelijke mixtapes zijn gebruikt. Deze heruitgave in surround sound werd eveneens geproduceerd door Bruce Botnick.[1][2]

Trackslijst

1	The Changeling	4:21
2	Love Her Madly	3:20
3	Been Down So Long	4:41
4	Cars Hiss by My Window	4:12
5	L.A. Woman	7:55
6	L’America	4:37
7	Hyacinth House	3:11
8	Crawling King Snake	5:00
9	The WASP (Texas Radio and the Big Beat)	4:16
10	Riders on the Storm	7:09

Best Of (The)

Algemeen

Artiest	The Doors
Label	Elektra Records
Datum uitgave	1976
Speelduur	0:00
Genre	Blues Rock

Details

Producent
Componist
Opmerkingen	THE DOORS The Best Of The Doors (US Columbia Record Club issue 11-track compilation vinyl LP including Riders On The Storm, Light My Fire Love Her Madly and People Are Strange, pasted picture sleeve

Trackslijst

In Concert

Algemeen

Artiest	The Dubliners
Label	Transatlantic Records
Datum uitgave	1965
Speelduur	44:30
Genre	Irish Folk

Details

Producent
Componist
Opmerkingen	In Concert is a live album by The Dubliners, released in 1965. By the time The Dubliners had recorded their second album live at the Cecil Sharp House in December 1964, they had become a quintet. Luke Kelly had temporarily left the group and Bobby Lynch and John Sheahan had joined. This was to be Lynch's only recording with The Dubliners, as he left the group when Kelly returned. Sheahan has been with the group ever since and in latter years has become their manager.

Trackslijst

1	Roddy McCorley	3:47
2	The Twang Man	2:13
3	Reels (medley)	2:13
4	The Woman From Wexford	2:42
5	The Patriot Game	4:24
6	Roisin Dubh	4:06
7	Air Fa La La Lo	3:45
8	Peggy Lettermore	1:49
9	Easy and Slow	2:59
10	My Love Is in America (Reel)	2:08
11	The Kerry Recruit (alternate take)	4:17
12	The Old Orange Flute	2:59
13	Reels (medley)	2:11
14	Leaving of Liverpool	4:57

Everly Brothers 1957-1960 (The)

Algemeen

Artiest	The Everly Brothers
Label	Barnaby Records
Datum uitgave	1974
Speelduur	97:31
Genre	Rock, Pop

Details

Producent	Archie Bleyer
Componist	Bryant, Orbison, Everley
Opmerkingen	The Everly Brothers, artiestennaam van de broers Isaac Donald (Don) Everly (1937–2021) en Philip (Phil) Everly (1939–2014), was een Amerikaans zangduo, dat zijn grootste succes kende in de jaren vijftig en zestig van de twintigste eeuw. The Everly Brothers zijn vooral bekend geworden door een eigen vorm van close harmony (harmonieuze samenzang), waarbij ze zichzelf begeleidden op de akoestische steelstringgitaar. Doorgaans zong Don de lage baritonpartij, terwijl Phil de tenorzang voor zijn rekening nam. Ze begonnen als countrymuzikanten, maar werden sterk beïnvloed door rock-'n-roll en popmuziek. Zelf oefenden ze met hun muziek grote invloed uit op die van vele andere artiesten. Phil Everly overleed op 3 januari 2014 op 74-jarige leeftijd aan de gevolgen van complicaties door emfyseem en bronchitis.[1] Don overleed op 21 augustus 2021 op 84-jarige leeftijd in zijn woning in Nashville

Trackslijst

A1	Wake Up Little Susie	2:01
A2	Claudette	2:12
A3	Keep A Knockin	2:16
A4	Problems	1:56
A5	Oh, What A Feeling	2:04
A6	Take A Message To Mary	2:25
A7	Devoted To You	2:22
A8	Be-Bop-A-Lula	2:15
A9	Hey, Doll Baby	2:03
A10	When Will I Be Loved	1:59
A11	Let It Be Me	2:35
B1	Bird Dog	2:15
B2	(Till) I Kissed You	2:23
B3	All I Have To Do Is Dream	2:19
B4	Like Strangers	1:56
B5	Rip It Up	2:12
B6	Leave My Woman Alone	2:34
B7	This Little Girl Of Mine	2:14
B8	Poor Jenny	2:06
B9	I Wonder If I Care As Much	2:12
B10	Maybe Tomorrow	2:06
B11	Bye Bye Love	2:19
C1	Love Of My Life	2:18
C2	Brand New Heartache	2:15
C3	Since You Broke My Heart	1:56
C4	Should We Tell Him	2:02
C5	I'm Here To Get My Baby Out Of Jail	4:48
C6	Down In The Willow Garden	3:00
C7	Barbara Allen	4:40
C8	Kentucky	3:05
D1	Lightning Express	4:31
D2	Roving Gambler	3:38
D3	Who's Gonna Shoe Your Pretty Little Feet	2:35
D4	That Silver-Haired Daddy Of Mine	3:07
D5	Rocking Alone In My Old Rockin' Chair	2:58
D6	Put My Little Shoes Away	2:58
D7	Long Time Gone	2:23
D8	Oh So Many Years	2:33

Everly Brothers

Algemeen

Artiest	The Everly Brothers
Label	GRT
Datum uitgave	1974
Speelduur	61:14
Genre	Pop

Details

Producent	Archie Bleyer
Componist	Boudleaux & Felice Bryant
Opmerkingen

Trackslijst

A1	Bye Bye Love	2:19	Boudleaux & Felice Bryant
A2	That Silver-haired Daddy Of Mine	3:07	Gene Autry, Jimmy Long
A3	Poor Jenny	2:06	Boudleaux & Felice Bryant
A4	Maybe Tomorrow	2:06	Don Everly, Phil Everly
A5	This Little Girl Of Mine	2:14	Ray Charles
A6	I'm Here To Get My Baby Out Of Jail	2:47	Karl And Harty
B1	Claudette	2:12	Roy Orbison
B2	Oh, What A Feeling	2:04	Don Everly
B3	Be-Bop-A-Lula	2:15	Gene Vincent, Sheriff Tex Davis
B4	Devoted To You	2:22	Boudleaux Bryant
B5	(Till) I Kissed You	2:23	Don Everly
B6	Keep A Knockin'	2:16	Richard Penniman
B7	Brand New Heartache	2:15	Boudleaux & Felice Bryant
C1	Wake Up, Little Susie	2:01	Boudleaux & Felice Bryant
C2	I Wonder If I Care As Much	2:12	Don Everly, Phil Everly
C3	Rip It Up	2:10	John Marascalco, Robert Blackwell
C4	When Will I Be Loved	1:59	Phil Everly
C5	All I Have To Do Is Dream	2:19	Boudleaux Bryant
C6	Lightning Express	4:31	Deane Kincaide
D1	Bird Dog	2:15	Boudleaux Bryant
D2	Take A Message To Mary	2:25	Boudleaux & Felice Bryant
D3	Like Strangers	1:58	Boudleaux Bryant
D4	Problems	1:56	Boudleaux & Felice Bryant
D5	Let It Be Me	2:35	Gilbert Bécaud, Mann Curtis
D6	Leave My Woman Alone	2:32	Ray Charles
D7	Since You Broke My Heart	1:55	Don Everly

