Zenyattà Mondatta


Artist: Police, The
Label: A&M Records
Year: 1980
Genre: Rock
URL: http://musicbrainz.org/release/222e0ab0-40ef-4277-a63b-fce1f37d79b6.html##MusicBrainz


Title Artist Length
Don't Stand So Close to Me The Police 4:03::The Police
Driven to Tears The Police 3:21::The Police
When the World Is Running Down, You Make the Best of What's Still Around The Police 3:33::The Police
Canary in a Coalmine The Police 2:24::The Police
Voices Inside My Head The Police 3:51::The Police
Bombs Away The Police 3:07::The Police
De Do Do Do, de Da Da Da The Police 4:09::The Police
Behind My Camel The Police 2:53::The Police
Man in a Suitcase The Police 2:15::The Police
Shadows in the Rain The Police 5:09::The Police
Other Way of Stopping, The The Police 3:21::The Police


Rating: 4 stars
Purchase Date: 09/12/2017
Purchase Price:


Zenyatta Mondatta (spelled as Zenyattà Mondatta on the album cover artwork) is the third studio album by English rock band The Police, released in 1980. It was co-produced with Nigel Gray. It features the two hit singles: "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". It reached number one on the UK Albums Chart.[1] The album won The Police two Grammy Awards including Best Rock Performance by a Duo or Group with Vocal for "Don't Stand So Close to Me" and The Police's second consecutive win for Best Rock Instrumental Performance for "Behind My Camel".[2] The album is the last of the Police's early era, influenced by reggae and punk and featuring few musical elements on top of the core guitar, bass, and drums. The record has two instrumentals, "The Other Way of Stopping" (named from a line in Bob Newhart's "The Driving Instructor" routine) and the Grammy-winning "Behind My Camel" . "Behind My Camel" was guitarist Andy Summers' first entirely self-penned composition. As Sting refused to play on it, Summers recorded the bass line himself, overdubbing the guitar parts. According to Sting, "I hated that song so much that, one day when I was in the studio, I found the tape lying on the table. So I took it around the back of the studio and actually buried it in the garden."[5] Nigel Gray believed that the title was an in-joke by Summers: "He didn't tell me this himself but I'm 98% sure the reason is this: what would you find behind a camel? A monumental pile of shit." The song went on to win the 1982 Grammy for Best Rock Instrumental Performance.[6] "Bombs Away" was recorded on a tape that Nigel Gray had just used with Siouxsie and the Banshees. Copeland said: "when he first set up his home studio he got hold of a load of second hand tape which included some stuff by Siouxsie and the Banshees. Bombs Away was written on a Siouxsie and the Banshees backing track. I changed the speed and did things to the EQ to change the drum pattern. So with the desk I can get my song playing, then press a switch and there's Siouxsie singing away."[7] Zenyatta Mondatta also saw the band's lyrics turning towards political events, with Sting's "Driven to Tears" commenting on poverty and Copeland's "Bombs Away" referring to the Soviet invasion of Afghanistan. These themes became more prevalent in the Police's next album, Ghost in the Machine.