194

Pussy Cats


General

Medium: Vinyl
Artist: Nilsson
Label: RCA Victor
Year: 1974
Genre: Rock; Pop Rock
URL: http://musicbrainz.org/release/cc59710f-d564-414d-aece-e11da2a9e2de.html##MusicBrainz
Composer:
Producer: Lennon, John

Tracks

Title Artist Length
Many Rivers to Cross Nilsson 5:01::Nilsson
Subterranean Homesick Blues Nilsson 3:22::Nilsson
Don't Forget Me Nilsson 3:41::Nilsson
All My Life Nilsson 3:16::Nilsson
Old Forgotten Soldier Nilsson 4:18::Nilsson
Save the Last Dance for Me Nilsson 4:33::Nilsson
Mucho Mungo / Mt. Elga Nilsson 3:48::Nilsson
Loop De Loop Nilsson 2:43::Nilsson
Black Sails Nilsson 3:18::Nilsson
Rock Around the Clock Nilsson 3:12::Nilsson

Personal

Rating: 3 stars
Purchase Date: 10/12/2017
Gift:
Purchase Price:
Loaned:
Keywords:
Favorite:
Location:

Comments

Pussy Cats is the tenth album by American singer Harry Nilsson, released in 1974. It was produced by John Lennon during his "Lost Weekend" period. The album title was inspired by the bad press Nilsson and Lennon were getting at the time for being drunk and rowdy in Los Angeles. They also included an inside joke on the cover – children's letter blocks "D" and "S" on either side of a rug under a table − to spell out "drugs under the table" in code. The album was started in Los Angeles, but Lennon ultimately finished producing it in New York,[5] where he could better control the sessions. During the recording sessions, Nilsson ruptured one of his vocal cords but chose to keep this from Lennon. He forced himself to push through the sessions, which caused even more damage, that some say he never quite recovered from. Among the many musicians on Pussy Cats are drummers Ringo Starr, Keith Moon and Jim Keltner, who actually all play together (on three drum kits) on the closing track, "Rock Around the Clock". Other contributors include Jesse Ed Davis, Klaus Voormann, and Bobby Keys. After the first night of recording, March 28, Paul McCartney and Stevie Wonder popped into the studio unexpectedly.[6] Bootleg recordings from this session were later released as the album A Toot and a Snore in '74. A quadrophonic version was released on record and eight-track tape. The songs were treated to special mixes for this issue of the album.