Very Best Of The Everly Brothers (The)

Algemeen

Artiest	The Everly Brothers
Label	Warner Bros. Records
Datum uitgave	1963
Speelduur	0:00
Genre	Rock

Details

Producent	Archie Bleyer
Componist	Boudleaux & Felice Bryant
Opmerkingen	Released in 1964, "The Very Best of The Everly Brothers" features six re-recordings of Cadence hits and six Warner Bros. hits, newly recorded in Nashville, Tennessee.

Trackslijst

A1	Bye Bye, Love	0:00
A2	('Til) I Kissed You	0:00
A3	Wake Up, Little Susie	0:00
A4	Crying In The Rain	0:00
A5	Walk Right Back	0:00
A6	Cathy's Clown	0:00
B1	Bird Dog	0:00
B2	All I Have To Do Is Dream	0:00
B3	Devoted To You	0:00
B4	Lucille	0:00
B5	So Sad (To Watch Good Love Go Bad)	0:00
B6	Ebony Eyes	0:00

Rockin'

Algemeen

Artiest	The Guess Who
Label	Nimbus 9 Records
Datum uitgave	1972
Speelduur	38:28
Genre	Rock

Details

Producent
Componist
Opmerkingen	Rockin' is the tenth studio album by the Canadian rock band The Guess Who. It's also the last to feature Greg Leskiw on guitar. Two charting singles were released from the album. "Heartbroken Bopper" spent seven weeks on the Billboard Hot 100 peaking at number 47[2] and "Guns, Guns, Guns" spent six weeks on the Billboard Hot 100 peaking at number 70.[

Trackslijst

1	Heartbroken Bopper	4:57
2	Get Your Ribbons On	2:37
3	Smoke Big Factory	4:00
4	Arrivederci Girl	2:32
5	Guns, Guns, Guns	5:01
6	Running Bear	2:22
7	Back to the City	3:39
8	Your Nashville Sneakers	2:56
9	Herbert's a Loser	3:33
10	Hi, Rockers!	6:48

Another Night

Algemeen

Artiest	The Holies
Label	Polydor
Datum uitgave	1975
Speelduur
Genre

Details

Producent
Componist
Opmerkingen	Another Night is an album by English rock/pop band, the Hollies. It is the band's second album with returning vocalist Allan Clarke who rejoined in 1974 for the album Hollies, after leaving for a solo career in 1972. The album is made up of original material, with the exception of "4th of July, Asbury Park (Sandy)" by the (at the time) relatively unknown Bruce Springsteen. Allan Clarke - lead vocals, guitar, harmonica Terry Sylvester - guitar, vocals Tony Hicks - guitar, banjo, mandolin, bass, keyboards, vocals Bernie Calvert - bass, keyboards Bobby Elliott - drums Pete Wingfield - keyboards The Hollies are a British rock group best known for their pioneering and distinctive three-part vocal harmony style. The Hollies became one of the leading British groups of the 1960s (231 weeks on the UK singles charts during the 1960s, the 9th highest of any artist of the decade) and into the mid 1970s. The band was formed by Allan Clarke and Graham Nash in 1962 as a Merseybeat-type music group in Manchester, although some of the band members came from towns further north in East Lancashire. Graham Nash left the group in 1968 to form the supergroup Crosby, Stills & Nash. They enjoyed considerable popularity in many countries (at least 60 singles or EPs and 26 albums charting somewhere in the world, spanning over five decades), although they did not achieve major US chart success until 1966 with "Bus Stop". The Hollies had over 30 charting singles on the UK Singles Chart, and 22 on the Billboard Hot 100, with major hits on both sides of the Atlantic that included "Just One Look", "Look Through Any Window", "I Can't Let Go", "Bus Stop", "Stop Stop Stop", "On a Carousel", "Carrie Anne", "Jennifer Eccles", and later "He Ain't Heavy, He's My Brother", "Long Cool Woman in a Black Dress", and "The Air That I Breathe". The Hollies are one of the few UK groups of the early 1960s, along with the Rolling Stones, that have never disbanded and continue to record and perform. In recognition of their achievements, the Hollies were inducted into the Rock and Roll Hall of Fame in 2010.[3]

Trackslijst

A1	Another Night	3:46
A2	4th Of July, Asbury Park (Sandy)	3:02
A3	Lonely Hobo Lullaby	4:11
A4	Second Hand Hangups	4:27
A5	Time Machine Jive	3:06
B1	I'm Down	4:10
B2	Look Out Johnny (There's A Monkey On Your Back)	3:31
B3	Give Me Time	3:01
B4	You Gave Me Life (With That Look In Your Eyes)	3:43
B5	Lucy	4:58

I've Got the Music in Me

Algemeen

Artiest	The Kiki Dee Band
Label	EMI
Datum uitgave	1974
Speelduur	58:02
Genre	Rock

Details

Producent
Componist
Opmerkingen	Pauline Matthews (born 6 March 1947), better known by her stage name Kiki Dee, is an English singer born in Little Horton, Bradford, West Riding of Yorkshire. Known for her blue-eyed soul vocals, she was the first female singer from the UK to sign with Motown's Tamla Records.[1][2][3] Dee is best known for her 1974 hit "I've Got the Music in Me" and "Don't Go Breaking My Heart",[4] her 1976 duet with Elton John, which went to Number 1 both in the UK Singles Chart and the US Billboard Hot 100 chart. In 1993 she performed another duet with Elton John for his Duets album, a cover version of Cole Porter's "True Love",[4] which reached No. 2 in the UK. During her career, she has released 40 singles, three EPs and 12 albums. I've got the music in me is een single van de Kiki Dee Band. De b-kant was Simple melody. Het was de eerste hit van Kiki Dee in Nederland. Kiki Dee nam al singles op sinds 1963, maar kreeg pas echt succes toen ze overstapte naar het platenlabel Rocket Records van Elton John. Later had ze ook met Don't go breaking my heart een hit samen met hem. I've got the music in me is het eerste nummer op het album met dezelfde titel. Het nummer is geschreven door Bias Boshell, de toetsenist in de band. Boshell is de enige muzikant die zowel in Barclay James Harvest als in de Moody Blues heeft gespeeld. Diverse artiesten hebben een cover van het nummer opgenomen, waaronder Thelma Houston, Sheena Easton, Aretha Franklin en Céline Dion, echter zonder commercieel succes.

Trackslijst

1	I've Got the Music in Me	5:00
2	Someone to Me	3:47
3	Step by Step	4:31
4	Water	4:06
5	Out of My Head	4:16
6	Do It Right	6:02
7	Little Frozen One	4:35
8	Heart & Soul	4:33
9	You Need Help	5:47
10	Hard Luck Story	3:47
11	Everyone Should Have Their Way	3:57
12	Simple Melody	3:42
13	How Glad I Am	3:59

Lola

Algemeen

Artiest	The Kinks
Label	Pye Records
Datum uitgave	1971
Speelduur	13:47
Genre	Rock, Folk Rock

Details

Producent
Componist	Ray Davies
Opmerkingen

Trackslijst

1	Lola	3:56
2	Sunny Afternoon	3:35
3	Waterloo Sunset	3:16
4	Dedicated Follower of Fashion	3:00

Best Of The Korgis (The)

Algemeen

Artiest	The Korgis
Label	Rialto Records
Datum uitgave	1983
Speelduur	41:43
Genre

Details

Producent
Componist
Opmerkingen	is a compilation album of recordings by English pop band The Korgis. It was released on Rialto Records in the UK in 1983. A British pop band known mainly for their hit single "Everybody's Got to Learn Sometime" in 1980. The band was originally composed of singer/guitarist/keyboardist Andy Davis (born Andrew Cresswell-Davis 10 August 1949) and singer/bassist James Warren (born 25 August 1951), both former members of 1970s band Stackridge, along with violinist Stuart Gordon and keyboardist Phil Harrison. The Korgis released their first single "Young 'n' Russian" in early March 1979 on the label Rialto Records, owned by their managers Nick Heath and Tim Heath. Joined briefly by drummer Bill Birks; their next single "If I Had You," was released soon after and moved up to Number 13 on the UK Singles Chart,[1] prompting the release of an eponymous debut album, The Korgis, in July 1979. The follow up singles a re-release of “Young ‘n’ Russian” and “I Just Can’t Help It” failed to chart. However the next single, from their second album Dumb Waiters (1980) was "Everybody's Got to Learn Sometime" (1980), a hit in three countries, peaking at Number 5 in the UK[1], 18 in the US and 11 in Australia. The album reached Number 40 in the UK in 1980 and was followed by the singles "If It's Alright With You Baby" and "Rovers Return". The commercial breakthrough that accompanied the release of their second album and the resulting singles was not enough to keep them together, however, and Davis departed the band prior to the recording of their third album, Sticky George, despite having a number of songwriting credits on the album. The lead single from Sticky George, "That Was My Big Mistake", was released under the name 'James Warren & The Korgis' to denote the fact that Davis and Warren had now gone their separate ways. By the end of 1980 Gordon and Harrison had also departed the band; subsequently the band was augmented by the arrival of guitarist John Baker, drummer Roy Dodds, and keyboardist Maggie Stewart. This line-up went on to promote "Everybody's got to learn" and subsequent singles on European TV and promotional appearances. The following year the band was joined by flautist Steve Buck and was contemplating a Korgis Live show that ultimately failed to materialise; leading the band to dissolve and Warren to go solo in 1982. The single "Don't Look Back", originally a demo from the Sticky George sessions, was however remixed by Trevor Horn, at the time best known for his work with The Buggles, Dollar and Yes, and issued by London Records in the summer of 1982. A follow-up single with Horn, "Endangered Species", was planned but never materialised. Warren would go on to issue a solo LP entitled Burning Questions in 1986. Some of the singles during this era were released as 'The Korgis' (essentially a one-man band consisting solely of Warren during this period) and co-produced by Andy Davis. The band reunited in 1990 to re-record "Everybody's Got to Learn Sometime". The re-formed group, consisting of Warren, Davis, and Baker, released the album This World's For Everyone in 1992, having some success in Continental Europe and Japan, before breaking up again in 1993. 1999 saw the three original Korgis albums being re-issued by Edsel Records, followed by the two disc anthology Don't Look Back – The Very Best of The Korgis in 2003, issued by Sanctuary Records/Castle Communications. In 2005 Warren, Davis, and Baker reunited again for a film shoot for DVD/compilation album Kollection and recorded the fourteen-track album Unplugged, which was released on the Angel Air record label the following year. In 2006 the Korgis released their first single in thirteen years, "Something About The Beatles", which can be heard on Myspace.[2] This song belatedly acknowledges the influences of John Lennon in particular, which was very strong on "If I Had You" and "Everybody's Got To Learn Sometime" which capture the ethereal sounds of Lennon's early 1970s output. The band acknowledged John Lennon's influence in interviews at the time, shortly before his murder. Former member Stuart Gordon, died on 28 August 2014 from lung cancer. He was 63.[3] When Stackridge took a break from touring in 2014; Warren and Davis organised a tour of the UK in 2015 under the name of The Korgis and using exactly the same 5-piece line-up as Stackridge. The re-formed Stackridge usually included some Korgis songs in their live set. Stackridge retired in 2017, and a recording of the farewell concert was released as The Final Bow. In 2017, Warren, encouraged by old mate, guitarist/arranger Al Steele, played some dates as James Warren and Friends. This included a Korgis set, and has led on to the first ever touring version of The Korgis - featuring James Warren. The first gig was at The Sunshine Festival in August 2018, and saw the return of John Baker plus Glenn Tommie from Stackridge (who also played on the original of Everybody's Got To Learn Sometime), and Al Steele from the 1990s touring band. During 2019, the band have played in Leeds, Shoreham, Bristol, and the legendary 100 Club in London.

Trackslijst

01	Everybody's Got to Learn Sometime	4:13
02	If I Had You	3:54
03	All the Love in the World	3:38
04	I Just Can't Help It	3:44
05	If It's Alright With You Baby	4:01
06	That Was My Big Mistake	4:01
07	Domestic Bliss	2:55
08	O Maxine	2:39
09	Don't Say That It's Over	2:46
10	Drawn and Quartered	3:17
11	It's No Good Unless You Love Me	3:22
12	Rover's Return	3:31

All Time Greatest Hits

Algemeen

Artiest	The Mamas & The Papas
Label	ABC Records
Datum uitgave	1974
Speelduur	64:36
Genre	Pop, Folk Rock

Details

Producent	N/N
Componist	N/N
Opmerkingen

Trackslijst

A1	California Dreamin'	2:32
A2	Dedicated To The One I Love	2:56
A3	I Call Your Name	6:03
A4	Twelve-Thirty (Young Girls Are Coming To The Canyon)	3:20
A5	Creeque Alley	3:45
B1	Dancing In The Street	3:20
B2	For The Love Of Ivy	3:40
B3	Go Where You Wanna Go	2:32
B4	My Girl	3:35
B5	Look Through My Window	3:05
C1	Monday, Monday	3:12
C2	Words Of Love	2:13
C3	Twist And Shout	2:45
C4	I Saw Her Again Last Night	2:50
C5	Dream A Little Dream Of Me	3:24
D1	People Like Us	3:23
D2	You Baby	2:15
D3	Got A Feelin'	4:01
D4	Trip, Stumble And Fall	2:35
D5	Straight Shooter	3:10

Monday, Monday

Algemeen

Artiest	The Mammas & the Pappas
Label	RCA Victor
Datum uitgave	1966
Speelduur	0:00
Genre	Folk Rock

Details

Producent
Componist
Opmerkingen	The Mamas & the Papas were an American folk rock vocal group that recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips née Gilliam. Their sound was based on vocal harmonies arranged by John Phillips,[2] the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties. They released a total of five studio albums and seventeen singles over a four-year period, six of which made the Billboard top ten, and have sold close to 40 million records worldwide.[3] The band was inducted into the Rock and Roll Hall of Fame in 1998 for their contributions to the music industry.[1]

Trackslijst

1	Monday, Monday	0:00
2	California Dreamin'	0:00
3	Hey Girl	0:00
4	Spanish Harlem	0:00

Live

Algemeen

Artiest	The Manhattan Transfer
Label	Atlantic
Datum uitgave	1978
Speelduur	0:00
Genre	Jazz

Details

Producent
Componist
Opmerkingen	The Manhattan Transfer Live was recorded by The Manhattan Transfer live at Manchester on 23 April 1978, Bristol on 28 April 1978, and the Hammersmith Odeon Theatre, London, on 2 May 1978. The album was produced by Tim Hauser and Janis Siegel. This was the final album made with Laurel Massé. The album was not originally published in the United States,[1] under the catalogue number SD 19218, belonging to the series of Atlantic Records for the U.S. original publications,[2] was used for some local editions, as in Sweden and in Australia. In the US the album was published as an LP in 1979 by Mobile Fidelity Sound Lab in a collector's edition under the name "Original Master Recording" (discs made from the master original)[3] For many years, ending in 2005, The Manhattan Transfer Live was the only album of the group that was not reissued in the US on CD. Warner-Pioneer in Japan released a CD version in 1987. The cover of the standard editions of Atlantic Records was described by Janis Siegel as "the worst cover in history (perhaps only after Mecca for Moderns and Coming Out, is a drawing in a cartoon style of the four members of the group, and was reused for the re-release on CD of the Wounded Bird Records of 21 June 2005,[4] while that of the edition Mobile Fidelity Sound Lab is a photograph depicting the silhouette of the group at twilight (photography included in the inner envelope of the Atlantic version). The Manhattan Transfer is a jazz vocal group founded in 1969 that has explored a capella, vocalese, swing, standards, Brazilian jazz, rhythm and blues, and pop music. There have been two editions of the Manhattan Transfer, with Tim Hauser the only person to be part of both. The first group consisted of Hauser, Erin Dickins, Marty Nelson, Pat Rosalia, and Gene Pistilli. The second version of the group, formed in 1972, consisted of Hauser, Alan Paul, Janis Siegel, and Laurel Massé. In 1979, Massé left the group after being badly injured in a car accident and was replaced by Cheryl Bentyne. The group's long-time pianist, Yaron Gershovsky, accompanied the group on tour and served as music director. Trist Curless from the Los Angeles a cappella group m-pact became a permanent member in October 2014 following Hauser's death.[1]

Trackslijst

01	That Cat Is High	3.15
02	Snootie Little Cutie	3.19
03	Four Brothers	3.56
04	On a Little Street in Singapore	3.36
05	Java Jive	2.54
06	Walk In Love	3.20
07	Chanson D'Amour	2.36
08	Speak Up Mambo (Cuentame)	3.21
09	15 Minute Intermission	1.36
10	In the Dark	4.14
11	Je Voulais (Te Dire Que Je T'Attends)	4.49
12	Sunday	0.41
13	Candy	3.35
14	Well, Well, Well	1.52
15	Freddy Morris Monologue	1.07
16	Bacon Fat	3.33
17	Turn Me Loose	2.50
18	Operator	3.52
19	Tuxedo Junction	3.01

Pastiche

Algemeen

Artiest	The Manhattan Transfer
Label	Atlantic
Datum uitgave	1978
Speelduur	37:28
Genre	Pop, Swing

Details

Producent	Tim Hauser
Componist	Ira Newborn
Opmerkingen	Pastiche the fourth album by The Manhattan Transfer was released on January 19, 1978, by Atlantic Records. This was the last studio album recorded with Laurel Massé, who because of a car accident in early 1979, decided to end her association with the group. The album was re-issued on CD with Rhino as distributor on November 15, 1994.

Trackslijst

01	Four Brothers	3:48
02	A Gal in Calico	2:42
03	Love for Sale	4:00
04	Je voulais (te dire que je t’attends)	4:22
05	On a Little Street in Singapore	3:18
06	In a Mellow Tone	3:16
07	Walk in Love	3:04
08	Who, What, When, Where, Why	3:31
09	It’s Not the Spotlight	3:38
10	Pieces of Dreams	2:55
11	Where Did Our Love Go	2:50

Stormy Seas

Algemeen

Artiest	The Meteors
Label	CNR
Datum uitgave	1982
Speelduur	0:00
Genre	Rock

Details

Producent	The Meteors
Componist
Opmerkingen	The Meteors was een Nederlandse rockband die in hoofdzaak actief was van 1977 tot 1982. De groep werd in het najaar van 1977 opgericht door Ferdinand Bakker (gitaar), Job Tarenskeen (drums), die beiden in Alquin hadden gespeeld, en zanger en songwriter Hugo Sinzheimer (pseudoniem van Hugo Postma; hij gebruikte de naam van zijn moeder als artiestennaam). De eerste line up van de band bestond verder uit de Zweed Åke Danielson (keyboards), John Vee (pseudoniem van Jan Voster, basgitaar) en Erik de Zwaan (gitaar). Tarenskeen, Vee en De Zwaan verlieten in 1979 de groep. De Engelsman Kim Haworth (drums) en Gerrit Veen (bas) namen hun plaats in. Veen werd later vervangen door Freddie Cavalli (pseudoniem van Fred van Kampen) en weer later door Dick Schulte Nordholt. The Meteors bracht drie langspeelplaten uit. Teenage Heart (Bovema-Negram 1979) werd opgedragen aan Sylvia Kristel.[1] Hierna volgden Hunger (Harvest 1980), en Stormy Seas (CNR 1982). In 2004 werd Teenage Heart Xtra uitgebracht, een heruitgave van het eerste album uit 1979 aangevuld met live-opnamen. In 2005 volgde een heruitgave van Hunger, eveneens aangevuld met live-opnamen. Behalve in Nederland zijn er album releases in onder meer Duitsland, Frankrijk, Japan, Groot-Brittannië en de Verenigde Staten. De muziek van The Meteors is verwant aan David Bowie, Bryan Ferry en Brian Eno. Dit is mede het gevolg van de zang van Hugo Sinzheimer en de bemoeienis van de Duitste producer Conny Plank, producer van onder meer Eno, Devo, Ultravox en Eurythmics. The Meteors speelde niet alleen veel in Nederland, maar ook België, Duitsland en Engeland. Er werd in het totaal ruim 400 keer opgetreden. The Meteors was succesvol in het Nederlandse clubcircuit en hoorde tot een generatie rockbands die niet tot de punk maar meer tot de Nederlandse versie van de new-wave. Tot deze generatie behoorden onder meer ook Herman Brood & His Wild Romance, Phoney and the Hardcore, Vitesse, White Honey, Urban Heroes, The Spiderz, The Tapes, The Nits en Gruppo Sportivo. Tussen The Meteors en Herman Brood & The Wild Romance bestonden van oudsher nauwe contacten. Sinzheimer leverde teksten en nummers (samen met Erik Strack van Schijndel) voor de albums Street en Shpritsz. En gitarist Erik de Zwaan en basgitaristen Veen en Cavalli hadden bij Brood gespeeld voor ze naar The Meteors kwamen. Ondanks de pakkende nummers en het succes in de zalen wist de band nooit echt door te breken. De single It’s You, Only You (1979), kreeg veel aandacht op de radio, maar haalde slechts de Tipparade. Het nummer werd in 1983 opgenomen door Lene Lovich voor haar album No man's land en werd een hit in de VS. In 2004 en 2005 kwam de band opnieuw bij elkaar ter gelegenheid van de heruitgave op cd van de twee elpees, Teenage Heart en Hunger. Band members included singer Hugo Sinzheime, Åke Danielson (keyboards) Ferdinand Bakker (guitar), Gerrit Veen (bass) and Kim Haworth (drums Members Hugo Sinzheimer zang Åke Danielson toetsinstrumenten Gerrit Veen basgitaar Kim Haworth drums Ferdinand Bakker gitaar, viool (v/h Alquin) Former members Erik de Zwaan gitaar Jan Voster basgitaar Dick Schulte Nordholt basgitaar Freddie Cavalli basgitaar Job Tarenskeen achtergrondzang, drums (v/h Alquin) Albums 1979 - Teenage Heart, LP, Bovema Negram, 5C 064-26235 1980 - Hunger, LP, EMI Group, 1A 062-26540, 1980 peaked at No. 30 1982 - Stormy Seas, LP, CNR Records, 655155, 1982 2004 - Teenage Heart Xtra, EMI reissue of 1979 album with extra tracks 2005 - Hunger Xtra, EMI, reissue of 1980 album Singles "It's You, Only You" (Mein Schmerz), 7", 1979, Negram 5C 006-26213, B: "Night Life", 1979, Top 40 "Candy", 7 inch, 1980, Harvest 1A 006-26594, B: "It Sucks", 1981, Top 40 "Pilot", 7 inch, 1980, Harvest, 1A 006-26447, B: "Pilot Conversation", "Together Too Long, 7 inch, 1980, Harvest, 1A 006-26539, B: "Out Of The Race", 1980, Top 40, Tip "No Way In, No Way Out, 7 inch, 1981, Harvest, 006-26645, "Charms Or Chains" "Stormy Seas, 7 inch, 1982, CNR, 144926, B "Shoot Or Be Shot" 1982, Top 40 "Cha no yu", Maxi Disco Single, 1982, CNR, 151.084 B "Expedition 2 (Radio version)"

Trackslijst

01	Stormy Seas	4.45
02	Pilot	3.00
03	Rockets	3.37
04	Baroness	3.10
05	Calypso - Link Part 1	0.30
06	Cha No Yu	5.10
07	Satisfaction	3.40
08	Shoot Or Be Shot	4.19
09	Calypso - Link Part 2	0.30
10	Waste Of Soul	4.13
11	Lions	4.00
12	Stormy Seas	1.35

Teenage Heart

Algemeen

Artiest	The Meteors
Label	Bovema Negram
Datum uitgave	1979
Speelduur	35:20
Genre	Rock

Details

Producent
Componist
Opmerkingen	The Meteors was een Nederlandse rockband die in hoofdzaak actief was van 1977 tot 1982. De groep werd in het najaar van 1977 opgericht door Ferdinand Bakker (gitaar), Job Tarenskeen (drums), die beiden in Alquin hadden gespeeld, en zanger en songwriter Hugo Sinzheimer (pseudoniem van Hugo Postma; hij gebruikte de naam van zijn moeder als artiestennaam). De eerste line up van de band bestond verder uit de Zweed Åke Danielson (keyboards), John Vee (pseudoniem van Jan Voster, basgitaar) en Erik de Zwaan (gitaar). Tarenskeen, Vee en De Zwaan verlieten in 1979 de groep. De Engelsman Kim Haworth (drums) en Gerrit Veen (bas) namen hun plaats in. Veen werd later vervangen door Freddie Cavalli (pseudoniem van Fred van Kampen) en weer later door Dick Schulte Nordholt. The Meteors bracht drie langspeelplaten uit. Teenage Heart (Bovema-Negram 1979) werd opgedragen aan Sylvia Kristel.[1] Hierna volgden Hunger (Harvest 1980), en Stormy Seas (CNR 1982). In 2004 werd Teenage Heart Xtra uitgebracht, een heruitgave van het eerste album uit 1979 aangevuld met live-opnamen. In 2005 volgde een heruitgave van Hunger, eveneens aangevuld met live-opnamen. Behalve in Nederland zijn er album releases in onder meer Duitsland, Frankrijk, Japan, Groot-Brittannië en de Verenigde Staten. De muziek van The Meteors is verwant aan David Bowie, Bryan Ferry en Brian Eno. Dit is mede het gevolg van de zang van Hugo Sinzheimer en de bemoeienis van de Duitste producer Conny Plank, producer van onder meer Eno, Devo, Ultravox en Eurythmics. The Meteors speelde niet alleen veel in Nederland, maar ook België, Duitsland en Engeland. Er werd in het totaal ruim 400 keer opgetreden. The Meteors was succesvol in het Nederlandse clubcircuit en hoorde tot een generatie rockbands die niet tot de punk maar meer tot de Nederlandse versie van de new-wave. Tot deze generatie behoorden onder meer ook Herman Brood & His Wild Romance, Phoney and the Hardcore, Vitesse, White Honey, Urban Heroes, The Spiderz, The Tapes, The Nits en Gruppo Sportivo. Tussen The Meteors en Herman Brood & The Wild Romance bestonden van oudsher nauwe contacten. Sinzheimer leverde teksten en nummers (samen met Erik Strack van Schijndel) voor de albums Street en Shpritsz. En gitarist Erik de Zwaan en basgitaristen Veen en Cavalli hadden bij Brood gespeeld voor ze naar The Meteors kwamen. Ondanks de pakkende nummers en het succes in de zalen wist de band nooit echt door te breken. De single It’s You, Only You (1979), kreeg veel aandacht op de radio, maar haalde slechts de Tipparade. Het nummer werd in 1983 opgenomen door Lene Lovich voor haar album No man's land en werd een hit in de VS. In 2004 en 2005 kwam de band opnieuw bij elkaar ter gelegenheid van de heruitgave op cd van de twee elpees, Teenage Heart en Hunger. Band members included singer Hugo Sinzheime, Åke Danielson (keyboards) Ferdinand Bakker (guitar), Gerrit Veen (bass) and Kim Haworth (drums Members Hugo Sinzheimer zang Åke Danielson toetsinstrumenten Gerrit Veen basgitaar Kim Haworth drums Ferdinand Bakker gitaar, viool (v/h Alquin) Former members Erik de Zwaan gitaar Jan Voster basgitaar Dick Schulte Nordholt basgitaar Freddie Cavalli basgitaar Job Tarenskeen achtergrondzang, drums (v/h Alquin) Albums 1979 - Teenage Heart, LP, Bovema Negram, 5C 064-26235 1980 - Hunger, LP, EMI Group, 1A 062-26540, 1980 peaked at No. 30 1982 - Stormy Seas, LP, CNR Records, 655155, 1982 2004 - Teenage Heart Xtra, EMI reissue of 1979 album with extra tracks 2005 - Hunger Xtra, EMI, reissue of 1980 album Singles "It's You, Only You" (Mein Schmerz), 7", 1979, Negram 5C 006-26213, B: "Night Life", 1979, Top 40 "Candy", 7 inch, 1980, Harvest 1A 006-26594, B: "It Sucks", 1981, Top 40 "Pilot", 7 inch, 1980, Harvest, 1A 006-26447, B: "Pilot Conversation", "Together Too Long, 7 inch, 1980, Harvest, 1A 006-26539, B: "Out Of The Race", 1980, Top 40, Tip "No Way In, No Way Out, 7 inch, 1981, Harvest, 006-26645, "Charms Or Chains" "Stormy Seas, 7 inch, 1982, CNR, 144926, B "Shoot Or Be Shot" 1982, Top 40 "Cha no yu", Maxi Disco Single, 1982, CNR, 151.084 B "Expedition 2 (Radio version)"

Trackslijst

01	Action	2.54
02	It's You, Only You (Mein Schmerz)	4.01
03	Teenage Heart	3.24
04	Wired	4.15
05	Orbit	3.22
06	Blitzkrieg	2.12
07	Everything I Touch Turns Into Gold	3.3
08	Nina	2.30
09	My Balls Ache	3.14
10	Berlin	3.08
11	Hold Me Tight	2.52

Hunger

Algemeen

Artiest	The Meteors
Label	Harvest
Datum uitgave	1980
Speelduur	36:00
Genre	Rock

Details

Producent
Componist
Opmerkingen	The Meteors was een Nederlandse rockband die in hoofdzaak actief was van 1977 tot 1982. De groep werd in het najaar van 1977 opgericht door Ferdinand Bakker (gitaar), Job Tarenskeen (drums), die beiden in Alquin hadden gespeeld, en zanger en songwriter Hugo Sinzheimer (pseudoniem van Hugo Postma; hij gebruikte de naam van zijn moeder als artiestennaam). De eerste line up van de band bestond verder uit de Zweed Åke Danielson (keyboards), John Vee (pseudoniem van Jan Voster, basgitaar) en Erik de Zwaan (gitaar). Tarenskeen, Vee en De Zwaan verlieten in 1979 de groep. De Engelsman Kim Haworth (drums) en Gerrit Veen (bas) namen hun plaats in. Veen werd later vervangen door Freddie Cavalli (pseudoniem van Fred van Kampen) en weer later door Dick Schulte Nordholt. The Meteors bracht drie langspeelplaten uit. Teenage Heart (Bovema-Negram 1979) werd opgedragen aan Sylvia Kristel.[1] Hierna volgden Hunger (Harvest 1980), en Stormy Seas (CNR 1982). In 2004 werd Teenage Heart Xtra uitgebracht, een heruitgave van het eerste album uit 1979 aangevuld met live-opnamen. In 2005 volgde een heruitgave van Hunger, eveneens aangevuld met live-opnamen. Behalve in Nederland zijn er album releases in onder meer Duitsland, Frankrijk, Japan, Groot-Brittannië en de Verenigde Staten. De muziek van The Meteors is verwant aan David Bowie, Bryan Ferry en Brian Eno. Dit is mede het gevolg van de zang van Hugo Sinzheimer en de bemoeienis van de Duitste producer Conny Plank, producer van onder meer Eno, Devo, Ultravox en Eurythmics. The Meteors speelde niet alleen veel in Nederland, maar ook België, Duitsland en Engeland. Er werd in het totaal ruim 400 keer opgetreden. The Meteors was succesvol in het Nederlandse clubcircuit en hoorde tot een generatie rockbands die niet tot de punk maar meer tot de Nederlandse versie van de new-wave. Tot deze generatie behoorden onder meer ook Herman Brood & His Wild Romance, Phoney and the Hardcore, Vitesse, White Honey, Urban Heroes, The Spiderz, The Tapes, The Nits en Gruppo Sportivo. Tussen The Meteors en Herman Brood & The Wild Romance bestonden van oudsher nauwe contacten. Sinzheimer leverde teksten en nummers (samen met Erik Strack van Schijndel) voor de albums Street en Shpritsz. En gitarist Erik de Zwaan en basgitaristen Veen en Cavalli hadden bij Brood gespeeld voor ze naar The Meteors kwamen. Ondanks de pakkende nummers en het succes in de zalen wist de band nooit echt door te breken. De single It’s You, Only You (1979), kreeg veel aandacht op de radio, maar haalde slechts de Tipparade. Het nummer werd in 1983 opgenomen door Lene Lovich voor haar album No man's land en werd een hit in de VS. In 2004 en 2005 kwam de band opnieuw bij elkaar ter gelegenheid van de heruitgave op cd van de twee elpees, Teenage Heart en Hunger. Band members included singer Hugo Sinzheime, Åke Danielson (keyboards) Ferdinand Bakker (guitar), Gerrit Veen (bass) and Kim Haworth (drums Members Hugo Sinzheimer zang Åke Danielson toetsinstrumenten Gerrit Veen basgitaar Kim Haworth drums Ferdinand Bakker gitaar, viool (v/h Alquin) Former members Erik de Zwaan gitaar Jan Voster basgitaar Dick Schulte Nordholt basgitaar Freddie Cavalli basgitaar Job Tarenskeen achtergrondzang, drums (v/h Alquin) Albums 1979 - Teenage Heart, LP, Bovema Negram, 5C 064-26235 1980 - Hunger, LP, EMI Group, 1A 062-26540, 1980 peaked at No. 30 1982 - Stormy Seas, LP, CNR Records, 655155, 1982 2004 - Teenage Heart Xtra, EMI reissue of 1979 album with extra tracks 2005 - Hunger Xtra, EMI, reissue of 1980 album Singles "It's You, Only You" (Mein Schmerz), 7", 1979, Negram 5C 006-26213, B: "Night Life", 1979, Top 40 "Candy", 7 inch, 1980, Harvest 1A 006-26594, B: "It Sucks", 1981, Top 40 "Pilot", 7 inch, 1980, Harvest, 1A 006-26447, B: "Pilot Conversation", "Together Too Long, 7 inch, 1980, Harvest, 1A 006-26539, B: "Out Of The Race", 1980, Top 40, Tip "No Way In, No Way Out, 7 inch, 1981, Harvest, 006-26645, "Charms Or Chains" "Stormy Seas, 7 inch, 1982, CNR, 144926, B "Shoot Or Be Shot" 1982, Top 40 "Cha no yu", Maxi Disco Single, 1982, CNR, 151.084 B "Expedition 2 (Radio version)"

Trackslijst

01	Charms Or Chains	3.40
02	Bombitta	3.43
03	Work	3.43
04	No Way In, No Way Out	2.43
05	Don't Talk To Me	3.19
06	Candy	3.06
07	Monday Night Exile	3.05
08	It Sucks	3.58
09	Together Too Long	3.34
10	Cindy	3.00
11	Cubist Boy	3.07

This Is the Moody Blues

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Artiest	The Moody Blues
Label	Threshold Records
Datum uitgave	1974
Speelduur	93:34
Genre	Progressive Rock

Details

Producent
Componist
Opmerkingen	This Is the Moody Blues is een verzamelalbum van de Moody Blues, uitgebracht tijdens hun 4-jarige sabbatical. Het bevat songs van de albums van Days of Future Passed tot Seventh Sojourn.

Trackslijst

1	Question	5:39
2	The Actor	4:08
3	The Word	0:51
4	Eyes of a Child	2:35
5	Dear Diary	3:46
6	Legend of a Mind	6:35
7	In the Beginning	2:04
8	Lovely to See You	2:35
9	Never Comes the Day	4:39
10	Isn’t Life Strange	5:32
11	The Dream	0:51
12	Have You Heard, Part One	1:22
13	The Voyage	4:09
14	Have You Heard, Part Two	2:07
15	Ride My See‐Saw	3:34
16	Tuesday Afternoon	4:03
17	And the Tide Rushes In	2:58
18	New Horizons	5:07
19	A Simple Game	3:20
20	Watching and Waiting	4:18
21	I’m Just a Singer (in a Rock and Roll Band)	4:12
22	For My Lady	3:55
23	The Story in Your Eyes	2:46
24	Melancholy Man	5:07
25	Nights in White Satin	4:34
26	Late Lament	2:36

Caught Live +5

Algemeen

Artiest	The Moody Blues
Label	Decca
Datum uitgave	1977
Speelduur	75:46
Genre	Rock

Details

Producent
Componist
Opmerkingen	Caught Live + 5 is a live album by The Moody Blues, consisting of a 12 December 1969 live show at the Royal Albert Hall and five previously unreleased studio recordings from 1967 to 1968. The band's performance was a popular and critical success at the time. In his newspaper review of the event, music critic Jack Scott called the concert a "knockout victory for progressive pop," having a "rich, full sound that combined sensitivity with sheer popular punch." ... [B]eautifully controlled waves of volume kept excitement high ... They're not slaves to volume. Power was used judiciously with splendid effect, producing a clean-cut, undulating sound...[2] The recording showcases the band's versatility on different instruments, and their ability to perform complex material from their first four albums in a live setting. "Gypsy (Of a Strange and Distant Time)" is the only representative of the contemporary album To Our Children's Children's Children, likely because their method of heavy overdubbing on their records made much of the songs very difficult to successfully reproduce live. The "+5" studio tracks were re-released on their 1987 album Prelude. The 8-track tape version of this album has the distinction of being one of the few 8-tracks that is arranged exactly like the album, with no song breaks. While Caught Live + 5 managed to reach #26 during its American chart run, it missed the British listings completely, the first time this had occurred for The Moody Blues since their 1965 debut The Magnificent Moodies. The band remained unhappy with the album, and would not sanction its release on CD until 1996. This is the first Moody Blues album since Days of Future Passed not to feature cover artwork by Philip Travers. Decca Records instead used British art design group Hipgnosis.

Trackslijst

1	Gypsy	4:03
2	The Sunset	4:33
3	Dr. Livingstone, I Presume	3:23
4	Never Comes the Day	5:39
5	Peak Hour	5:13
6	Tuesday Afternoon	4:51
7	Are You Sitting Comfortably?	4:21
8	The Dream	0:58
9	Have You Heard? Part 1	1:22
10	The Voyage	3:37
11	Have You Heard? Part 2	2:33
12	Nights in White Satin	5:55
13	Legend of a Mind	7:05
14	Ride My See-Saw	4:30
15	Gimme a Little Somethin'	3:13
16	Please Think About It	3:44
17	Long Summer Days	3:12
18	King and Queen	3:55
19	What Am I Doing Here?	3:33

Summer Is Here

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Artiest	The Outsiders
Label	Relax
Datum uitgave	1967-05-00
Speelduur	6:32
Genre	Rock, Garage Rock

Details

Producent	John B. van Setten
Componist	Ronald Splinter, Wally Tax
Opmerkingen	The Outsiders was een Amsterdamse nederbeatband onder aanvoering van zanger Wally Tax. De band werd door Tax in 1960 opgericht toen hij 12 jaar was. In eerste instantie speelde de band voornamelijk in Amsterdamse gelegenheden. Later toerden de Outsiders door het hele land. The Outsiders speelden in het voorprogramma van het tweede optreden van The Rolling Stones in Nederland. Vanwege de chaos in 1964 in het Kurhaus organiseerde Paul Acket die toen in de Brabanthallen te 's-Hertogenbosch, op 26 maart 1966. Hitweek (het vakblad voor langharig werkschuw tuig) schreef dat The Outsiders beter waren dan de Stones en veel fans waren het daarmee eens. De Outsiders braken vervolgens landelijk door. De band had al een platencontract bij het OpArtlabel van Muziek Expres en namen You mistreat me en I Love Her Still, I Always Will op. Het werden geen hits, maar ze leverden de groep wel een contract bij platenmaatschappij Relax van Willem Duys op. Het erop volgende Lying All The Time belandde hoog in de hitparade, gevolgd door Touch, het bekendste nummer van The Outsiders. Andere hits zijn Keep On Trying, Monkey On Your Back en Summer is here. De stijl van The Outsiders was veel meer garagerock dan typische Nederbiet. De eerste langspeelplaat van The Outsiders bevatte naast studio-opnames ook live-opnames. Die waren op 17 februari 1967 opgenomen in Beatcentum 'De Schuur' in Breda. GTB Bakker's mobiele 8-sporenstudio was ter plaatse en nam in een dag de LP op. Dat was een primeur in Nederland. Een verslag vind je in "Outsiders door insiders" beschreven. De band trad op in Parijs in het voorprogramma van Little Richard. Zanger Wally Tax had inmiddels ook solo een aantal successen.

Trackslijst

A	Summer Is Here	3:22
B	Teach Me To Forget You	3:10

Zenyattà Mondatta

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Artiest	The Police
Label	A&M Records
Datum uitgave	1980
Speelduur	38:06
Genre	Rock

Details

Producent
Componist
Opmerkingen	Zenyatta Mondatta (spelled as Zenyattà Mondatta on the album cover artwork) is the third studio album by English rock band The Police, released in 1980. It was co-produced with Nigel Gray. It features the two hit singles: "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". It reached number one on the UK Albums Chart.[1] The album won The Police two Grammy Awards including Best Rock Performance by a Duo or Group with Vocal for "Don't Stand So Close to Me" and The Police's second consecutive win for Best Rock Instrumental Performance for "Behind My Camel".[2] The album is the last of the Police's early era, influenced by reggae and punk and featuring few musical elements on top of the core guitar, bass, and drums. The record has two instrumentals, "The Other Way of Stopping" (named from a line in Bob Newhart's "The Driving Instructor" routine) and the Grammy-winning "Behind My Camel" . "Behind My Camel" was guitarist Andy Summers' first entirely self-penned composition. As Sting refused to play on it, Summers recorded the bass line himself, overdubbing the guitar parts. According to Sting, "I hated that song so much that, one day when I was in the studio, I found the tape lying on the table. So I took it around the back of the studio and actually buried it in the garden."[5] Nigel Gray believed that the title was an in-joke by Summers: "He didn't tell me this himself but I'm 98% sure the reason is this: what would you find behind a camel? A monumental pile of shit." The song went on to win the 1982 Grammy for Best Rock Instrumental Performance.[6] "Bombs Away" was recorded on a tape that Nigel Gray had just used with Siouxsie and the Banshees. Copeland said: "when he first set up his home studio he got hold of a load of second hand tape which included some stuff by Siouxsie and the Banshees. Bombs Away was written on a Siouxsie and the Banshees backing track. I changed the speed and did things to the EQ to change the drum pattern. So with the desk I can get my song playing, then press a switch and there's Siouxsie singing away."[7] Zenyatta Mondatta also saw the band's lyrics turning towards political events, with Sting's "Driven to Tears" commenting on poverty and Copeland's "Bombs Away" referring to the Soviet invasion of Afghanistan. These themes became more prevalent in the Police's next album, Ghost in the Machine.

Trackslijst

1	Don't Stand So Close to Me	4:03
2	Driven to Tears	3:21
3	When the World Is Running Down, You Make the Best of What's Still Around	3:33
4	Canary in a Coalmine	2:24
5	Voices Inside My Head	3:51
6	Bombs Away	3:07
7	De Do Do Do, de da da Da	4:09
8	Behind My Camel	2:53
9	Man in a Suitcase	2:15
10	Shadows in the Rain	5:09
11	The Other Way of Stopping	3:21

Reggatta de Blanc

Algemeen

Artiest	The Police
Label	A&M Records
Datum uitgave	1979
Speelduur	42:06
Genre	Rock

Details

Producent	Nigel Gray
Componist
Opmerkingen	Reggatta de Blanc is the second studio album by English rock band The Police, released on 2 October 1979. It features the

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